Besides denoting a show of careful thought, in architectural terms, the word ‘considerate' also suggests an emotional and perhaps even empathetic approach. And why shouldn't it?
Good architecture can and should be considerate—in all the varied ways the word embodies. While it could start off with the motivation to do good and require an initial moral approach, this sensibility, combined with a meticulous knowledge of individual/communal needs and transparent communication, generates a well-adapted, and accessible built environment that can promote growth.
https://www.archdaily.com/989415/good-architecture-is-considerateArchDaily Team
Timeless design possesses qualities that resonate with people on a fundamental level, whether through its simplicity, functionality, emotional impact, or adaptability. It continues to captivate and inspire indefinitely, remaining relevant and cherished across generations. This is the primary ambition of any designer, to endure through their creations over time. Philippe Starck, the renowned French designer, has long been at the forefront of the design world. He emphasizes that "The keywords for the future and ecology are longevity, transmission and heritage." His designs aim to go beyond mere aesthetics, incorporating a commitment to timelessness and a dedication to environmentally conscious practices.
Innovation thrives when we pause to observe, question, and reimagine the world around us, turning challenges into opportunities for progress. Nature, in particular, serves as a rich source of inspiration. By observing it, studying its daily challenges, and contemplating its processes, we can discover valuable insights that inspire innovative solutions.
One of these current challenges is the production of concrete, an ancient and extremely popular material that is now accountable for a significant portion of global CO₂ emissions, due to the energy-intensive process of cement production and the chemical reactions involved. It is estimated to be responsible for approximately 8% of the world's annual CO₂ emissions, pumping 11 million tons of CO₂ into the atmosphere every day and consuming 9% of the world's annual industrial water usage. In addition, the world's building stock is expected to double by 2060—the equivalent of building an entire New York City every month for the next 36 years, which means an incredible increase in demand for cement and concrete. Faced with this daunting situation, is there anything we can do? In this article, we speak with Loren Burnett, CEO of Prometheus Materials, which has developed a material that mimics nature's processes to recreate concrete as we know it.
Beverly Willis, architect, wearing a hard hat at a construction site. Image Courtesy of Library of Congress Prints and Photographs Division Washington
American architect and tireless advocate for gender equality Beverly Willis passed away on October 1, 2023, at the age of 95, as reported by The New York Times. Throughout her career, she was dedicated to breaking down barriers for women in a traditionally male-dominated profession. She ran an accomplished studio in San Francisco, having completed over 800 projects across the US, and established a Foundation for recognizing and promoting women in architecture. Across various programs and scales, her designs have gained national recognition for their humanistic concern for the occupant and for adapting historic buildings to modern purposes, a practice now known as adaptive reuse.
OPEN Architects has just revealed the architectural designs for two separate cultural projects situated along the coastline of Yantai,China. One of them is “The Space Crystals,” a futuristic digital museum and experiential hub resembling an otherworldly entity that has mysteriously descended upon a seaside mark. Meanwhile, “Sea Square” is square-shaped, providing a library and community service facility, levitating above a restored sea dock. The two structures engage in a spatial and temporal conversation, one reaching towards the sky and the other facing the sea, bridging the present, the past, and the future.
Living in a tropical country means cherishing outdoor experiences, whether feeling the gentle breeze, connecting with nature, or basking in the sunlight. We have grown up with a cultural tradition of playing in our yards, gathering with family and friends on balconies, enjoying barbecues, or simply admiring the beautiful landscape. Numerous Brazilian residences integrate wooden decks for these purposes. They are versatile spaces that fulfill various functions.
The atmospheric sadness of a typical office ‘kitchen’ – and by kitchen I mean an old kettle, two rusty spoons (both missing) and three flimsy chairs around a one-person table – can be the root of much employee unrest. But when the alternatives mean either walking through the city smog or hunching over a desk with a Tupperware sandwich, dropping crumbs on the keyboard, there isn’t much choice.
In the post-pandemic workplace, however, where employee wellness demands respect and employers themselves are searching for ways to make their offices more appealing in a hybrid schedule, the age-old canteen format might just find its way back onto the menu. Here is a selection of projects that prove it can work, and how.
Courtesy of Jen Lewin, Photo by Brendan Burkett / The Pool
In the world of interior design, light serves as an essential medium, but light can also create immersive public spaces. While James Turrell, Olafur Eliasson, and Dan Flavin are celebrated for their transformative mastery of color, reflections, and luminous contrasts, it's crucial to note that the realm of light art isn't exclusively male-dominated. In response to the underrepresentation of female light artists, a refreshing and enlightening perspective emerges from the British lighting designers Sharon Stammers and Martin Lupton of Light Collective.
After founding the platform "Women in Lighting" their book "Women Light Artists," takes a bold step in introducing us to 40 creative women whose work radiates with responsive ingenuity and brilliance. The book offers a captivating spectrum of projects from interactive pools to the play of colorful daylight shadows dancing across a bridge in London, from the peaceful projection onto an iconic Berlin landmark to the vivid rainbow arching above Manhattan's skyline, each work embodies a unique dialogue between light and space. The luminous journey offers a valuable tribute to the power of female artists who, for far too long, have remained in the shadows.
The Duffle is a modular system that can create an armchair, or a much larger composition of units joined together, offering a broad spectrum of possibilities depending on the space it occupies. Image Courtesy of BOSC
There’s something old-fashioned, or indeed anti-fashion about a duffle coat. It’s charmingly naïf, the stuff of school uniforms and Paddington Bear, with a history that goes way back to the mid-19th century. It had a life in the military, as part of the uniform for the Royal Navy, and like much service attire, was then reimagined by the world of high fashion. Jean Cocteau used to stroll with close friend Coco Chanel, wearing his white version. Decades later, Rei Kawakubo made an oversized statement with versions at Comme des Garçons, and it remains a favorite of arch Modernist Margaret Howell. When Jean Louis Iratzoki was working on plans for a new sofa to join his ever-growing range of designs at BOSC, he took inspiration from the toggles and nostalgia of all things duffle. It was a subtle way to infuse what is a contemporary and highly sophisticated piece of furniture with a touch of something softer, from the past.
https://www.archdaily.com/1007402/nostalgic-comfort-the-charm-of-the-duffle-coat-on-a-sofaMark C. O'Flaherty
As has become customary in recent years, on the first Monday of October, we celebrate both World Architecture Day and World Habitat Day, serving as a reminder to the global community of its collective responsibility for the well-being of the built environment. This edition, like its predecessors, sheds light on the realm of architecture and the challenges faced by our cities, introducing new themes, contemplating the state of our urban areas, and proposing constructive strategies.
Since urban economies have encountered significant difficulties this year, the UN's World Habitat Day focuses on "Resilient Urban Economies: cities as drivers of growth and recovery." Launching Urban October, this event seeks to bring together diverse urban stakeholders to deliberate on policies to help cities recover after the dual economic impacts caused by the COVID-19 pandemic and conflicts worldwide. Aligned with this concept, World Architecture Day, created by the UIA in 1985, has chosen to concentrate on "Architecture for Resilient Communities," emphasizing the role and duty of architecture in fostering thriving community existence while initiating a global dialogue regarding the interconnectedness of urban and rural regions within every nation.
For the Indian subcontinent, the mid-1900s marked a transformative period, brimming with turmoil and hope. Leaving a century of British rule, India and the newly formed countries of Pakistan and Bangladesh held onto an optimistic vision of a transformed society. The newfound independence invited the international Modernist movement to envision a fresh identity for the nations. Spearheading the movement in Bangladesh was the architect Muzharul Islam whose work continues to influence contemporary Bangladeshi architecture.
The role and relationship of furniture in architecture and space design are of great relevance. Designers such as Eileen Gray, Alvar Aalto, Mies Van der Rohe, and Verner Panton conceived furniture —primarily stools and chairs— that endure over time as powerful and timeless elements, with a determining impact on the interior atmosphere. Thus, the relationship between furniture and space becomes a constant dialogue in which design, aesthetics, and materials contribute their dimension.
Today, furniture should not be limited solely to fulfilling an aesthetic and functional role, but should also have a purpose in the context of contemporary design and sustainable development. It is essential to reflect on and question the processes and choice of materials in the manufacturing of these elements, in addition to the value they bring to interior spaces. In this context, HEWI has taken a step forward by creating the Re-seat family, consisting of stools and chairs made from post-industrial recycled materials (PIR), sourced in part from the processes of the company itself and a regional supplier, both based in Bad Arolsen, Germany. It also features integrated solutions with universal design in mind, making a statement in favor of innovation and eco-design.
https://www.archdaily.com/1007326/re-purposing-materials-from-post-industrial-recyclate-to-accessible-furnitureEnrique Tovar
Construction on OMA’s first project in Bangladesh, the Dhaka Tower, has just started. Reaching a height of 150 meters and spanning 180,000 sqm in office space, the project is set to stand as one of the tallest buildings in the country. This scheme marks a significant milestone in the urban landscape of Bangladesh, designed by OMA in collaboration with local real-estate developer Shanta Holdings.
Wood has played an important role in contemporary Mexican architecture due to its versatility, sustainability, and cultural connection to the architectural history of the country. Currently, architecture in Mexico has gained worldwide recognition for its sensitivity and mastery in designing everyday spaces using various techniques that prioritize sustainability, aesthetics, and bioclimatic design.
In Porto Alegre, the building of the Iberê Camargo Foundation; in the city of Porto, the office of Álvaro Siza, the architect and author of the celebrated project for the institution's headquarters, inaugurated in 2008. Throughout 70 minutes, the documentary "Paisagem Concreta" or Concrete Landscape navigates between these two ports.
https://www.archdaily.com/1007293/concrete-landscape-alvaro-sizas-documentary-is-available-for-streaming-nowArchDaily Team
As we understand it today, the sustainable architecture movement began to take shape at the end of the 20th century. Essentially, it responds to growing concerns about environmental degradation, energy consumption, and resource scarcity. In this global discourse on sustainable architecture, wood has long been celebrated as a symbol of environmental consciousness and decarbonization. As one of the most widespread building materials, it has gained popularity with the rise of this movement. This is because trees absorb carbon dioxide during their growth, which stays in the wood during its construction use, keeping it out of the atmosphere.
HSG Learning Center / Photo by Roland Halbe. Image Courtesy of Holcim
The need to reduce the construction industry's carbon footprint and its reliance on virgin natural resources is the most pressing issue facing the sector. It is therefore extremely important to foster innovation that can improve existing building materials and make them environmentally friendly, in order to successfully tackle its sizable carbon footprint and close the material loop.
Concrete, for example, has been used since the times of the ancient Romans and has proven to be a durable, strong, affordable and versatile building material. Today, it is the most widely used man-made resource in the world. However, its production methods raise environmental concerns: firstly, due to the high consumption of natural resources such as sand and gravel; and secondly —and more importantly— because of the CO₂ emissions associated with the production of its key ingredient: cement.
How many times have you been faced with the challenge of designing a cultural center? While this may seem like quite a feat, many architects have had to design a program that blends a community center with culture.
Among the projects published on our site, we have found numerous examples that highlight different responses, from flexible configurations to sites that prioritize central gathering areas for citizens and activities. See our series of 50 community centers and their plans and sections below.
Environmental neuroscience is an emerging field devoted to studying the impact of social and physical environments on brain processes and behaviour. From the various opportunities for social interaction to noise levels and access to green spaces, the characteristics of the urban environment have important implications for neural mechanisms and brain functioning, thus influencing our physical state. The field paints a different image of how cities impact our health and well-being, thus providing a new, scientific layer of understanding that could help architects, urban planners, and decision-makers create more equitable urban environments.
Rayon, an innovative online design tool that aims to create a new collaborative approach to developing "mundane buildings" within the city, has been selected as part of ArchDaily's 2023 Best New Practices. Founded in 2021 by Bastien Dolla and Stanislas Chaillou, it is a collaborative design software that brings together professionals in the architecture, engineering, and construction (AEC) industries. The software company believes that there is a “culture of the ordinary” in architecture. This culture represents an ecosystem of buildings that may seem unremarkable or aren't impressive landmarks in the city. However, these buildings and their construction professionals make up 90% of the urban fabric and contribute to the design culture that collectively gives identity to the city. The founders believe previous software generations have neglected this culture and propose Rayon as a novel tool to fill that gap by enhancing collaboration and user ergonomics.
What will cities of the future look like? Or rather, what should cities of the future look like? The classic sci-fi, Star Trek-inspired movies many of us grew up watching painted a picture of flying cars, grotesque steel skyscrapers and urban fabrics far too vast and dense for the human scale. It’s safe to say, however, that the ideal for today’s and tomorrow’s cities has taken a 180-degree turn. New, modern urbanism promotes diverse, mixed-use cities with walkable blocks, sustainable transport and accessible public spaces. Copenhagen, with its pedestrian- and bicycle-friendly streets, idyllic water canals, iconic buildings and overall happy residents, ticks many of those boxes. No wonder the Danish capital has been designated as UNESCO’s World Capital of Architecture for 2023; another testament to the city’s position as a laboratory for innovative contemporary architecture and human-centered urban planning.
The city of Sanya in Hainan, China, has selected Zaha Hadid Architects as the winner of the competition for the design of the city’s new harborside cultural district. The new development, measuring a total of 409,000 square meters of built area, aims to become a central location for Sanya’s cultural life, providing diverse programming for performing arts, theater, exhibition galleries, conferences, and commercial trade fairs. The fluid shape of the buildings creates a transition from the tropical waters of Sanya Bay to the urban fabric of the city, with a central axis dividing the layered roofs that feather outwards and dematerialize the architectural volume.
For the opening of CAB 5, the 5th edition of the Chicago Architecture Biennial,Skidmore, Owings & Merrill (SOM) presented an eco-friendly alternative to traditional concrete. Named the “Bio-Block Spiral,” the installation is at The Mews in Fulton Market in Chicago. The creation was developed with Prometheus Material, a materials company that provides sustainable building materials for a carbon-negative future.
