A’ Design Award & Competition, the world’s largest and most diffuse international design awards, has announced results of their 2018–2019 design awards, 2437 winners from 106 countries in 98 different design disciplines. Entries were evaluated by an internationally influential jury panel composed of established scholars, prominent press members, creative design professionals and experienced entrepreneurs who carefully analyzed each entry.
On April 19th and 20th, fifth year SCI-Arc undergraduates presented their final thesis projects to panels of faculty and guest juries comprised of some of the top architects, critics, and theorists in the field – including Undergraduate Program Chair Tom Wiscombe, Undergraduate Thesis Coordinator Jenny Wu, and Special Thesis Advisor and former SCI-Arc Director Neil M. Denari. This year’s thesis advisors were Kristy Balliet, Marcelo Spina, and Peter Testa.
The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted and long-format conversations that allow for thoughtful takes and more personal discussions. Honesty and humor are used to cover a wide array of subjects: some episodes provide useful tips for designers, while others are project reviews, interviews, or simply explorations of everyday life and design. The Midnight Charette is available for free on iTunes, YouTube, Spotify, and all other podcast directories.
The ventilated façade is a construction solution that uses a double enclosure distanced from each other by a support structure to generate an air chamber for ventilation. This operation creates a chimney effect that activates air currents by convection, improving the acoustic and thermal insulation of the building, and increasing its energy efficiency.
Due to its nature and manufacturing, the 3.5 mm porcelain tile is a great choice for ventilated façade cladding. Its high resistance to weathering, dimensional stability, and lightness reduce the support structure requirements. It weighs 3 times less than a traditional porcelain tile and allows large formats, up to 3.6 meters, reducing the number of joints. It also delivers high color stability, impact resistance, and low maintenance over time.
Los Angeles’ booming hospitality industry has provoked many designers to develop fresh, state-of-the-art spaces that fascinate citizens and visitors of the contemporary city. However, some designers are experimenting with abandoned structures, merging historic buildings with contemporary features. The relatively new design trend of adaptive reuse, which was a novelty in the early 2000’s, has now become an in-demand practice in LA, standing front and center in the restaurant / hotel industry.
To dig deeper into why Los Angeles’ hospitality industry is embracing historic buildings, Metropolis Magazine spoke with key hospitality designers and developers in the city such as Historic Resources Group, 213 Hospitality, and Design, Bitches, to learn more about their take on adaptive reuse.
TAB 2019, Tallinn’s 5th Architecture Biennale, will commence with its Opening Week from September 5-11, 2019. Earlier this week, the Biennale announced its programme of events for this year’s festival, which bears the theme “Beauty Matters: The Resurgence of Beauty”. TAB is an international celebration of architecture, organized by the Estonian Centre for Architecture and curated this year by Head Curator Dr. Yael Reisner. The Biennale consists of five main events, to take place in various venues in the heart of Tallinn, as well as a Satellite Programme hosting other events around the city.
Contemporary Chinese architects can be divided into two main categories. One is a huge network of government and university-owned design institutes and the other –independent, privately-run architects’ studios, a phenomenon that was started by Beijing-based architect Yung Ho Chang when he opened the very first such practice in 1993. While it is these independent architects that succeeded in producing many, mostly small-scale original works that collectively established a new architectural identity that is unmistakably Chinese, it is the design institutes that produce the greatest bulk of the built environment in the country. For this reason, I wanted to talk to Weiping Shao, the Chief Executive Architect of the Beijing Institute of Architectural Design, BIAD. In a way, Mr. Shao is the chief architect of the Chinese capital. He also serves as the Executive Director of the Architectural Society of China. Shao graduated from Tongji University in Shanghai in 1984 with a master’s degree. Apart from heading BIAD’s design efforts, the architect is the head and leading designer of his 30-architect studio called UFo, which was founded in 2003. We met at Shao’s office, full of international magazines and with an expansive view over Downtown Beijing and spoke with the help of translator and architect Zewo Zhou who works at the studio.
Transformation of 530 Homes – Grand Parc Bordeaux by Lacaton & Vassal architectes, Frédéric Druot Architecture and Christophe Hutin Architecture has been awarded the 2019 European Union Prize for Contemporary Architecture – Mies van der Rohe Award. The innovative renovation of three large blocks of social housing in Bordeaux was praised for “radically improving the space and quality of life of its occupants” and for optimizing their economic and environmental cost of living.
This article was originally published on Metropolis Magazine.
Designed by EAA–Emre Arolat Architecture, the 199-room hotel in Antakya, Turkey, features prefab modules slotted into a massive network of steel columns.
The urban surfaces we walk on, planed sidewalks cleared of debris or asphalt streets kept in good repair, are simply the topmost layers of human-churned earth extending sometimes hundreds of feet belowground. In some cities, digging downward exposes dense infrastructure networks, while in others—Antakya, Turkey, for one—construction workers can’t turn over a rock without uncovering priceless relics. The newly opened Antakya Museum Hotel, designed by the firm EAA–Emre Arolat Architecture, has turned one such discovery into a bold new strategy for historic preservation.
Applications are now open for Dubai Design Week in the United Arab Emirates. Applicants are encouraged to submit ideas and proposals to host an event, showcase a product or stage a creative project during the region’s largest creative festival. Much of Dubai Design Week’s program is made up of partner events and activities, held both at Dubai Design District and at locations across the city and the UAE.
Eight of Sweden's leading architects have created new visions for the future of Stockholm in Boxen at the Swedish Centre for Architecture and Design. Called Architecture Projects: Skeppsbron, the exhibition at ArkDes features visionary ideas for Skeppsbron in Gamla Stan. The exhibition celebrates the agency of the architect in thinking about the future city and aims to imagine new uses for Skeppsbron – one of the Swedish capital’s most symbolic inner-city sites.
Architect Aleksandra Jaeschke has been named the winner of the Harvard Graduate School of Design’s 2019 Wheelwright Prize. Jaeschke receives a $100,000 traveling fellowship to fund her research proposal UNDER WRAPS: Architecture and Culture of Greenhouses. The fellowship and grant are designed to support investigative approaches to contemporary architecture, with an emphasis on travel-based research.
Designed by Diller Scofidio + Renfro, the new linear park running along the river Thames is opening its doors on Greenwich Peninsula, London, this July. In collaboration with Neiheiser Argyros, the New York-based office has created the next culture and leisure destination in the UK's capital, offering an evolving collection of free-to-view public art by emerging and world-renowned artists along a landscaped route for running, walking and meditation. The 5 kilometers-long landscape features 9 meters-high elevated walkways flowing through trees and giant sculptures.
Past, Present, Future is an interview project by Itinerant Office, asking acclaimed architects to share their perspectives on the constantly evolving world of architecture. Each interview is split into three video segments: Past, Present, and Future, in which interviewees discuss their thoughts and experiences of architecture through each of those lenses. The first episode of the project featured 11 architects from Italy and the Netherlands and Episode II is comprised of interviews with 13 architects from Spain, Portugal, France, and Belgium.
Bosske Architecture has designed a new dairy farm facility with a robotic creamery in Northcliffe, Australia. Made for Bannister Downs Dairy, the project creates a ‘grass-to-gate’ facility for the family run, vertically integrated producer. The project was designed to showcase innovation in dairy production and ethical milking practices by opening its doors for public viewing and education.
Contemporary visualization tools have rendered exceptional illustrations, proving to be crucial in architectural representations today. However, some choose to explore objects in unprecedented manners instead of diving into "digital post-collage", unleashing different realms of design.
Created as an experimentation of visual narratives, (ab)Normal is a graphic patchwork that expresses design, scenography, illustration, architectures, and social utopias of a culture that revolves heavily around Internet, gaming, and religion. The iconographic images, which particularly focus on architectural representation, explore all the potentials of rendering, deconstructing, and reassembling photo-realism with a different hierarchies.
odD+ Architects have designed a residential tower with exterior gardens in Ecuador. Inspired by the architecture of classical cloisters in downtown Quito, the tower reinterprets the courtyard through the building facade. The exposed building face is meant to reconnect residents to the surrounding old town fabric. Dubbed Common Garden, the project frames unique views of the city through 12 floors of gardens and arcades.
London and Moscow based AI Studio has revealed plans for a new Media City in central Saint Petersburg, Russia. The project will include office spaces for media and other creative industries, as well as the public realm, designed in collaboration with Hyland Edgar Driver. The concept aims to fuse contemporary materials and technology with the site's history, and the design features a series of interconnected flying bridges for easy access and movement.
Perkins + Will have revealed a new design for the world’s tallest wooden skyscraper in Vancouver. Called Canada Earth Tower, the mass timber project is designed along the city’s Central Broadway corridor. Bruce Langereis, president of Delta Land Development, unveiled the company’s proposal to transform a 1.3-acre lot at 1745 West 8th Avenue with a project that could rise up to 40 floors. Canada Earth Tower aims to become a new precedent and benchmark for green building construction.
As ingenious solutions for environments that require additional space and ventilation, articulated or accordion doors and windows operate by folding their leafs one over the other and onto the sides of the opening. They moving via upper and lower rails which can be embedded into masonry and allow separation and integration rooms while adding aesthetic value to the project.
This system generates a similar effect to that of a sliding door or window, but it differs in that all its leafs remain in the same plane when they are closed, giving a clean appearance to the façade.
As technology moves forward, so does architecture and construction. Architects, designers, and planners around the world now have infinite tools and resources to design and build the cities of today and the future. As promising as this may sound, new construction is also consuming our world’s limited resources faster than we can replenish them.
This situation leaves architects with an important responsibility: the rehabilitation and reuse of the existing built environment. This means using creative thinking and design to save and incorporate old or historic buildings that currently exist, in the present and future of our cities, by adapting them through creative and sensitive treatments.
Six design teams have been shortlisted in the competition for the landmark new Powerhouse Precinct at Parramatta, Sydney. The Powerhouse Precinct is the largest cultural infrastructure project in Australia. The competition is focused on a 24-hour museum that will showcase Museum of Applied Arts and Sciences (MAAS) collection. The project aims to transform one of Australia’s oldest cultural institutions, setting an international benchmark in cultural precinct design.
What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions". ArchDaily is working with the curators of the "Eyes of the City" section at UABB 2019 to set up a discussion on how new technologies - and Artificial Intelligence in particular - might impact architecture and urban life. Here you can read the “Eyes of the City” curatorial statement by Carlo Ratti, Politecnico di Torino, and SCUT. If you are interested in taking part in the exhibition at UABB 2019, submit your proposal to the “Eyes of the City” open call until May 31st, 2019: www.eyesofthecity.net
Urban development has intensified the development of a national landscape of energy production – a territory that could be called the ‘extraction infrastructure web’. This landscape exists out of sight; obfuscated by a complex distribution of corporate, government and environmental databases. The city benefits from the energy network, while averting its gaze from the social and environmental consequences of the flow of energy from the territories of extraction to the metropolis.
Stefano Boeri Architetti has designed a new offset multi-family housing complex in Albania. In conjunction with the opening of a new studio in Tirana, Boeri announced the start of construction on the new housing complex near the Albanian Presidential Palace. Designed as overlapped cubes, the project occupies a narrow lot on an important boulevard. The project's facade opens onto a large public space within the urban fabric of Tirana to put the housing complex in direct connection with the city.
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