Creating a model for rendering does have its own set of rules. To get you up and rendering as quickly as possible, here are SketchUp's top five tips for prepping your SketchUp model for rendering.

The complexity of our world is constantly increasing, and with it, the pressure and demands placed upon our built environment. Architects are faced with a monumental task: to translate society’s ever-changing needs into tangible, effective and sustainable solutions. Pressing issues such as the climate crisis, rapid urbanization, population density and housing shortages call for a new architecture –one that isn’t afraid to question the traditional way of working and is prepared to take on the challenge. Today the industry must adapt, evolve and innovate to cope with these challenges. The availability of data is changing the game, and as technology continues to advance, it will open new ways of thinking, creating and engaging with the built environment.

In this article, we delve into the effects of the digital transformation, how it is reshaping the industry and the questions it raises about the future role of architects. 

The National Pavilion of Israel presents “Cloud-to-ground,” an immersive installation exploring the nature of modern communication networks at the 18th International Architecture Exhibition of La Biennale di Venezia. The exhibition, curated by Arch. Oren Eldar, Arch. Edith Kofsky, and Hadas Maor, aims to initiate a multifaceted discussion regarding the physical aspects of virtual networks: the data centers and telephone exchanges commonly referred to as “black boxes.” The chosen theme is relevant for Israel due to its strategic location set at the intersection of continents and cultures. The pavilion in the Giardini will remain open for visitors until November 26, 2023.

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Pihlmann Architects is a young Copenhagen-based architectural run by Søren Pihlmann. In this interview with Louisiana Channel, the rising architect elaborates on his unique practice, the values he holds, and what he finds fascinating about architecture. Most notably, Pihlmann explains that his view on the practice has transformed from being an architect into becoming a type of curator, selecting very few things with great sensitivity.

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In the south of Burkina Faso, sharing borders with the northern environs of Ghana is Tiébélé; a small village exhibiting fractal patterns of circular and rectangular buildings, housing one of the oldest ethnic groups in West Africa; the Kassena tribe. With vernacular houses dating back to the 15th century, the village’s buildings strike a distinctive character through its symbol-laden painted walls. It is an architecture of wall decoration where the community uses their building envelope as a canvas for geometric shapes and symbols of local folklore, expressing the culture’s history and unique heritage. This architecture is the product of a unique form of communal collaboration, where all men and women in the community are tasked with contributing to the construction and finishing of any new house. This practice serves as a transmission point for Kassena culture across generations.

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This article was originally published on Common Edge.

One of the principles of comedy is that you “punch up.” If you have to make fun of someone or something, make sure it’s more prominent than you, and deserving. You can’t get much higher than Santa Clara, California, and you can’t get much more deserving. Santa Clara is, arguably, the city at the heart of Silicon Valley, a globally famous urban region that is so ill-defined as to deny its own existence. Those ranch houses and corporate headquarters represent a distinctly 21st-century brand of power. And a distinctly 20th-century brand of urbanism.

The Royal Institute of British Architects (RIBA) has announced the 30 winners of the 2023 RIBA National Awards for Architecture, providing an insight into the country’s architecture, design, and social trends. Among the key themes observed this year, the need to rebuild communities and to find sustainable ways of practicing stand out as the main concerns of the participant architects. The response to these themes is varied, ranging from buildings that aim to offer opportunities for collaboration for students to creating stimulating social spaces for the elderly or providing creative programs at a neighborhood scale. All the projects selected have been in use for at least one year and have provided data regarding their environmental performance. Examples of sustainable design include both new buildings, following the Passivhaus certification, and renovation of existing structures.

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Atrium Ljungberg has just revealed Stockholm Wood City – the world's largest urban construction project in wood. Construction on the project is expected to begin in 2025, and the first buildings are expected to be completed in 2027. The initiative is a demonstration of Swedish sustainability.

The largest wood-building project in the world is now in progress, covering an impressive 250,000 square meters. The project sets a sustainable example for the real estate market, which is essential because built structures contribute a sizeable 40% of the world's CO2 emissions. Furthermore, Stockholm Wood City is set to become a turning point in sustainable architecture and urban planning. Situated in Sickla, southern Stockholm, this innovative neighborhood will offer an additional 2,000 houses and 7,000 business spaces. By merging workplaces, homes, neighborhoods, dining establishments, and retail spaces, it aims to create a vibrant and dynamic urban environment.

Colors directly influence space perception. Through them, it is possible to stimulate the user's mood - making the environment calmer or more dynamic - and also change our perception of space without changing a centimeter of any wall. Dealing with them is not always easy. In a time when we want rooms with more personality (or more "instagrammable"), learning to compose with different shades and textures is essential.

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As true spatial orchestrators, architects’ expertise extends beyond the mere construction of buildings, often transcending the physical realm of design. They possess the unique ability to craft spaces that are not only visually appealing, but that also feel welcoming, harmonious, and, above all, functional. Embracing this vital role involves careful consideration of all the bits and pieces that make up a project; from a building’s foundations to a sofa, architects must ensure that all the elements, in every scale, tie together in a way that is cohesive and positively influences our everyday lives.

The UIA World Congress of Architects 2023 is an invitation for architects from around the world to meet in Copenhagen July 2 – 6 to explore and communicate how architecture influences all 17 UN Sustainable Development Goals (SDGs). For more than two years, the Science Track and its international Scientific Committee have been analyzing the various ways in which architecture responds to the SDGs. The work has resulted in the formulation of six science panels: design for Climate Adaptation, design for Rethinking Resources, design for Resilient Communities, design for Health, design for Inclusivity, and design for Partnerships for Change. An international call for papers was sent out in 2022 and 296 of more than 750 submissions from 77 countries have been invited to present at the UIA World Congress of Architects 2023 in Copenhagen. ArchDaily is collaborating with the UIA to share articles pertaining to the six themes to prepare for the opening of the Congress.

In this fourth feature, we met with co-chairs of design for Health architect Arif Hasan, former Visiting Professor NED University Karachi and member of UNs Advisory Group on Forced Evictions, and architect Christian Benimana, Senior Principal and Co-Executive Director at MASS Design Group

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Environments that inspire, promote well-being and stimulate a connection with nature. Biophilic landscaping in education spaces recognizes the importance of this bond for student development, as it benefits well-being, academic performance, and people's health. We have selected eight projects that bring natural elements to the classroom or that place students directly in nature to illustrate the qualities in these spaces.

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Nieuwe Instituut in Rotterdam has inaugurated the ‘Water Cities Rotterdam. By Kunlé Adeyemi,’ a cultural project comprising of exhibitions along with several floating pontoons and artist installations that present the Nigerian-Dutch architect Kunlé Adeyemi’s waterfront designs in the Netherlands. The exhibition brings a seven-meter-high floating wooden pavilion on the institute’s outdoor ponds. Inside the pavilion, landscape architect and artist Thijs de Zeeuw has created an artwork to allow visitors to experience the pavilion from the perspective of nature while contemplating the consequences of building and living on the water for the surrounding ecology and biodiversity. The entire exhibition is on display at the Nieuwe Instituut until 22 October 2023.

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Sauerbruch Hutton has won the competition for Headquarters 2 (HQ2) for the Haidenauplatz Quarter in Munich. This high-rise building will be the focal point of the newly developing Haidenauplatz district in Eastern Munich. Serving as HypoVereinsbank's second central location, it will stand alongside the iconic Hypo high-rise from the 1970s in the neighboring Bogenhausen district. The design by Sauerbruch Hutton and landscape architect MDP Michel Desvigne Paysagiste was chosen from a pool of nine other international participants.

In a world of extravagant textures, colors, and flavors, who would have thought that a substance that has no color, no smell, and no taste is precisely the most essential for human existence? Antagonistic in itself, water carries an ambiguity of values and meanings that confer a high degree of complexity sustained by the versatile and soluble profile that distinguishes it in a complex simplicity. In this sense, water, as a source of life, has become an object of devotion and study over time. This has fostered a continuous effort focused on understanding, transporting, and controlling this element.

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Pedrógão Grande, a Portuguese municipality located approximately 55 kilometers from Coimbra, inaugurated the Memorial in Homage to the Victims of the 2017 Forest Fires last week. This tragic event resulted in the loss of 66 lives and left 253 injured. The monument was designed by architect Eduardo Souto de Moura, winner of the 2011 Pritzker Prize.

The work, initiated by Infraestruturas de Portugal (IP) two years ago, cost approximately 1.8 million Euros. According to IP, the monument features a framing lake spanning about 2,500 square meters in area. The lake is supplied by a 60-meter-long gargoyle and bordered by a strip of plants, including white water lilies, lilies, and ranunculus. Additionally, the project incorporates a wall with the name of each victim inscribed on it, according to IP.

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The institution of slavery shaped landscapes on both sides of the Atlantic Ocean. And in turn enslaved and free Africans and their descendants created new landscapes in the United States, the Caribbean, and Sub-Saharan Africa. African people had their own intimate relationships with the land, which enabled them to carve out their own agency and culture.

At Dumbarton Oaks in Washington, D.C., a symposium — Environmental Histories of the Black Atlantic World: Landscape Histories of the African Diaspora — organized by N. D. B. Connolly, a professor at Johns Hopkins University, and Oscar de la Torre, a professor at the University of North Carolina at Charlotte, sought to highlight those forgotten relationships between people and their environment.

Some architects have left their mark on history; one such case is Antonio Gaudí. Through his nature-inspired conceptions, he became the foremost representative of Catalan modernism. The impact of Gaudí's work can be seen on various architectural scales, including the Sagrada Familia, Parc Güell, Colònia Güell, Casa Milà, and Casa Battló, the latter being an iconic landmark of Barcelona’s architecture.

Casa Battló emerged from the renovation of an 1877 building, which was acquired in 1903 and subsequently commissioned to Gaudí for its transformation. Inspired by animal forms, particularly those of the ocean, the facade and interior were renovated using curves and a combination of vibrant colors. This intervention marked a turning point for the house, as it significantly changed the facade, redistributed the interior, and provided a sublime interaction with natural light. Following the nature of the renovation that began with Gaudí, a new interior project for the stairs and atrium of Casa Batlló was developed in 2021. This renovation is the result of a dialogue between the anodized aluminum chains developed by Kriskadecor and the abstraction of the ingenious use of light in Casa Batlló through Kengo Kuma's design.

As the challenges posed by climate change increase in number and intensity, it also heightens the need to find sustainable building practices that connect to ecosystems and livelihoods rather than harm them. While often overlooked in the search for innovation, vernacular architecture can offer answers to contemporary issues. This type of architecture not only relies on readily available locally sourced materials but also on indigenous knowledge of local conditions like sun orientation, wind patterns, ventilation needs, and the behavior of materials in time. Dr. Sandra Piesik, director and architect of 3 ideas, and founder of HABITAT Coalition, explores this potential in her newest book, 'Habitat: Vernacular Architecture for a Changing Climate.'

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The Croatian Pavilion at the Venice Architecture Biennale 2023 celebrates the harmonious coexistence of the wild and domesticated, natural and man-made, and inanimate and living elements. Modeled after the Lonja Wetlands in Croatia, where communities that have adapted to the continuously shifting landscape have coexisted harmoniously for generations to create a dynamic habitat, the Pavilion is a hub for ongoing research into potential futures through educational experimentation and practice. The exhibition was curated by Mia Roth and Tonči Čerina, in collaboration with their design team: Luka Fatović, Vedran Kasap, Ozana Ursić, Niko Mihaljević, and Ivica Mitrović .“Same As It Ever Was” places a focus on the connections among actors from various backgrounds around the world.

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