When Catalan architect Antoni Gaudí (25 June 1852 – 10 June 1926) graduated from the Barcelona Architecture School in 1878, the director of the school Elies Rogent reportedly declared: "Gentlemen, we are here today either in the presence of a genius or a madman!" [1] Well over a century later, this tension is still evident in Gaudí's work; though he is widely regarded as a genius architect, his distinctive style stands as a singularity in architectural history—simultaneously awe-inspiring and bizarre, never fitting into any stylistic movement, and never adapted or emulated, except by those still working to complete his magnum opus, Barcelona's famous Sagrada Família.

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Etienne-Louis Boullée, though regarded as one of the most visionary and influential architects in French neoclassicism, saw none of his most extraordinary designs come to life. Throughout the late 1700s Boullée taught, theorized, and practiced architecture in a characteristic style consisting of geometric forms on an enormous scale, an excision of unnecessary ornamentation, and repetition of columns and other similar elements.

Istanbul-based SUPERSPACE has proposed a new concept for a pocketed timber observation tower in Zagreb, Croatia. Designed to be an iconic gate, the project would be sited between the old and new city. Called Ascension, the project takes inspiration from Zagreb's historical and natural iconic landmarks. Facing the south bank of River Sava, the tower's form is derived from the character of the old town's existing towers integrated with a new vertical forest.

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While the United States’ green-building industry was still relatively slow in the early 1990’s, Herman Miller, who are known for their architectural experimentation, decided to construct a new facility for Simple, Quick, Affordable (SQA), a company that bought used office furniture to refurbish them and sell them to smaller businesses. To do so, they chose to build sustainably, a design approach that was not yet utilized in the region.

Designed by New York architect William McDonough, the 295,000 sq ft building (approx. 90,000 sqm) was built in Holland, Michigan in 1995. The facility’s design qualities, such as storm-water management, air-filtering systems, and 66 skylights, helped set the standards for the U.S. Green Building Council LEED Certification.

Hey5 has unveiled its design for the National Museum of Finland, an entry for a recent international design competition. The scheme is titled “Suppa,” inspired by the typical Finnish landform where a hollow is created by the melting of buried blocks of glacial ice. The ambition behind the proposal was to create a bold object containing a flexible organizational system to host the museum's demanding international exhibitions.

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Thermal comfort becomes very evident when it is not attended to. When thermal conditions are adequate in one location, our body is in balance with the environment allowing us to perform activities normally. On the other hand, when a space is too hot or too cold, we soon see changes in our mood and body. Dissatisfaction with the thermal environment occurs when the heat balance is unstable, that is when there are differences between the heat produced by the body and the heat that the body loses to the environment.

Russian practice Atrium Architects and Vostok+ have designed a new learning commons and public space in Yakutsk, the world's largest city built on continuous permafrost. Sited in the Republic of Sakha, the design is part of the largest administrative-territorial unit in the world with a territory of more than 3 million square kilometers in the far east of Russia. Building in a region known for diamonds and extreme climate, the project reinterprets Yakutsk's unique culture atop the frost.

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Benedetta Tagliabue (born 24 June 1963) is an Italian architect known for designs which are sensitive to their context and yet still experimental in their approach to forms and materials. Her diverse and complex works have marked her Barcelona-based firm EMBT as one of the most respected Spanish practices of the 21st century.

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You're an architect so you know organization is key. You think you’re on top of all the categories, rules and folders in Outlook that you've created to get by. You file away all of your emails by project and category, but time and again, your email search function fails you and finding any file is a nightmare.

This article was originally published on Metropolismag.com.

Regardless of what field designers specialize in, they are capable of translating their ideas and fantasies into visible and tangible material. After all, a designer's principle is quite simple: If it doesn't exist, create it.

For his final photography exam, Szabó Viktor took photos of existing buildings and manipulated them into structures that only exist in his imagination.

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Today, improvements in glass processing technology have made it possible to render specific and effective solutions for a wide range of architectural projects. In fact, there are so many options available that it's almost necessary to research different products and their properties, and how this will impact, for example, the windows and doors that you are designing.

What variables should be considered – and prioritized – when choosing the glass used in a project? How can aesthetics coincide with function and efficiency? We sat down with the experts at Cristales Dialum to delve into the complex world of glass and to better understand the hows and whys of choosing the best type of glass for your projects and ensuring the best results for your clients.

Now is your chance to build a house of cards from cards of houses with the Kickstarter campaign for the updated second edition of SCALA Architecture Playing Cards. "Arquitectura a Contrapelo", an architecture and design team based in Seville, Spain, are hoping to release a sequel to their previous successful deck of architecture-themed cards. The new edition keeps the collection current with additions of the most relevant contemporary architecture, as well as providing some upgrades and improvements from the previous deck.

As founder of the “Do Tank” firm ELEMENTAL, Chilean architect Alejandro Aravena (born on June 22, 1967) is perhaps the most socially-engaged architect to receive the Pritzker Prize. Far from the usual aesthetically driven approach, Aravena explains that “We don’t think of ourselves as artists. Architects like to build things that are unique. But if something is unique it can’t be repeated, so in terms of it serving many people in many places, the value is close to zero.” [1] For Aravena, the architect’s primary goal is to improve people's way of life by assessing both social needs and human desires, as well as political, economic and environmental issues.

Mainly known outside of his home country for his design of the 2014 Serpentine Gallery Pavilion, architect Smiljan Radić (born June 21, 1965) is one of the most prominent figures in current Chilean architecture. With a distinctive approach to form, materials, and natural settings, Radić mostly builds small- to medium-sized projects that flirt with the notion of fragility.

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Design practice Studio Precht has created a series of truncated timber treehouses for eco-building start-up Baumbau. The concept was created by Chris Precht and his wife Fei Tang Precht as a family of modular houses that are shaped by playfulness. Called Bert, the project was conceptualized as a treehouse shaped by the forest itself. Bert invites people to experience architecture and nature through the eyes of children.

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Uber Elevate and Related Companies have unveiled their Foster + Partners-designed vision for a future Skyport in Santa Clara. The 240-acre site illustrates the benefits aerial ridesharing could provide for the Bay Area and other cities in the future.

Videos

Past, Present, Future is an interview project by Itinerant Office, asking acclaimed architects to share their perspectives on the constantly evolving world of architecture. Each interview is split into three video segments: Past, Present, and Future, in which interviewees discuss their thoughts and experiences of architecture through each of those lenses. The first episode of the project featured 11 architects from Italy and the Netherlands and Episode II is comprised of interviews with 13 architects from Spain, Portugal, France, and Belgium.

The goal of the series is to research these successful firms and attempt to understand their methods and approaches. By hopefully gaining a clearer picture of what it means to be an architect in the 21st century, the videos can also serve as inspiration for the next generation of up-and-coming architects and students as they enter the field.

EID Architecture has revealed their design for OCT’s Second Headquarters in Kunming, China. One of three winning schemes selected from a shortlist of six international firms, the EID proposal aims to create a headquarters that responds to the cultural and natural characteristics of the city, while reflecting the ethos of OCT’s commitment to innovation in technology, art, and cultural tourism.

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There’s no doubt that architects spend a lot of time in front of a desktop, be it virtual or three-dimensional. In fact, although this statistic is not exclusive to architects, the average time a person now spends sitting down per day is 7.7 hours; in the United States the average is an unbelievable 13 hours. Of course this includes time spent on the train, watching a movie on the sofa, or a whole range of other seated activities, but the vast proportion of this time is likely to be spent working by a desk or laptop.

How can you improve the quality of that time, so it’s both well spent and, ideally, minimized? To have a more efficient, productive—and most importantly, more pleasant—time at work, here are 13 ways to improve your physical and digital workspace.

Architecture practice zU-Studio has created a proposal for a floating pavilion in Amsterdam's historic shipyard. Designed atop an old Dortmunder Ship, the project was made to be a sculptural object that creates connections between cultures. The structure is inspired by Richard Serra´s sculpture in Museumplein in Amsterdam. The pavilion aims to create a unique Dutch floating experience that brings art and history together.

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