Beijing-based landscape architect Kongjian Yu has been announced by the Cultural Landscape Foundation as the recipient of the 2023 Cornelia Hahn Oberlander International Landscape ArchitecturePrize (“Oberlander Prize”). Kongjian Yu has gained international recognition for his concept of “sponge cities,” a measure to address and prevent urban flooding in the context of accelerated climate change. The concept was adopted as a national policy in China in 2013, prioritizing large-scale nature-based infrastructures such as wetlands, greenways, parks, canopy tree and woodland protection, rain gardens, green roofs, permeable pavements, and bioswales. Yu has been selected by the international jury of the Oberlander Prize, recognizing him as “a force for progressive change in landscape architecture around the world.” Organized biannually, the prize aims to recognize and give visibility to landscape architecture and the ways in which it can address issues of climate change and sustainability.
From October 21st, 2023, to March 3rd, 2024, the Vitra Design Museum is hosting a retrospective exhibition featuring the work of Iwan Baan. Known for his world-renowned architecture photography, “Iwan Baan: Moments in Architecture” provides a comprehensive overview of Baan’s extensive portfolio. At its core, it showcases the artist’s ability to capture the essence of contemporary architecture, along with the urban and social contexts associated with it and the people who inhabit these various spaces.
Will Artificial Intelligence replace architects in their roles? In the May 2023 edition of Building magazine, Thomas Lane suggests that AI has the potential to automate up to 37% of the tasks typically carried out by architects and engineers. This automation, though, is likely to target routine and less creative tasks, allowing professionals to concentrate on more strategic and imaginative aspects of their work.
Just as Revit and 3D software did not replace architects but only transformed their workflows, the same principle holds for AI tools. AI is poised to bring about new tasks, such as AI management, alongside existing responsibilities, signaling a shift in how architects work.
Oana Stănescu is a Romanian architect, designer, writer, and educator, based in New York and Berlin, with a diverse portfolio of interventions around the world. Selected as part of 2023 New Practices by ArchDaily, the young architect recognizes the value of architecture as a discipline, but nevertheless acknowledges that architecture cannot single-handedly resolve the complex challenges of our world. “Architecture is most powerful when recognized as part of a larger system, rather than being solely self-serving”, she adds in her conversation with ArchDaily’s Managing Editor, Christele Harrouk. In this way, Oana views architecture as a key player in a broader context, working to address significant societal issues.
With several ongoing projects, from the rehabilitation of an existing industrial infrastructure in Romania, to an integrated house within its natural environment in Canada, Oana’s creative process is centered on a commitment to serve people. Watch the full interview and discover below key insights from the conversation.
The ArchDaily Guide to Good Architecture, book cover
Dear community,
As your trusted companion along the journey of constant learning and inspiration, we are very excited to share a new format by announcing our first book ever: The ArchDaily Guide to Good Architecture.
In partnership with renowned international publisher gestalten, we have taken a pause to look back on the more than 40,000 projects curated over the past 15 years, to distill their contributions and answer the bold question of what is good architecture. The sheer scale of ArchDaily is a reflection of how important architecture is today, as the deepening complexity of our world places increasing pressure and demands upon our built environment. To deal with issues such as the climate crisis, energy scarcity, population density, social inequality, housing shortages, fast-moving urbanization, diminished local identity, and a lack of diversity, architecture needs to open itself.
To answer this challenging question the book spotlights the most innovative built environments of our age—those paving the way for a better, more sustainable future. Centered around ArchDaily’s 10 principles of good architecture developed by our team, the book showcases a rich variety of projects—both built and planned—from a sunken restaurant with subterranean views to a Mediterranean cave transformed into a remarkable residence. Reflecting a global community of world-shapers, it celebrates the most visionary architects, and introduces bold new talent. It explores the key topics and trends redefining the built environment, marking the forefront of architectural thought and practice today, with an eye on tomorrow.
Modular Eco-Housing . Image Cortesia de Yvonne Witte
When we talk about technology, we often think of robots, supercomputers, data centers or smartphones. But technology also refers to the invention of the first chipped stone tools or the development of the steam engine, which brought about the first Industrial Revolution. The term comes from the combination of the Greek words techne (art, craft) and logos (word, speech) and is nothing more than the application of knowledge to achieve goals in a specific and reproducible way, for practical purposes. In the construction industry, which moves large amounts of resources and people, more technology means incorporating new methods, tools, automation and software that can improve efficiency. As a historically innovation-resistant industry, the construction sector has a huge impact on the environment due to its carbon emissions and exploitation of raw materials. However, as it turns to the digital world, builders have seen technology as a means to optimize practices and identify, build, and manage their projects.
Inspiring applications of the MEM collection in architectural settings inspired by AI. Image Courtesy of Dornbracht
In addition to contributing to the functionality of the space, bathroom fittings underlie the overall aesthetics of a chosen design style. Within their technical features –as well as the possible materials, finishes, and styles–, fittings play a role in both the visual appeal of a space, while also focusing on comfort and user experience. This is part of Dornbracht's continuous re-imagination of bathrooms as living spaces, in which the brand seeks to create innovative solutions based on proportion, precision, progressiveness, performance, and personality.
Among Dornbracht’s series, the MEM collection includes a complete selection of minimalist bathroom fittings for washstands, showers, and tubs. In collaboration with ethical design brand Nature Squared and Italian craft manufacturer Glass Design, the collection’s original design has been enriched with versatile new features for customizing bathrooms. These features are created through the combination of high-quality materials with sustainable craftsmanship and the incorporation of futuristic artistic crystal glass.
In Paris’ thirteenth arrondissement, the architecture office Moreau Kusunoki has completed Le Berlier, a 50-meter-tall timber tower housing residential units along with various other amenities. Situated at the intersection of multiple urban flows, networks, and scales, the project aims to find the middle ground between innovation, monumentality, and domesticity. The new residential center expresses its structural system through the grid of the façade, rendered in charred and pre-weathered wood.
When designing and building an island getaway paradise there are certain creature comforts expected by even the most back-to-basics visitor, to find peace and comfort in an inaccessible environment – like food, shelter, clean water, and a way to contact the mainland – but doing so requires a careful balance between making these least-visited places on Earth both habitable and hospitable, without destroying them or their serenity in the process.
The dream of a home in the suburbs with a white picket fence is changing. Between housing crises and homelessness, mounting debt and downsizing, home ownership has become increasingly less attainable. The tiny house movement is a direct response to these forces, with cities and designers asking whether micro dwellings can address pressing issues or if they are glorifying unhealthy living conditions.
As the realm of interior design continues to evolve with new technologies, "living walls" have emerged as an innovative new concept. The new ArtMorph luminous wall panel is a one-of-a-kind product that deftly combines lighting and display technology with the added benefit of a unique texture selection. Its adaptability and customizable solutions allow it to blend into an array of environments, opening up possibilities for interiors that elevate visual storytelling, going beyond the constraints of traditional design.
At ArchDaily, we face the constant challenge of staying up-to-date with what's new, while also not forgetting the valuable learnings from the past.
This is why on every journey we take when developing a new article for you, especially on new materials and construction system, we must ask ourselves: Has this been done before? How was it made? What's new in what we are presenting? How do we connect innovation with what we already know, with the essence of architecture?
https://www.archdaily.com/1009689/the-supporters-newsletter-issue-number-5ArchDaily Team
The architecture and construction industry has undergone a transformation with the integration of various digital tools, now indispensable to the design process. The welcoming of technologies has effectively streamlined operations, enhanced efficiency, and elevated design quality. This digital shift, however, has resulted in a digital divide that goes beyond accessibility to tools and software. It also encompasses the crucial aspect of integrating traditional and indigenous communities into the urban development landscape. Can advancing technology support the growth of vernacular architecture? Can indigenous building practices find a place in the vision for a digitalized future?
Nowadays, the term “utopia” is used to describe an idea that seems unattainable —at least in the contemporary context— intrinsically related to philosophical, scientific, urbanistic, and architectural concepts, among others. The close connection between utopias and architecture is evident, as this discipline is often associated with imagination. Some notable examples include “The Unreliable Utopia of Auroville's Architecture” and “The City in Space: A Utopia”by Ricardo Bofill. In this context, architects and designers alike use design as a means to develop innovative and disruptive ideas through various elements.
Although considered an idealized concept that does not exist, some designers have ventured into exploring the notion of utopia. AXOR, in conjunction with the Valencia-based design studio Masquespacio, has turned the page by conceiving and bringing to reality a new bathroom concept for a unique hotel suite that embodies their vision of personal luxury. Titled “Utopian Dream”, this design response blends vibrant colors with unexpected details, a combination that this duo defines as a mystic experience above the clouds.
https://www.archdaily.com/1007798/balancing-neoclassical-and-futuristic-design-the-utopian-dream-bathroom-conceptEnrique Tovar
The European Commission and the Fundació Mies van der Rohe have announced the 2024 European Union Prize for Contemporary Architecture / Mies van der Rohe Awards (EUmies Awards) nominees. A total of 362 works of architecture realized over 38 different European countries have been selected, marking the first stage of the EUmies Awards’ 18th cycle. In the next stage, the jury will choose 40 outstanding projects, followed by visits to the finalists and interviews with the architects, their teams, and the project clients.
The 2024 EUmies Awards aims to recognize the best-built works in Europe completed between April 2021 and May 2023. The selection of projects reflects the current changes within the European context, with increasing attention given to environmental, social, and economic awareness expressed through architecture, landscape architecture, urban planning, and design. This year’s jury is chaired by Frédéric Druot (Paris/Bordeaux), who will be accompanied by Martin Braathen (Oslo), Pippo Ciorra (Rome), Tinatin Gurgenidze (Tbilisi/Berlin), Adriana Krnáčová (Prague), Sala Makumbundu (Luxembourg), and Hrvoje Njiric (Zagreb).
In light of the looming climate crisis and the pursuit of sustainability, the concepts of revival and reuse have emerged as crucial strategies in the quest for decarbonization in the architecture industry. These principles preach that creating new structures may be sustainable but encourage architects to minimize their ecological footprint by reactivating and recycling existing resources. This year specifically, innovative projects in line with these themes were displayed as part of the 18th International Architecture Exhibition – La Biennale di Venezia. This world-renowned event’s core purpose is to serve as a platform for architects, designers, and thinkers to collectively reimagine sustainability, decarbonization, resource conservation, and the industry's future.
Implemented as a means to take full advantage of space, built-in furniture has grown in popularity as well as ingenuity as designers tackle the needs and tastes of a wide range of users. It's ability to adapt and integrate into architectural spaces allows it, through a variety of configurations and materials, to fulfill various functions; however, this poses an interesting question. Is it truly the furniture that adapts to our living spaces? Could it not itself become the protagonist and creator of the spaces that we project?
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss one of the ways they begin projects with new clients with their Project Starter Service. Embarking on a project can be daunting for those unfamiliar with the architecture, design, and construction industry. The initial onboarding phase—prior to the contract being awarded—also poses challenges for architects and professionals. In this episode, they discuss one way to have a smoother start for everyone that establishes a strong foundation for the project to build on.
https://www.archdaily.com/1007951/the-second-studio-podcast-overcoming-the-challenges-of-new-projectsThe Second Studio Podcast
Renovation of a Village House / unparelld’arquitectes. Image
Perhaps one of the most common phrases you'll hear when talking about interior renovations is "whatever you initially planned on spending, double it, and double the time with it". Renovations, regardless of their scale, can be very time consuming and costly, especially when unexpected changes pop up last minute. However, we are often met with situations where the interior layout is no longer efficient or we feel that the interior design is a little outdated and its time for a change.
Giving your space an upgrade does not necessarily mean spending all your savings, and spending less does not necessarily mean low quality work. From doing the construction work yourself, to giving furniture pieces completely new functions, here are different ways you can renovate residential and commercial interior spaces without breaking the bank.
The built environment is responsible for approximately 42% of annual global CO2 emissions. During a building's lifespan, half of these emissions come from its construction and demolition. To decarbonize architecture and control global emissions, it is important to rethink and reduce the upfront or embodied carbon impacts of demolitions, as well as implement sustainable construction strategies for buildings. Demolitions typically involve dismantling, razing, destroying, or wrecking buildings and structural parts, leading to unsustainable levels of carbon emissions, material depletion, waste, and pollution. These hasty methods of ending the life cycle of a building have negative impacts on the environment, material components, and recycling strategies. Therefore, there is a clear need to re-think the way in which we approach the end of a building or infrastructure project's life towards a more sustainable system of deconstruction.
Moving towards a sustainable future is a global challenge that involves all disciplines working together. According to the 2021 Global Status Report for Buildings and Construction, almost 40% of carbon emissions come from the construction industry. This places a heavy responsibility on the industry, which must be open to exploring innovative strategies, technologies, and materials in order to pave the road towards a universal sustainability goal: reaching carbon neutrality by no later than 2050.
With that in mind, this article presents three specific products and systems –low-carbon glass, low-carbon concrete, and lightweight materials– that architects are applying in their projects to contribute to a low-impact architectural design.
In this Louisiana Channel interview with Yasmeen Lari, the renowned Pakistani architect speaks about the role of architects and the needed perspective shifts of the industry in contemporary times. Awarded the RIBA Royal Gold Medal in 2023 for herhumanitarian efforts, Lari emphasizes the need to rethink the architecture industry to address social disparities and resource deficiencies. In the interview, the architect and designer reflects on her upbringing, architectural education, and her practice today.
