Returning for its third edition, Desert X AlUla 2024 invites artists to engage with the landscape, nature, and heritage of AlUla. The exhibition aims to position AlUla as the hub for monumental art experiences in the region. This year’s theme, “In the Presence of Absence,” challenges the concept of deserts as “empty spaces.” Artists worldwide are encouraged to investigate conceptual ideas of the invisible, engaging in a dialogue with AlUla’s environment.
The convergence of artificial intelligence (AI) and urban planning holds significant promise for creating more intelligent, efficient, and sustainable cities. This fusion entails the integration of cutting-edge technologies that can guide decision-making, enhance resource allocation, predict trends, engage citizens, and more. In this framework, where AI is seen as a tool for advancing various urban aspects, there has been a surge in the development of applications, software, and other technological systems tailored to support urban planning. Below, we have highlighted some global studies and technologies applied from urban morphology to community involvement.
Unlike the air, the temperature in the subsoil varies very little during the year or according to geographical position. A few meters below the surface, the ground temperature is between about 10 to 21°C (50 to 70°F) depending on the region. Dig deeper, and the temperature increases between 20 to 40 degrees centigrade per km, reaching the Earth's core, which approaches 5000 °C. In fact, thinking about how we inhabit a sphere that is orbiting through space with a glowing center can be distressing for some. However, it may be helpful to learn that using Earth's forming energy to generate electricity is a sustainable and efficient way that is already common in some countries. At the same time, we can also take advantage of the mild temperature found a few meters under the ground to acclimatize buildings, whether in hot or cold climates.
Often associated with an industrial aesthetic, metal has become more prevalent in residential and commercial architecture. Its reflective quality has broadened the scope of texture and color combinations, giving rise to a fresh aesthetic for interior design. Consequently, architects and designers increasingly incorporate metallic surfaces to define floors, benches, and other furniture elements, thereby defining spatial layouts and infusing them with a contemporary vibe. To inspire this trend, we explore various methods for incorporating aluminum or similar materials into your space.
Cortesia de SolarLab, Photo by doublespacephoto.com
Autonomy and freedom during the design process are invaluable resources for architects, especially when defining a volume and choosing materials, systems, and solutions for a building. The flexibility of these elements must not only promote their harmonious integration within a structure but, above all, allow architects to incorporate them without the need to change their initial concepts. This design freedom becomes even more crucial in the context of facades, specifically in building-integrated photovoltaic (BIPV) facades. This is due to the unique challenge of incorporating the energy capture function into the design of the building envelope, simultaneously demanding adaptation to the designer's aesthetic preferences and effective performance, as well as the entire infrastructure for capturing and transporting energy.
MAD Architects has announced the completion of the Jiaxing Train Station, the first transportation infrastructure project developed by the architecture office. Located in the historic city of Jiaxing, 100 kilometers southwest of Shanghai, the project involves the replacement of a dysfunctional station that had stood at the site between 1995 and 2019. As China has developed significantly in terms of urbanization, its train stations have grown into complicated, widespread, and uninviting infrastructures. Through their project, MAD Architects strive to return to a human scale, to create a facility that responds to the newest developments in transportation technology, while creating spaces that are comfortable and easy to navigate for its users.
Is it possible to assert the existence of a timeless material in architecture from an aesthetic standpoint? Undoubtedly, wood and concrete emerge as strong contenders, not only due to their representation of the solidity, volume, and mass of buildings but also because they provide a broad range of aesthetic possibilities in projects. Concrete, in particular, exhibits greater malleability in comparison to wood. While wood already offers flexible solutions, such as through CLT systems, concrete is derived from a blend of liquid, powder, and an aggregate—a paste that can be poured into a mold, spread over a surface and shaped into various forms.
In early 2018, spatial practitioner and Bartlett lecturer Neba Sere hosted a panel discussion at London's Architecture Foundation, where she was one of six young trustees. The topic: beginnings. How to go about them, move ahead, and transform them into something that lasts. Six years later, she looks back on the event as a beginning in itself: that day marked the creation of a WhatsApp group that would turn into Black Females in Architecture (BFA). BFA is now a 500-strong global membership network co-directed by Sere and fellow architects Selasi Setufe and Akua Danso.
BFA was initiated in response to the need for visibility of black women and female-identifying people with black heritage in architecture and the built environment. Last year, the group celebrated its fifth anniversary with the showing of a short film and a panel discussion at the Venice Architecture Biennale. Now, after putting in the groundwork of spreading information about the lack of diversity and equality in the industry and increasing their numbers, BFA is gearing up to drive physical change.
Architecture, understood as a cultural product, is strongly influenced by diverse stimuli that include historical, geographical, and cultural aspects, among others. Together, these elements form a heritage that may (or may not) endure through time. Although architecture tends to adapt to each culture, modeling its traditional techniques according to its context and shaping the surrounding environment, there is no guarantee that the traditional elements in it will endure or remain unchanged over time. This is largely due to the constant evolution of society and technology, which sometimes tends towards universality and the adoption of a common language, rather than one of their own.
Given this scenario, it is essential to explore an approach where innovation and technology do not replace tradition and artisanal production; instead, they arise as a means of exploration towards emerging routes. Adopting novel techniques and innovative materials that are adapted to specific local needs makes it possible to maintain an authentic expression that responds to the demands of the environment. This approach, which could be termed neo-craft, allows for the preservation of a distinct voice that reflects the authenticity of the local context. At the same time, it contributes to a universal perspective, merging the local with the global.
https://www.archdaily.com/1012790/at-the-intersection-of-innovation-and-tradition-the-talavera-projectEnrique Tovar
While mass timber and off-site construction remain in the foreground, the associated digital technologies for architects have had a quieter evolution. Aiming to bring these issues to the architectural forefront, QWEB (Quebec Wood Export Bureau) is now expanding its Offsite Wood BIM initiative by joining the non-profit BC Wood Specialties Association.
Why is this east/west alliance great news for AEC professionals? BC Wood will share its range of timber systems with the Offsite Wood BIM platform, improving the representation of timber in the BIM market, as is currently the case with other structural materials. Because the wood industry is closely linked to specific geographic regions, this collaboration will quadruple the number of wood types available on the platform by 2024. By including detailed digital descriptions of these systems in the Revit modeling environment, industry professionals will be able to work with wood more effectively and efficiently in their projects.
Zaha Hadid Architects have released images of their design for the world’s first hydrogen refueling infrastructure for recreational boating. Continuing ZHA’s experience in maritime designs, the stations are to be installed in 25 Italian marinas and ports. Launched by NatPower H, the stations will begin to be implemented in the summer of 2024, with plans to expand to over 100 locations throughout the Mediterranean Sea in the next six years.
As architectural theory undergoes a process of review and updating, there is a rejection of prevailing binary distinctions found both in common perception and in architectural education. Traditional dichotomies such as center versus periphery, the 'formal' versus 'informal' city, and design as a rigid technique versus construction as improvisation have been persistent architectural themes, with a history of ongoing debates. Despite the dominance of global northern perspectives on what constitutes good architecture or how it should be approached, reality consistently reveals itself to be more intricate, diverse, and multidimensional.
The discipline of architecture has undergone considerable change, primarily driven by advancements in the application of technology. Architects, long viewed as the futurists of the constructed world, are now utilizing progressive techniques and resources and expanding the use cases of technologies such as Augmented Reality (AR) and Virtual Reality (VR). This transition extends beyond professional practices into architectural education, bringing opportunities to redefine the approach of architects toward their craft.
This curated selection of the Best Unbuilt Architecture highlights projects submitted by the ArchDaily community that demonstrate the use of organic shapes in various forms of architecture and program use. Many times, organic architecture stands as a testament to what we are able to make in 2024, innovating in structural and material technology. From Vincent Callebaut’s HospiWood to Zomorrodi & Associates’ Cadence Art Center, these instances showcase this shift in desigin thinking. Whether its a residential villa in the United States or a resort centered around a curved pool in the Netherlands, organic architecture has been trending globally.
Although they are an integral and necessary space in residential architecture, the wide variety of design opportunities for bathrooms has often remained overlooked in favor of practicality. Historically programmed for privacy, the contemporary bathroom has been reimagined for a greater sense of openness and comfort - finding a delicate balance between privacy and exposure is facilitated by design objects such as the tub.
With spaces for children, “you have the opportunity to create architecture that in many ways is unformulated architecture. Children react to spaces completely spontaneously. It is almost an enhanced architecture”, says Dorte Mandrup. The implication is that design can contribute to forming critical thinking, encouraging autonomy, and responsibility, and helping forge future citizens. For the most part, the educational system and its spatial expression haven’t changed significantly in the last hundred years. Nonetheless, with access to information becoming ubiquitous, the focus is slowly moving from accumulating information to nurturing critical thinking, and new teaching methods open up a new area of architectural experimentation. The following explores the impact of space on learning, specifically in primary and secondary education, discussing how architecture could aid the educational process, becoming a teaching tool.
Studio Monnik, 'Alles Komt Goed', 2023. ‘Poreuze Stad’, Illustratie van Jan Cleijne. Een toekomstscenario voor Amsterdam in 2089. Image Courtesy of Het Nieuwe Instituut
Still, the country faces expected and unexpected challenges, from an acute housing shortage to raising concerns regarding climate change and shifting ideas of ecology. In the words of curator Suzanne Mulder, the country is “once again on the drawing board,” as architects, urban planners, and designers are reopening conversations about the future by looking at past lessons. To come to their help, Rotterdam’s Nieuwe Instituut is organizing the exhibition ‘Designing the Netherlands: 100 Years of Past & Present Futures.’
Herzog & de Meuron has revealed the design for the Seoripul Open Art Storage, a collective archive space that will serve three museums in Seoul: the Seoul Museum of Art, the Seoul Museum of Craft Art, and the Seoul Museum of History. Going beyond the archive program, the proposal aims to open up the building to visitors, transforming the art storage into a dynamic civic space. Located on the Eastern Border of Seoripul Park, the building is characterized by a pyramidal glass structure set in a garden that functions as a secluded outdoor space for Archive/Museum visitors.
Japanese design firm Nikken Sekkei has just completed a new building in Dubai’s central financial district, encompassing the “World’s Longest Cantilever,” which floats 100m above ground. Compromising two towers connected by an enclosed horizontal bridge, “One Za’abeel” acts as a new point of entry into the city. Designed to be a symbol of Dubai’s growth and expansion, the project offers easy access to the downtown region. The scheme features restaurants, retail spaces, workspaces, and urban hotel accommodations.
BIG unveils "Mindfulness City", which unites historical heritage and the future of Bhutan. Courtesy of Bjarke Ingels Group
Recently, the renowned Danish office BIG announced the launch of its project for the city of Gelephu in Bhutan. This masterplan is inspired by the country's culture and its principles of happiness. The "Mindfulness City" aims to offer numerous possibilities for public engagement, fostering investments in infrastructure, education, and sustainable technologies—all aligned with the precepts of Gross National Happiness (GNH).
About two weeks ago, I received an intriguing email from Jeff Speck, the author of two of the most influential books on urban planning in the past two decades: Suburban Nation (2010; co-authored by Andrés Duany and Elizabeth Plater-Zyberk) and Walkable City (2012; reissued in 2022 with new material). The press release it contained announced the formation of a new partnership, SpeckDempsey, “a new planning and design firm serving government, non-profit, and private clients.” Prior to this, Speck was a potent and highly visible one-man band spreading the gospel of walkable cities. After spending a decade as director of town planning at Duany and Plater-Zyberk’s firm, Speck served as director of design for the National Endowment for the Arts before setting up Speck & Associates in 2007. Now he has joined forces with Chris Dempsey, a Boston-area transportation advocate, with the joint goal of bringing walkable city practices to scale. Last week, I talked to them about their new partnership, their methodology, and their plans for the future.
The relocation of a capital city is a complex urban decision with various dimensions and consequences for both the old and new capital. It can be driven by political, economic, societal, and other factors, and has urban and architectural implications for residents. These include factors such as location, planning, building design, the purpose of the old capital, climatic conditions, and separating the political/administrative hubs from cultural and economic cities.
In light of the ongoing urban discourse, countries like Egypt are constructing a new capital city to alleviate population and urban stress on Cairo. Similarly, Indonesia is planning a new capital in response to challenges faced by Jakarta, such as pollution, traffic congestion, and rising sea levels. It is valuable to examine other countries in the global south that have relocated their capital cities, noting the architectural and urban lessons learned from their experiences.
