Normally the efforts of the construction industry are aimed to design permanent and durable spaces. However, on some occasions creating temporary spaces can be of great help, not only when providing fast assembly infrastructure after the effects of a natural disaster, but also when activating residual or abandoned spaces in our cities. To exemplify the potential of these interventions, we present thirteen successful temporary public spaces.
In the spirit of many great architects of the past, from Palladio and John Soane to Le Corbusier and Cedric Price, The Architecture Drawing Prize is an ideal platform for reflecting on and exploring how drawing continues to advance the art of architecture today. It embraces the creative use of digital tools and digitally produced renderings, while recognizing the enduring importance of hand drawing. The organizers invite entries of all types and forms: from technical or construction drawings to cutaway or perspective views – and anything in between.
Curated by Adrian Lahoud, The Sharjah Architecture Triennial opens this November, self-proclaiming as "the first international platform on architecture and urbanism of the Global South."
Lahoud, who is also Dean of the School of Architecture at the Royal College of Art, has defined the theme for the inaugural edition —Rights of Future Generations— as an instance to "question how inheritance, legacy, and the state of the environment are passed from one generation to the next, how present decisions have long-term intergenerational consequences, and how other expressions of co-existence, including indigenous ones, might challenge dominant western perspectives."
Feilden Clegg Bradley Studios has received unanimous planning approval for the third phase of work in Cornwall. Called Hayle North Quay, the 20 acre mixed use regeneration project was made to create a contemporary harbourside as part of the region's UNESCO World Heritage Site. The scheme draws inspiration from Cornish coal wharf heritage and the natural landscape to creating a vibrant vision for Cornwall's coast.
The roundAround project, developed by researchers at MIT Senseable City Lab, in collaboration with the Amsterdam Institute for Advanced Metropolitan Solutions, is basically a bridge made of autonomous boats called Roboats. The least traditional solution, roundAround, but the most versatile and modular answer, connects the waterway between Marineterrein and the City Center in Amsterdam, allowing the transportation of people and goods.
In architectural spheres, “accessibility” is often directed at the end-user, and the imperative act of designing spaces, buildings, and entire cities along the principles of “universal design.” An increasingly central aspect of architecture, spurred by legislation such as the 1990 Americans with Disabilities Act (ADA), the ethos of accessible architecture was well captured by architect Ronald Mace, quoted in a 1997 New York Times editorial asking “if we’re not designing for human beings, who are we designing for? Let’s design all things, all the time, for everyone. It’s where we’re headed.”
Coop Himmelb(l)au have revealed the first images of their winning entry for the new science and technology museum in Xingtai, the oldest city in northern China. The concept generated by the architects celebrates the scientific aspect and progress of the region and anchors the status of Xingtai as a technological hub and key player in the province.
Terrazzo is a mix of a concrete mixing base with natural stone fragments; it is characterized for being an extraordinarily resistant and versatile material. Since its frequent use some decades ago, this material has been rediscovered by architects and is used more and more often in works nowadays. Aside from the natural stones, this cement mixing base can include unused elements from construction – nails, bricks, and chunks of wood – resulting in very interesting final products.
A modular wooden school by architects von Gerkan, Marg and Partners (gmp) has topped out in Frankfurt, Germany. Designed for the Miquelallee school center, the project is made using prefabricated wood modules as a temporary structure for two schools. With a steadily growing population, the need for new school buildings has risen sharply in Frankfurt am Main. The design concept was made so that the modular building can be dismantled and rebuilt at another location as needed.
Kengo Kuma (born 8th August, 1956) is one of the most significant Japanese figures in contemporary architecture. His reinterpretation of traditional Japanese architectural elements for the 21st century has involved serious innovation in uses of natural materials, new ways of thinking about light and lightness and architecture that enhances rather than dominates. His buildings don't attempt to fade into the surroundings through simple gestures, as some current Japanese work does, but instead his architecture attempts to manipulate traditional elements into statement-making architecture that still draws links with the area in which it's built. These high-tech remixes of traditional elements and influences have proved popular across Japan and beyond, and his recent works have begun expanding out of Japan to China and the West.
As wood is one of the most widely-used materials in the world, architects are accustomed to being able to easily obtain sawn wood at a nearby store. However, many of us know little about its manufacturing process and all the operations that determine its appearance, dimensions, and other important aspects of its performance.
The lumber we use to build is extracted from the trunks of more than 2000 tree species worldwide, each with different densities and humidity levels. In addition to these factors, the way in which the trunk is cut establishes the functionality and final characteristics of each wood section. Let's review the most-used cuts.
Developers Cbus and Nielson Properties have released a shortlist for the design of a $600 million office tower in Brisbane’s North Quay. Four local and international architectural teams have been selected to create proposals for the commercial tower that will accommodate 50,000 square meters of office space. The developers aim to establish an innovative workplace of the future that will represent the new world of work.
In east London, on the bank of the Lea River, Thomas Randall-Page imagines a project that reboots an under-used and forgotten area through the construction of a rotating bridge. The manually rolling system will allow boats to pass, and will also act as a pedestrian bridge and grant full public access to the Lea River Park.
The Mies van der Rohe residential building, the Bailey Hall built in 1955, at Illinois Institute of Technology will be subject to renovation works by Dirk Denison Architects. The Chicago-based firm will modernize the mechanical, structural, and interior works, modifying its original function, and introducing a new configuration to host up to 330 first- and second-year students, while the exterior will remain faithful to the original design and the ground floor lobby will still hold on to the Mies’ iconic recessed glass lobby.
On the latest episode of Time Sensitive podcast, produced by the New York-based “conscious entertainment” media company The Slowdown, co-host Spencer Bailey speaks with New York Times architecture critic Michael Kimmelman. The two discuss Kimmelman’s lesser-known talents as a pianist; his 30-plus years writing at The New York Times(he started working at the paper as its chief art critic in 1990, a post he held until 2007, when he relocated to Berlin as the “Abroad” columnist for four years); and his goal as architecture critic to build a greater discourse around designing cities that are better, healthier, and simply fairer for all.
In partnership with ASPECT Studio, LAVA won the international competition to design Central Park in HCMC, Vietnam. Commissioned by the committee of the Ho Chi Minh City, the contest’s winning entry will be built in 2020. LAVA’s proposal for the 16 hectares Park, commemorates the old infrastructural value of the plot, once home to the 19th-century French railway tracks, and celebrates the implementation of a future mobility system.
A new petition has been started to save Charles Correa's Kala Academy from demolition by the State Government in India. The project has become one of the only government-run arts institution with a diverse set of cultural offerings across Western and Indian programming. As Goa’s cultural center, the late 1970's structure is a rare example of an equitable public building in India.
The history of concrete dates back to ancient Rome, approximately 2,000 years ago. The so-called “Roman Concrete” is composed of limestone, volcanic ash, and seawater and it permitted the construction of aqueducts, highways, and temples; many of them still stand to this day. Some time ago, this original mix was discovered to form a mineral called aluminum tobermorite, which gets stronger as time goes by.
German architecture and design practice HPP Architekten have created a proposal for a hybrid timber office building along the Düsseldorf riverfront. Inspired by the circular economy and the Cradle to Cradle concept, the design for the project aims to show how architecture can become part of more sustainable cities. Working with developer INTERBODEN, the team plans to show how individual components can be recycled after use, non-recyclable materials minimized and CO2 emissions reduced.
Stefano Boeri Architetti has unveiled its vision for the first vertical forests in Africa, in the Egyptian capital, Cairo. The 3 cubes or the 3 experimental edifices consisting of one hotel and two residential structures, will be part of the new administrative town plan, under construction in the southeast of the city.
Superstudio and Archigram were the pioneers of the dystopia they had popularized in 1960, when they experienced a crisis that tore world economies, positioning Italy in a historic moment of boom and bust that harbored dreams and despair.
The four design teams selected for the Houston Endowment Headquarters International Design Competition were announced today by Houston Endowment and Malcolm Reading Consultants, the organizers of the contest. The teams chosen have to imagine the new head offices of the organization, a private institution that tackles the essential needs of the community of greater Houston.
UNStudio has designed a museum composed of immersive spheres in South Korea. Called the Challenge Museum, the building's massing and general site approach contrasts with urban conditions to provide restful and flexible outdoor spaces that encourage community engagement. The proposal was made to create a participatory experience for visitors where exhibition and architecture blend with nature.
This article was originally published on Common Edge.
"I hate this whole ‘beauty’ thing,” says a deeply talented architect and professor friend, reacting to an emerging ripple in the zeitgeist. He is not alone. Words are dangerous things. Since World War II, there has been a consensus mainstream in architecture: the Modernist canon. But change is coming in the profession—and in our culture.
The true believers cringe at the word “beauty” as a design criterion. They dismiss the word “style,” too. Like all orthodoxies, there is simply “right” and “wrong.” The realities of the “wrong” are writ large in architectural orthodoxy: “wrong” is anything allusive to anything but that canon itself. Closed-loop rationalization gives comfort to the convicted.
.jpg?1438982861 "Green Cast. Image Courtesy of kengo kuma & associates")
.jpg?1438980816 "GC Prostho Museum Research Center. Image © Daici Ano")
_small.jpg?1565103576 "The Cradle. Image Courtesy of HPP Architekten")
