One of the principles of comedy is that you “punch up.” If you have to make fun of someone or something, make sure it’s more prominent than you, and deserving. You can’t get much higher than Santa Clara, California, and you can’t get much more deserving. Santa Clara is, arguably, the city at the heart of Silicon Valley, a globally famous urban region that is so ill-defined as to deny its own existence. Those ranch houses and corporate headquarters represent a distinctly 21st-century brand of power. And a distinctly 20th-century brand of urbanism.
The airy and modern Dylan modular seating system by Rodolfo Dordoni for Minotti is contemporary with couturier details. Image Courtesy of Minotti
In a world of fast-paced change, Minotti’s pursuit of timeless design as well as its honed technical expertise result in elegant pieces that stand ready to elevate any interior with sophistication and style. The 2023 Collection demonstrates this, finding a balance between classicism and contemporaneity, organic lines and solid volumes.
In his latest TED Talk, Thomas Heatherwick decries a condition affecting areas of the city defined by monotonous buildings, or what he calls “an epidemic of boringness.” While recognizing the functionality which drove these designs, he states that functionality alone cannot ensure that the structures become active parts of urban life, as they often fail to provoke an emotional response from passers-by. Heatherwick explains that, in his view, this emotional function, or the ability of buildings to mean something to their users and visitors, is essential. When it succeeds, architecture can positively contribute to the quality of life and well-being of its residents, promote social cohesion and contribute to a sense of identity. So how can architecture provoke a positive emotional connection and provide an enjoyable backdrop to the communities it serves?
The Royal Institute of British Architects (RIBA) has announced the 30 winners of the 2023 RIBA National Awards for Architecture, providing an insight into the country’s architecture, design, and social trends. Among the key themes observed this year, the need to rebuild communities and to find sustainable ways of practicing stand out as the main concerns of the participant architects. The response to these themes is varied, ranging from buildings that aim to offer opportunities for collaboration for students to creating stimulating social spaces for the elderly or providing creative programs at a neighborhood scale. All the projects selected have been in use for at least one year and have provided data regarding their environmental performance. Examples of sustainable design include both new buildings, following the Passivhaus certification, and renovation of existing structures.
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Courtesy of Atrium Ljungberg | White Arkitekter
Atrium Ljungberg has just revealed Stockholm Wood City – the world's largest urban construction project in wood. Construction on the project is expected to begin in 2025, and the first buildings are expected to be completed in 2027. The initiative is a demonstration of Swedish sustainability.
The largest wood-building project in the world is now in progress, covering an impressive 250,000 square meters. The project sets a sustainable example for the real estate market, which is essential because built structures contribute a sizeable 40% of the world's CO2 emissions. Furthermore, Stockholm Wood City is set to become a turning point in sustainable architecture and urban planning. Situated in Sickla, southern Stockholm, this innovative neighborhood will offer an additional 2,000 houses and 7,000 business spaces. By merging workplaces, homes, neighborhoods, dining establishments, and retail spaces, it aims to create a vibrant and dynamic urban environment.
Colors directly influence space perception. Through them, it is possible to stimulate the user's mood - making the environment calmer or more dynamic - and also change our perception of space without changing a centimeter of any wall. Dealing with them is not always easy. In a time when we want rooms with more personality (or more "instagrammable"), learning to compose with different shades and textures is essential.
As true spatial orchestrators, architects’ expertise extends beyond the mere construction of buildings, often transcending the physical realm of design. They possess the unique ability to craft spaces that are not only visually appealing, but that also feel welcoming, harmonious, and, above all, functional. Embracing this vital role involves careful consideration of all the bits and pieces that make up a project; from a building’s foundations to a sofa, architects must ensure that all the elements, in every scale, tie together in a way that is cohesive and positively influences our everyday lives.
In this fourth feature, we met with co-chairs ofdesign for Health architectArif Hasan, former Visiting Professor NED University Karachi and member of UNs Advisory Group on Forced Evictions, and architectChristian Benimana, Senior Principal and Co-Executive Director atMASS Design Group
Environments that inspire, promote well-being and stimulate a connection with nature. Biophilic landscaping in education spaces recognizes the importance of this bond for student development, as it benefits well-being, academic performance, and people's health. We have selected eight projects that bring natural elements to the classroom or that place students directly in nature to illustrate the qualities in these spaces.
Nieuwe Instituut in Rotterdam has inaugurated the ‘Water Cities Rotterdam. By Kunlé Adeyemi,’ a cultural project comprising of exhibitions along with several floating pontoons and artist installations that present the Nigerian-Dutch architect Kunlé Adeyemi’s waterfront designs in the Netherlands. The exhibition brings a seven-meter-high floating wooden pavilion on the institute’s outdoor ponds. Inside the pavilion, landscape architect and artist Thijs de Zeeuw has created an artwork to allow visitors to experience the pavilion from the perspective of nature while contemplating the consequences of building and living on the water for the surrounding ecology and biodiversity. The entire exhibition is on display at the Nieuwe Instituut until 22 October 2023.
Sauerbruch Hutton has won the competition for Headquarters 2 (HQ2) for the Haidenauplatz Quarter in Munich. This high-rise building will be the focal point of the newly developing Haidenauplatz district in Eastern Munich. Serving as HypoVereinsbank's second central location, it will stand alongside the iconic Hypo high-rise from the 1970s in the neighboring Bogenhausen district. The design by Sauerbruch Hutton and landscape architect MDP Michel Desvigne Paysagiste was chosen from a pool of nine other international participants.
In a world of extravagant textures, colors, and flavors, who would have thought that a substance that has no color, no smell, and no taste is precisely the most essential for human existence? Antagonistic in itself, water carries an ambiguity of values and meanings that confer a high degree of complexity sustained by the versatile and soluble profile that distinguishes it in a complex simplicity. In this sense, water, as a source of life, has become an object of devotion and study over time. This has fostered a continuous effort focused on understanding, transporting, and controlling this element.
Pedrógão Grande, a Portuguese municipality located approximately 55 kilometers from Coimbra, inaugurated the Memorial in Homage to the Victims of the 2017 Forest Fires last week. This tragic event resulted in the loss of 66 lives and left 253 injured. The monument was designed by architect Eduardo Souto de Moura, winner of the 2011 Pritzker Prize.
The work, initiated by Infraestruturas de Portugal (IP) two years ago, cost approximately 1.8 million Euros. According to IP, the monument features a framing lake spanning about 2,500 square meters in area. The lake is supplied by a 60-meter-long gargoyle and bordered by a strip of plants, including white water lilies, lilies, and ranunculus. Additionally, the project incorporates a wall with the name of each victim inscribed on it, according to IP.
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Le Masurier (documenté en 1769-1775). Esclaves noirs à la Martinique, 1775. Huile sur toile – 125 x 106 cm. Paris, ministère des Outre-mer / Archives nationales. Image Courtesy of Archives nationales
The institution of slavery shaped landscapes on both sides of the Atlantic Ocean. And in turn enslaved and free Africans and their descendants created new landscapes in the United States, the Caribbean, and Sub-Saharan Africa. African people had their own intimate relationships with the land, which enabled them to carve out their own agency and culture.
Even though Isaac Newton’s experiments and observations led to the development of the color wheel during the 17th century, his revolution in the understanding and application of colors continues to influence the creation of architecture and design projects. Arranging colors in a circular format, Newton mapped the color spectrum to create the first color wheel. As a visual representation of how colors relate to each other, it has been a fundamental tool for artists, architects, and designers to understand color relationships and therefore create appealing palettes for each space. Beyond merely “eyeing” color combinations, applying the color theory based on the geometric relationships in the color wheel helps designers determine which colors are suitable together. Color has the ability to play with spatial perception, create a sense of atmosphere, and evoke emotional responses, making it essential for design.
By exploring the multiple possibilities of the color wheel, we create a guide to enhance architectural design through three color combinations: monochromatic, analogous, and complementary.
Some architects have left their mark on history; one such case is Antonio Gaudí. Through his nature-inspired conceptions, he became the foremost representative of Catalan modernism. The impact of Gaudí's work can be seen on various architectural scales, including the Sagrada Familia, Parc Güell, Colònia Güell, Casa Milà, and Casa Battló, the latter being an iconic landmark of Barcelona’s architecture.
Casa Battló emerged from the renovation of an 1877 building, which was acquired in 1903 and subsequently commissioned to Gaudí for its transformation. Inspired by animal forms, particularly those of the ocean, the facade and interior were renovated using curves and a combination of vibrant colors. This intervention marked a turning point for the house, as it significantly changed the facade, redistributed the interior, and provided a sublime interaction with natural light. Following the nature of the renovation that began with Gaudí, a new interior project for the stairs and atrium of Casa Batlló was developed in 2021. This renovation is the result of a dialogue between the anodized aluminum chains developed by Kriskadecor and the abstraction of the ingenious use of light in Casa Batlló through Kengo Kuma's design.
https://www.archdaily.com/1001552/metallic-layers-in-dialogue-with-light-an-abstract-intervention-at-casa-batlloEnrique Tovar
As the challenges posed by climate change increase in number and intensity, it also heightens the need to find sustainable building practices that connect to ecosystems and livelihoods rather than harm them. While often overlooked in the search for innovation, vernacular architecture can offer answers to contemporary issues. This type of architecture not only relies on readily available locally sourced materials but also on indigenous knowledge of local conditions like sun orientation, wind patterns, ventilation needs, and the behavior of materials in time. Dr. Sandra Piesik, director and architect of 3 ideas, and founder of HABITAT Coalition, explores this potential in her newest book, 'Habitat: Vernacular Architecture for a Changing Climate.'
The Croatian Pavilion at the Venice Architecture Biennale 2023 celebrates the harmonious coexistence of the wild and domesticated, natural and man-made, and inanimate and living elements. Modeled after the Lonja Wetlands in Croatia, where communities that have adapted to the continuously shifting landscape have coexisted harmoniously for generations to create a dynamic habitat, the Pavilion is a hub for ongoing research into potential futures through educational experimentation and practice. The exhibition was curated by Mia Roth and Tonči Čerina, in collaboration with their design team: Luka Fatović, Vedran Kasap, Ozana Ursić, Niko Mihaljević, and Ivica Mitrović .“Same As It Ever Was” places a focus on the connections among actors from various backgrounds around the world.
Mezcal is a Mexican beverage that has gained great popularity in the last decade. Its history dates back to pre-Hispanic times when cultures consumed various drinks derived from the agave plant in different ways. During the pre-Columbian period, this plant was used for various purposes, ranging from food to the production of fibers and medicines. However, within the different processes, they discovered that they could ferment and distill the juice of the agave to obtain an alcoholic beverage, which they called "pulque".
Einstein’s Special Theory of Relativity introduces the mind-blowing concept that time – as we know it – is not as stable and reliable as it first seems. As a defining characteristic upon which all of human history is referenced, the fallibility of time is a confusing prospect. 15 minutes, for example, seems an eternity while waiting in line, and yet the 300,000 years of human history equates to less than a day in the lifetime of the Earth.
So when we talk about ‘saving the planet’ by slowing and reversing climate crisis, what we really mean is extending our own existence upon it. Because no matter what we do, this rock will continue to spin for billions of years yet. In reality, humanity itself is only a temporary installation.
These four outdoor installation projects use the Earth’s environment and borrow its resources to investigate our human relationship with time, and how it affects our lives down here on the surface.
Researchers point out that "proto-greenhouses" arose to fulfill the desire of the Roman Emperor Tiberius (42 BC to 37 AD) to eat cucumbers every day of the year. Since it was impossible to grow the vegetable on the island of Capri in winter, his gardeners developed beds mounted on wheels that they would move into the sun when possible, while on winter days they would place them under translucent covers made of Selenite (a type of gypsum with a glassy appearance). But the production of large-scale greenhouses only became possible after the Industrial Revolution with the availability of mass-produced glass sheets. Since then, they have been used to grow food and flowers, forming a microclimate suitable for plant species even in places with severe climates. But in some cases, these artificial growing conditions can also form interesting living spaces. The recent Lacaton & Vassal awards rekindled this interest. How is it possible to create greenhouses that can be good for both humans and plants?
Two years ago, Starbucks' branch in Al Seef, Dubai captivated the internet with its contextual design. Located in the oldest part of Dubai, the renowned coffee outlet boasts a thatched roof, mud-like exterior finishes, traditional screens, and wooden furniture, all of which retain the picturesque charm of the landscape. The design not only garnered immense attention on social media but also attracted curious customers to the store. Effortlessly blending in with its regional context, the Al Seef branch has become an integral part of the locality. The store is one of Starbucks' many efforts at regionalizing its international outlets to create authentic connections with customers. In an era where consumers crave meaningful connections, regionalism in retail design emerges as a powerful design strategy.
The University of Pennsylvania has unveiled Steven Holl Architects’ design for its new Student Performing Arts Center. The 37,300-square-foot building is set to offer dedicated and flexible spaces for over 70 student performing arts groups on campus, including dance, theater arts, a cappella groups, and musical ensembles. The proposal was informed by a study completed in 2019 by Penn’s University Life, which concluded that additional performance and rehearsal space was needed to meet current and future demand. The project is set to begin construction in 2024, with anticipated occupancy starting in winter 2027.
Henning Larsen has just revealed the design for Smyril Line's new headquarters and ferry terminal in Torshavn, the capital of the Faroe Islands. The building pays homage to traditional Faroese fishing boats and the historic Eastern harbor while embracing the picturesque backdrop of abundant landscapes and open seas. The new headquarters serves three functions: a ferry terminal, an office building, and a logistics center.
