China seems to be at the peak of a refurbishment fever. Not only hutongs in historic downtowns, but abandoned industrial factories are becoming new tech or cultural hubs, and even buildings in the risk of collapse are refurbished to extend their lifespan. Why is this happening? Who is investing? How could this happen in a country where you cannot buy properties?
In this edition of Editor's Talk, our editors from ArchDaily China share their thoughts on how in a fast-paced development process, such as the one China is going through, there is a refurbishment fever in its biggest cities.
Benthem Crouwel Architects has been announced as the winner of a competition to design a new residential district in Prague, presented in collaboration with local firm RA15. The competition, organized by Penta Real Estate, saw 160 entries distilled down to 44, and then 5 finalists. In a unanimous verdict, the jury praised Benthem Crouwel’s decision to integrate a large, publically-accessible park into the project.
Through their pioneering theory and provocative built work, husband and wife duo Robert Venturi (born June 25, 1925) and Denise Scott Brown (born October 3, 1931) were at the forefront of the postmodern movement, leading the charge in one of the most significant shifts in architecture of the 20th century by publishing seminal books such as Complexity and Contradiction in Architecture (authored by Robert Venturi alone) and Learning from Las Vegas(co-authored by Venturi, Scott Brown and Steven Izenour).
During the worldwide celebration of Olympic Day, the International Olympic Committee (IOC) inaugurated its new headquarters, Olympic House in Lausanne, Switzerland. Designed by Danish architecture firm 3XN, the project aims to bring together the IOC staff – 500 employees currently spread across Lausanne in four locations - under one roof at a single site. The new headquarters was made to further the mission of international cooperation, transparency and sustainability.
When Catalan architect Antoni Gaudí (25 June 1852 – 10 June 1926) graduated from the Barcelona Architecture School in 1878, the director of the school Elies Rogent reportedly declared: "Gentlemen, we are here today either in the presence of a genius or a madman!" [1] Well over a century later, this tension is still evident in Gaudí's work; though he is widely regarded as a genius architect, his distinctive style stands as a singularity in architectural history—simultaneously awe-inspiring and bizarre, never fitting into any stylistic movement, and never adapted or emulated, except by those still working to complete his magnum opus, Barcelona's famous Sagrada Família.
Etienne-Louis Boullée, though regarded as one of the most visionary and influential architects in French neoclassicism, saw none of his most extraordinary designs come to life. Throughout the late 1700s Boullée taught, theorized, and practiced architecture in a characteristic style consisting of geometric forms on an enormous scale, an excision of unnecessary ornamentation, and repetition of columns and other similar elements.
Istanbul-based SUPERSPACE has proposed a new concept for a pocketed timber observation tower in Zagreb, Croatia. Designed to be an iconic gate, the project would be sited between the old and new city. Called Ascension, the project takes inspiration from Zagreb's historical and natural iconic landmarks. Facing the south bank of River Sava, the tower's form is derived from the character of the old town's existing towers integrated with a new vertical forest.
While the United States’ green-building industry was still relatively slow in the early 1990’s, Herman Miller, who are known for their architectural experimentation, decided to construct a new facility for Simple, Quick, Affordable (SQA), a company that bought used office furniture to refurbish them and sell them to smaller businesses. To do so, they chose to build sustainably, a design approach that was not yet utilized in the region.
Designed by New York architect William McDonough, the 295,000 sq ft building (approx. 90,000 sqm) was built in Holland, Michigan in 1995. The facility’s design qualities, such as storm-water management, air-filtering systems, and 66 skylights, helped set the standards for the U.S. Green Building Council LEED Certification.
Hey5 has unveiled its design for the National Museum of Finland, an entry for a recent international design competition. The scheme is titled “Suppa,” inspired by the typical Finnish landform where a hollow is created by the melting of buried blocks of glacial ice. The ambition behind the proposal was to create a bold object containing a flexible organizational system to host the museum's demanding international exhibitions.
Thermal comfort becomes very evident when it is not attended to. When thermal conditions are adequate in one location, our body is in balance with the environment allowing us to perform activities normally. On the other hand, when a space is too hot or too cold, we soon see changes in our mood and body. Dissatisfaction with the thermal environment occurs when the heat balance is unstable, that is when there are differences between the heat produced by the body and the heat that the body loses to the environment.
For those around the world unable to attend the opening of Junya Ishigami’s Serpentine Pavilion in London, photographer Nikhilesh Haval of nikreations has published a virtual tour of the structure. Similar to previous productions of Frida Escobedo’s 2018 Pavilion, BIG’s 2016 Pavilion, and SelgasCano’s 2015 Pavilion, the virtual tour allows viewers to experience the “free space” philosophy that defines the pavilion, playing with our perspectives of the built environment against the backdrop of a natural landscape.
https://www.archdaily.com/919646/step-inside-a-360-degrees-virtual-tour-of-the-serpentine-pavilionNiall Patrick Walsh
Russian practice Atrium Architects and Vostok+ have designed a new learning commons and public space in Yakutsk, the world's largest city built on continuous permafrost. Sited in the Republic of Sakha, the design is part of the largest administrative-territorial unit in the world with a territory of more than 3 million square kilometers in the far east of Russia. Building in a region known for diamonds and extreme climate, the project reinterprets Yakutsk's unique culture atop the frost.
Benedetta Tagliabue (born 24 June 1963) is an Italian architect known for designs which are sensitive to their context and yet still experimental in their approach to forms and materials. Her diverse and complex works have marked her Barcelona-based firm EMBT as one of the most respected Spanish practices of the 21st century.
You're an architect so you know organization is key. You think you’re on top of all the categories, rules and folders in Outlook that you've created to get by. You file away all of your emails by project and category, but time and again, your email search function fails you and finding any file is a nightmare.
https://www.archdaily.com/913000/how-to-streamline-the-design-processRachel Hur
The Midnight Charetteis an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted and long-format conversations that allow for thoughtful takes and more personal discussions. Honesty and humor are used to cover a wide array of subjects: some episodes provide useful tips for designers, while others are project reviews, interviews, or simply explorations of everyday life and design. The Midnight Charetteis available for free on iTunes, YouTube, Spotify, and all other podcast directories.
https://www.archdaily.com/919509/tips-and-tactics-for-beating-competition-when-applying-for-a-jobThe Second Studio Podcast
Regardless of what field designers specialize in, they are capable of translating their ideas and fantasies into visible and tangible material. After all, a designer's principle is quite simple: If it doesn't exist, create it.
For his final photography exam, Szabó Viktor took photos of existing buildings and manipulated them into structures that only exist in his imagination.
Today, improvements in glass processing technology have made it possible to render specific and effective solutions for a wide range of architectural projects. In fact, there are so many options available that it's almost necessary to research different products and their properties, and how this will impact, for example, the windows and doors that you are designing.
What variables should be considered – and prioritized – when choosing the glass used in a project? How can aesthetics coincide with function and efficiency? We sat down with the experts at Cristales Dialum to delve into the complex world of glass and to better understand the hows and whys of choosing the best type of glass for your projects and ensuring the best results for your clients.
Now is your chance to build a house of cards from cards of houses with the Kickstarter campaign for the updated second edition of SCALA Architecture Playing Cards. "Arquitectura a Contrapelo", an architecture and design team based in Seville, Spain, are hoping to release a sequel to their previous successful deck of architecture-themed cards. The new edition keeps the collection current with additions of the most relevant contemporary architecture, as well as providing some upgrades and improvements from the previous deck.
As founder of the “Do Tank” firm ELEMENTAL, Chilean architect Alejandro Aravena (born on June 22, 1967) is perhaps the most socially-engaged architect to receive the Pritzker Prize. Far from the usual aesthetically driven approach, Aravena explains that “We don’t think of ourselves as artists. Architects like to build things that are unique. But if something is unique it can’t be repeated, so in terms of it serving many people in many places, the value is close to zero.” [1] For Aravena, the architect’s primary goal is to improve people's way of life by assessing both social needs and human desires, as well as political, economic and environmental issues.
Award-winning architect Tatiana Bilbao spoke in an interview released by Louisiana Channel about her frustrations with today’s concept of sustainability in architecture. Living in Mexico, which Bilbao describes as a “country with no resources,” she states that people are accustomed to not wasting resources and that “sustainability” is a natural part of daily life. “I hate the word ‘sustainability’ because I think it has become a word that can qualify a type of architecture, and for me it should be embedded.”
Mainly known outside of his home country for his design of the 2014 Serpentine Gallery Pavilion, architect Smiljan Radić (born June 21, 1965) is one of the most prominent figures in current Chilean architecture. With a distinctive approach to form, materials, and natural settings, Radić mostly builds small- to medium-sized projects that flirt with the notion of fragility.
Design practice Studio Precht has created a series of truncated timber treehouses for eco-building start-up Baumbau. The concept was created by Chris Precht and his wife Fei Tang Precht as a family of modular houses that are shaped by playfulness. Called Bert, the project was conceptualized as a treehouse shaped by the forest itself. Bert invites people to experience architecture and nature through the eyes of children.
Uber Elevate and Related Companies have unveiled their Foster + Partners-designed vision for a future Skyport in Santa Clara. The 240-acre site illustrates the benefits aerial ridesharing could provide for the Bay Area and other cities in the future.
https://www.archdaily.com/919549/foster-plus-partners-unveils-uber-skyport-for-santa-claraNiall Patrick Walsh