Griffin founded the consultancy Urban Planning for the American City, which she complements with her pedagogical work at Harvard University’s Graduate School of Design.

Since its emergence with the cultural turn in the 1970s and ’80s, spatial justice has become a rallying cry among activists, planners, and plugged-in architects. But as with many concepts with academic origins, its precepts often remain elusive and uninterrogated. Though some of this has changed with the advent of city- and place-making discourse, few are doing as much to lend articulation, nuance, and malleability to spatial justice as Toni Griffin. A Chicago native, Griffin practiced architecture at SOM for nearly a decade before leaving the city to work as a planner in Newark and Washington, D.C., among other municipalities. In 2009, she founded the consultancy Urban Planning for the American City, which she complements with her pedagogical work at Harvard University’s Graduate School of Design. There, she runs the Just City Lab, which, through research and a host of programs, aims to develop, disseminate, and evaluate tools for enhancing justice—and remediating chronic, systematized injustice—in America’s cities. But what form could justice take in the U.S. context, and how can architects and designers help? Metropolis spoke with Griffin about how focusing on inclusivity and embracing interdependence and complexity are parts of the answer.

There is often a debate on whether architects and engineers should restore old buildings and preserve what is still standing as a token of the past, or completely demolish them and introduce contemporary designs and features. In Iran, the remains of historic monuments, some of which are World Heritage Sites, have yet to know their fate, as restoration strategies remain uncertain.

As part of his Retrofuturism series, Iranian architect Mohammad Hassan Forouzanfar selected a few pre-Islamic castles across Persian towns, and merged them with contemporary landmarks, bringing about a new definition of architectural restoration.

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Modern architecture, visible in contemporary production, is usually related to the use of guidelines established by Le Corbusier's five points of architecture. Despite being widely known and debated for years, these points continue to be revisited and rethought in projects from various places and contribute to the creation of interesting buildings in various programs.

Architect and educator Astra Zarina wasn’t just the teacher of Tom Kundig, Ed Weinstein, and Steven Holl (who designed ‘T’ Space); she was also an advocator for public spaces, cohesive urbanity, and the communities that these attributes fostered. ‘T’ Space’s newest exhibit Rome and the Teacher, Astra Zarina celebrates Zarina’s life and teachings in the context of recognizing overlooked pedagogical figures, particularly women. A recent article by Metropolis Magazine describes this exhibit in detail and with it, Zarina’s own life story.

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Over 100 local primary school children have designed and built London's first Mega Maker Lab in a former fire-engine-fixing hall. Sited in South London, the project is made to be a hub of activity instigated by the Institute of Imagination (iOi) and architectural educationalists, MATT+FIONA with designers Jestico + Whiles. The children came up with the idea that the design should encapsulates a journey to spark imagination in young makers.

Starting September, all ships that exceed 1000 tonnes will be obliged to change their route, in order to prevent them from entering Venice’s lagoon. The Italian government took the decision after major protests due to many incidents, the latest being in June of 2019 where 5 people were injured from a collision between a cruise ship, the dock, and a small tourist boat.

The Opening Ceremony of Brewery Arts Festival and Architectural Exhibition (Luohu•2021) is a plan to fulfill the future vision for the comprehensive improvement of the industrial heritage of Kingway Brewery’s urban renewal unit. The project has attracted much attention as Shenzhen’s first case where urban renewal contributes to industrial heritage preservation and activated renovation on land. 

What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Here you can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.

Based on research conducted as part of the Computational Design (CoDe) degree at the University of New South Wales in Sydney, we argue that large-scale rapid urban developments in combination with vast amounts of data are beyond human comprehension and consequently need to be synthesized when designed.

The annual report of the National Council of Architectural Registration Boards (NCARB) has been published, revealing by numbers, the latest and most reliable statistics regarding licensed architects. The report showcases annual updates on the number of U.S. architects, the time it takes to earn a license, diversity in the profession, and many more topics regarding the practice.

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Morphosis has unveiled a new design for the Korean American National Museum in Los Angeles. The project includes a two-story building with a green-roof of plants native to the Korean peninsula and California. Rethinking the Hanok dwelling typology, the project is made to bring architecture and landscape together. Referencing traditional Korean architecture, the team designed the project as "a piece of Korea grafted onto Los Angeles."

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Normally the efforts of the construction industry are aimed to design permanent and durable spaces. However, on some occasions creating temporary spaces can be of great help, not only when providing fast assembly infrastructure after the effects of a natural disaster, but also when activating residual or abandoned spaces in our cities. To exemplify the potential of these interventions, we present thirteen successful temporary public spaces.

In the spirit of many great architects of the past, from Palladio and John Soane to Le Corbusier and Cedric Price, The Architecture Drawing Prize is an ideal platform for reflecting on and exploring how drawing continues to advance the art of architecture today. It embraces the creative use of digital tools and digitally produced renderings, while recognizing the enduring importance of hand drawing. The organizers invite entries of all types and forms: from technical or construction drawings to cutaway or perspective views – and anything in between.

Curated by Adrian Lahoud, The Sharjah Architecture Triennial opens this November, self-proclaiming as "the first international platform on architecture and urbanism of the Global South."

Lahoud, who is also Dean of the School of Architecture at the Royal College of Art, has defined the theme for the inaugural edition —Rights of Future Generations— as an instance to "question how inheritance, legacy, and the state of the environment are passed from one generation to the next, how present decisions have long-term intergenerational consequences, and how other expressions of co-existence, including indigenous ones, might challenge dominant western perspectives."

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Feilden Clegg Bradley Studios has received unanimous planning approval for the third phase of work in Cornwall. Called Hayle North Quay, the 20 acre mixed use regeneration project was made to create a contemporary harbourside as part of the region's UNESCO World Heritage Site. The scheme draws inspiration from Cornish coal wharf heritage and the natural landscape to creating a vibrant vision for Cornwall's coast.

The roundAround project, developed by researchers at MIT Senseable City Lab, in collaboration with the Amsterdam Institute for Advanced Metropolitan Solutions, is basically a bridge made of autonomous boats called Roboats. The least traditional solution, roundAround, but the most versatile and modular answer, connects the waterway between Marineterrein and the City Center in Amsterdam, allowing the transportation of people and goods.

In architectural spheres, “accessibility” is often directed at the end-user, and the imperative act of designing spaces, buildings, and entire cities along the principles of “universal design.” An increasingly central aspect of architecture, spurred by legislation such as the 1990 Americans with Disabilities Act (ADA), the ethos of accessible architecture was well captured by architect Ronald Mace, quoted in a 1997 New York Times editorial asking “if we’re not designing for human beings, who are we designing for? Let’s design all things, all the time, for everyone. It’s where we’re headed.”

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Coop Himmelb(l)au have revealed the first images of their winning entry for the new science and technology museum in Xingtai, the oldest city in northern China. The concept generated by the architects celebrates the scientific aspect and progress of the region and anchors the status of Xingtai as a technological hub and key player in the province.

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A modular wooden school by architects von Gerkan, Marg and Partners (gmp) has topped out in Frankfurt, Germany. Designed for the Miquelallee school center, the project is made using prefabricated wood modules as a temporary structure for two schools. With a steadily growing population, the need for new school buildings has risen sharply in Frankfurt am Main. The design concept was made so that the modular building can be dismantled and rebuilt at another location as needed.

Kengo Kuma (born 8th August, 1956) is one of the most significant Japanese figures in contemporary architecture. His reinterpretation of traditional Japanese architectural elements for the 21st century has involved serious innovation in uses of natural materials, new ways of thinking about light and lightness and architecture that enhances rather than dominates. His buildings don't attempt to fade into the surroundings through simple gestures, as some current Japanese work does, but instead his architecture attempts to manipulate traditional elements into statement-making architecture that still draws links with the area in which it's built. These high-tech remixes of traditional elements and influences have proved popular across Japan and beyond, and his recent works have begun expanding out of Japan to China and the West.

+ 32

As wood is one of the most widely-used materials in the world, architects are accustomed to being able to easily obtain sawn wood at a nearby store. However, many of us know little about its manufacturing process and all the operations that determine its appearance, dimensions, and other important aspects of its performance.

The lumber we use to build is extracted from the trunks of more than 2000 tree species worldwide, each with different densities and humidity levels. In addition to these factors, the way in which the trunk is cut establishes the functionality and final characteristics of each wood section. Let's review the most-used cuts.