KPF’s “Tower 36,” has received unanimous approval in Miami, Florida. The building features an office space, set to become the tallest in the region at 193 meters. Emphasizing occupant well-being, the tower is designed by integrating the surrounding landscape and increasing access to outdoor areas.
The tower serves as the northern entryway to Miami’s high-rise zone, at the intersection of Biscayne Boulevard and 36th Street. Acting as a gateway to the neighborhood, the scheme connects Miami Beach with the mainland of Miami. To complement the office floors, the building’s podium boasts ground-floor retail, bicycle, car parking, and a restaurant on the landscaped roof.
A 2020 Rio de Janeiro Botanical Garden study revealed that over 46,000 native species have been cataloged in Brazilian territory. Nearly half of them are endemic, meaning they occur exclusively in Brazil and nowhere else in the world in a natural way. This staggering number reflects the diversity of the flora found in the country.
Known internationally as the world’s foremost voice on all things color, Pantone’s Color of the Year program has been predicting and even directing color trends for 25 years – reflecting the cultural environment across multiple creative sectors that use the language of color and color psychology such as branding, marketing, fashion, and product design to name a few, as well as architecture and design.
But color trends aren’t just about what’s hot and what’s not. Color plays an important role in stimulating the senses, evoking memories or feelings based on past experiences and collective influences around the world. In the color psychology of retail design, for example, specific hues have been found to alter consumers’ comfort and energy levels, ultimately dictating shoppers’ preferences and behavior. In medical environments, combining a neutral base with calming accent colors has been shown to reduce stress and anxiety.
Juha Ilmari Leiviskä, one of Finland´s foremost architects recognized for his design of light-filled poetic spaces, passed away on November 9, 2023, at the age of 87. Born in Helsinki and educated at Helsinki University of Technology, Leiviskä developed a personal style throughout his six decades-long career, working with his own family of forms to design buildings with unique identities, yet unified by their treatment of light and geometry. His architecture has been praised for its serene, hones, and timeless qualities, earning him numerous awards and international recognition.
MVRDV has won the competition to design two structures within the Tianfu SoftwarePark in Chengdu, China. One of the structures is a 150-meter-tall tower that acts as a centerpiece to the entire campus. The other is a four-story cultural center featuring an art museum, conference hall, library, and exhibition space. Boasting a faceted sloping design, the scheme invites visitors to explore its interior.
When internationally acclaimed music icons like Beyoncé, Taylor Swift, and Paul McCartney announce their global tours, the anticipation sparked by revealing the countries and respective host cities is met with thorough preparations. These preparations aim to adapt to the array of changes that will unfold in the urban spaces of these cities due to the impact of these events. These mega-concerts extend beyond the musical realm; they transcend the stage to mobilize significant financial figures and result in various transformations in the everyday urban life of these cities. Even though these events do not last long, they instigate alterations in diverse spheres and urban sectors, including tourism, hospitality, food, and transportation.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design are joined by Architect Jai Kumaran, founding partner of West of West to discuss his background; the influence his father’s work had on his career; attending architecture school; why he pursued a master’s degree; starting and growing an office; exploring project types; branding in architecture; and more!
Architecture has always centered on permanence and ephemerality. Defined by material conditions, how we build is closely tied to what we preserve and how we conceptualize the future. Furthering international cooperation in education, the arts, the sciences, and culture, UNESCO is an organization that continues to examine the relationship between history and growth, preservation, and change. As architecture, landscapes, and cities become threatened by the climate crisis and unrest, cultural context becomes paramount.
Informal architecture is the dominant mode of urbanization in rapidly growing and industrializing cities worldwide. In Delhi, the city with the largest population in India has half of its residents living in informal settlements. Lagos, with a population of over 22 million, also has 60% of its residents living in informal settlements. This pattern is also observed in Cairo, Johannesburg, Kinshasa, and other cities in the global south that face similar challenges of inequality and housing shortages. As their population grows and urbanization progresses, the exploration of informal architecture schemes to address the demand for affordable housing and basic services will only increase. While the primary purpose of design is to provide structure, lessons from informal architecture offer insights into how architects can respond to such schemes.
The sun’s influence on human life encompasses multiple dimensions, from biological and developmental aspects to religious-mythological connotations in civilizations such as the Egyptians and Romans. Moreover, this influence extends to its use as a natural resource within the realm of science. In scientific pursuits, the continuous search to harness the sun as an energy source has been a constant throughout the years. Within this context, the discovery of the photovoltaic effect and its application have paved the way in the history of solar panels, starting from the first observations of Becquerel to the initial prototypes of Charles Fritts in the 19th century.
Nowadays, the energy obtained from the sun through devices such as solar panels has become one of the most widely used sources in regions like North America and Europe, contributing to the efforts for a complete transition to clean energy. The momentum in this transition has motivated the development of new technologies, such as SolarLab facade systems, that challenge the preconceived idea of what a solar panel looks like and where it can be installed. These systems converge with architecture to integrate them as aesthetic elements, serving as cladding for both retrofit projects and new buildings.
https://www.archdaily.com/1011349/from-new-buildings-to-retrofit-projects-solar-facade-systems-for-a-circular-and-low-carbon-architectureEnrique Tovar
OODA has released images of Hora Vertikale, a new project planned for the Albanian capital city incorporating residential units arranged vertically surrounded by a new park and featuring a diverse range of amenities. The design stacks seven types of cubes, each measuring seven stories in height and defined by a distinct visual identity inspired by both urban and rural elements. The project, developed in collaboration with local architects Artech, has received planning permission, and construction is expected to begin in early spring.
MVRDV and LOLA Landscape Architects have just revealed the new development of “Grüne Mitte” in Düsseldorf, Germany. Centered around open communication, negotiation, and compromise, the project aims to introduce 500 new apartments and community spaces to enhance the neighborhood. Approximately 50% of the scheme is designated as social or affordable housing, which was designed in participatory processes with the residents.
Christopher Payne’s fascination with factories goes back decades. As an architecture student at the University of Pennsylvania in the 1990s, Payne had the good fortune to find a summer job with an agency inside the National Park Service called the Historic American Buildings Survey. “They sent teams of architecture students, historians, and photographers to document all kinds of projects,” he says. “We documented grain elevators in Buffalo, cast iron bridges in Ohio, a power plant in Alabama, and national parks in Utah. That experience instilled a deep appreciation for industrial architecture.” After graduation, he worked for several years as an architect in New York City before transitioning full-time to photography. His previous books include New York’s Forgotten Substations: The Power Behind the Subway; Asylum: Inside the Closed World of State Mental Hospitals; North Brother Island: The Last Unknown Place in New York City; and Making Steinway: An American Workplace. Last month, Payne gave the School of Visual Art’s Ralph Caplan Memorial Lecture, and shortly afterward I reached out to him to talk about his most recent book, Made in America (Abrams), his long love affair with factories, and the photographic process.
Madison Square Garden Entertainment (MSG), the developer behind the recently opened The Sphere at the Venetian Resort in Las Vegas, has announced that plans for a similar project in London have been withdrawn for lack of support from London’s planning officials, as reported by The Guardian. The plans were initially announced in 2018, with planning permission filed in March 2019. The 300ft-tall structure, having a capacity of 21,000 seats, was to be located in Stratford, east London. In November 2023, following a combination of unfavorable comments in planning officer reports and opposition from residents, London’s mayor Sadiq Khan withdrew his initial support.
MVRDV has just announced the WärtZ masterplan, that repurposes a former business park near the railway station into a dynamic innovation hub. Developed by AM and designed by a team including MVRDV, Orange Architects, and LOLA Landscape Architect, the scheme introduces residential homes, creative workspaces, dining establishments, and various neighborhood amenities. At the core of the new design is the newly renovated Wärtsilä hall, a former factory redesigned with a signature undulating roof topped by a hovering wooden apartment block.
For a long time, sustainability in the architectural field was synonymous with technology. Efficiency was directly linked to innovative technological devices that adorned buildings with gadgets. Nowadays, however, sustainability increasingly encompasses different strategies that also involve acknowledging vernacular techniques and local materials as crucial for creating sustainable and carbon-neutral buildings.
Nevertheless, regardless of the technique or materials employed, the common denominator is the pursuit of reducing the carbon footprint of our architecture, which demands changes in how buildings are conceived, constructed, and operated. In other words, whether returning to vernacular methods or utilizing cutting-edge applications, these strategies aim to reach the same destination and, therefore, are equally valid despite being vastly different.
It's fascinating to observe the current state of wood in the world of architecture. The material, once seemingly forgotten by modernity, has resurged with full force, facing significant challenges but also revealing promising opportunities. The aesthetic and architectural appeal of engineered wood, coupled with its intrinsic association with sustainability, has been a catalyst for the increase in wood-centric projects around the world.
Due to technological advancements and research into the limits and possibilities of this material, there has been a significant leap in the development of wood in construction. Buildings around the world are being erected with wooden structures, driven by the increasing interest in sustainable solutions based on renewable resources, a demand from both the public and architects and their clients.
Highly desirable in contemporary projects, seamless surfaces symbolize the search for a unified and uninterrupted visual experience, without any noticeable gaps or interruptions. This simple and clean aesthetic demands meticulous attention to detail, emphasizing precision in craftsmanship and execution to achieve an immaculate and flawless finish.
French architecture studio Coldefy and Italian architecture practice CRA-Carlo Ratti Associati have unveiled ‘Theatrum Naturae’, or ‘Theatre of Nature,’ the project selected as France’s national pavilion at Expo Osaka 2025. The proposal welcomes both natural and artificial habitats, aiming to illustrate how design can connect human and non-human worlds while showcasing France’s contribution to culture and the natural environment. In the exhibition, the visitors will be invited to explore France’s multiple ecosystems and rediscover a connection to nature.
As a landscape architect, Dan Kiley has significantly contributed to the world of design. The designer worked with influential architects such as Louis Kahn, I.M. Pei, and Eero Saarinen. Influenced by the timeless landscapes of André Le Nôtre, most of his designs are well-known for their manner of merging grids and allées, striking a balance between natural and organized beauty.
Opening January 18th, “The Landscape Architecture Legacy of Dan Kiley” exhibition is a traveling photographic exhibition honoring one of the most critical Modernist landscape architects. Curated by The Cultural Landscape Foundation, the display aims to explore and spread awareness of the architect’s profound impact. Showcased at The Exhibition Space @ ABC Stone in Brooklyn, the show offers a captivating journey through 27 carefully chosen designs by Dan Kiley.
The historical journey of construction also tells the story of humanity. The enduring examples from the past reveal insights into their specific contexts, and the remnants that have survived the elements and decay narrate the development of human technology. In the early days of construction, the common (and often the only) practice available to humans was to use locally available raw materials. For many, this meant building with clay.
Advancements in 3D printing technology are progressing at an unprecedented pace, accompanied by a parallel surge in computational power for manipulating and creating intricate geometries. This synergy has the potential to offer architects an unprecedented level of artistic freedom in regards to the complex textures they can generate, thanks to the technology's remarkable high resolution and rapid manufacturing capabilities. If the question of production was out of the way, and architects could now sculpt virtually anything into a facade effectively and efficiently, what would they sculpt?
For a small child, understanding the concept of time and its passage is very difficult. As a result, children are often impatient when expecting something or confused when trying to remember something from the past. They live in the present, and learn the notion of time only little by little. But accepting the passage of time, and the reality of aging, is something that plagues us even as adults. The lucrative cosmetic and plastic surgery industries show how humanity seeks to control or deny the passage of time, an urge that has proved to be relentless.
It can feel risky to change careers. This was the case with Romi, who switched from a customer service position to architecture a couple of years ago.
“I was working in customer service for a health tech company, but I was ready to move into a more creative field after years of creating art in my free time.” She was interested in architecture but was not quite certain whether this would be the right choice for her. Then she learned from a friend about the Summer Programs at the College of Environmental Design at UC Berkeley, where she could experience what architecture school was like and learn more about career options in the field. She decided to try it out.