The desert is a landscape in constant transformation. Shaped by the wind, its dunes, ridges, and fissures emerge and fade in an ever-shifting expanse, as if the scenery itself were alive. It is a land of stark contrasts, where the scorching heat of the day gives way to the crisp coolness of the night, revealing nature in its most primal form. In such a dynamic and untamed environment, how can architecture not only integrate but also respect and engage with its surroundings? This is the challenge faced by hotels built within Latin America’s vast desert landscapes.
As the construction industry intensifies its efforts towards sustainability, architects and developers are actively seeking innovative solutions to reduce the environmental footprint of buildings. Trimo, a global leader in architectural façade and roofing solutions, is at the forefront of this transformation with its NEXT product range—Qbiss One NEXT and Trimoterm NEXT—which are setting new standards in sustainability. Designed to support the global shift to net-zero carbon construction, these products embody cutting-edge technology, lower carbon emissions, and high recyclability, all while delivering superior performance and aesthetics.
"Living Scaffolding" is the name of the proposal selected to represent Peru at the 19th International Architecture Exhibition – La Biennale di Venezia. Curated by architects Alex Hudtwalcker, Sebastián Cillóniz, and Gianfranco Morales, along with historian José Ignacio Beteta, the exhibition tells the story of a totora reed raft that, in 1988, embarked on a sea journey to other ports in South America and Polynesia. Its unprecedented expedition began on the Peruvian coast south of Lima and lasted 54 days at sea. The raft was the result of a collective, handcrafted effort and a significant structural challenge. The exhibition aims to highlight the importance of ancestral knowledge in addressing such challenges, celebrate materials essential to Peruvian cultural heritage, and expose the value of collective intelligence.
MVRDV has just released its design for LuLa Light Mall, an open-air shopping center under construction in Chengdu's Luxelakes Eco-City, China. The scheme consists of stacked boxes with open spaces between them, creating terraces, walkways, and staircases that integrate the natural surroundings and provide views of the nearby lake. Luxelakes Eco-City, a developing district in southern Chengdu, spans 5.5 square kilometers and features 1.4 square kilometers of lakes and green spaces. The mall's location, positioned between the natural landscape to the southeast and high-rise buildings to the northwest, serves as a transition between urban and natural environments.
Named one of ArchDaily's Best New Practices in 2024, MEAN* (Middle East Architecture Network) is redefining the architectural landscape of the region by merging computational design, digital fabrication, and material research with local heritage. Founded in 2016, the studio takes a forward-thinking approach, developing site-specific architectural solutions that balance technological innovation with cultural continuity. Their work spans projects of various scales, from experimental furniture like the Mawj Chair to urban-scale interventions such as The Adaptive Majlis, a digitally fabricated reinterpretation of traditional cooling and social spaces. By integrating advanced tools like parametric design, AI, and 3D printing with local materials, MEAN* is crafting a new architectural language that reflects both the aspirations of the future and the depth of the past.
Rebirth Brick. Image Courtesy of Jiakun Architects
The world watches China's development with a mix of admiration, curiosity, and apprehension. From massive infrastructure projects—such as hydroelectric plants and a modern high-speed rail network—to the emergence of entire cities built from scratch, the country showcases an ambitious growth strategy and an impressive capacity for execution. However, this rapid progress also brings significant challenges and stark contrasts. On one hand, modernity asserts itself in futuristic skyscrapers and cutting-edge technology; on the other, there remains a pressing need to preserve the country's rich cultural and historical heritage, reflected in ancient temples, imperial palaces, and historic cities.
Rapid urban growth has also introduced issues such as overcrowding, environmental pollution, increasing social inequality, and the loss of agricultural land. Large-scale urbanization has led to the disappearance of traditional villages, environmental degradation, and the homogenization of architecture and lifestyles in many Chinese cities. It is within this context that Liu Jiakun, awarded the 2025 Pritzker Prize, stands out for his subtle yet profoundly transformative architectural approach. His work responds to these and other challenges of Chinese society while valuing traditional materials and techniques, as well as the creation of communal spaces.
Leonardo.ai. AI-generated image by ZIGURAT Institute of Technology. Image :Courtesy of ZIGURAT
"We stand on the brink of a revolution in construction. The introduction of Artificial Intelligence is set to inevitably transform a sector that has, until now, been traditional and scarcely digitalized. Soon, we will witness a paradigm shift in how we approach every stage of the construction process, and industry professionals must lead the change," warns Lilian Ho, BIM & Digital Leader in AEC industry.
Desert X is a site-specific international art exhibition taking place this year across the Coachella Valley, California. Its fifth edition, curated by Artistic Director Neville Wakefield and co-curator Kaitlin Garcia Maestas, opened on March 10, 2025, featuring eleven installations by international artists integrated into the desert landscape. Artists were invited to propose alternative ways of perceiving a world "increasingly encircled by the transformational effects of nature and humanity," through physical installations in specific locations within the California desert. In this context, architecture is understood as the most visible evidence of human transformation, while immaterial elements, such as wind and light, highlight the transformative effects not only of human activity but also of nature itself. The exhibition is free and open to all, running through May 11, 2025. Below are images and descriptions of the eleven art installations featured in this year's Desert X exhibition.
Diller Scofidio + Renfro has unveiled the design for the new Frederick S. Pardee School for Global Studies at Boston University, a project aiming to integrate sustainability, urban density, and interdisciplinary collaboration. The 70,000-square-foot building will rise 186 feet, making it the tallest mass timber tower in the Northeast United States. Situated on a former parking lot at the heart of the university's campus, the structure will occupy just 10% of the site, allowing for the creation of a central green space in the future.
Humid environments present some of the most complex challenges in architectural design. From the tropical monsoon season of Southeast Asia to the equatorial heat of Central Africa, these environments demand solutions that account for intense moisture, high temperatures, and the constant battle against mold, decay, and stagnation. Yet, for centuries, communities in these regions have developed architectural techniques that do not fight against humidity but instead work with it, leveraging local materials, climate-responsive design, and passive cooling techniques to create sustainable and livable spaces. By considering atmosphere as a sensory and climatic phenomenon, architects will craft spaces that are not only evocative but also responsive, adaptive, and sustainable.
At a global level, contemporary architecture continues to explore tools and design methodologies to integrate nature into habitable spaces, given its proven benefits and contributions to improving people's quality of life. While there are diverse religious beliefs around the world, religious architecture generally expands beyond its uses and functions to connect with the sacred. Senses, memories, and emotions are transmitted in these spaces through the use of certain materials, spatial organizations, and even sounds and aromas that enhance experiences in atmospheres of spirituality, divinity, and reflection. In Mexico, Chile, Ecuador, Brazil, and Uruguay, projects for places of worship open to the outdoors reflect an architecture that adapts to different natural environments while maintaining the premise that each religion is tied to a social identity and requires a particular connection with its community and surrounding landscape.
Challenging conventions has been a constant in artistic production throughout history, always seeking to reframe established limits. In the 20th century, societal, historical, and technological changes created the perfect context for profound architectural reconfiguring. In this process, modernism introduced new ideas around functionality, breaking with the ornamentation of the past. However, building on that foundation, minimalism further refined the reduction of form to its essence. Focusing on the relationship between space, restraint, and light, the Minimalist movement transformed contemporary architecture and interior design, turning windows into a fundamental resource for sensory perception and interaction with the atmosphere and space, opening up a realm of introspective, sensitive, and refined exploration.
https://www.archdaily.com/1027602/frameless-is-more-how-minimalist-windows-shape-architectural-atmospheresEnrique Tovar
This International Women's Day, we celebrate the contributions of women in architecture, a field traditionally dominated by men. While dominant narratives may overlook their significant impact, as the history of architecture is replete with examples of women subtly but powerfully shaping the profession. When limited to a draftsman position, Ester McCoy took a step back not to disengage but to better observe. She became the first architectural critic and historian to notice the unique flavor of Modernism developing along the West Coast during the 1950s, bringing names such as Richard Neutra, or Luis Barragan to the forefront of architectural discussions. Similarly, the name Aline Louchheim may not be a widely recognized one among architects, but, because of her, the name Eero Saarinen surely is. The profession of architectural publicist also emerged through this collaboration. These stories remind us that recognizing women's achievements in architecture is not about celebrating gender, but about acknowledging a historical bias that has hindered the entire field's progress.
Overall Framework Render. Image Courtesy of Sasaki
Salalah is Oman's largest logistics port and its second-largest city. Located within a two-hour flight from Dubai and a 90-minute flight from Muscat, the city attracted over one million tourists in 2024. As part of the Oman Vision 2040 investment plan, Oman's Ministry of Housing and Urban Planning has commissioned Sasaki to develop a master plan for redesigning the city's waterfront. The plan includes renovating the city's coastal public spaces and constructing new housing and infrastructure to accommodate projected growth. The project is part of a broader initiative to double tourism's contribution to the nation's GDP by 2030, with on-site construction set to begin later this year, in 2025.
Henning Larsen has just launched a new initiative in Esbjerg, Denmark, aimed at rethinking urban spaces through the perspectives of teenage girls. Developed in collaboration with Esbjerg Municipality, Ramboll, Catapult Projects, and KOMPAN, the project builds on research from the Urban Minded framework to explore how co-creation can shape more inclusive public environments. Supported by a 2.3 million DKK grant from the Villum Foundation and 485,000 DKK from the Ramboll Foundation, the initiative seeks to address an often-overlooked demographic in urban planning. As cities continue to evolve, conversations around gender-inclusive urban spaces have gained momentum, particularly in light of International Women's Day.
Westmark Lower School / NBBJ. Image Courtesy of NBBJ
Publicly occupied spaces can be overwhelming. Airports, schools, stadiums, and workplaces all feature environments with visual chaos that can be disorienting and stressful for individuals, especially those who are neurodiverse. The bombardment of stimuli, unpredictable movements, and competing visual information can create barriers to occupant comfort. Architects are regularly encouraged to create spaces that recognize and honor individual differences. Designing for neurodiversity is one way of championing inclusivity and extending principles of universal design.
Architecture and its atmospheric qualities have long been a subject of discussion, yet reaching a consensus on the matter remains elusive. This is largely because spatial experience is deeply personal—rooted in emotions, sensory perceptions, and individual preferences that are difficult to articulate in words alone. The way one perceives, feels, and interacts with a space adds another layer of complexity, making it challenging to define and agree upon its atmospheric impact. Nevertheless, architects and designers continuously strive to shape environments that are not only functional and comfortable but also capable of evoking emotions and leaving a lasting impression on their occupants.
Transforming urban buildings into clean energy plants is a bold and powerful strategy to combat the climate crisis, reduce dependence on centralized grids, and promote more resilient, sustainable cities. Since 2010, cities have been responsible for over 75% of global electricity use, a demand historically met by fossil fuels as urbanization has increased since the Industrial Revolution. By the late 19th century, hydroelectric power began gaining relevance as a renewable alternative. However, with rapid advancements in solar technology, urban buildings now have the unprecedented potential to become self-sufficient power hubs.
Prefabrication is one of the most transformative innovations in architecture and construction, redefining how buildings are designed, manufactured, and assembled. While not a new concept, its application has evolved to offer a broader range of advantages. Traditionally valued for its precision and quality, prefabrication is now equally recognized for its cost and time efficiencies, particularly in leveraging regional differences in labor and production. This shift has fueled its resurgence across high-end, design-driven projects and large-scale, cost-efficient public buildings.
In recent years, the Argentine architectural field has been shaped by a group of young architects striving to create architecture that responds innovatively to contemporary needs and, above all, to local contexts. Adding their individual perspectives and interests, among them, we can highlight the work of architects Tomás Balparda and Fernando Brunel.
Portrait of Ricardo Scofidio. Image via Diller Scofidio + Renfro
Ricardo Scofidio, a distinguished figure in the world of architecture, passed away on March 6, 2025, at the age of 89. Born in New York City in 1935, Scofidio co-founded the influential architecture firm Diller Scofidio + Renfro (DS+R) with his partner Elizabeth Diller in 1979. Together, they brought to the profession a conceptual art sensibility, influencing the design of globally recognized cultural landmarks and public spaces. Among their most notable projects are the High Line in Manhattan and the transformation of Lincoln Center, each reflecting the studio's ambition of challenging conventional architectural premises.
In a world facing resource scarcity, rapid digital transformation, and evolving societal demands, the need for dynamic dialogue between architects, designers, product developers, and manufacturers has never been more crucial. In 2025, the ICONIC AWARDS will take things further with an expanded and refreshed platform that unites architecture, interior design, and product innovation—spanning from buildings to furniture—all under one roof. The German Design Council is merging the former "Innovative Architecture" and "Interior Products" awards to create a powerful new stage for visionary ideas and groundbreaking solutions.
In the autumn of 2024, the Kistefos Museum Foundation invited 28 architectural firms to participate in a prequalification process to design a new site-specific standalone gallery. Scheduled to open in 2031, the new museum building will house the art collection of the museum's founder, Christen Sveaas. The gallery will join Kistefos' sculpture park, which features 55 works by international artists such as Yayoi Kusama, Olafur Eliasson, Fernando Botero, and Anish Kapoor, as well as an industrial museum and BIG's award-winning art gallery, The Twist. Additionally, a new visitor center, designed by the Oslo-based architectural firm Lund Hagem, is set to open in 2026.
