Many buildings often fall into disuse due to our cities' constant economic, social, and technological changes. The programmatic inconsistency of current times demands great versatility and adaptability from our infrastructures, increasingly leading projects to become uninhabited, and left to abandonment and decay.
Next, we present a series of 20 Latin American projects in which old warehouses, homes, prisons, mills, and markets were recovered and transformed into Cultural Centers, Museums, and Galleries.
At first glance, Dorte Mandrup's design for the Wadden Sea Center seems to mimic the landscape. Its low height, its horizontal lines and, above all, its materiality make it a modern building in perfect harmony with the local nature. But its connection also encompasses the built heritage of the region, more specifically because of its covering with straw, harvested and dried close to the land. This is an extremely traditional and historic building technique, but which is rarely attributed to contemporary buildings. In this article we will rescue some of the history of this natural material, its constructive characteristics and some examples of use.
In recent years, India has seen a resurgence of interest in natural building materials, a movement driven by escalating environmental concerns and a growing desire to revive traditional lifestyles. From the busy streets of Mumbai to the serene villages of Kerala, architects, builders, and communities are coming together to experiment with the potential of earth, bamboo, lime, and other organic materials in shaping contextually relevant structures that also embody India's contemporary ideals. The shift towards using natural materials and other vernacular resources reflects a movement towards sustainability and a deeper connection with nature.
UNStudio, in collaboration with local partner HYP Architects, has won the competition for the design of the Kyklos building in Luxembourg. The project is part of Beval, a large-scale redevelopment initiative aiming to transform a former industrial site into an urban center complete with a university and technological center, in addition to residential, office, and retail spaces. When designing the Kyklos building, which will occupy a central position in the district's main square, the architects set out to find solutions to create the smallest carbon footprint for both operational and embedded metrics.
Allford Hall Monaghan Morris (AHMM)’s architectural studio has revealed the plans to convert a 1950s London office building into a co-living residential scheme. Initiated by developer HUB and Bridges Fund Management, “Cornerstone” is nestled on the fringes of the iconic Barbican estate, hoping to seamlessly transform the original office building to integrate 174 co-living residences.
The Pritzker Prize is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not entire offices, as took place in 2000 (when the jury selected Rem Koolhaas instead of his firm OMA) or in 2016 (with Alejandro Aravena selected instead of Elemental); however, the prize can also be awarded to multiple individuals working together, as took place in 2001 (Herzog & de Meuron), 2010 (Kazuyo Sejima and Ryue Nishizawa of SANAA), and 2017 (Rafael Aranda, Carme Pigem, and Ramon Vilalta of RCR Arquitectes).
On April 4 – 6, the international conference FABRICATE 2024will be held at the Royal Danish Academy in Copenhagen. Since its inception in 2011, FABRICATE has established itself as a global forum for new radical possibilities for architecture and welcomed thousands of participants from practice, industry, and research.
In this first article we meet architect Anders Lendager who is CEO and founder of Lendager, a front runner and one of the most influential architecture studios and strategic consultants within sustainability and circular economy. The text is an excerpt from the upcoming FABRICATE 2024 book and based on an interview conversation led by Co-chair Mette Ramsgaard Thomsen with Anders Lendager and Meejin Yoon, Dean of Cornell AAP. The book will be published on the opening night of the FABRICATE 2024 conference.
Polyvinyl chloride (PVC) plastic –commonly known as vinyl– is everywhere. In fact, chances are you are sitting close to (or on) something containing PVC in some way, shape or form. It’s used in packaging, automobile parts, children’s toys, clothing, accessories, wires, furniture, medical supplies and hundreds of other everyday items. This year alone, global production exceeded 51 million metric tons, solidifying its rank as the third-most produced plastic in the world. It is particularly in the architecture, engineering and construction industry that the material stands unchallenged, accounting for 60-70% of its total consumption. So much so that it has indisputably become the most used plastic for building materials worldwide, often found in pipes, fittings, flooring, roofing, window profiles and more. It’s not hard to understand why: PVC is durable, highly versatile, cost-effective and easy to maintain. But nothing comes without a cost, they say…
For decades, our society and the development of our built environment have been strongly associated with intensive extractive processes. While these methods were fundamental to the growth of urban areas, they also laid the groundwork for significant challenges that contemporary generations face today. Nowadays, construction debris accumulates on the peripheries of our cities, and plastic waste floats in the oceans.
In this context, and similarly to the idea expressed by Alvar Aalto, who stated that "modern architecture does not imply the use of new materials, but rather employing existing materials more humanely," it is crucial to reconsider how we manage our resources and waste. This shift in direction provides us with new opportunities to address the challenges that the ongoing climate crisis has brought. In response, various actions are now being taken, using materials such as food waste, recycled wood, and plastic debris, among others, exploring innovations in a context where raw materials are becoming increasingly scarce.
https://www.archdaily.com/1013787/casting-furniture-with-upcycled-plastics-and-urban-debris-los-colados-projectEnrique Tovar
New York-based architecture office WEISS/MANFREDI Architecture/Landscape/Urbanism has been named the 37th recipient of the Louis I. Kahn Award, offered by DesignPhiladelphia. The firm, founded by Marion Weiss and Michael Manfredi, is recognized for its wide range of projects, from cultural institutions to urban landscapes, all demonstrating and responding to contextual conditions, sustainability standards, and centered around the human experience.
From Tafí del Valle to San Carlos de Bariloche, the implementation of natural stone in contemporary Argentine architecture reveals the decisions of architects seeking to maintain a dialogue with their surrounding environment and highlight the purity of materials. While stone is one of the oldest building materials, enduring throughout history, its application in homes in Uruguay, Brazil, and Mexico highlights different characteristics in terms of textures, shapes, shades, and patterns.
As we observe closely spaced parallel lines at a specific angle, we may be deceived by the illusion of a continuous or three-dimensional surface, although they are, in fact, individual lines. This phenomenon arises from the brain's natural tendency to simplify and seek visual patterns, interpreting the proximity of the lines as indicative of a unified ceiling. This illusion is often exploited in suspended ceiling architecture, where successive slats, when viewed at an angle, create the impression of a solid ceiling. This approach not only reduces the use of materials and keeps the infrastructure above the ceiling accessible, but also provides more surfaces for noise absorption, significantly improving the acoustic environment.
Snøhetta’s Beijing City Library has opened its doors to the public, introducing a unique space for learning and knowledge-sharing in Beijing’s cultural scene. As one of the most anticipated projects of 2024, the library features the world's largest climatized reading space, in addition to various facilities aimed at creating a vibrant cultural destination in the city. Snøhetta was awarded the Beijing City Library in 2018 through an international competition and the project was completed with local partner ECADI.
On February 21st, 2024, American Hotelier MCR Hotels acquired the renowned BT Tower in London. The tower, a Grade II listed marvel, is nestled within London’s Fitzrovia, standing as a testament to the city’s heritage. Initially used as the British Telecommunications Tower and was known as the Post Office Tower, the BT Tower will be repurposed by Heatherwick Studio, with plans underway to breathe new life into this iconic structure.
Throughout the city's history, buildings have changed their use and function, which is inevitable, as each era presents unique issues and requirements. Factors such as housing types, population density in specific areas, and the emergence of new businesses and services reshape the cityscape, often outpacing the adaptability of existing structures. Therefore, revitalizing or rehabilitating buildings is logical but also necessary to meet the demands of a changing landscape.
Water, fluid and dynamic in its nature, has long been an inspiration for architects and designers. From ancient civilizations to modern metropolises, the presence of water has shaped architectural schemes and urban landscapes. This elemental force provides aesthetic and sensory inspiration to the buildings that are built around it. Additionally, it poses challenges and different opportunities for problem-solving, particularly as rising sea levels demand a revaluation of coastal developments.
Whether it’s a restaurant overlooking the waters of the Aegean Sea or a hotel nestled along the coastline of Montenegro, architects worldwide embrace the proximity to natural bodies of water. These unbuilt projects, curated from submissions by the ArchDaily community, exemplify diverse architectural schemes that aim to harmonize with water surroundings. From the regenerative principles in the Chabahar Beach Cafe in Iran to a transformative master plan on a floating boat, each project uniquely aims to blend contextual elements with the human experience, resulting in different designs.
We are thrilled to announce our upcoming March workshops in collaboration with our ArchDaily Supporters partner, Parametric Architecture. These workshops have been thoughtfully curated to empower architects, designers, and enthusiasts by providing them with the latest insights and skills in the dynamic realm of parametric design. Guided by industry experts and visionaries, these immersive sessions will explore cutting-edge techniques, innovative tools, and practical applications, creating an inspiring and dynamic learning environment where participants can take their design expertise to unprecedented levels.
As a token of our appreciation, ArchDaily Supporters will be entitled to exclusive benefits, including special discounts on any of the workshops offered by Parametric Architecture and one complimentary monthly workshop. Your commitment to advancing architectural innovation seamlessly aligns with the enriching experiences that these workshops promise to deliver. Stay tuned for more information on how you can fully unlock your creative potential and embark on an exciting journey of design exploration in March.
https://www.archdaily.com/1013663/parametric-architecture-march-workshopsArchDaily Team
In recent decades, the term "adaptive reuse" has gained tremendous popularity as an eco-friendly construction approach. But what if there was something more poetic about reframing a space and its stories for new users? These architects show that once-deemed disposable facades, walls, and textures can obtain new meaning through bold and clever juxtapositions. These adaptations proudly display their conversions and layers of historical patina under them as a batch of honor and speak to the permanence of buildings and their impermanence in use and interpretation. Through subtle formal moves and daring material choices, they transformed structures that would have been otherwise demolished and reimagined them in new and intriguing ways.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design are joined by architecture critic of The New York Times, Michael Kimmelman, to discuss his background; the role of a critic; New York City; the evolution of the profession; the housing crisis; social housing; the value of architecture; and more!
https://www.archdaily.com/1013752/the-second-studio-podcast-interview-with-michael-kimmelmanThe Second Studio Podcast
While not entirely dependent on one another, the relationship between architecture and mental well-being is an important topic, as designers and architects can contribute to creating a more enjoyable environment for everyone. From strategies to enhance mental health in shared workspaces to the ways in which architecture can contribute to preventing cognitive decline, understanding the potential impact of environmental neurosciences and the ways they apply to architecture is an essential skill for our profession.
The urban heat island effect occurs when pavements, roads, and buildings absorb the sun's heat and radiate it back, causing the temperature to increase and preventing the city from cooling down. With the growing reliance on cars in cities, the number of urban car park spaces is also increasing to accommodate buildings. This has resulted in the conversion of large areas of pervious land covered with vegetation into impervious hard surfaces for more car parks. The use of materials like asphalt, combined with the lack of shade, reflective steel surfaces of parked cars, and loss of greenery in these extensive car parks, contributes to the amplification of high-temperature effects and extreme heat events, making urban spaces uncomfortable. This transformation is impacting the climate of car-dependent regions and calls for collaborative ideas and efforts to mitigate the negative effects of rising heat.
If you were to make a list of requirements for your design software, an ability to be both efficient and accurate would certainly make an appearance. It may even make your top five. In order to cater to these demands, software developers are constantly striving to make their products more effective for their customers. In the case of Vectorworks, which was built to deliver absolute creative expression and maximum efficiency, this is no different. Below, we outline four main ways the software can be used by architects and designers.
The Indonesian parliament has approved a bill to relocate the capital from the city of Jakarta to a completely new city to be built on the island of Borneo, 1,300 kilometers from the current capital. The decision, first announced in 2019, comes as a reaction to the myriad of challenges faced by Jakarta, including pollution, traffic congestion, and, perhaps the most threatening, rising sea waters. As a consequence of excessive groundwater extraction, rapid urbanization, and rising sea levels, 40% of the city is currently below sea level, making it increasingly difficult for the infrastructure to protect the residents. President Joko Widodo proposes an alternative: relocating the administrative center of the country to a new green metropolis, to be named Nunsantara, meaning ‘archipelago’ in ancient Javanese.
