Ennead Architects and KSS Architects have just unveiled the design for the Jean & Ric Edelman Fossil Park Museum of Rowan University. The museum is located at the heart of a 65-acre fossil park in Mantua Township, New Jersey. Spanning 44,000 square feet, the program focuses on exploration, preservation, and education. Moreover, it allows citizens and scientists to have the unique opportunity to participate in fossil excavation alongside research actively. The visitor and the researchers will study the events leading to the fifth mass extinction, all within the confines of a 66-million-year-old former quarry. The project is scheduled to open its doors to the public in early 2024, positioning itself as a symbol of scientific exploration and environmental stewardship.
More and more, the field of architecture is shifting its focus towards revitalizing existing spaces. This shift is motivated by various factors, including concerns about sustainability, cost constraints, and the scarcity of available land in rapidly expanding urban areas. It presents an opportunity not only to renovate buildings but also to engage with the layers of time. This intricate task involves fostering a dialogue between contemporary and historical materials, acknowledging traditional construction techniques, and even uncovering hidden aspects of history and geography within the built environment to create truly unique architectural experiences.
https://www.archdaily.com/1007028/architecture-with-history-7-brazilian-houses-that-respect-the-layers-of-timeArchDaily Team
As society, technology, and architecture have evolved, designers and architects have embraced novel construction systems and innovative approaches to reshape the built environment. This advancement has stretched the boundaries of traditional construction techniques and ignited fresh ideas in building design.
In the past, some architects and artists aimed to question an architectural paradigm deeply entrenched in anthropocentrism. Historically, architecture has been linked to the notion that buildings, being conceived by human beings, must be extremely durable, even imperishable. Considering the principle that the best intervention is the least intrusive, inflatable architecture, in contrast to these human-centric viewpoints —but aligned to our ephemeral nature—, can propose structures that may exist one day and vanish the next, leaving a temporal imprint on the landscape. This architectural approach uses textiles as the primary material and air as the structural system, potentially challenging the traditional Vitruvian ideals of Venustas, Firmitas, and Utilitas.
https://www.archdaily.com/1007496/inflatable-architecture-pneumatic-structures-transforming-built-environmentsEnrique Tovar
The use of local materials in architecture is becoming more and more important as there is a growing need to find new, sustainable construction methods that can help address the current climate crisis. Understanding the behavior of different materials and their key construction properties, architects and other professionals in the field are increasingly turning to bamboo, aiming to develop strategies and techniques that enable its use in both the structures of their projects and the various components of spaces.
Digitization has revolutionized the way we experience art on platforms like SINGULART, which combines multiple influences from various artists.. Image Courtesy of SINGULART
The relationship between art and architecture is a recurring topic of discussion, seeing as architecture can be positioned at the intersection of structure, technology, and aesthetics. Despite the utilization of technical knowledge, architecture, and interior design also incorporate artistic concepts into their processes. From captivating illustrations during the design development phase to murals and artistic pieces that form an integral part of spatial conception, art plays an essential role in architectural production and society.
In the context of contemporary society, many of our activities are carried out digitally, from booking accommodation for travel to manufacturing materials and creating art exhibitions. In this sense, digitalization has also permeated the art world, conceiving initiatives like SINGULART, which challenges the traditional concept of art galleries by existing in a digital format. This platform combines works from various sources of inspiration and artistic techniques, encompassing everything from sketches and paintings to architectural photography. It fuses multiple influences from various contexts, including architectural work.
https://www.archdaily.com/1006625/from-sketch-to-painting-a-digital-art-gallery-to-inspire-everyday-architectural-workEnrique Tovar
Sagrada Familia, Antonio Gaudi’s famous yet incomplete landmark, is moving forward toward completion. As of last week, five out of the six central towers have been fully constructed. Since this January, when the towers of Evangelists Luke and Mark were finished, two additional towers, dedicated to Evangelists Matthew and John, have been crowned with statues by sculptor Xavier Medina-Campen, marking their completion. The Junta Constructora del Temple Expiatori de la Sagrada Família, the foundation overseeing the construction, announced a special Mass on November 12 to mark the inauguration, initiating the illumination of the four towers all throughout the Christmas season.
Innovation in materials and construction systems has been a significant theme in 2023, and BASE Studio has decided to surprise us with a new material configuration that showcases the mechanical and aesthetic capabilities of Colihue. Alongside this proposal, innovative ideas for habitable projects have been generated, setting them apart from others through a distinctive spatial morphology created within a rigid perimeter of arches that inscribe a paraboloidal surface.
Working within the restrictions of a limited carbon footprint can be one of the hardest – but also most rewarding – parts of a modern architect’s role. Whether to suit a large multinational corporation’s sustainability report, to achieve LEED status or similar for a commercial developer, or to build an eco-home for a climate-conscious private client – or even one who just wants to spend less on energy, it’s imperative to keep up-to-date with the latest carbon-neutral and low-carbon building practices and materials.
Whether looking at a project’s structural beginnings, its high-grade finishes, or thinking more holistically about its entire lifetime, there are huge gains to be made with sustainable substitutes and alternatives to traditional materials and techniques.
Besides denoting a show of careful thought, in architectural terms, the word ‘considerate' also suggests an emotional and perhaps even empathetic approach. And why shouldn't it?
Good architecture can and should be considerate—in all the varied ways the word embodies. While it could start off with the motivation to do good and require an initial moral approach, this sensibility, combined with a meticulous knowledge of individual/communal needs and transparent communication, generates a well-adapted, and accessible built environment that can promote growth.
https://www.archdaily.com/989415/good-architecture-is-considerateArchDaily Team
Timeless design possesses qualities that resonate with people on a fundamental level, whether through its simplicity, functionality, emotional impact, or adaptability. It continues to captivate and inspire indefinitely, remaining relevant and cherished across generations. This is the primary ambition of any designer, to endure through their creations over time. Philippe Starck, the renowned French designer, has long been at the forefront of the design world. He emphasizes that "The keywords for the future and ecology are longevity, transmission and heritage." His designs aim to go beyond mere aesthetics, incorporating a commitment to timelessness and a dedication to environmentally conscious practices.
Innovation thrives when we pause to observe, question, and reimagine the world around us, turning challenges into opportunities for progress. Nature, in particular, serves as a rich source of inspiration. By observing it, studying its daily challenges, and contemplating its processes, we can discover valuable insights that inspire innovative solutions.
One of these current challenges is the production of concrete, an ancient and extremely popular material that is now accountable for a significant portion of global CO₂ emissions, due to the energy-intensive process of cement production and the chemical reactions involved. It is estimated to be responsible for approximately 8% of the world's annual CO₂ emissions, pumping 11 million tons of CO₂ into the atmosphere every day and consuming 9% of the world's annual industrial water usage. In addition, the world's building stock is expected to double by 2060—the equivalent of building an entire New York City every month for the next 36 years, which means an incredible increase in demand for cement and concrete. Faced with this daunting situation, is there anything we can do? In this article, we speak with Loren Burnett, CEO of Prometheus Materials, which has developed a material that mimics nature's processes to recreate concrete as we know it.
Beverly Willis, architect, wearing a hard hat at a construction site. Image Courtesy of Library of Congress Prints and Photographs Division Washington
American architect and tireless advocate for gender equality Beverly Willis passed away on October 1, 2023, at the age of 95, as reported by The New York Times. Throughout her career, she was dedicated to breaking down barriers for women in a traditionally male-dominated profession. She ran an accomplished studio in San Francisco, having completed over 800 projects across the US, and established a Foundation for recognizing and promoting women in architecture. Across various programs and scales, her designs have gained national recognition for their humanistic concern for the occupant and for adapting historic buildings to modern purposes, a practice now known as adaptive reuse.
OPEN Architects has just revealed the architectural designs for two separate cultural projects situated along the coastline of Yantai,China. One of them is “The Space Crystals,” a futuristic digital museum and experiential hub resembling an otherworldly entity that has mysteriously descended upon a seaside mark. Meanwhile, “Sea Square” is square-shaped, providing a library and community service facility, levitating above a restored sea dock. The two structures engage in a spatial and temporal conversation, one reaching towards the sky and the other facing the sea, bridging the present, the past, and the future.
Living in a tropical country means cherishing outdoor experiences, whether feeling the gentle breeze, connecting with nature, or basking in the sunlight. We have grown up with a cultural tradition of playing in our yards, gathering with family and friends on balconies, enjoying barbecues, or simply admiring the beautiful landscape. Numerous Brazilian residences integrate wooden decks for these purposes. They are versatile spaces that fulfill various functions.
The atmospheric sadness of a typical office ‘kitchen’ – and by kitchen I mean an old kettle, two rusty spoons (both missing) and three flimsy chairs around a one-person table – can be the root of much employee unrest. But when the alternatives mean either walking through the city smog or hunching over a desk with a Tupperware sandwich, dropping crumbs on the keyboard, there isn’t much choice.
In the post-pandemic workplace, however, where employee wellness demands respect and employers themselves are searching for ways to make their offices more appealing in a hybrid schedule, the age-old canteen format might just find its way back onto the menu. Here is a selection of projects that prove it can work, and how.
Courtesy of Jen Lewin, Photo by Brendan Burkett / The Pool
In the world of interior design, light serves as an essential medium, but light can also create immersive public spaces. While James Turrell, Olafur Eliasson, and Dan Flavin are celebrated for their transformative mastery of color, reflections, and luminous contrasts, it's crucial to note that the realm of light art isn't exclusively male-dominated. In response to the underrepresentation of female light artists, a refreshing and enlightening perspective emerges from the British lighting designers Sharon Stammers and Martin Lupton of Light Collective.
After founding the platform "Women in Lighting" their book "Women Light Artists," takes a bold step in introducing us to 40 creative women whose work radiates with responsive ingenuity and brilliance. The book offers a captivating spectrum of projects from interactive pools to the play of colorful daylight shadows dancing across a bridge in London, from the peaceful projection onto an iconic Berlin landmark to the vivid rainbow arching above Manhattan's skyline, each work embodies a unique dialogue between light and space. The luminous journey offers a valuable tribute to the power of female artists who, for far too long, have remained in the shadows.
The Duffle is a modular system that can create an armchair, or a much larger composition of units joined together, offering a broad spectrum of possibilities depending on the space it occupies. Image Courtesy of BOSC
There’s something old-fashioned, or indeed anti-fashion about a duffle coat. It’s charmingly naïf, the stuff of school uniforms and Paddington Bear, with a history that goes way back to the mid-19th century. It had a life in the military, as part of the uniform for the Royal Navy, and like much service attire, was then reimagined by the world of high fashion. Jean Cocteau used to stroll with close friend Coco Chanel, wearing his white version. Decades later, Rei Kawakubo made an oversized statement with versions at Comme des Garçons, and it remains a favorite of arch Modernist Margaret Howell. When Jean Louis Iratzoki was working on plans for a new sofa to join his ever-growing range of designs at BOSC, he took inspiration from the toggles and nostalgia of all things duffle. It was a subtle way to infuse what is a contemporary and highly sophisticated piece of furniture with a touch of something softer, from the past.
https://www.archdaily.com/1007402/nostalgic-comfort-the-charm-of-the-duffle-coat-on-a-sofaMark C. O'Flaherty
As has become customary in recent years, on the first Monday of October, we celebrate both World Architecture Day and World Habitat Day, serving as a reminder to the global community of its collective responsibility for the well-being of the built environment. This edition, like its predecessors, sheds light on the realm of architecture and the challenges faced by our cities, introducing new themes, contemplating the state of our urban areas, and proposing constructive strategies.
Since urban economies have encountered significant difficulties this year, the UN's World Habitat Day focuses on "Resilient Urban Economies: cities as drivers of growth and recovery." Launching Urban October, this event seeks to bring together diverse urban stakeholders to deliberate on policies to help cities recover after the dual economic impacts caused by the COVID-19 pandemic and conflicts worldwide. Aligned with this concept, World Architecture Day, created by the UIA in 1985, has chosen to concentrate on "Architecture for Resilient Communities," emphasizing the role and duty of architecture in fostering thriving community existence while initiating a global dialogue regarding the interconnectedness of urban and rural regions within every nation.
For the Indian subcontinent, the mid-1900s marked a transformative period, brimming with turmoil and hope. Leaving a century of British rule, India and the newly formed countries of Pakistan and Bangladesh held onto an optimistic vision of a transformed society. The newfound independence invited the international Modernist movement to envision a fresh identity for the nations. Spearheading the movement in Bangladesh was the architect Muzharul Islam whose work continues to influence contemporary Bangladeshi architecture.
The role and relationship of furniture in architecture and space design are of great relevance. Designers such as Eileen Gray, Alvar Aalto, Mies Van der Rohe, and Verner Panton conceived furniture —primarily stools and chairs— that endure over time as powerful and timeless elements, with a determining impact on the interior atmosphere. Thus, the relationship between furniture and space becomes a constant dialogue in which design, aesthetics, and materials contribute their dimension.
Today, furniture should not be limited solely to fulfilling an aesthetic and functional role, but should also have a purpose in the context of contemporary design and sustainable development. It is essential to reflect on and question the processes and choice of materials in the manufacturing of these elements, in addition to the value they bring to interior spaces. In this context, HEWI has taken a step forward by creating the Re-seat family, consisting of stools and chairs made from post-industrial recycled materials (PIR), sourced in part from the processes of the company itself and a regional supplier, both based in Bad Arolsen, Germany. It also features integrated solutions with universal design in mind, making a statement in favor of innovation and eco-design.
https://www.archdaily.com/1007326/re-purposing-materials-from-post-industrial-recyclate-to-accessible-furnitureEnrique Tovar
Construction on OMA’s first project in Bangladesh, the Dhaka Tower, has just started. Reaching a height of 150 meters and spanning 180,000 sqm in office space, the project is set to stand as one of the tallest buildings in the country. This scheme marks a significant milestone in the urban landscape of Bangladesh, designed by OMA in collaboration with local real-estate developer Shanta Holdings.
Wood has played an important role in contemporary Mexican architecture due to its versatility, sustainability, and cultural connection to the architectural history of the country. Currently, architecture in Mexico has gained worldwide recognition for its sensitivity and mastery in designing everyday spaces using various techniques that prioritize sustainability, aesthetics, and bioclimatic design.
