In the center of the city of Lugano, Switzerland, architect Mario Botta has designed a new housing solution on the foundations of the former Cinema Teatro Cittadella. Captured by Paul Clemence, this photo series displays the new residence in a city rich with an artistic and cultural past. The residential complex is located near the ancient basilica of the Sacred Heart of Lugano, nestled in a quiet area away from city traffic.
Housing has always been a significant issue in metropolises. It accommodates the city's population and can impact other urban concerns, such as the necessary commute between home and work or school.
Broadly, urban densification enjoys widespread acceptance in urban planning. In today's context, the correlation between densification and housing is addressed by designing high-rise buildings with smaller floor areas. This approach yields apartments with minimal functionalities, known in Brazil as kitchenettes. As with any architectural type, these compact residences have advantages and disadvantages, serving either as a model of efficiency or as an illustration of housing instability.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss the unique challenges of residential remodels and how they solve them. The two cover project scope and vision, design analysis, three different types of remodel projects and how they should be approached, predicting and planning for construction surprises, having an adaptable mindset, the most common challenge clients face (scope creep), and more.
The spatial distribution of a restaurant or bar is essential to its success. Faced with this design challenge, several architects have experimented and proposed configurations that both enhance the use of space in different culinary experiences.
With this being said, take a look at 50 gastronomic establishments in plan and section to inspire your next design.
Our daily lives involve constant communication with the city. As we move through different spaces, we ask ourselves questions like "Where am I now?", "Where am I headed?", "What am I looking for?", "What is this building for?", and "How do I experience this space?" While spatial encounters may feel intuitive, environmental graphic design (EGD) provides the answers by serving as an important interface between us and the built environment. It involves the design of graphic elements that merge with architectural, landscape, urban, and interior designs to make spaces more informative, easier to navigate, and memorable. EDG comprises three major elements: text, shape, and color. Text and shapes typically encapsulate the graphic information, but color projects it, amplifies it, and helps communicate it within the packed scenes of the city. In spatial experiences, we perceive colors first, since our senses mostly register visual sensations. Therefore, the strategic use of color is critical for environmental graphics to provide a layered experience of identity imagery, sense of place, and emotional connection.
This year’s Danish Pavilion at The 18th International Architecture Exhibition – La Biennale di Venezia, was curated by Josephine Michau. Titled “Coastal Imaginaries,” the exhibition addresses solutions to alleviate global challenges such as rising sea levels and storm floods. Onsite in Venice, ArchDaily had the chance to speak with the curator Josephine Michau, where she discussed the thought process behind the pavilion, the collaborations, and her hopes of starting meaningful dialogue as a result of the exhibition.
Kengo Kuma uses materials to connect with the local context and the users of his projects. The textures and elementary forms of constructive systems, materials, and products, are exhibited and used in favor of the architectural concept, giving value to the functions that will be carried out in each building.
From showcases made with ceramic tiles to the sifted light created by expanded metal panels, passing through an ethereal polyester coating, Kuma understands the material as an essential component that can make a difference in architecture from the design stages. Next, we present 21 projects where Kengo Kuma masterfully uses construction materials.
This article was originally published on Common Edge.
Origin myths,” “founding myths,” and “creation legends” provide a way for us to see into and imagine the distant past in metaphorical, poetic, and compelling ways. The oldest origin myths help us understand how a people or a place (such as the universe) were believed to have come into existence. Anthropologists describe these as creation myths or “cosmogonic” myths. They might explain how the world came to be. For example, Native North American peoples such as the Cherokee, Ojibwe, and Aztecs share an origin myth that land was first created on top of a great ocean. One of the most common Western origin myths is the creation of Adam and Eve. But founding stories exist for all kinds of social conditions, historical customs, and objects, as well as places—think of the myth of the brothers Romulus and Remus, suckled as babies by a wolf, who survive to found the city of Rome (after Romulus got rid of his brother).
Architect Antoine Predock has unveiled his vision for the Albuquerque Rail Trail, a multi-use trail that will connect key destinations in the greater downtown area of New Mexico’s largest city. The project set out to combine the utility of pedestrian and bicycle pathways with the culture and history of the lands, encouraging healthy recreation, cultural expression and economic development. The Rail Trail project is of the Mayor’s Institute on City Design, Just City Mayoral Fellowship.
After years of dominance, orthogonal lines and right angles are giving way to organic designs and rounded shapes within interior design projects. This profound shift in formal language has led to the infiltration of gentle curves and amorphous volumes into design pieces, furniture, and decorative elements, a transformation that's becoming increasingly evident. Some argue that this change may be indirectly linked to the growing interest in sustainability and the pursuit of strategies that reconnect people with nature, as seen in the consistent presence of biophilia across projects of various scales. The period of social isolation during the COVID-19 pandemic further heightened this inclination, prompting individuals to devise ways to incorporate nature into their living spaces, thereby enhancing well-being in day-to-day life.
The Monadnock Building in Chicago began construction in 1891 and is still in use today. The building features a somber facade without ornamentation and a colossal height - at the time - of 16 floors. It is considered the first skyscraper built in structural masonry, with ceramic bricks and a granite base. To support the entire load of the building, the structural walls on the ground floor are 1.8 meters thick, and at the top, 46 centimeters. One hundred and thirty years later, this construction system remains common and allows for the erection of taller buildings with much thinner walls, accomplishing even new architectural works economically and rationally. But what is structural masonry about, and how can designers use it in architectural projects? And for what kinds of buildings is this system most suitable?
Today is the premiere of the first episode of a new documentary series that explores the projects of Al Borde. Titled "Building with Living Trees", this first instalment highlights the stories behind Casa Jardín (Garden House), a single-family home located in the suburban area of Quito, Ecuador.
Designed for an ecologist named José, the residence is developed into three small independent pavilions with hybrid structures that combine living trees with various construction systems. These structures utilize a vernacular technique of living fences that has been employed in the Andes since ancient times, showcasing a genuine pursuit of coexistence between architecture and nature.
With the proper know-how, readily available earth, sand, chalk, lime, or gravel can yield a versatile, strong, and durable construction material. Its colorful results vary from region to region, depending on the natural soil component, climate, and treatment. While some prefer to minimize any added processing, others relish the exploration of rammed earth surfaces. Different textures and mesmerizing layers of multitoned or multicolored earth can be used to create a solid surface that enriches the visual quality of a space and carries a sense of warmth to any project.
Architecture as a profession is both deeply rooted in the past and driven by innovation. During the past few years, we have seen technology advancing at an unprecedented pace, developing tools and systems that change the way we understand the world. Digital spaces are becoming an accessible reality, as the metaverse is promising to enhance human interaction. Other digital tools such as robotic construction technologies, AI-generated images, and immersive virtual-reality equipment are likely to have a direct impact on the construction industry.
These topics are addressed by forward-looking architects, designers, and building industry professionals. Among others, contemporary artist Krista Kim talks about the economy of the metaverse, architect Alper Derinboğaz draws attention to the challenges facing the new generations of architects, and ICON founder Jason Ballard reveals the implications of technological innovations.
At the 18th International Architecture Exhibition – La Biennale di Venezia, Karin Sander, and Philip Ursprung curated the Swiss Pavilion “Neighbors”. In her interview with Louisiana Channel, Karin Sander talks about expanding the understanding of the pavilion, reimagining the connected role of architecture and art, and explaining her artistic process. “Neighbors” was focused on spatial proximity between the Swiss Pavilion and its Venezuelan neighbor. Sander highlights also the conversation between the two structures, that became possible after the removal of a separating wall.
Nestled amidst the Aegean Sea, the ancient island of Delos emerges as a timeless testament to human ingenuity and the harmonious interplay between architecture and nature, in this captivating series of photographs shared with ArchDaily for the International Day of Photography by artist Erieta Attali, along with the insightful voice of Brazilian architect Angelo Bucci. Inspired by Attali's work, Bucci crafts a narrative that explores the profound connection between architecture and the environment, echoing the ethos of Delos itself.
In an age where humanity's detrimental impact on the environment has become increasingly evident, the concept of rewilding is emerging as a powerful approach to conservation and ecological restoration. In line with growing attention on landscape architecture in recent years, the idea of removing human intervention from our natural surroundings in order to restore a stable equilibrium seems to offer a low-effort, ethereal way to right fundamental climate wrongs. But is a lack of meddling in nature really all there is to rewilding, and how does this relate to architecture and design? We look at key concepts, applications, and examples to find out.
This article is the first in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints.
The Metaverse is currently hard to define. Try to think of it as the bringing together of the abundance of virtual communities we have created over the years on Facebook with the enormous range of leisure opportunities akin to shopping on Amazon. Yet, the Metaverse goes far beyond this and makes a new type of landscape possible by playing on the very qualities of placemaking we know from the cities, towns, and villages we inhabit worldwide. The Metaverse is a transactional space, and perhaps above all an experiential space where unexpected events take place and, importantly, shared events are enjoyed on an individual and communal basis.
From the pre-Columbian period of the Americas –during which cultures such as the Olmec, Maya, Purepecha, and Mexica (Aztec) thrived– to the modern era where architecture has been influenced by social movements and even natural disasters, Mexican architecture showcases a valuable architectural expression, with its own unique voice and distinctive characteristics. Nobel Literature Laureate Octavio Paz argued that architecture is an incorruptible witness to history. Likewise, the materials used to shape it have acted as protagonists of that history, enduring in many cases over time and evolving thanks to the generations of architects who have contributed to it, from different perspectives.
To trace a timeline, it is possible to take as a starting point pre-Hispanic architecture, which exhibited a diversity of nuances due to Mexico's vast territorial extension. This allowed diverse cultures to find their niche and develop their characteristic architectural styles. Subsequently, the era of Spanish colonization, which itself drew influence from Islamic architecture, represented a noteworthy turning point in architectural development. This phase endured until the advent of Mexican Independence in the 19th century. In turn, this marked the initiation of social and cultural movements, both during and after the Mexican Revolution in the early 20th century.
An International European cultural project, U-RE-HERIT, launched an initiative to protect Ukraine’s architecture, heritage, and memory. This wide consortium of architectural institutions came together to reach a common goal of preserving Ukrainian culture. With the ongoing crisis, the project aims to address heritage as a resource for cultural, social, environmental, and economic recovery. Moreover, the project hopes to redefine local cultural identity and rebuild the city with the sensitivity of collective memory.
Fortyseven is a novel thermal wellness spa designed by the architect Mario Botta, nestled alongside the Limmat River in Baden, Switzerland. Baden, renowned for its rich cultural and wellness offerings, boasts a spa heritage that extends over thousands of years. The Fortyseven Thermal Wellness Spa has revitalized this historical legacy by presenting wellness culture through a modern lens. Designed by Mario Botta, this project offers an immersive encounter for the body, mind, and soul. The essence of the site and its design is captured by the lens of architectural photographer Paul Clemence, in his latest series.
Colors are much more than just aesthetics. They can tamper with the sensations a space conveys, how we perceive the environment, and even comfort issues. With so many factors that they can influence, using them is not an easy task, and that is why many architects choose to stick with the classic white, grayscale, or even exposed materials to avoid any possible visual conflict. However, some architectural practices dare to use bold color palettes and create unique works that stand out precisely because of how colors help compose the project.
If you find yourself baffled by the confusing world of baffle paneling, don’t be concerned. That’s what they’re there for. The purpose of baffles of any kind – and where they take their name – is to confuse matter. In other industries, baffles are used to direct water flow, to control airflow and heat exchange, and to stop traffic from traveling too quickly.
When used in the scientific world of acoustics, baffles are positioned to disrupt sound waves by projecting out into our busiest environments, to catch, absorb and soften the sound, either in naturally noisy or specifically quiet areas or to selectively filter sounds from making a return journey. That doesn’t mean, however, that the slatted sight of regimental baffles can’t give an aesthetic advantage to interiors, providing often much-needed visual activity to an otherwise bare ceiling.
The rustic village of Vals in the Swiss Alps is one of the country’s most picturesque areas, located at an altitude of 1250 meters above sea level with numerous exceptional projects. The main square is surrounded by original Vals houses roofed with stone tiles made of Vals quartzite. Throughout the years, the village maintained its authentic residential and rural typology, making sure that its agriculture and rural fabric remained intact. Perhaps the most powerful natural resource of the Vals Valley, one that has nurtured its landscape and wilderness, is the water. For millions of years, ice and rain have forged the deeply-cut topography, and provided the village with a 30-degree thermal source, the only one in the Grisons Canton which springs straight from the ground.
One of the most notable architectures in Vals is The Thermal Spa designed by 2009 Pritzker Laureate Peter Zumthor. The secluded structure is built with local quartzite, a stone that blends the elements of water and stone to create “the perfect wellness experience”. Another iconic architecture tucked within the mountains of Vals takes advantage of the local material, structural typology, and topography, a project that leaves the original landscape intact and subtly intervenes to create a one-of-a-kind award-winning vacation home; The Villa Vals.
.jpg?1558730231 "Green Cast / Kengo Kuma & Associates. Image Courtesy of Kengo Kuma and Associates")
