In the world of retail, competition is fierce. Brands find themselves in pursuit of distinguishing their presence and developing intimate connections with their customers. Amidst the array of products they offer, thoughtful brands recognize the value of curating immersive retail environments that empathize with the core of consumers' sentiments and desires. In retail design, color stands as a powerful instrument that affords brands the means to articulate their values, evoke emotions, and carve memorable shopping experiences into the minds of their patrons. Color transforms retail centers into more than spaces for transactions - it positions strategic interior design as a marketing tool to attract and retain customers.
During their visit to the 18th International Architecture Exhibition in Venice, ArchDaily had the opportunity to engage in a conversation with Sevince Bayrak and Oral Göktaş, founders of the Istanbul-based studio SO? Architecture and Ideas, curators for the Pavilion of Türkiye. Their exhibition, titled Ghost Stories: Carrier Bag Theory of Architecture, explores the status and hidden potential of abandoned buildings across Türkiye to discover more hopeful proposals for the future. The conversations opened with an exploration of the status of these forgotten structures and their hidden potential, leading into the intentions behind the exhibition in Venice and the curator’s message for the wider audience.
In 2018, OMA opened the Fondazione Prada in Milan, Italy, housed within a former gin distillery established in 1910. The project which includes a statement facade cladded in 24-carat gold leaf and camouflaged mirrors, comprises the renovation of seven buildings in the Largo Isarco industrial complex on Milan’s southern outskirts, making the foundation neither a preservation project nor a new architecture. Recently, photographer Bahaa Ghoussainy captured the infamous structure in his new architectural photo series.
It is well known that exposure to more green spaces and cleaner air has profound impacts on human health and psychology. This kind of exposure has been linked to reduced stress, improved cognitive function, and enhanced creativity. These sanctuaries offer relief, allowing the human to reconnect with the natural world. These residential homes are often a refuge from busy city life, ranging from vacation homes to retirement homes. Moreover, as the global call for sustainable practices becomes more pressing, the role of natural elements in architecture becomes imperative.
In today’s globalised, ever-evolving world, the architectural field continues to re-invent itself. Innovation has seen the emergence of new building technologies and new methods of communicating with clients, however, in some ways, a large majority of the architecture industry is still outdated – architects relying on client fees received from projects to run their architecture firms. Perhaps as a consequence of the emergence of start-ups in the technology sector, and the increased competitiveness of the global economy, architects have more recently chosen not to confine themselves to within the world of architecture and use their unique skill-sets and abilities in entrepreneurial ways.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design are joined by designer and educator Andrew Kudless, Founder of Matsys, to discuss the fundamentals of generative Artificial Intelligence (A.I.); how he teaches Midjourney; its potential role in the architecture profession; the evolving role of an architect; how students can make the most of the tools; and more.
With a population of a little over ten million people, of which almost two-thirds are living in urban areas, Portugal is still one of the most rural countries in Europe to this day. A significant part of the population is distributed along the Atlantic Ocean coast, concentrated mainly in Lisbon and Porto, which account for almost half of the country's residents, resulting in a large and sparsely populated inland area with predominantly rural characteristics.
Despite the low density and the countryside atmosphere, these regions are not lacking in quality architecture. Many buildings - mostly residential - stand out for their ability to blend into the landscape, repurpose old structures, or pay homage to local vernacular techniques. The following 15 country houses are examples of this:
African societies' cultures are intrinsically linked to color. From fabrics to clothing, products, sculptures, and architecture, various societies explore rich and vibrant colors that are vivid, expressive, and joyful. Through different shades, hues, contrasts, motifs, and ornamentations, colors are embraced as an unspoken language, a palette for storytelling, and a sense of cultural identity. Although the use of color in African societies may seem decorative on the surface, it is extremely symbolic, with a deep sense of history behind it. Traditional African architecture is a prime example. Ethnic societies have endowed their homes with color through ornaments and motifs, expressed it with religious and cultural patterns, employed it on facades to tell familial stories, and created labyrinths of communal architecture that not only celebrate color but explore its ethnic meaning.
Architecture studio ELASTICOFarm, led by Stefano Pujatti, has been awarded the Premio Italiano di Architettura (Italian Architecture Prize), promoted by the Triennale di Milano and MAXXI. The award, now in its fourth edition, is received in recognition of their S-LAB project, a new building in Turin, Italy, for the Istituto Nazionale di Fisica Nucleare (INFN). The prize highlights works of architecture with high design quality and an attentive approach to innovation and the social role of architecture.
Neri&Hu presented “Liminality”, a multimedia exhibition selected by Lesley Lokko, at the International Architecture Exhibition in Venice. The exhibition took place in the Dangerous Liaisons section of La Biennale di Venezia at the Arsenale. In response to Lokko’s curatorial statement, Neri&Hu’s display explored the concept of liminality, the “zone” between design practice and theoretical exploration. The display consisted of three adaptive reuse projects that represent the practice’s research in “Reflective Nostalgia, Recasting Vernacular, and Ruinophilia/Future Artifact.”
Néstor Montenegro, Enorme Studio y Smart and Green Design diseñarán el Pabellón de España en Expo Osaka 2025. Image Cortesía de Acción Cultural Española (AC/E)
The architecture and design practices Néstor Montenegro (EXTUDIO), Enorme Studio, and Smart and Green Design will be in charge of carrying out the designs of the Spanish Pavilion at Expo Osaka 2025. This comes after being selected in the public competition organized by the Spanish Cultural Action (AC / E), the institution responsible for representing the country in Universal and International Expositions.
Vectura CampusF / Schmidt Hammer Lassen Architects. Image Courtesy of Schmidt Hammer Lassen Architects _ By WAX
Exploring unbuilt projects can offer insights into the design process and leading strategies employed by contemporary architecture practices, revealing unexpected solutions, experimental approaches and innovative design concepts. This week’s curated selection of Best Unbuilt Architecture highlights designs submitted by established architecture practices. From a fjord-side regeneration project and oceanography research center to a headquarters building shaped to reflect company’s main focus or a restaurant adapted to extreme conditions, the compilation of unbuilt projects presents the variety of concepts, design philosophies and programs put forward by prominent global architecture studios.
Featuring internationally recognized offices like CRA-Carlo Ratti Associati, Herzog & de Meuron, OODA, KCAP, and Aedas, this selection showcases worldwide interventions that illustrate architectural and civic interventions across diverse scales and programs. Whether tackling the restoration of monuments, interventions in public spaces or the transformation of a city’s waterfront, each of these projects aspires to deliver a fitting response to the spatial, functional, social and ecological requisite of its context.
The 10th edition of Passages Insolites is taking place from June 22 until October 9, 2023, bringing together artists from around the world. The public art circuit is presented by the City of Quebec and created by EXMURO arts public to showcase a retrospective artistic path through the city, recalling the event’s previous editions. The public art event takes place every summer in Quebec City in in the Place Royale, Petit Champlain and Old Port districts. This year, the event presents works of art from 40 artists, headlined by Felice Varini, who presents a monumental three-dimensional work at Place-Royale.
The Clinton Foundation in Little Rock, Arkansas, has just announced a major expansion of the Clinton Presidential Center. The expansion will be designed by Studio Gang, with the aim to further the Center’s mission to engage and educate people about President Clinton’s values. Moreover, the project expansion will be further detailed in 2024, creating new essential programs in the development.
Photo set. Ensemble of doormen. The Tragedy of Macbeth. Image via Stefan Dechant
"I have a feeling we're not in Kansas anymore," Dorothy says to her dog in 1939's 'The Wizard of Oz' as she walks around, discovering a fantasy set in which, without realizing it, we find ourselves immersed. From the initial sketch to the construction of the sets, production design for film requires careful detail to truly bring visions to life and transport viewers.
In this combination of creativity, research, and collaboration, various production designers have approached us to share their adventures and design processes. The importance of creating a cohesive visual aspect, understanding language and styles, and translating all of this to the screen come together in the following series of 8 interviews we conducted with Annie Beauchamp, Luca Tranchino, Felicity Abbott, Jacinta Leong, Alexandra Schaller, Ina Mayhew, Amy Lee Wheeler, and Stefan Dechant.
For many years, often spoken in tones of anticipation and excitement, we have heard that 3D printing will revolutionize the architecture industry as we know it. But if we stop for a moment, reflect on the present and look back at the past, it becomes evident that the technology has long been reshaping the field, continuously undergoing profound transformations and ushering in new eras of design, construction and spatial creativity. Operating as a layer-by-layer additive manufacturing process, 3D printing uses digital models to create customized three-dimensional objects with a remarkable level of precision and efficiency, saving time, generating zero waste, reducing labor costs and opening avenues for rapid prototyping and iterative design. It enables architects to explore creative opportunities and regain autonomy by designing complex, non-standardized elements within an industrial and mass-customized process.
Mixed-Use Development in Nanjing / UNStudio. Image Courtesy of K.Wah
In recent decades, China's residential landscape has undergone a transformation setting primarily informed by social community ties now prioritizes the needs of rapid urbanization and modern lifestyles. Traditional courtyard houses of China once activated the urban realm, harmoniously blending private residential zones with public areas of the neighborhood. Today, the country is speckled with private developments and gated communities that have severed the connection between residential areas and the urban realm. Amidst this transformation, MAD Architects' Baiziwan Social Housing in Beijing emerges as a visionary attempt to reimagine urban living. By embracing a mixed-use program, this residential complex integrates itself with the surrounding neighborhood, fostering a renewed sense of unity with the bustling metropolis. Not limited to China alone, numerous housing endeavors worldwide have embraced this approach, reclaiming their ties to the urban realm.
1 De Haro / Perkins&Will. Image Courtesy of Quebec Wood Export Bureau
Architects have always adapted their designs for the key building indicators of their time. After decades of focus on energy efficiency, embodied carbon is quickly becoming the key indicator for our next generation of buildings. Yet most of us are only beginning to understand the work of life cycle analysis (LCA), which is central to assessing the environmental impacts of building products both before, during, and after construction.
Rebuild Foundation, run by Artist Theaster Gates, is converting the St. Laurence Elementary School into a new 40,000 sq foot arts hub on Chicago’s South Side. The formerly vacant elementary school in Chicago’s local St. Laurence neighborhood has been reimagined to redeem indoor and outdoor spaces, making it a cultural hub. Set to open in 2024, the building's adaptive reuse expanded the program and the landmark into a place of exploration, entrepreneurship, and creative education.
In the face of the environmental crisis and the need to mitigate climate change, adopting clean and renewable energy sources, such as solar energy, in architectural projects is becoming increasingly imperative. As a country with abundant sunlight incidence throughout the year, Brazil has enormous potential to take advantage of this energy source, which has become an increasingly attractive and viable option in the Brazilian scenario. There are numerous benefits solar energy can provide to both residents and the environment that make it a popular choice for residential use.
Architects and designers are often looking for ways to make building facades and interior surfaces stand out from the crowd. But sometimes just the smallest change can have the biggest impact once you step back and see the whole picture. By employing an illusionary pattern such as dithering pixels or halftone dots, or by making subtle but intentional changes to the position or orientation of materials, flat surfaces can be transformed into curved, moving forms.
Halftone patterns work by reducing a solid surface of color into dots of decreasing size. As the dots gradually reduce to nothing, they leave nothing behind except a background color. The result is a flat surface with a gradient that mimics the shadows or highlights of a three-dimensional curve. Dithering, meanwhile, is the process of feathering multiple shades of the same color to blend them together. The effect allows designers to, on a large enough scale, create images with depth and curves, while using only a single color. Or even to create the illusion of an intermediary color.
Architect, critic, and curator Jean-Louis Cohen passed away at the age of 74 yesterday, August 7. Recognized for his extensive research in the field of modern architecture and urban planning, he held the Sheldon H. Solow Chair of Architectural History at New York University since 1994.
Cohen served as a curator for various prestigious exhibitions, including some held at the Museum of Modern Art, the Canadian Centre for Architecture, the Centre Georges Pompidou, the Cité de l'Architecture et du Patrimoine, and the MAXXI. More recently, alongside Brazilian researcher Vanessa Grossman, he curated the exhibition "Geografias Construídas: Paulo Mendes da Rocha," which opened in May at the Casa da Arquitectura in Portugal.
From the changing seasons to the users' interactions, there is almost an infinite set of facets of the architectural project that can be represented through film, and many photographers have entered into this dimension in different formats: documentaries, fixed camera, scripted performances or time-lapses, among others that you can browse in our video section.
Carved stones were the first tools that hominids used to transform their environment. It is exciting to imagine how, since the Stone Age —a period that began approximately around 10,000 BC— and thanks to humanity's long evolutionary process, the tools we used have evolved from simple stones to complex robotic systems. These advancements represent a revolution in production methods, both at the current industrial level and on a local scale.
Technologies such as artificial intelligence (AI) and digital fabrication systems have been perceived as labor-replacing threats varying by context. In Latin America, manual fabrication is deeply ingrained, specialized, and cost-efficient in some sectors, making digital substitution less pressing. In contrast, biomaterials derived from fungi or agro-waste provide environmentally friendly construction alternatives, promoting sustainability and circular economies. This stimulates meaningful discussions about the potential of digital fabrication, requiring an understanding of local resources and challenges. Therefore, it lays the groundwork for biomaterials that preserve identity while offering solutions to local issues.
https://www.archdaily.com/1004830/digital-fabrication-and-biomaterials-in-architecture-fusing-identity-and-technologyEnrique Tovar
