Ten years ago, SPACE10 was born as a pioneering platform ushering in a novel approach to corporate innovation, consolidating itself for its ability to be open, democratic, driven by a playful purpose, and community-oriented. Composed of a small core team of around 23 people based in Copenhagen, their efforts have focused on combining the power of creativity, science, and technology to find solutions that address the accelerated climate crisis and social injustices.
As the fastest-growing metropolitan city in the Midwest region, Columbus is situated amidst Central Ohio’s exciting blend of infrastructure and natural landscape. Columbus and its surroundings are currently undergoing a significant phase of cultural expansion and anticipate a population surpassing 3 million by 2050. In collaboration with Columbus-based Moody Nolan, Gensler has just revealed their design for the new terminal at John Glenn Columbus International Airport in Ohio, a facility to grow the city and support it in reaching these goals of expansion.
The tradition of modern architecture confirms that building roofs are usable spaces as significant as indoor areas. After all, the garden terrace is one of the five points of new architecture, according to Le Corbusier. Although he popularized the concept, the use of rooftops dates back even earlier, encompassing various roles across time, from lookouts for ancestral astronomical studies to more contemporary cultivation areas, passing through the bureaucratic accommodation of electrical and sanitary installations. By offering open space and direct sky access, building roofs have evolved. In dense urban landscapes, converting this space into a leisure area is a logical choice.
Ever since the birth of our cities, we’ve made sure to protect the green spaces within them. Civilizations as far back as the Romans built expansive parks in the heart of the city with ‘Rus in Urbe’ – translating as ‘Country in the City’ – still referenced today. In order to control the urbanization boom of the mid-20th century, meanwhile, greenbelt policies across many European cities literally ring-fenced the natural environments surrounding them, making air quality and easier access to nature a part of city life.
The post-pandemic city, however, is a new breed of conurbation, and these city parks and greenbelts are no longer enough. As we migrate away in search of greener, healthier climes, the cities we’re leaving are evolving, proving they can be green too by exchanging lesser-used black surfaces of roads and structures for natural grass- and parkland. These four projects from across Europe transform unused city spaces back into the natural and regenerative green environments they once were.
Chilean architect Cazu Zegers has been chosen to design a memorial garden at the Red Cross headquarters. In the architect's own words, this project "aims to showcase the selfless efforts of those who have become martyrs of the Red Cross."
This article is the fifth in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints.
Science fiction writers inspire us with bold and provocative visions of the future. Huxley, Orwell, Assimov, and Bradbury easily come to mind. They have imagined great advances in technology and oftentimes predicted shifts in social structure that were a result of the human need to open Pandora's Box. A large part of the charm and allure of science fiction is the bold audacity of some of these predictions. They seem to defy the laws of nature and science, and then, faster than you might have thought, the spectrum of human inventiveness makes it so.
When talking about space-making practices, architects and urban planners are usually thinking about participatory planning and collaborative processes, often overlooking the ways in which the communities themselves can become their own agents of change. As the people poses an intimate knowledge of not only their environment, but also of social and cultural norms, the needs of their communities and latent opportunities within their surroundings, they are often the ones initiating actions, supporting their peers and contributing positively to their locality. Research-focused office forty five degrees set out to explore these grass-roots initiatives, to meet the locals and gather their stories in an effort to gain a better understanding of the complex and diverse cultural territories across Europe. Their journey, organized under the “Radical Rituals” project, follows the 45°N parallel line that transverses Europe from East to West. The office has been selected as part of ArchDaily's 2023 New Practices, an annual survey aimed at showcasing those who adress the ever-growing challanges of our times and take architecture to new directions.
Grand entrances are the specialty of Bill Alam in episode 8 of Opening up, who is the Director of Sydney-based company Ultimate Doors and Joinery.
Architects, urban planners, and researchers from around the world are working on solutions to address the rising threat of climate change and climate-induced rise in sea levels and storm surges. Among them, MVRDV, as part of the North Creek Collective, has released a series of proposals for the city of Vancouver, mapping out possible adaptations of waterfront buildings, landscape, and infrastructure. On a similar note, a group of researchers led by Adrian Lahoud has developed the Second Sea Calculator, a digital tool that estimates the financial damages owned to coastal cities by different nations, while Human Climate Horizons has developed a platform for visualizing how different levels of global heating will affect people’s lives.
In the center of the city of Lugano, Switzerland, architect Mario Botta has designed a new housing solution on the foundations of the former Cinema Teatro Cittadella. Captured by Paul Clemence, this photo series displays the new residence in a city rich with an artistic and cultural past. The residential complex is located near the ancient basilica of the Sacred Heart of Lugano, nestled in a quiet area away from city traffic.
Housing has always been a significant issue in metropolises. It accommodates the city's population and can impact other urban concerns, such as the necessary commute between home and work or school.
Broadly, urban densification enjoys widespread acceptance in urban planning. In today's context, the correlation between densification and housing is addressed by designing high-rise buildings with smaller floor areas. This approach yields apartments with minimal functionalities, known in Brazil as kitchenettes. As with any architectural type, these compact residences have advantages and disadvantages, serving either as a model of efficiency or as an illustration of housing instability.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss the unique challenges of residential remodels and how they solve them. The two cover project scope and vision, design analysis, three different types of remodel projects and how they should be approached, predicting and planning for construction surprises, having an adaptable mindset, the most common challenge clients face (scope creep), and more.
The spatial distribution of a restaurant or bar is essential to its success. Faced with this design challenge, several architects have experimented and proposed configurations that both enhance the use of space in different culinary experiences.
With this being said, take a look at 50 gastronomic establishments in plan and section to inspire your next design.
Our daily lives involve constant communication with the city. As we move through different spaces, we ask ourselves questions like "Where am I now?", "Where am I headed?", "What am I looking for?", "What is this building for?", and "How do I experience this space?" While spatial encounters may feel intuitive, environmental graphic design (EGD) provides the answers by serving as an important interface between us and the built environment. It involves the design of graphic elements that merge with architectural, landscape, urban, and interior designs to make spaces more informative, easier to navigate, and memorable. EDG comprises three major elements: text, shape, and color. Text and shapes typically encapsulate the graphic information, but color projects it, amplifies it, and helps communicate it within the packed scenes of the city. In spatial experiences, we perceive colors first, since our senses mostly register visual sensations. Therefore, the strategic use of color is critical for environmental graphics to provide a layered experience of identity imagery, sense of place, and emotional connection.
This year’s Danish Pavilion at The 18th International Architecture Exhibition – La Biennale di Venezia, was curated by Josephine Michau. Titled “Coastal Imaginaries,” the exhibition addresses solutions to alleviate global challenges such as rising sea levels and storm floods. Onsite in Venice, ArchDaily had the chance to speak with the curator Josephine Michau, where she discussed the thought process behind the pavilion, the collaborations, and her hopes of starting meaningful dialogue as a result of the exhibition.
Kengo Kuma uses materials to connect with the local context and the users of his projects. The textures and elementary forms of constructive systems, materials, and products, are exhibited and used in favor of the architectural concept, giving value to the functions that will be carried out in each building.
From showcases made with ceramic tiles to the sifted light created by expanded metal panels, passing through an ethereal polyester coating, Kuma understands the material as an essential component that can make a difference in architecture from the design stages. Next, we present 21 projects where Kengo Kuma masterfully uses construction materials.
This article was originally published on Common Edge.
Origin myths,” “founding myths,” and “creation legends” provide a way for us to see into and imagine the distant past in metaphorical, poetic, and compelling ways. The oldest origin myths help us understand how a people or a place (such as the universe) were believed to have come into existence. Anthropologists describe these as creation myths or “cosmogonic” myths. They might explain how the world came to be. For example, Native North American peoples such as the Cherokee, Ojibwe, and Aztecs share an origin myth that land was first created on top of a great ocean. One of the most common Western origin myths is the creation of Adam and Eve. But founding stories exist for all kinds of social conditions, historical customs, and objects, as well as places—think of the myth of the brothers Romulus and Remus, suckled as babies by a wolf, who survive to found the city of Rome (after Romulus got rid of his brother).
Architect Antoine Predock has unveiled his vision for the Albuquerque Rail Trail, a multi-use trail that will connect key destinations in the greater downtown area of New Mexico’s largest city. The project set out to combine the utility of pedestrian and bicycle pathways with the culture and history of the lands, encouraging healthy recreation, cultural expression and economic development. The Rail Trail project is of the Mayor’s Institute on City Design, Just City Mayoral Fellowship.
After years of dominance, orthogonal lines and right angles are giving way to organic designs and rounded shapes within interior design projects. This profound shift in formal language has led to the infiltration of gentle curves and amorphous volumes into design pieces, furniture, and decorative elements, a transformation that's becoming increasingly evident. Some argue that this change may be indirectly linked to the growing interest in sustainability and the pursuit of strategies that reconnect people with nature, as seen in the consistent presence of biophilia across projects of various scales. The period of social isolation during the COVID-19 pandemic further heightened this inclination, prompting individuals to devise ways to incorporate nature into their living spaces, thereby enhancing well-being in day-to-day life.
The Monadnock Building in Chicago began construction in 1891 and is still in use today. The building features a somber facade without ornamentation and a colossal height - at the time - of 16 floors. It is considered the first skyscraper built in structural masonry, with ceramic bricks and a granite base. To support the entire load of the building, the structural walls on the ground floor are 1.8 meters thick, and at the top, 46 centimeters. One hundred and thirty years later, this construction system remains common and allows for the erection of taller buildings with much thinner walls, accomplishing even new architectural works economically and rationally. But what is structural masonry about, and how can designers use it in architectural projects? And for what kinds of buildings is this system most suitable?
Today is the premiere of the first episode of a new documentary series that explores the projects of Al Borde. Titled "Building with Living Trees", this first instalment highlights the stories behind Casa Jardín (Garden House), a single-family home located in the suburban area of Quito, Ecuador.
Designed for an ecologist named José, the residence is developed into three small independent pavilions with hybrid structures that combine living trees with various construction systems. These structures utilize a vernacular technique of living fences that has been employed in the Andes since ancient times, showcasing a genuine pursuit of coexistence between architecture and nature.
With the proper know-how, readily available earth, sand, chalk, lime, or gravel can yield a versatile, strong, and durable construction material. Its colorful results vary from region to region, depending on the natural soil component, climate, and treatment. While some prefer to minimize any added processing, others relish the exploration of rammed earth surfaces. Different textures and mesmerizing layers of multitoned or multicolored earth can be used to create a solid surface that enriches the visual quality of a space and carries a sense of warmth to any project.
Architecture as a profession is both deeply rooted in the past and driven by innovation. During the past few years, we have seen technology advancing at an unprecedented pace, developing tools and systems that change the way we understand the world. Digital spaces are becoming an accessible reality, as the metaverse is promising to enhance human interaction. Other digital tools such as robotic construction technologies, AI-generated images, and immersive virtual-reality equipment are likely to have a direct impact on the construction industry.
These topics are addressed by forward-looking architects, designers, and building industry professionals. Among others, contemporary artist Krista Kim talks about the economy of the metaverse, architect Alper Derinboğaz draws attention to the challenges facing the new generations of architects, and ICON founder Jason Ballard reveals the implications of technological innovations.
At the 18th International Architecture Exhibition – La Biennale di Venezia, Karin Sander, and Philip Ursprung curated the Swiss Pavilion “Neighbors”. In her interview with Louisiana Channel, Karin Sander talks about expanding the understanding of the pavilion, reimagining the connected role of architecture and art, and explaining her artistic process. “Neighbors” was focused on spatial proximity between the Swiss Pavilion and its Venezuelan neighbor. Sander highlights also the conversation between the two structures, that became possible after the removal of a separating wall.
.jpg?1558730231 "Green Cast / Kengo Kuma & Associates. Image Courtesy of Kengo Kuma and Associates")
