This article was originally published on Common Edge.

"I hate this whole ‘beauty’ thing,” says a deeply talented architect and professor friend, reacting to an emerging ripple in the zeitgeist. He is not alone. Words are dangerous things. Since World War II, there has been a consensus mainstream in architecture: the Modernist canon. But change is coming in the profession—and in our culture.

The true believers cringe at the word “beauty” as a design criterion. They dismiss the word “style,” too. Like all orthodoxies, there is simply “right” and “wrong.” The realities of the “wrong” are writ large in architectural orthodoxy: “wrong” is anything allusive to anything but that canon itself. Closed-loop rationalization gives comfort to the convicted.

Elizabeth Diller, Founder and Partner at Diller Scofidio + Renfro, will give the closing keynote address at the World Architecture Festival (WAF) in Amsterdam on 6 December 2019. She will follow a stellar line-up of over 48 speakers shaping the global architecture agenda over the three-day event, including Ben Van Berkel and Doriana Mandrelli Fuksas and Massimiliano Fuksas. The festival runs from 4-6 December.

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GoArchitect has announced designers Zeyu Cai and Sibei Li as the winners of The Peoples Notre-Dame Cathedral Design Competition. With 226 entries from 56 countries, the winning proposal was chosen by the public with over 30,000 people voting. The competition aimed to create a new vision for the future of the iconic cathedral after the Notre Dame fire in April this year. Called Paris Heartbeat, the winning design creates a literal heartbeat for the city.

The Hello Wood Summer School and Festival has expanded over the years to build up a lot of recognition internationally within the architecture community, with previous years having more than 1000 participants from across 70 countries and over 50 universities take part in Hello Wood’s educational event. By looking to the future and adopting an attitude of rebirth, a large part of the tenth anniversary of the festival was about criticism of the stereotypical role of the architect - one that is constrained by expectations and deadlines - while searching for the true superpower of those that want to make a change with a free spirit. Twenty workshops led by a truly global group of professionals helped to celebrate the decennial with their unique takes on the transformation of the architect. As a result of a series of rites and ceremonies that included the building of 20 installations, the week aimed at setting participants free to follow their dreams.

Just over two months after the start of the 2019 edition of "The Poetics of Reason", the Lisbon Architecture Triennale and the Millennium BCP Foundation are pleased to announce the winner of the 5th edition of the Lisbon Triennial Millennium BCP Award.
 

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The third Antepavilion is set to open this week in east London — designed by young architecture firm Maich Swift Architects, the canalside wooden rooftop theater built in Haggerston, London, is inspired by Monsieur Hulot in Jacques Tati’s 1958 film "Mon Oncle". "Potemkin theatre" was chosen from almost 200 entries in an open competition launched by the Architecture Foundation and Shiva Ltd.

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A new film by Oscilloscope Laboratories and Stephen Wilkes explores photographer Jay Maisel’s move from his iconic six-story bank building he called home for 49 years. The landmark structure at 190 Bowery in the East Village of New York was locally known as The Bank, and considered by many New Yorkers to be abandoned. Wilkes tells the story of Maisel's move and documents the incredible structure that has housed a collection of countless objects for half a century.

Although music halls generally appeal to groups of people with a specific interest, Persian architecture firm Hajizadeh & Associates developed a music hall that caters to all citizens of the city, and not just music lovers.

The "Tokyo Music Hall" is an award-winning design that transforms the music hall's roof into a space of contemplation and leisure, inspired by traditional Japanese architecture.

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The Southbank Centre's famous Undercroft was a global destination for skateboarders, though it was threatened by closure and decay.

On the morning of Saturday, July 20, a wall of temporary construction fencing on the south bank of the River Thames was torn down, unveiling a 4,300-square-foot landscape of virgin concrete flooring. The space slopes in sections, culminating in L-shaped barriers and a white plywood wall, which, by the end of the 20th century, was covered in triumphant graffiti. This is the Undercroft, the open-ended subterranean space of the Brutalist Southbank Centre. It’s also the oldest, and among the most famous, consistently skateboarded space in the world.

Writing is an unending dialogue that has been connecting one generation to another, maintaining history, culture, and information. For the National Museum of World Writing, stories were built rather than written.

Just as writing transcends the author to another realms, SAMOO Architects and Engineers have proposed ‘PAGES’, a structure of architecturally-devised scripts that disconnects visitors from the outer world, and introduces them to an exceptional architectural narration.

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Chinese architect Mingfei Sun has designed an environmentally oriented urban hub for Masdar City, Abu Dhabi. Titled SURGE, its natural aesthetics and technological forwardness are intended to communicate a J.M.W. Turner-esque awe for the power of nature, making it an oasis of high aesthetic and ecological value.

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In New York, activists and professionals have been working for many years to try to save 10 decommissioned tanks, from demolition by putting forward alternative usage of these structures. Partnering with STUDIO V, an architectural firm and landscape architects Ken Smith Workshop, they came up with an inventive proposal that reimagines these industrial relics as a 21st-century park, a novelty in the traditional definition and configuration of public spaces.

Architecture students at Portland State University have created a new stage fro Pickathon Music Festival from apple harvesting bins in Happy Valley, Oregon. The temporary performance venue was designed and built from reused materials with collaborators Howard S. Wright, Catena Engineers, and Pickathon. Dubbed the Treeline Stage, the venue features seven towers of varying heights to evoke an orchard of trees.

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The Lisbon Architecture Triennale announced the long-awaited list of finalists for the third edition of the Début Prize, which aims to recognize offices and collectives whose artistic consolidation is still developing and whose thinking and approach are relevant to contemporary architectural scene.

Sasaki has released details of their Wuhu Urban Renewal project in China, spanning 67 hectares on the banks of the Yangtze River. The scheme centers on distinctive colonial buildings scattered throughout the city’s urban fabric, such as the Customs House, British Consulate, and St. Joseph’s Cathedral.

Architect and photographer Kris Provoost recently captured new photos of OPEN Architecture's Tsinghua Ocean Center in China. Designed as a laboratory and office building for the newly established deep-ocean research base of Tsinghua University, the project is located at the eastern end of Tsinghua graduate school campus in Shenzhen Xili University Town next to the main campus entrance. Provoost's images reveal details throughout the construction and showcase the project in its larger context.

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The Van Alen Institute and the City of North Miami have announced Department Design Office as the winner of the KEEPING CURRENT competition. The team has been awarded $80,000 to transform a flood-prone lot in North Miami into a community space and storm water management site. The competition aims to reduce the cost of flood insurance, reinvigorate underused communal areas, and promote climate consciousness.

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The Robinson Tower, a 24 000 m² boutique retail and office tower, was inaugurated in Singapore. Designed by the international firm KPF or Kohn Pedersen Fox Associates, and executed in collaboration with Associate Architect A61, the building addresses the cultural and social aspects of the city, creating a singular and refined experience. The tower stands out from its context showcasing novelty in form and function, changing the city’s skyline.