As a highly transparent material that stands up to all but the most extreme of weather conditions, is easily formed into any size or shape, and, once formed, will last for thousands of years, glass is still one of the most innovative and crucial materials used in architecture. Although contemporary building practices allow us to form huge, glittering skyscrapers of glass that rise hundreds of meters into the air, the ancient material’s original purpose – to welcome light into weathertight and secure interiors – remains its most important more than a thousand years on.
As important as glass is to almost every typology of architecture in the form of windows, when it comes to the roof of a building, the use of glass is not so simple. We’ve understood the power and danger of combining light and glass ever since we saw a magnifying glass used to concentrate the heat of sunlight into incredibly high temperatures in children’s cartoons. Under a glass roof, the solar gain can make for uncomfortable internal environments without the correct protective precautions.
Last week, Japanese architect and social advocate Riken Yamamoto was announced as the 2024 Pritzker Architecture Prize Laureate, becoming the 9th Japanese architect honored with the profession’s most prestigious award. Throughout the 45-year history of the Pritzker Prize, Japan stands out as the nation with the highest number of laureates. While geography is not a criterion in the selection of the laureates, Japanese architecture consistently impresses with its interplay of light and shadow, the careful composition of spaces, soft transitions between interior and exterior, and attention to detail and materiality. An ingrained culture of building also celebrates diverse designs and encourages global dialogue and the exchange of ideas and best practices. Read on to rediscover the 9 Japanese Pritzker laureates and glimpse into their body of work.
Foster + Partners has just unveiled the designs for the Xicen Science & Technology Center at the heart of the Yangtze River Delta Region in Shanghai,China. The project is strategically located along the Shanghai – Huzhou development axis, ensuring connectivity to the city center through high-speed rail links. Drawing inspiration from the timeless allure of the surrounding water towns, the center blends new and existing waterways to create a community featuring residential, commercial, and recreational spaces.
The concept of "eyes on the street" is perhaps the most famous within architectural and urban literature when it comes to urban security. Jane Jacobs uses this expression to refer to people who - consciously or unconsciously - use public spaces or observe them from their homes, generating natural surveillance. A movement that, within our discipline, is encouraged both through quality public spaces and through the powerful relationship between the public and private created through building facades. Advocating for this daily control, Jacobs believes in a way of making architecture and cities that condemns excessive verticalization, reinforced by isolated buildings and single-use ones that deny contact with the street
On April 4 – 6, the international conference FABRICATE 2024will be held at the Royal Danish Academy in Copenhagen. Since its inception in 2011, FABRICATE has established itself as a global forum for new radical possibilities for architecture and welcomed thousands of participants from practice, industry, and research.
In this third article we meet architect Zhu Peiwho is the founding Director of Studio Zhu Pei and Dean of the School of Architecture at Central Academy of Fine Arts in Beijing. The text is an excerpt from the upcoming FABRICATE 2024 book and is based on an interview conversation led by Co-chairPhil Ayres between Zhu Peiand architect Cristiano Ceccato, Director of Zaha Hadid Architects. The book will be published on the opening night of the FABRICATE 2024 conference.
For decades, our society has predominantly embraced an extractivist approach when formulating models for material manufacturing across diverse industries. While we now know that this model is unsustainable, a major question remains: So, how do we do it? We may be a while away from offering a definitive answer to this challenge. Still, it is exciting to note that, in a context marked by a challenging global and ecological horizon, the architectural community maintains a positive approach by pushing for a re-evaluation of what we make and how we make it.
This momentum may be gaining relevance due to the emergence of new, more environmentally conscious generations, such as Gen Z and Alpha. What is certain is that we are witnessing the development of new production philosophies, such as plant-based materials, which adopt practices aimed at favoring the use of resources derived from plants, reducing dependence on extractive processes, and promoting conscious and sustainable alternatives in various aspects of the manufacture and production of materials in architecture.
https://www.archdaily.com/1014260/harvesting-architecture-a-glimpse-into-3-plant-based-materialsEnrique Tovar
When designing facades, various factors can influence their conception. From compositional, geographic, and environmental elements, facades incorporate a series of gestures that shape the building envelope, serving as the interface between the environment and life inside the building. In this context, contemporary architecture has sought to enrich the role of facades, maximizing their potential through technological innovation. Today, technology has been integrated to create a more textured and expressive architecture, explore diverse materialities, and promote circular and low-carbon architecture.
Understanding facades as the skin of buildings and recognizing the growing global demand for efficient use of resources in the built environment, there arises a need to harness the incidence of sunlight on building facades. In response, and considering an architectural environment closely linked to technology, Building Integrated Photovoltaics (BIPV) has gained even greater relevance in creating new aesthetics for facades and minimizing environmental impacts. These systems, with their technical capabilities and aesthetic qualities, result in attractive, durable, and resilient solar facades. They generate a positive impact on the built environment by seamlessly incorporating sustainable energy production into buildings.
https://www.archdaily.com/1013143/durable-and-resilient-solar-facades-5-essential-architectural-principlesEnrique Tovar
Rendering of Dia Beacon’s south landscape. Image Courtesy of Studio Zewde, 2024
Dia Art Foundation announced a major landscape project to reimagine the land at Dia Beacon, New York. Commissioned landscape architect Sara Zewde of Studio Zewde aims to go beyond the simple arrangement of attractive plants and integrate ideas of ecology, culture, and people into the design. Taking over the museum’s 32-acre campus, the project will create an expanded outdoor park, free to access for visitors and locals alike, complete with native meadows, sculptural landforms, and winding pathways. The project, which has been recently extended to also include the museum’s eight back acres, is expected to open to the public in 2025.
Zaha Hadid Architects (ZHA) has just begun renovating the iconic Schuylkill Tower in Monaco. Originally built in 1963, the tower currently stands tall as Monaco’s first-ever high-rise. ZHA conducted a feasibility study evaluating its development prospects and the scope of necessary renovations. This led to ZHA’s collaboration with local firm Square Architecte to revitalize and expand the iconic structure, set to be completed in May 2027.
Last week, Japanese architect and social advocate, Riken Yamamoto, was selected as the 2024 Pritzker Architecture Prize Laureate, the 53rd honoree of the Pritzker Architecture Prize, and the ninth architect from Japan to receive this recognition. With a body of built works that spans five decades, ranging from private residences to large-scale housing complexes, educational institutions, and civic spaces, scattered around Japan, China, South Korea, and Switzerland, Yamamoto's architecture is focused on building community and blurring the boundaries between the public and private spheres. In a series of videos produced by the Pritzker Prize, the architect goes back to the fundamentals and discusses the threshold system, transparency, community, and the landscape.
Rising demands for energy efficiency, technical functionality, and interior comfort in buildings necessitate the development of more efficient building envelope constructions. The building envelope serves as a mediator between a building's exterior and interior. In today's architectural landscape, it performs a multitude of functions to enhance the building's performance. These functions include building control systems, energy supply (such as gas and electricity), and heating, ventilation, and air conditioning (HVAC), among others. These elements primarily determine the functionality, efficiency, and safety of building spaces. Given that the nature of building envelopes heavily depends on these services, how can they serve as primary frameworks for building design development?
As we successfully launched our 15th Building of the Year Awards earlier this year, we want to thank you for being part of our community for over 10 years. Together we have been growing and contributing to the architectural scene, aiming for a better world. Now, we are proud to announce the 8th edition of The ArchDaily Building of the Year China, celebrating the best architecture in China, as chosen by you, the reader.
By nominating and voting, you form part of an interdependent, impartial, distributed network of jurors and peers that has consistently helped us celebrate architecture of every scale, purpose, and condition, and architects of all profiles. Over the coming weeks, your votes will result in 700 Chinese projects filtered down to just 10 best projects in China.
The 2024 Building of the Year Awards China is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.
https://www.archdaily.com/1014288/archdaily-chinas-2024-building-of-the-year-awards-are-now-open-for-nominations韩双羽 - HAN Shuangyu
The principles of the circular economy have been most influential and applicable to the construction industry. Emphasizing the efficient use of resources, models around reuse and recycling of components and materials are increasingly being pioneered by global architecture practices. The concept of "design for disassembly" has emerged as an innovative approach especially in the case of building facades. Striking a balance between the demands for new infrastructure and the transition towards sustainability requires a review of traditional facade design throughout its lifecycle.
LXK Office and Residential Campus. Image Courtesy of MVRDV
MVRDV has just begun construction on the LXK Office and Residential Campus in Berlin. Situated in Friedrichshain, near Berlin Ostbahnhof, the development spans approximately 61,200 sqm and boasts city center views from its green rooftops and terraces. Designed as two buildings, a horizontal band encircles the middle of either structure, serving as a distinctive landmark in Berlin.
This curated collection unfolds the narratives of some of the most compelling architectural projects by women from the Global South. From the unique streets of Dubai to the rural landscapes of Niger, each project serves as a testament to the power of architecture to transcend gender boundaries and create meaningful designs that connect people and their surroundings.
When we talk about the building envelope, we often make the analogy of a skin that protects and wraps the structure, creating a transition in the physical environment. This concept is interesting as it identifies that, similar to its function in humans, the skin plays a role in protecting and regulating the interior setting, besides contributing to the aesthetics of the building. In this way, both the human skin and the building envelope act as elements that respond to the stimuli of the surroundings and the life that develops within them. More than just protective barriers, they are experienced as means of active interaction with the context.
While envelopes evolve within diverse contexts, materials, and systems, minimalist windows distinguish themselves through their aesthetic qualities by being transparent and fluid skins. These windows excel with their functionality and visual lightness, standing out in the architectural landscape. In addition, they are noteworthy thanks to their versatility across different systems that connect life within the interior and exterior. Considering Swiss and Pritzker Prize-winning architect Peter Zumthor's statement that "architecture is exposed to life,” windows play a vital role in expressing that connection, becoming a significant part of the building's identity and essence.
https://www.archdaily.com/1013905/reframing-the-concept-of-building-envelope-through-minimalist-windowsEnrique Tovar
Architecture – once it moved out from under its cavernous beginnings – started off largely nomadic. For a long time, the shade of trees and moveable tents made from animal skin were utilized instead of more permanent dwellings to meet nomadic lifestyles and basic survival needs. These early portable structures were primarily supported by wooden frames and were used by various ancient civilizations, including the Bedouins in the Arabian Peninsula and the Native American tribes in North America. The advent of woven cloth some 40,000 years ago made the dwellings even lighter and easier to transport, a boon to nomadic cultures around the globe.
Though tents have remained popular since then in recreational contexts and as a staple of the architectural form, contemporary architecture has rediscovered the principle of draping fabric and taken its development further – not just for temporary structures, but for permanent buildings and installations, too. Advanced and durable materials have turned fabric into a facade and roof alternative that has sparked a highly specialized sector within the construction industry and created some of the most intriguing exteriors around the globe.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss whether or not architects are optimists. Many claim to be, but are they? The two cover in what ways architects are optimists, when architects are pessimists, how to be an optimist and how it impacts one’s work, being a realist, and more.
https://www.archdaily.com/1014329/the-second-studio-podcast-being-an-optimistic-architectThe Second Studio Podcast
Due to their aesthetic, sustainable, durable, and resistant qualities, stone materials have accompanied the disciplines of architecture and engineering since their origins. As is known, in Mexico, stone has been a fundamental element in pre-Hispanic constructions where experimentation was done with vaults, ashlars, masonry, etc.
However, the industrialization of this material, the perfection of techniques, and experimentation with its various applications have allowed buildings erected today to continue using it in different ways and various regions of the country, specifically in wooded areas. For this reason, we have compiled a selection of projects that include houses, haciendas, hotels, restaurants, and terraces to continue inspiring you.
Expanding beyond just March 8th, ArchDaily acknowledges and celebrates the ongoing contributions of women who influence the development of the built environment globally. The "Women in Architecture" theme is central to our content strategy, underscoring our daily commitment to highlight the vital role and impact of female architects.
The facade of a building often serves as a reflection of both the urban fabric it is set in, as well as what lies behind it. Beyond aesthetics, facades hold important functional, cultural, and sustainable significance, especially in relation to the interior design. Although natural light, views, and spatial organization are influenced by the facade, architects have been prioritizing the relationship between the building's envelope and the quality of the interior, keeping in mind current cultural, economical, and environmental changes influencing the way people design their living space. So responding to these ever-changing needs and habits, along with the focus on overall wellbeing, architects offset the facade and ceiling - and in some particular cases, floors - to create interiors within interiors; secondary envelopes that protect the interior space from the outside environment.
Around the globe, today’s architects face several rising challenges. The demand for affordable housing is increasing significantly, but so is the urgent need to save the planet’s resources and reduce carbon emissions. At first glance, these two goals might seem mutually exclusive. However, the history of architecture is one of great minds overcoming challenges through creativity and innovation.
In 2004, wienerberger, a leading provider of innovative and ecological solutions for the entire building envelope in the areas of new construction and renovation, as well as infrastructure for water and energy management, launched the biennial Brick Award to recognize and, more importantly, support such innovative solutions and the people who create them. In June 2024, for its 11th iteration, the prize will once again be awarded to extraordinary feats of brick architecture from around the world.
Brooklyn-based firm SO-IL has revealed the design for a new campus art museum at Williams College in Massachusetts, created to become a primary teaching resource for the institution renowned for its art history program. Since its inauguration in 1926, the Williams College Museum of Art has gathered an expansive collection of over 15,000 works. Through the design of SO-IL, the museum will be able to move into its first freestanding purpose-built home. In May 2024, the museum will present an exhibition on SO-IL’s design.
