Housing is a fundamental aspect of architecture, providing shelter, which is essential for everyone. In urban environments, addressing the housing challenge is both urgent and complex. Social housing initiatives aim to provide a substantial portion of the population with access to this fundamental architectural concept: a home.
From September 14th to October 8th, 2023, "Psicoarquitectura" will be showcased at the German Pavilion, designed by Mies Van der Rohe and Lilly Reich, located in the city of Barcelona. The Mies van der Rohe Foundation, in collaboration with LAB 36 and Senda Gallery, is hosting this temporary artistic intervention by the artist and architect Oscar Abraham Pabón. This intervention explores the materiality of this iconic work of the Modern Movement, delving into its interpretative and psychological dimensions.
Cognitive decline is a growing public health concern that affects millions of people around the world. Amid an aging population, strategies that help prevent or mitigate cognitive deterioration become increasingly relevant to support healthy aging and maintaining independence for longer. Studies in the field of neuroscience applied to architecture (neuroarchitecture) have shown that the physical environment, both internal and external, public and private, plays a fundamental role in this aspect [1]. In this sense, architects and urban planners can direct their projects to create solutions that significantly contribute to this objective.
In a world grappling with environmental challenges, forward-thinking architects and engineers are increasingly leaning towards more sustainable solutions. While steel and concrete have long dominated the construction industry, bamboo is now stepping into the limelight as a compelling alternative. Thanks to its potent mix of strength, flexibility, and eco-friendliness, bamboo is fast becoming the go-to material for those keen on pushing the boundaries of sustainable architecture.
Bridging this transformative moment in sustainable design is the timely arrival of the "Bamboo Structures" eBook series, which this article is based on. Acting as a touchstone in the field, the first volume focuses on the structural design process behind the Luum Temple—a masterclass in bamboo engineering. The guide serves as more than just a theoretical text; it is a comprehensive manual teeming with real-world insights, cutting-edge research, and practical expertise.
The Chicago Architecture Biennial (CAB 5) has announced the participation of the James R Thompson Center as both a cultural partner and city site for the 5th edition of the exhibition. CAB 5: This is A Rehearsal is curated by the Chicago-based artist collective Floating Museum. The Thompson Center has long been referred to as one of Chicago’s postmodern architectural marvels, designed by Helmut Jahn. At this year’s biennial, which starts on the 21st of September, 2023, the center will host five exhibitions and site-specific installations.
Polish-Israeli architect Zvi Hecker, internationally recognized as an influential figure of Modernism in Israel, as well as a painter, illustration artist, and furniture designer, has passed away at the age of 92, as reported by Moderne Regional. Throughout his career, Hecker combined geometry and modularity with asymmetry and spiraling complex compositions inspired by the pattern of sunflower seeds, a recurring inspiration for his work. His complex geometric explorations are exemplified in a variety of projects on various scales and programs, including the Spiral Apartment House in Ramat Gan, Israel (1981–1989), the Heinz-Galinski-Schule in Berlin, Germany (1992–1995), and the crystal-like Synagogue in the Negev Desert, Military Academy, Israel, (1969).
Maximalism is an artistic movement that stands in stark contrast to minimalism. While minimalism famously preaches "Less is more," maximalism embraces the opposite mantra of "More is more."
Within the broader context of the postmodern movement, which encompasses the social and aesthetic shifts occurring after World War II, maximalism can be characterized by its rejection of rigid values and rules. Instead, it celebrates imprecision, embraces diversity, blurs the lines between reality and fantasy, encourages spontaneity, and champions freedom of expression.
Increasing in both size and number, cities worldwide are experiencing accelerated growth. With green land regularly lost to either urbanization or its effects – such as rising sea levels or natural disasters – and expanding populations meaning more mouths to feed, the farming and agricultural industries are in crisis. Viewed by many as the solution, vertical farming is the practice of stacking layers of crops atop each other, using humanity’s latest design and engineering tech to grow more with less space.
More traditional horizontal farmland, however, does more for the environment than simply growing our food. The open-air green spaces often serve as natural habitats, air filtration, and temperature control for the surrounding area. By stepping up the concept of vertical farming into the world of architecture, we can bring all the goodness of the farm, straight to our doorstep.
Each year, the Trust for Public Land (TPL) issues its ParkScore, which ranks the park systems of the 100 most populated cities in the U.S. This year, the organization also explored the positive health outcomes of top-scoring cities, looking at more than 800 innovative programs and practices that integrate park and healthcare systems.
Welcome to West Hollywood and to episode 9 of Opening up. Talking through his passion project is Denis Devin Donner from the Los Angeles-based company Rudin Donner Design. This transformation started with a mansion lacking a defined entrance and reached its culmination with a gate that frames a beautiful view.
Shelley McNamara is one-half of the renowned Irish-based Grafton Architects studio, together with Yvonne Farrell. Pritzker Prize 2020 Laureates founded their practice in 1978 and are well-known for their co-curation of the 2018 Venice Architecture Biennale. In this interview with Louisiana Channel, McNamara talks through her design theories, direction, inspirations, and the studio’s approach to “humanism.”
The growth of the world's population has led to an increase in housing and building construction around the globe. Considering that today the construction industry is responsible for 40% of the planet's CO2 emissions, and according to the Chilean Chamber of Construction, by 2035, Chile will need housing for 2.6 million people, it is necessary to guide this sector toward an environmentally friendly alternative. The answer to this challenge can be found in nature itself, where there are various efficient and sustainable construction solutions. Such is the case with wood: a noble and renewable material capable of capturing CO2 and contributing to a better environmental future.
Today, thanks to technological advances, engineered wood or laminated wood, composed of layers of structural wood oriented perpendicularly to each other, has positioned itself as a trending construction material worldwide, and Chile should not be the exception.
Based between Tehran, Iran, and New York City, ASA North has emerged as an example of an architectural practice based on malleability and adaptability. Chosen by ArchDaily as part of our 2023 New Practices, ASA North stands at the forefront of melting the boundaries between architecture and art. ArchDaily had the chance to interview Ahmadreza Schricker, its founder delving into the evolution of his life, career, and practice.
Ahmadreza Schricker is an architect whose journey was shaped by his work with Herzog & de Meuron and his time with the well-renowned OMA. His studio ASA North, is well known for its award-winning adaptive reuse of the Argo Contemporary Art Museum & Cultural Center, a former distillery that was awarded at the 2020-2022 Aga Khan cycle. It is a testament to the work ASA North does, bridging gaps between past and future, traditional and contemporary. The interview also goes beyond ASA North, looking into its sister company, ASA South. Based in the virtual world, ASA South challenges conventional boundaries and reimagines architectural practice in the digital age.
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In this Barcelona guide, we have rounded-up the architecture of probably the best known and most influential architect from the beginning of the century in Spain, Antonio Gaudí. Gaudí spent most of his life in Barcelona and the city boasts the largest concentration of his works in the world. His style is unique, often imitated but never matched.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss whether or not architects should sell their floor plans online. The two cover the financial benefits of selling plans, making good floor plans accessible to more people, the downsides of selling partial services, quality concerns, the future of the profession, prioritizing speed and efficiency in design, why architects are often not used on projects, and more.
There are a series of multiple factors to take into account when deciding where to place a TV, including —but not limited to— the dimensions of both the furniture and the TV, image resolution, height, design, and so on.
In this article, we share some recommendations to achieve the comfort and well-being of the users avoiding possible problems of visual fatigue or unfortunate body postures.
For the fourth consecutive year ArchDaily is running a global survey to detect and showcase those who are taking architecture in a new direction: the ArchDaily New Practices 2024 ranking. Our team is already surveying and curating through hundreds of practices from around the world, of all types and sizes: architects, architecture offices, designers, build-tech startups, curators, exhibition designers, collectives, interior designers, software developers, material scientists, new media platforms, think tanks, entrepreneurs, critical writers, activists, performers, media designers, landscape architects, and anyone whose work is in an early or developed stage, on a clear decisive path to reshape architecture. For this call, new doesn’t necessarily mean just young, but innovative, fresh and forward-thinking.
From build-tech startups that are scaling architecture to achieve a low carbon economy, 3d printing on the moon, creating practical experiments on reassembly, to activists who visualize social challenges in the worldwide stage, or researchers literally going down the rabbit hole to unearth the impact of climate crisis.
We invite you to help us widen our global perspective by nominating practices that have the potential to be part of the ArchDaily New Practices 2024 ranking, using the form below. To have a better idea on what we are looking for, you can see the winners of 2020, 2021, 2023.
Tropical Africa boasts vast forests that cover 3.6 million square kilometers of land in West, East, and Central Africa. These forests provide valuable timber resources that significantly impact sectors, such as the furniture, fuel, and paper industries. However, interestingly, timber is seemingly absent in the contemporary architecture of the countries in this region. While architectural taste plays a role, the main reasons for this absence can be attributed to the wood industries' inability to meet the requirements of availability, affordability, aesthetic appeal, durability, and climatic and structural performance of timber. The wood industry in tropical Africa is mainly composed of informal and small-scale operations, focused primarily on sawing logs rather than refining wood for architectural or structural purposes. Despite this, the large number of informal enterprises in the region presents an opportunity to reshape the wood industry and utilize the local forestry resources to construct timber buildings.
Copenhagen was founded in the 12th century and has undergone numerous transformations to establish itself as an urban benchmark of the 21st century. Its dynamic urban environment stands as an exemplar of architecture's importance and crucial role in shaping a sustainable future for cities. Confronting global challenges like mobility, urban development, and eco-friendly construction, the city is an inspiring model. This is why in 2023, the Danish city was named the World Architecture Capital by UNESCO-IUA, positioning Copenhagen as a platform for discussions on climate, sustainable solutions, and livability.
In this context, Danish architects such as Anders Lendager have been asked about their perception and interaction with their favorite places in the city, providing valuable insight into what makes Copenhagen unique. Lendager, the CEO and founder of Lendager Group, has been the designer behind eco-village projects, the Danish Pavilion in Milan, and a skyscraper built from recycled materials. Collectively, these projects showcase the capacity to translate the core principles of sustainable cities into tangible components, prioritizing human well-being and fostering circular economy models.
The Museum of Modern Art New York has announced the opening of an exhibition focused on the first realized and unrealized projects that address ecological and environmental concerns. Featuring works by architects who practiced mainly in the United States from the 1930s through the 1990s, the exhibition titled “Emerging Ecologies: Architecture and the Rise of Environmentalism” is on view from September 17, 2023, through January 20, 2024. The over 150 works showcased reveal the rise of the environmental movement through the lens of architectural practice and thought.
Mario Cucinella Architects has just revealed the design of the Italian Pavilion for Expo Osaka 2025. Envisioned as a dynamic entity, the pavilion aims to foster knowledge and innovation through the interplay of different generations and cultures. It will serve as a collaborative repository of Italian expertise, encompassing artistic, scientific, entrepreneurial, and social experiments. The display is designed around Italy's cultural treasures and aims to highlight, deconstruct, and then reinterpret them in a contemporary manner.
While most cities around the world seek to implement more sustainable and environmentally friendly modes of transportation, encouraging new urban mobility habits in their residents, the use of automobiles still persists, occupying significant parking spaces in urban centers. Finding a way to integrate these uses, provide new spaces for their citizens, and leverage their facilities for ecological, productive, and other purposes is the challenge faced by many professionals in architecture and urban planning.
This article was originally published on Common Edge. If you’ve been in the profession of architecture long enough, you come to know a certain rarified subset of fellow professionals: Those who call themselves “architects,” who have a degree, and who may even be licensed and members of the AIA, but who do not practice architecture. They simply like being an “architect.”
In the context of WWI and to address the massive housing shortage resulting from the conflict, the Dom-Ino modular structure, one of the most significant contributions of functionalism and designed by the Swiss designers Le Corbusier and Max Dubois, established concrete premises for a new vision of a lightweight structural model that optimizes the construction process. Thanks to the use of a reinforced concrete slab and column system, the Dom-Ino structure allowed for the flexible arrangement of elements in the floor plan and freed the facade from the limitations imposed by load-bearing walls.
This condition prompted the creation of architectural designs that not only integrated windows as functional elements but also as compositional. Thanks to technological innovations, windows with slender framings and wider openings were achieved, as exemplified in works such as Villa Savoye and Farnsworth House. While these proposals redefined the aesthetics of architecture, the technological limitations of the time presented challenges. Nowadays, the continuous development of windows with improved technical characteristics has led to the concept of the minimalist window, which has inspired three fundamental principles derived from this concept, conceived by Vitrocsa. These principles —transparency, functional variations, and advanced mechanisms— incorporate technological innovations while simultaneously blurring spatial boundaries. Each of them plays a key role in the design of spaces and together they significantly redefine the aesthetics of buildings and interiors.
