Singapore’s Science Center recently hosted a groundbreaking ceremony for the new building, designed to promote STEM education in all of Singapore. Situated adjacent to the Chinese Garden MRT station, this state-of-the-art facility designed by world-renowned Zaha Hadid Architects aims to become a landmark attraction in the Jurong Lake District. The new 55,000 sqm center is expected to open around the end of 2027, coinciding with its 50th anniversary.
Amid our ongoing battle against climate change, the need for authentic decarbonization strategies has never been more urgent. Professions, companies, and organizations worldwide face mounting pressure to integrate sustainable practices into their operations, particularly in response to recent climate challenges. The realm of architecture and urban planning is no exception. Phrases such as "sustainable architecture" and "green architecture" have gained widespread popularity, accompanied by various certifications, products, and advertising, all promising transformative advancements in the field that should align with our global aspirations for a sustainable future.
However, amidst this growing environmental awareness, another phenomenon has emerged: greenwashing. It refers to practices adopted by various sectors, especially those related to marketing strategies that present initiatives that convey a false impression or provide misleading information about how a company's products or projects are more environmentally friendly than they are when analyzed from a more critical and careful perspective.
In the dynamic landscape of contemporary urban development, public architecture is an essential force in reshaping cities. In fact, this element of urban regeneration can revitalize economies and reactivate surrounding commercial schemes. In this transformative era, cities across China have evolved into financial hubs, attracting world-renowned firms and architects who are redefining these skylines. In turn, these metropolises become embodiments of future innovation and lifestyle.
China's cities have become centers of modernity as a result of its explosive prominence in the world economy. These cities have become magnets for architectural marvels that go beyond simple functionality, from Shanghai's ceaseless reinvention to Beijing's cultural renaissance and Shenzhen's undeniable emergence as a global center in technology, research, manufacturing, business, economics, finance, tourism, and transportation, complete with the Port of Shenzhen, the world's fourth busiest container port. Overall, these cities are a crucial gateway in understanding the developing dynamics in metropolitan environments.
Brick beams have been widely used in construction due to their strength, durability, and aesthetic appeal. By embedding steel reinforcing bars into a series of bricks arranged in a specific pattern, these elements form horizontal load-bearing structures that distribute the weight and forces that act on a building. However, it is difficult to find brick beams with excessively large spans, in order to avoid long-term structural problems. Instead, they mostly come in the form of simple lintels, which can be easier to handle.
With a length of 16.2 meters and an impressive clear span of 15.8 meters, CEBRA architects have collaborated with the Randers Tegl group, the largest brick supplier in Scandinavia, to complete the construction of probably the longest brick beam to date. This exterior beam is accompanied by a 13-meter-span interior "sister" beam and is located above the main entrance to the Danish Crown's new headquarters in Randers, Denmark, extending freely between two of the building's wings. The longest beam is made up of almost 4,200 bricks – its height is made up of 25 rows of bricks, equivalent to 1.6 meters, and its edge consists of 4 bricks.
The Media Architecture Biennale Student Awards recognize the world’s best student projects at the intersection of architecture, urban design and planning, media and interaction design, and urban media art.
The architecture of indigenous peoples is deeply rooted in their surroundings, in the sense that materials are locally sourced and empirically tested, to discover the construction techniques and dwellings that best respond to the values of the community and their understanding of housing. The situation in the Amazon is no different. Many different groups of people have settled on the land and water, developing many unique building skills that attract a lot of architects working in these regions. As a result, there is an exchange of knowledge, combining native cultures and novel architecture.
“New ideas must use old buildings,” said Jane Jacobs in her seminal book The Death and Life of Great American Cities, championing the reuse of existing building stock as a means to catalyze positive change and foster diverse urban environments. Inserting new activities within an existing framework is increasingly becoming a defining aspect of contemporary architecture, as the need for sustainable alternatives to building anew turns more urgent. From an urban perspective, adaptive reuse is a valuable strategy for revitalizing post-industrial cities, creating density and mitigating urban sprawl, or helping shrinking cities redefine their urban fabric.
Rammed earth is one of the oldest methods of constructing walls and still holds great potential for modern earth construction. One aspect of this potential is the gift of its colors and layers, which become visible as the formworks are removed, revealing a layered character. As a process that involves the layer-by-layer compression of gravel, sand, silt, and clay, its resulting appearance is a horizontal stratification of earth tones, material content, and curing procedures. This colorful appearance of rammed earth walls can be controlled and explored through patterns, texture, pigmentation, and natural clay colors, offering an opportunity to push its boundaries within architecture.
MVRDV has revealed the design of a new residential complex located in the Enterprise Research Campus in the Allston neighborhood of Boston, Massachusetts, a site adjacent to the Harvard Business School. The development, already under construction, features 343 apartments with a quarter of them dedicated to affordable units. It also includes amenities for the residents and retail spaces for small local businesses, aiming to create an inclusive and enjoyable space within the new urban district.
Built on a former airport site in Hong Kong, Snøhetta Asia has unveiled its latest project in Hong Kong, Airside. This mixed-use landmark was actually Snøhetta’s first project in the country and serves as a central hub in a redeveloped business district. The project boasts ample public areas and gardens, including outdoor plazas and rooftop gardens that may be used for events, dining, urban farming, and leisure. As the first project in Hong Kong to obtain five of the highest green building certifications, this development integrates several sustainable practices.
In 1945, the declaration of the end of World War II brought a wave of euphoria to the streets, and optimism permeated the atmosphere with the promise of brighter days. Inspired by this newfound hope, the United Nations Organization (UN) was established in the same year. The vibrant city of New York was chosen as the headquarters location, and an international team of carefully selected and invited architects was tasked with conceiving the project.
For this ambitious and truly international project, eleven renowned architects were brought together from various corners of the world. These architects, often known for their inflated egos, a common trait in their profession, were accustomed to exercising full control over their architectural designs and even their respective countries. They had to coexist in the same space and collaborate on a single project. The successful collaboration on this project would be a compelling demonstration of the possibility of achieving world peace.
The Royal Academy has named Mexican architect Gabriela Carrillo as the overall winner of the Royal Academy's Dorfman Prize 2023, an award that rewards architecture from around the world, looking towards the future of architecture and architectural practice. Taller Gabriela Carrillo was selected in recognition of the clarity and precision of her work.
This article was originally published on Common Edge.
It has been a bull market for downbeat urban reporting since the pandemic arrived in town. And it isn’t hard to see why. In 2020, central U.S. cities went from “comeback” success stories to ghost towns; transit lost nearly all ridership; tens of thousands of stores and restaurants shuttered; and many of the affluent decamped to the suburbs and distant Zoom towns.
For an industry that contributes 6 per cent to the global GDP, the fainting voice of the Architecture, Engineering and Construction (AEC) industry is something to ponder. The global AEC market was reported at USD 8.9 billion in 2022 and is anticipated to reach USD 16.5 billion by 2030. However, pessimism is rampant across the industry. Professionals oblivious of their options and the industry's trajectory are in a vicious cycle where the lack of access to awareness and opportunities limits their growth. While statistics forecast an optimistic prophecy, there’s a flip side to it.
The design by heneghan peng architects, Dublin, with Ralph Appelbaum Associates, Berlin, was awarded 1st prize in the international competition for the replanning and expansion of the Old Tower of the Kaiser Wilhelm Memorial Church. The competition’s purpose was to redesign the original West Tower, which was partially destroyed during a bombing by the Allied Forces in 1943, and return it to the tourist circuit as a war memorial and exhibition space.
Foster + Partners has been selected as the winner of an international competition to design a new center for Hangzhou, the capital of China's Zhejiang province. The master plan envisions a green and interconnected mixed-use quarter situated in the heart of the Yuhang District. In its essence, the project aims to foster a strong connection between nature and people’s daily lives, creating a sustainable urban quarter.
Home is not just a physical structure defined by its materials and spatial characteristics. It is the result of everyday habits, routines, and fond memories blending into the very essence of the place through its walls, textures, and aromas. This is why a true home cannot be instantly created; it demands time, and a sense of continuity, as it reflects the ongoing adaptation of both the family and the individual within that space.
With the high population density of cities and voracious appetite of the market for every square meter, it is not uncommon for urban vegetation to be forgotten. For this reason, forests, vegetable gardens, and vertical gardens have aroused much interest and figured into a variety of different innovative proposals. Using the vertical plane to maintain plants in an urban setting is a coherent and common-sense solution, especially when there is little possibility of bringing green to the level of the people on the streets.
This article is the sixth in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints.
Artificial Intelligence is at the genesis of creating fundamental changes in the way we design and construct buildings and cities. Some of these changes will be abrupt and disruptive to normative practice. Others will take more time to feel the effect of this new technology, but the change will be pervasive. When combined with the Metaverse, AI will also offer vast opportunities for the profession to expand and grow. The kinds of spaces and environments we design in the Metaverse will be, in some aspects, very different from what we currently design in the physical world alone. AI evolves every day, and we are compelled to learn while we innovate. AI has proven it is a powerful tool to assist designers and offers the potential to challenge us to alter our design process. Combining AI with narrative design is one of those challenges.
Humanity has become obsessed with breaking its limits, creating new records only to break them again and again. In fact, our cities’ skylines have always been defined by those in power during every period in history. At one point churches left their mark, followed by public institutions and in the last few decades, it's commercial skyscrapers that continue to stretch taller and taller.
The Council on Tall Buildings and Urban Habitat (CTBUH) has developed its own system for classifying tall buildings, stating that the Burj Khalifa (828 m.) is the world’s tallest building right now. Read on for the 25 tallest buildings in the world today.
Copenhagen-based philanthropic association re:arc institute has announced the cohort of nonprofit organizations, people, and practices they will support throughout 2024. The organization founded in 2022 works at the intersection of climate action and architectural philanthropy, aiming to support the development of solutions that address the root causes and consequences of climate change.
The architectural field often adheres to conventional industry models, either client-based or competition-based, which can perpetuate problematic or extractive motivations. The re:arc institute hopes to rethink the architecture discipline’s potential for addressing social and environmental concerns by providing a blueprint for pioneering philanthropic projects. To do so, they provide funding to nonprofits, individuals, and community-led projects exploring innovative approaches that prioritize planetary well-being. Their focus is on hyper-local, grassroots initiatives that address climate crises with a strong emphasis on the unique needs of specific places and communities.
WORKac has just initiated the construction of a new cultural center in Inwood, New York. Led by immigrants and women of color, “The People’s Theater: Centro Cultural Inmigrante” is dedicated to supporting immigrant New Yorkers through various artistic programs. Spanning multiple languages and generations, their unique form of theater serves as a dynamic platform for immigrants and members of the Latin, Black, and Queer communities.
The city of Mendoza, Argentina, hosted the international event known as the "Feria de América," an industrial and continental exhibition that took place from January to April 1954. To provide a suitable setting for the exhibition, 30 hectares of land were allocated around the perimeter of Lake Parque General San Martín. Here, 93 pavilions and nearly 20 facilities were set up, including the Allegorical Tower, an open-air theater, and bars. The American countries represented with their own pavilions were Brazil, Chile, Ecuador, and Paraguay. There was also a large pavilion that housed various Latin American countries such as Colombia, Cuba, Bolivia, El Salvador, Honduras, and Mexico, along with stands for Chilean and local Mendoza-based companies and provincial pavilions for Mendoza, San Juan, Misiones, La Rioja, Eva Perón (now La Pampa), Juan Domingo Perón (now Chaco), Córdoba, Corrientes, Santa Fe, Tucumán, and Buenos Aires. Additionally, there were stands and premises for various trade chambers (Quiroga, 2012). The fair embodied the government's aspiration to showcase a thriving, prosperous Argentina that was connected to regional countries and at the forefront of industrial development.
Recent statistics suggest that if someone lives until they are 80, around 72 of those years will be spent inside buildings. This makes sense if we bear in mind that, when not at home, humans are working, learning or engaging in fun activities mostly in enclosed, built settings. Contemplating current events, however, this number is expected to grow. In an increasingly chaotic and uncertain world, marked by the ongoing effects of climate change and the global pandemic, the desire to stay indoors in a protected, controlled and peaceful environment is stronger than ever. Architects face an important challenge: to create comfortable, productive and healthy interiors with well-regulated parameters, considering factors like indoor air quality, daylighting and biophilic features from the initial stages of design. Of course, this involves choosing materials sensitively and accordingly, whether it be by avoiding certain health-harming components or by integrating non-toxic products that soothe and promote wellness.
