Italy's influence on contemporary design has been profound and captivating, with Italian architecture consistently bridging cultural heritage and innovation, from advancements in construction techniques to the evolution of the neoclassical style. A prime example of this integration is the Italian villa typology, which reached its zenith during the Renaissance with groundbreaking innovations. Villa Almerico —designed by Andrea Palladio and inspired by Alberti's treatise De re aedificatoria— exemplifies this evolution. Renowned for its centralized and symmetrical plan, its construction marked a turning point with classical proportions and the incorporation of courtyards and gardens as extensions of the living space, highlighting a remarkable contextual relationship.

Although Palladio's influence was so profound that his style defined much of European and American architecture in subsequent centuries, the concept of the Italian villa has endured and evolved. Its ability to combine functionality, aesthetics, and respect for the environment has allowed its fundamental principles to remain in force, now merging with new currents of contemporary design. A clear example is Villa Apua, a project by PAN Architetti inspired by the Versilian concept of buen ritiro. The house's meticulous design addresses the needs of its inhabitants while fostering an intimate, thoughtful connection with the landscape and the memory of Forte dei Marmi, a town nestled between the Mediterranean coast and the Apuan Alps. This harmony is further enhanced by the great flexibility of the antoniolupi collections, whose rich finishes and materials seamlessly integrate the living space with its furnishings and the surrounding environment.

The Louvre Museum in Paris has announced the American-French consortium WHY Architecture -BGC as the winner of an international competition for the exhibition design of the museum's ninth department, dedicated to Byzantine and Eastern Christian Art. The 5,500-square-meter project aims to offer a more balanced and connected narrative of the Roman, Byzantine, and Islamic civilizations, fostering a greater understanding of the influences and relationships between artistic expressions of these historical regions. The spaces are expected to open to the public in 2027.

The Diriyah Biennale Foundation has revealed the theme and title for the 2025 Islamic Arts Biennale: And all that is in between. Scheduled from January 25 to May 25, 2025, at the Western Hajj Terminal of King Abdulaziz International Airport in Jeddah, this second edition will explore how faith is experienced, expressed, and celebrated through the acts of feeling, thinking, and making.

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The New Jersey Performing Arts Center (NJPAC) has announced a three-year redevelopment of its 2-acre downtown Newark campus. The project, designed by architectural firms Skidmore, Owings & Merrill (SOM), and Weiss/Manfredi, has recently broken ground and is scheduled for completion in the fall of 2027. It integrates 350 mixed-income residential units, retail spaces, and a dynamic education and community center, in addition to rehearsal spaces, a new headquarters for jazz public radio station WBGO, and various outdoor gathering areas.

The Japan Pavilion at Expo 2025 in Osaka, designed by Nikken Sekkei Ltd, centers on the theme "Between Lives," emphasizing cycles of transformation that shape life across plants, animals, and societies. It illustrates how, as entities approach the end of their roles, they transition into new forms, passing on elements of their existence. The Pavilion reflects this continuous cycle, demonstrating how the world operates through countless interconnected loops.

Traveling on land through vast regional areas of African countries has been an inefficient ordeal, particularly in West Africa. Google Maps optimistically estimates it would take 53 hours to drive nonstop from Lagos, Nigeria's largest city, to Dakar, Senegal's capital. However, this estimate doesn't account for the poor road infrastructure, complex border crossings, and socio-economic challenges that realistically extend the journey to about a week.

This is why the ongoing Trans-West African Coastal Highway project offers a great opportunity to connect and unlock the region's potential. This project, also known as TAH 7, is a transnational highway initiative linking 12 West African coastal nations, from Mauritania in the northwest to Nigeria in the east. Its gradual construction opens new avenues for freight movement, rail infrastructure, and, more importantly, innovative forms of architecture around borders, addressing their unique socio-cultural functions.

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Modernist landscape architecture marked a radical shift from traditional garden designs, emphasizing simplicity, functionality, and a stronger connection between people and their environments. From the 1930s through the 1960s, this movement saw the emergence of visionary landscape architects who integrated form and function in ways that redefined outdoor spaces. Their designs responded to the rapidly evolving urban landscapes of the time, prioritizing usability and creating environments that could accommodate modern life. The enduring influence of these principles continues to shape contemporary practices, while also presenting unique challenges in preservation as these landscapes age.

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Mission Bay, San Francisco, once an industrial landscape of warehouses and railroad land, has transformed into the city’s fastest-growing commercial and urban development area. This rapid change, typical of such developments, has led to gentrification, driving up housing prices and making the area unaffordable for many. To address the affordable housing crisis, the Lillian Murphy Housing Complex was built—not just as a place to live, but as a project that redefines the standards for low-income housing. This success was achieved through the collaboration of Paulett Taggart Architects, Studio VARA, and BŌK Modern, demonstrating that functional, intuitive, and high-quality design that strengthens a community is accessible to everyone.

Architects Belinda Tato and Jose Luis Vallejo of Ecosistema Urbano have designed a plug-in public space designed to address the effects of climate change in ill-equipped urban environments. Titled Polinature, the installation has been funded by the Salata Institute for Climate and Sustainability at Harvard, and is now installed in the backyard of the Harvard Center for Green Buildings and Cities. The pavilion, featuring native plans set into a scaffolding, with an inflatable bioclimatic canopy, aims to demonstrate how small-scale interventions can create compound positive effects for the local micro-climate and biodiversity.

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Bjarke Ingels Group (BIG) is leading the transformation of a former supermarket into the new Museum for Paper Art in Denmark's North Jutland region. With paper art deeply ingrained in Danish cultural heritage, symbolized by Le Klint's folded lampshades and H.C. Andersen's intricate paper cuttings, this renovation and expansion aim to elevate the museum's profile and double its visitor numbers. The design will celebrate paper as both an art form and a craft, extending the museum's role in promoting this unique heritage.

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Saunas, originating over 2,000 years ago in Northern Europe, were initially developed as a method for body purification. In Finland, these spaces were revered for their cleanliness and often served as locations for childbirth. Rooted in Nordic traditions, saunas have traveled globally, carrying with them distinctive design elements such as abundant wood, clean lines, minimal ornamentation, and a stark aesthetic. Traditionally, they offered a serene environment with seating limited to simple straight benches, allowing users to either sit or lie down. This traditional model gained widespread acceptance, with its health benefits championed by medical professionals and its value recognized across various cultures.

La Rambla, a 1.2-kilometer-long promenade in Barcelona, was established in 1766 along the old city walls. Embraced by locals, it became the only spacious area for strolling in a city of narrow streets and grew into a central meeting place for all social classes. Over time, leisure and cultural sites, like the Gran Teatre del Liceu and Boqueria Market, emerged, making it a vibrant, cultural hub. In 2017, Barcelona's local government launched a competition for the revitalization of this beloved urban space. Km_ZERO, a 15-member interdisciplinary team that also relied on the input of community groups was declared the winner. Now the first phase of the urbanization process has been almost completed, led by Lola Domènech and Olga Tarrasó. A hundred trees still remain to be planted in this phase, postponed due to drought conditions. The entire project is expected to be finished in 2027.

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Foster + Partners has just announced its upcoming appointment by Manchester United to lead the development of a masterplan for the Old Trafford Stadium District, focusing on club-owned land surrounding the current stadium. The goal is to create a world-class football destination for Manchester United fans, integrated with a broader vision for a mixed-use development that benefits the local community. This transformation aims to attract new residents, increase job opportunities, and establish the area as a vibrant hub for visitors from Manchester, across the UK, and beyond.

A city that defies expectations, this is what many visitors often express about the Senegalese capital, Dakar. As Africa's most western port city, which gained independence from the French in 1960, Dakar is a regional hub for diversity and culture. While it's often described as an unexpectedly sleek and "modern" city, with its characteristic and sometimes colorful monolithic buildings, Dakar is in fact in constant development and each of its districts tends to reflect a different style and focus, depending on its inhabitants and the dominating functions.

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Dakar is a city of constant development. From colonial times, and on, the capital of Senegal has seen a lot of shifts in its societal definition which has, in turn, affected its architectural and urban fabric. Ever since the French mandate which somewhat forced a shift of local living traditions into a more 'European' lifestyle, the wheels of change have been set in motion. Afterward, a notable post-colonial attempt at re-defining Dakar was inevitable. It came about in many ways, still seen today, and it built a city of mixed architectural languages that defies most visitors' expectations.

Though the renowned African mid-century modernism was certainly present in the years after Senegal's independence in 1960, this was mostly due to its popularity with practicing architects in the region, not its relevance for the capital's rebuilding efforts. The modernist approach, which was mainly seen in the public, institutional, and cultural buildings, and which persists today in a more undefined contemporary style, was always aimed at showcasing Dakar to the world. It did not, however, reflect the reality of the city's development nor the way its dwellers live.

In an effort to refocus on Dakar, some of our more recent ArchDaily coverage has highlighted the many development and design efforts that look to provide a better means of living to inhabitants.