Throughout history, it has become clear that the key to long-lasting and sustainable projects is to lay solid foundations. Our society is headed towards a more urban future in which the density of metropolises will be ever greater. That is why this more urban tomorrow requires modern urban planning capable of building innovative, sustainable and flexible structures. Because the only way to make our society live better is to build better.
One of the biggest current challenges in large cities is the housing crisis and the lack of efficient solutions to mitigate its effects on citizens. This problem is exacerbated in cities where tourism and vacation or temporary housing dominate the market, distancing residents from the possibility of accessing affordable urban housing. Furthermore, gentrification, driven by rising rents and real estate speculation, contributes to the displacement of local communities, transforming traditional neighborhoods into areas exclusively oriented toward tourist consumption.
The Aga Khan Award for Architecture has announced the Master Jury for the 16th award cycle. The independent panel includes Pritzker Prize laureate Yvonne Farrell, ArchDaily founder David Basulto, and Lucia Allais, director of the Buell Center. Established in 1977 by Aga Khan IV, this competition set out to highlight architectural projects that have a significant positive impact on Islamic communities worldwide. The Award is presented in three-year cycles and has a monetary prize totaling US$1 million.
MVRDV, in collaboration with JGE Architects, landscape architects Copley Wolff, and Langan Engineering, has developed a masterplan for the redevelopment of Faneuil Gardens, a public housing site in the Brighton neighborhood of Boston. This project, commissioned by The Community Builders in partnership with the Boston Housing Authority, aims to replace the outdated 1940s apartment complex with five contemporary buildings that incorporate mixed-income affordable housing, artist live-work spaces, and significant green spaces. At the center of the redevelopment is a new community center, located along a public boulevard that runs through the heart of the site.
Architecture has long been understood as a powerful tool for shaping the physical environment and social dynamics within it. However, its potential to foster social equity is often overlooked. Empathy-driven design invites architects to approach their work not only as creators of space but as facilitators of human connection and community well-being. This approach centers on understanding people's lived experiences, struggles, and aspirations — particularly marginalized communities — and responding to their needs through thoughtful, inclusive architecture. It goes beyond aesthetics and functionality, instead focusing on creating spaces fostering dignity, accessibility, and social equity. By prioritizing empathy, architects can design environments that uplift communities, address disparities, and create inclusive spaces that promote positive societal change in a tangible, human-centered way.
The almost cliché image of the white picket fence has become synonymous with the ideals of the American Dream. Behind the fence, there is invariably a perfectly manicured lawn, a green carpet upon which life can unfold. This image and its associations are not, however, accidental. In her book, "Domesticity at War", Beatriz Colomina notices that, since the Second World War, the lawn has taken a central space in the imagination of the country, becoming first a in order to make space for diversity, both social and ecological. symbol of the stability of the homes soldiers were hoping to return to, offering a space where those at home could still perform duties for the nation, and, after the war, propagating the image of an idealized lifestyle, one maintained with hard work and dedication. In recent years, the lawn has emerged once again as a site of conflict, this time between those hoping to preserve this idealized image, and those seeking to break the uniformity in order to make space for diversity, both social and ecological.
Buildner, in collaboration with building materials manufacturer Kingspan, has announced the winners of the MICROHOME Kingspan Edition, awarding a total prize fund of 150,000 EUR. This year's competition, now in its seventh edition, attracted professional and student architects and designers from 115 countries.
Architecture firm SO – IL has revealed plans for a new residential condominium project planned for Brooklyn's Fort Greene neighborhood. Named 144 Vanderbilt, the development offers 26 condominiums and amenities spanning almost 90,000 square feet. According to SO – IL, the architecture takes cues from Brooklyn's historical heritage, while incorporating a modern twist, as the staggered building prioritizes community interactions and comfortable urban living.
Foster + Partners have just unveiled designs for a new live-work building in Seoul, South Korea, which aims to redefine business hospitality with a personalized approach. This structure is set to accommodate professionals seeking a mixture of work and leisure in an urban environment. With an emphasis on comfort, functionality, and well-being, the building incorporates spaces designed for hosting and entertaining, along with dedicated meeting and negotiation rooms. It also features state-of-the-art wellness facilities, making it a unique setting for both work and relaxation. The project consists of twelve private units, each occupying an entire floor, providing a unique living experience tailored to individual needs.
When we think of spaces that foster meditation, our minds often travel either to Japan's Zen gardens, where clean lines and carefully arranged landscaping call for stillness, or to Scandinavia's designs with neutral tones and soft fabrics. These styles evoke a sense of calm through simplicity, often seen as a characteristic of Japanese and Northern European architectural styles. Yet, stillness and meditation are not restricted to these types of settings. Latin American architectural traditions also offer powerful, though often overlooked, approaches to meditative spaces. With earthy tones of terracotta, rough adobe textures, intimate courtyards, and a strong connection to nature, these environments call for reflection through warmth and material richness, creating spaces that are calming without being understated.
From subtle light beams to wide openings, skylights transform natural light into a powerful architectural tool, creating a dynamic interplay of light and shadow that adds movement and vitality to buildings. This intricate dance captivates not only with the patterns the light casts on surfaces but also with the practical benefits of overhead lighting, such as improved thermal comfort and enhanced well-being.
Landscape architecture firm SCAPE together with Bjarke Ingels Group have announced plans to transform Connecticut's Manresa Island into a public-oriented development as a hub for learning, exploration, and community engagement. Originally slanted for private waterfront housing, the new scheme aims to open up the area as a public park with ample waterfront access, a project led by SCAPE. Additionally, the decommissioned coal-fired power plant is set to be converted by BIG into a community hub for multiple activities including swimming, small and large-scale events, research, and educational rooms. Supported by a private philanthropic investment from Austin McChord, the project is set to open in 2030 through a phased development.
Alma Zevi has developed a book offering an intimate and definitive account following the career of Swiss sculptor, painter, and architect Not Vital. This comprehensive book delves into Vital's pomading life, seeking and building homes in various cities, from Paris, New York, Beijing, and Rio de Janeiro. The book explores the artist's seminal sculpture practice and architectural projects, featuring a catalog of over 450 sculptures and related works. Drawing on archival material and personal interviews with the artist, Zevi seeks to provide a portrait of his career to date.
In his book "Curation: The Power of Selection in a World of Excess," Michael Bhaskar defines curation as "using acts of selection and arrangement (but also refining, reducing, displaying, simplifying, presenting, and explaining) to add value." Originating from the Latin word curare, meaning to take care of, the curator's role in dissecting our understanding of the world around us cannot be overlooked. Over time, as the definition morphs into different bodies, the practice of curation continues to evolve, filling the roles of caretakers of our built environment and thinkers of different forms for the overall bettering of society.
Crisis, crisis, crisis... and guess what? More crises. Every time we hear that word, it all feels more daunting. But here's the thing: with every challenge comes an opportunity. From the affordable housing shortage to the economic downturn and the climate emergency, there's always a new challenge, opening the door to new possibilities. But the truth is, none of these are isolated events; they're all interconnected in some way, forming different facets of the same story. Perhaps one of the least mentioned, particularly when it comes to the built environment, is the global food crisis, which is growing (almost) silently, waiting to take center stage. It poses various challenges for future food production, especially in cities.
On September 27, 2024, the Paul Rudolph Institute of Modern Architecture has announced that the Sanderling Beach Club, a complex of beachside buildings 1952 building designed by Paul Rudolph in 1952 in Sarasota, Florida, has been completely destroyed by Hurricane Helene. The severe tropical storm, a Category 4 Hurricane, has had a devastating impact on communities across Florida, Georgia, North Carolina, South Carolina, and Virginia.
The University of Texas at Dallas (UT Dallas) has reached two major milestones in its 12-acre cultural development, the Edith and Peter O'Donnell Jr. Athenaeum: the grand opening of the Crow Museum of Asian Art and the groundbreaking of a new performance hall and music building. Designed by architectural firm Morphosis, the Crow Museum of Asian Art serves as the centerpiece of the university's commitment to expanding its cultural offerings and engaging both the campus and the surrounding North Texas community. Alongside the museum's opening, UT Dallas also broke ground on a new performance hall and music building, set to be completed by fall 2026.
Faced with the aging of the global population, one of the most significant social transformations of the 21st century is anticipated. The design of patios, gardens, terraces, and other green areas in facilities for the elderly presents an opportunity to foster interaction, participation in various collective activities, and the establishment of gathering spaces aimed at reducing loneliness among older adults while enhancing well-being and social interaction in connection with nature. How can built environments be created to adapt to the needs of older adults?
Imagine stepping into an environment that fully understands you, knows your habits, and actively works to support your wellbeing as an occupant. Air quality might be monitored and managed, and occupant circadian rhythms might be tracked to suggest ideal states of productivity. Workplace designers have been considering occupant wellbeing and health in their designs for offices of the future. Hypothesizing what time ahead may contain, there is a strong case to be made for sentient architecture and interior design being disruptive forces in how we interact with our work environments.
The Tianjin Binhai Library is an iconic building designed by MVRDV, located in the Tianjin Binhai New Area. Its intricate geometry invites exploration through advanced visualization techniques, enriching the storytelling and unveiling the design's full potential. This piece delves into how D5 Render creatively illustrates the visual narrative of this architectural gem through its real-time rendering and animation capabilities.
The Mies Crown Hall Americas Prize (MCHAP) has announced the winner of the fifth MCHAP.emerge award: the Community Production Center Las Tejedoras in Guayas, Ecuador, designed by Natura Futura architect José Fernando Gómez and architect Juan Carlos Bamba. The project offers a hub for local women artisans, providing them with spaces to learn, create, and showcase their textile creations. The winner announcement was made at the Conference on Critical Practice held at Mies van der Rohe's S. R. Crown Hall, an inaugural event that brought together the four MCHAP.emerge finalists to open up conversations about the future of the architecture profession across the Americas.
Studio Gang's Samuel H. Scripps Theater Center has officially broken ground in Garrison, New York. Designed as the new permanent home for Hudson Valley Shakespeare (HVS), this 14,850-square-foot venue marks a significant development for the theater company, which is known for its open-air productions. The facility will be the first purpose-built, LEED Platinum-certified theater in the U.S., reflecting a strong commitment to environmental sustainability. It is located on a 98-acre campus along the Hudson River, providing a natural setting that integrates architecture with the surrounding landscape.
Two primary building approaches are commonly identified in architecture and design: solid versus hollow construction. These methods vary significantly across different cultures and regions, specifically for interior partitioning systems, when they appear interchangeable. Each has its own established practices influenced by local materials, labor preferences, climatic conditions, and cultural traditions. When architects and designers focus on their local context, it is easy to overlook the broader construction assumptions, limiting design flexibility and methodology. This raises an important question: How do these two building approaches differ?
Focusing mainly on interior systems, the distinctions between solid and hollow construction largely stem from the availability of materials and workforce preferences. For example, in the United States and Japan, stud walls, both wood and metal, are frequently used for partitioning. Conversely, brick remains the predominant material for partition walls in regions such as Hong Kong and southern China. Why do we build differently, and what are the benefits and challenges of each building methodology?
