The 9-foot (2.7 meter) tall pavilion is cruciform in plan, morphing as it rises to become the same cruciform shape twisted by 45 degrees. On the facade of the pavilion, perforations are mapped onto the cement blocks to create a design inspired by traditional Thai flower patterns.
Sketches by Gaudí on the left, with Joan Matamala's drawing of the building on the right. Image Courtesy of 6sqft
Ever since its unprecedented skyward growth in the late 19th and early 20th centuries, Manhattan has been an icon of construction all over the world, with recent estimates concluding that the island contains some 47,000 buildings. However, as with all construction, completed projects are just the tip of the architectural iceberg; Manhattan is also the home of many thousands of unloved, incomplete, and downright impossible proposals that never made it big in the Big Apple.
Of course, the challenges of New York are indiscriminate, and even world-renowned architects often have difficulties building in the city. After the break, we take a look at just three of these proposals, by Antoni Gaudí, Frank Lloyd Wright and Frank Gehry, courtesy of 6sqft.
At the Bengal Foundation's conference, EngageDhaka 2015,ArchDaily learned of the newly launched Bengal Architecture and Design Institute. With a focus on the pursuit of innovation in the lived environment with a focus on human interactions, the forum will enable open dialogue on improving our environments through the lens of architecture, landscape, and settlement for better livability. Bringing together local and international professionals and educators, the Institute will provide a series of lectures, discussions, workshops, and exhibitions to better understand the possibilities within these areas, especially when unified.
Matthias Jung's fascination for the medium of collage began in his father's photolab. And so, "with scissors and glue, the first fantastic buildings were made." In early 2015 Jung, a German artist and graphic designer, created seven images as part of a series which he entitled 'Houses', of which many of this selection originate. Uniquely, every piece of each collage originates from one of Jung's original photographs which are collected and then reassembled. The majority of these photographs were taken during trips in northeastern Germany.
See a selection of Jung's fantastical architectural collages after the break.
Harbour Landing Ferry Terminal / KBMP Architects, West 8, Greenburg Consultants. Image Courtesy of WATERFRONToronto
Waterfront Toronto has unveiled five proposals for the Jack Layton Ferry Terminal and Harbour Square Park design competition. The finalists were tasked with transforming Toronto'swaterfront by revitalizing the existing ferry terminal and park through an extensive gradually-implemented masterplan. See all five proposals, including designs by nARCHITECTS and Diller Scofidio + Renfro, after the break.
“Three floors in a day is China’s new normal,” says a representative for this 57-floor skyscraper that was built in just 19 days. Known as the “Mini Sky City” tower in Changsha, the 180,000-square-meter mixed-use building was built in record speed with modular, “LEGO-like” blocks. The process also claimed to have required less materials and significantly reduced the amount of air pollution commonly caused by dusty construction sites.
A time-lapse of the construction process, after the break.
Chilean architect Smiljan Radić’s shell-shaped Serpentine Pavilion has been relocated from Hyde Park to the gardens of Hauser & Wirth Somerset in Bruton. Just under three hours from London, the new site positions the translucent fiberglass structure in short proximity to a main gallery complex designed by Paris-based Argentine architect Luis Laplace and within an lush garden designed by Dutch landscape architect Piet Oudolf.
A curved street grate becomes an umbrella for a shepherd and his sheep, and a construction site is transformed into a fortress for mop-wielding guards in the interactive street art of French artist Charles Leval, better known as Levalet. Seeking inspiration from the Parisian streets, Levalet is known for his site-specific, India ink drawings that playfully interact with their surrounding architecture. “Topography is very important for me, this is why I always check a place out before I work on it,” Levalet said in an interview with Underground Paris. “I try to mix the world of representation with the real world by playing on the physical cohesion of the situations I put up. Architecture supports my work. Then I work on staging the artwork with photographs.”
Pavilion of Vanke. Image Courtesy of Milan Expo 2015 / Archilovers
This tour - made possible through the Expo's Instagram account - gives us fresh insight into the development of projects like Daniel Libeskind'spavilion for Vanke, which is clad in a self-cleaning, air purifying, metalised tile, to Nemesi's 'smog-eating pavilion' for Italy. With the opening of the 2015 Universal Exposition set to take place in a little over one month's time Milan, for a six month period, will become a global showcase for the thematic study of food. With over 140 participating nations tackling the question of "how to be able to guarantee healthy, safe and sufficient food for everyone, while respecting the planet and its equilibrium," new innovations in architecture, engineering and material design will be central to the exhibitions.
See snapshots of the pavilions under construction after the break.
Kengo Kuma and Associates has won an international competition to design the new Saint-Denis Pleyel train station in France. Like Enric Miralles Benedetta Tagliabue and Elizabeth de Portzamparc, Kengo Kuma will design one of four stations that will be built as part of the ambitious Grand Paris Express (GPE) project which seeks to modernize the existing transport network and create an automatic metro that will connect new neighborhoods to Paris.
The winning project aims to serve as a multi-level extension of public space that will connect two districts currently separated by the large railway network of the Parisian North station.
Read on to learn more about Kengo Kuma’s winning proposal.
Skidmore, Owings and Merrill (SOM) has released a conceptual masterplan for Egypt's new capital city following its unveiling at the Egyptian Economic Development Conference. The 700-square-kilometer "Capital Cairo" hopes stimulate Egypt's ailing economy and alleviate Cairo's rising population density, while adhering to the cultural and climatic conditions of its site.
An architectural “Paraidolia,” Federico Babina has uncaged the ARCHIZOO. Recalling images from his childhood, Babina has imagined a creative series of zoo animals rendered in familiar architectural forms.
“When I was a child I wanted to be an architect and now that I'm an architect I would like sometimes go back to my childhood,” says Babina. “Our mind is capable of collecting, record and store millions of images. One thing that always interests me is the association that we can do between these images.”
Launched in May of 2014, ThinkParametric is an online platform for learning the tools of the digital architecture trade. Gaining access to their video tutorials and the benefit of their online community would usually set you back $29 per month, or $269 for an entire year. However, to celebrate a successful first year, on March 12th they announced an "Open Class Season," a full month for people to enjoy their courses for free.
On January 13 2012, the Italian cruise ship Costa Concordia struck an underwater reef and capsized off Isola del Giglio, Tuscany, resulting in 32 deaths. In response to the disaster, matterbetter has announced the Concordia Lighthouse Competition, which invites teams of architects, students, engineers, and designers to "redefine a contemporary lighthouse typology."
Conceptual plans of Perkins+Will’s East 37th Street Residential Tower in New York City have been unveiled. Debuted in Cannes, France, during MIPIM, where the high-rise received a “Future Projects Award,” the 700-foot-tall Manhattan tower boasts a “shimmering, angled curtain wall” organized by five clusters of shared amenities and open-air gardens.
More about the 65-story, 150,000-square-foot condominium tower, after the break.
Public/Private, the Spring 2015 issue of ArchitectureBoston (out now) examines current trends in how we view public and private space and the effect these have on architecture. Tackling spaces as diverse as social space, the workplace, residential life, transportation, or civic territory, the issue examines what happens when notions of public an private space intersect. In the following article, originally published under the title "Quiet, please," Laura Wernick FAIA explores the need for enclosed, private spaces within educational facilities.
I walk by William Rawn’s Cambridge Public Library extension twice a day on my way to and from work. I love the transparency of the south façade. It is sharp and crisp, and I can see right through to all of the exploring, socializing, reading, and working taking place within. When I go into the library for research or study, however, I tend to move quickly away from the openness of the new building into the old one. I find a semi-enclosed quiet spot away from the crowds, turn off social media, and get to work.
A few months ago, we announced that Izaskun Chinchilla Architects emerged as one of two winners of FIGMENT’s international “City of Dreams” pavilion competition in New York. Their proposal entitled “Organic Growth” is slated for assembly on Governors Island this summer, but they need your help! Due to the split funding of selecting two winners and FIGMENT’s non-profit status, the design team has launched a kickstarter campaign to make their proposal a reality through public contributions.
Learn more about how you can get involved, after the break.
We will be publishing Nikos Salingaros’ book, Unified Architectural Theory, in a series of installments, making it digitally, freely available for students and architects around the world. The following chapter expands on the phenomenon of “life” in buildings introduced in Chapter 3, and also introduces a simple test which can be used to determine the degree of “life” in a structure. If you missed them, make sure to read the previous installments here.
Approaching architecture from the entirely new perspective of organized coherence — what Christopher Alexander calls “wholeness” — unifies many phenomena. The traditional distinctions between ornament and function, between buildings and ecology, and between beauty and utilitarian structure are blurred. We can look for the “life” in artifacts and structures, which explains our experience of them.
Later in this course we are going to count features, and measure parameters that contribute to our impression of “life” in an object. These measures will show that the phenomenon of life is not idiosyncratic, but is, to a very large degree, shared among all people.
Danish urban planner and committed pedometer user Jan Gehl is an expert in creating “cities for people.” Following a recent talk he gave on sustainable cities in Basel, Gehl sat down with Tages Wocke to discuss what makes a city desirable and livable. “We found people’s behavior depends on what you invite them to do,” says Gehl. “The more streets you have, the more traffic you get. A more attractive public realm will be used by more people.” Read the full interview and see why Gehl thinks social and psychological sciences should be taught in architecture school, here.
3-D printing is slow; it’s really just “2-D printing over and over,” says chemist and material scientist Joseph DeSimone. Addressing the three main issues that has prevented 3-D printing from being a mainstream manufacturing process - time, structural and material limits - DeSimone has unveiled Carbon3D at TED2015. A process inspired by the T-1000 from Terminator 2, Carbon3D uses light and oxygen to continuously (and quickly) grow parts out of a vat of liquid resin using a new technology known as CLIP - Continuous Liquid Interface Production. While the process’ potential has been immediately correlated with the medical industry, one can only imagine its effect on manufacturing as a whole.
Skidmore, Owings & Merrill's (SOM) latest endeavor, a Four Seasons Hotel called Bahrain Bay, has been officially opened. Occupying a private 12-acre island, the hotel creates a dynamic new focal point and a thriving destination for the developing Bahrain Bay district. As part of SOM's masterplan, the hotel is an important milestone in activating the waterfront area.
Read on after the break for more on the hotel's program.
A casual observer might be forgiven for wondering how Thomas Heatherwick has developed such a reputation among architects. A scan of the works of Heatherwick Studio reveals relatively few completed buildings, and many of those that do make the list are small projects: kiosks, retail interiors, cafés. Indeed, to the average Londoner he is probably better known as the designer of the new homage to the iconic red Routemaster bus and as the creator of the wildly popular cauldron for the London 2012 Olympics - both unveiled in a year in which Heatherwick all but officially became the state-approved designer of 21st century Britain.
A look at the website of Heatherwick Studio sheds some light on this conundrum. With projects separated into “small,” “medium” and “large,” it is clear that a progression in scale is mirrored by a progression in time, with many of the smallest projects completed in the Studio’s early years, and most of those in the “large” category either recently completed or (more frequently) still on the drawing board. Their most recently completed project is also one of their largest, a “Learning Hub” for Nanyang Technical University in Singapore. How does a design studio that made its name in small projects adapt to such scale? ArchDaily spoke to Thomas Heatherwick about the Learning Hub and the increasing size of his projects to find out.
"If London doesn’t grow up, it will need to grow out." Following last year's report, New London Architecture (NLA) in cooperation with GLHearn (an independent property consultancy) have released the results of their annual London Tall Buildings Survey. In 2014, they forecast 236 new tall buildings for the British capital, a figure which has risen to 263 buildings over twenty stories for 2015. Alongside this, they believe that around 14,800 new homes are "under construction for London."
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