The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted and long-format conversations that allow for thoughtful takes and more personal discussions. Honesty and humor are used to cover a wide array of subjects: some episodes provide useful tips for designers, while others are project reviews, interviews, or simply explorations of everyday life and design. The Midnight Charette is available for free on iTunes, YouTube, Spotify, and all other podcast directories.

On this episode of The Midnight Charette podcast, hosts David Lee and Marina Bourderonnet are joined by Elizabeth Timme & Helen Leung, Executive Directors of LA-Más to discuss their organization, maintaining non-profit status, aiding communities through policy and architecture, social responsibility in design, and more.

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Located in the meatpacking district, adjacent to the High Line, in New York City, 40 Tenth Avenue, a 10-story office tower designed by Studio Gang is now ready to welcome its first tenants. With a distinctive structural system, the building twists in order not to cast his shadow on the surrounding, responding to the solar angles.

Avanti-Avanti Studio is a design studio dedicated to the development of creative communication strategies, particularly specialized in “Design for All.” Founded by Alex Dobaño (graphic designer and member of the Design For All Foundation) and Elvira Muñoz (architect), the duo leads a multidisciplinary team of professional people in communication, design, and technology, and work with companies and institutions specialized in leisure, tourism, culture, museums, and cities. They describe their practice as a meeting point, where professionals from different fields come together for every new venture, to ensure that the built environments are suitable and inclusive for anyone experiencing them.

We talked to Alex, founder and creative director of the studio, to learn more about their work and the importance of introducing the Design for All concept in the integrated space design projects.

Once the construction of an architecture project is finished, it's time to install the claddings that will make up the visible faces of the interior spaces. Wallpaper –an efficient way to bring color and design into rooms – is generally specified according to the square meters we want to cover, so we must start by calculating the area of each surface with great precision.

This task can be easy on clear walls with standard dimensions, but it can generate mishaps or unnecessary expenses in more complex designs. We present some tips to make an estimate as accurate and efficient as possible.

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Vietnam-based Bay Huynh Architects have created a proposal for an urban waterway as a new rooftop for Notre Dame Cathedral in Paris. Designed to explore the value of faith and society, the proposal comes after the Notre Dame fire in April this year. Called the Flowing Fish, the project aims to break the traditional notion of a church to create a "new ecosystem" for worship.

Videos

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The Institute for Computational Design and Construction (ICD), the Institute of Building Structures and Structural Design (ITKE) and the Institute for Textile and Fiber Technologies (ITFT) at the University of Stuttgart have launched the ITECH Research Demonstrator 2018-19. The project aims to investigate large-scale compliant architecture.

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The 2019 London Design Festival opens next month with highlights including projects at the V&A by Sam Jacob and Kengo Kuma. Running from September 14th to the 22nd, the festival will include large-scale installations by Paul Cocksedge, Martino Gamper, PATTERNITY, Dan Tobin Smith and Camille Walala. Returning for its 17th year, the festival will celebrate design across London.

The A’ Design Award is an international award whose aim is to provide designers, architects, and innovators from all architecture and design fields with a competitive platform to showcase their work and products to a global audience. Among the design world's many awards, the A' Design Award stands out for its exceptional scale and breadth; from 2018-2019, over 2,000 individual designs from 106 countries received awards in 98 different design disciplines. This year's edition is now open for entries; designers can register their submissions here.

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Joshua Prince-Ramus (born 11th August, 1969) has made a significant mark as one of the most promising young architects working today. Named one of the five greatest architects under 50 in 2011 by The Huffington Post, Prince-Ramus made a name for himself as one of Rem Koolhaas' many protégés before forming his practice, REX, in 2006.

Griffin founded the consultancy Urban Planning for the American City, which she complements with her pedagogical work at Harvard University’s Graduate School of Design.

Since its emergence with the cultural turn in the 1970s and ’80s, spatial justice has become a rallying cry among activists, planners, and plugged-in architects. But as with many concepts with academic origins, its precepts often remain elusive and uninterrogated. Though some of this has changed with the advent of city- and place-making discourse, few are doing as much to lend articulation, nuance, and malleability to spatial justice as Toni Griffin. A Chicago native, Griffin practiced architecture at SOM for nearly a decade before leaving the city to work as a planner in Newark and Washington, D.C., among other municipalities. In 2009, she founded the consultancy Urban Planning for the American City, which she complements with her pedagogical work at Harvard University’s Graduate School of Design. There, she runs the Just City Lab, which, through research and a host of programs, aims to develop, disseminate, and evaluate tools for enhancing justice—and remediating chronic, systematized injustice—in America’s cities. But what form could justice take in the U.S. context, and how can architects and designers help? Metropolis spoke with Griffin about how focusing on inclusivity and embracing interdependence and complexity are parts of the answer.

There is often a debate on whether architects and engineers should restore old buildings and preserve what is still standing as a token of the past, or completely demolish them and introduce contemporary designs and features. In Iran, the remains of historic monuments, some of which are World Heritage Sites, have yet to know their fate, as restoration strategies remain uncertain.

As part of his Retrofuturism series, Iranian architect Mohammad Hassan Forouzanfar selected a few pre-Islamic castles across Persian towns, and merged them with contemporary landmarks, bringing about a new definition of architectural restoration.

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Modern architecture, visible in contemporary production, is usually related to the use of guidelines established by Le Corbusier's five points of architecture. Despite being widely known and debated for years, these points continue to be revisited and rethought in projects from various places and contribute to the creation of interesting buildings in various programs.

Architect and educator Astra Zarina wasn’t just the teacher of Tom Kundig, Ed Weinstein, and Steven Holl (who designed ‘T’ Space); she was also an advocator for public spaces, cohesive urbanity, and the communities that these attributes fostered. ‘T’ Space’s newest exhibit Rome and the Teacher, Astra Zarina celebrates Zarina’s life and teachings in the context of recognizing overlooked pedagogical figures, particularly women. A recent article by Metropolis Magazine describes this exhibit in detail and with it, Zarina’s own life story.

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Over 100 local primary school children have designed and built London's first Mega Maker Lab in a former fire-engine-fixing hall. Sited in South London, the project is made to be a hub of activity instigated by the Institute of Imagination (iOi) and architectural educationalists, MATT+FIONA with designers Jestico + Whiles. The children came up with the idea that the design should encapsulates a journey to spark imagination in young makers.

Starting September, all ships that exceed 1000 tonnes will be obliged to change their route, in order to prevent them from entering Venice’s lagoon. The Italian government took the decision after major protests due to many incidents, the latest being in June of 2019 where 5 people were injured from a collision between a cruise ship, the dock, and a small tourist boat.

The Opening Ceremony of Brewery Arts Festival and Architectural Exhibition (Luohu•2021) is a plan to fulfill the future vision for the comprehensive improvement of the industrial heritage of Kingway Brewery’s urban renewal unit. The project has attracted much attention as Shenzhen’s first case where urban renewal contributes to industrial heritage preservation and activated renovation on land. 

What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Here you can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.

Based on research conducted as part of the Computational Design (CoDe) degree at the University of New South Wales in Sydney, we argue that large-scale rapid urban developments in combination with vast amounts of data are beyond human comprehension and consequently need to be synthesized when designed.

The annual report of the National Council of Architectural Registration Boards (NCARB) has been published, revealing by numbers, the latest and most reliable statistics regarding licensed architects. The report showcases annual updates on the number of U.S. architects, the time it takes to earn a license, diversity in the profession, and many more topics regarding the practice.

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Morphosis has unveiled a new design for the Korean American National Museum in Los Angeles. The project includes a two-story building with a green-roof of plants native to the Korean peninsula and California. Rethinking the Hanok dwelling typology, the project is made to bring architecture and landscape together. Referencing traditional Korean architecture, the team designed the project as "a piece of Korea grafted onto Los Angeles."