What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Hereyou can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.
When the city has eyes to see, it will become the stuff of nightmares. The panopticon prophecy will come to life. Democracy will die.
The pretexts through which a thousand mechanisms that spy on us have been introduced into cities are three:
security from thieves, criminals and terrorists;
energy savings and performance optimization;
the possibility of having structures that spontaneously understand our needs, without any requests on our part.
Additive Manufacturing (AM) is a term used to identify the manufacturing processes performed by 3D printing through layer-by-layer construction. In addition to avoiding the generation of waste through the use of precise geometries and exact quantities of material, these controlled processes can be much faster than traditional ones, since they don't require tools or other instruments.
Additive Manufacturing is done based on a digital model. The process begins with a CAD design or three-dimensional scan and then translates that shape into an object divided into sections, allowing it to be printed. Its use has extended from industrial design to the replica of archaeological objects to the manufacture of artificial human organs and tissues, among many others.
Materials and technology come together in new spaces and experiences. When looking to innovations in advanced construction, the Institute for Computational Design (ICD) and the Institute of Building Structures and Structural Design (ITKE), together with students at the University of Stuttgart, have been creating a series of experimental pavilion for many years. These structures tell a story of computational design and computer-aided manufacturing processes for advanced construction.
Open More Doors is a section by ArchDaily and the MINI Clubman that takes you behind the scenes of the world’s most innovative offices through exciting video interviews and an exclusive photo gallery featuring each studio’s workspace.
This month, we talked with American architecture and urban design firm Studio Gang and how their Chicago office focuses on ecological biodiversity, collaborative multidisciplinary projects, and finding potential in historic structures.
In order to explain projects and design decisions properly, architects must use often rely on creative representation techniques instead of words. It’s part of the job. The quality of drawings - simple, complex, or anything in between - is fundamental for the correct reception of the ideas. Digital media has enabled new ways of representation including animation and adding a new dimension in a single image: processes.
Animated gifs can provide the same amount of information in constructive terms as a section, program distribution as a diagram and main decisions as a master plan, while at the same time showing the progress and chronology of the project.
The following 30 projects use animated gifs as a tool to represent the design process, construction details, use of layers and interior spatial sequences.
Top left to right: Jeanne Gang (Credit: Saverio Truglia), Es Devlin (Credit: Jasper Clarke), Bottom Left to right: Rossana Hu (Credit: Thierry Coulon), Gustavo Utrabo (Credit: Renato Parada), Centre right: Odile Decq (Credit: Franck Juery). Image Courtesy of RIBA
RIBA announced the 2020 RIBA International Prize jury and stated that it will be led by French architect and urban planner Odile Decq with the participation of Es Devlin, Jeanne Gang, Rossana Hu, and Gustavo Utrabo.
Dutch design practice Mecanoo has designed a new neighborhood currently under construction in Manchester. Called KAMPUS, the developed is located at the former Manchester Metropolitan University campus in the heart of the city. As a melting pot of buildings and spaces, KAMPUS was made to celebrate the vibrancy and diversity of the city with respect to the historic quality of Canal Street.
Alejandro Zaera-Polo (born October 17th 1963) is an internationally recognized architect and scholar, and founder of London, Zurich, and Princeton-based firm Alejandro Zaera-Polo & Maider Llaguno Architecture (AZPML). First rising to prominence in the 1980s with his writings for publications such as El Croquis, Zaera-Polo has had a prolific career in both the academic and professional realms of architecture.
Overview – Daytime . Image Courtesy of Mission Rock/ China Basin Park
The first phase of the planning vision for Mission Rock in San Francisco was initiated. The masterplan developed by the San Francisco Giants and Tishman Speyer put in place four buildings designed by internationally renowned architecture firms MVRDV, Studio Gang, Henning Larsen, and WORKac. The scheme also includes a 5-acre waterfront park by SCAPE.
People often find themselves physically and emotionally comfortable in specific public places. Whether one's reading a book on the terrace of a coffee shop, sitting on a cozy sofa at a hair salon, or waiting for the train at train station, some spaces tend to initiate a feeling identical to being in the comfort of one's home.
The field of environmental psychology has helped find the factors that achieve "human comfort", and now, architects and designers are working alongside the field's specialists to develop comfortable spaces.
Between advances in autonomous technology and urban population growth, transit is being reimagined on the street and in the air. From public transit transforming to more user-centric mobility services, to rethinking regulatory and organizational status quos, advances in technology are expanding transit opportunities in cities around the world.
The second machine age, gender-based violence, global south, developing cities, poor infrastructure, influx, digitization, sustainability, Afro-futurism? We keep hearing the buzzwords over and over again but what does it all mean? How do these notions intersect spatially in response to the needs of future city developments? Cities are like ecosystems, collectively dependent on the surrounding environment. The larger and more complex they become, the greater the pressures and repercussions, namely: population growth, urban expansion, and physical resource scarcity.
https://www.archdaily.com/926361/wakandas-afro-futuristic-masterplan-an-ecosystem-of-flexible-bim-structures-for-urban-nomadsKhensani de Klerk, Solange Mbanefo
Stefano Boeri Architetti, Metrogramma Milano and Inside Outside have won the competition for the Parco del Ponte in Genoa, Italy. The urban project is located under the new bridge, designed by Renzo Piano to replace the Morandi Bridge that collapsed in August 2018.
The complete Museum of Modern Art expansion by Diller Scofidio + Renfro and Gensler is set to open in New York. The expansion adds more than 40,000 square feet of gallery spaces for exhibiting art. Launched in 2014, the first phase of renovations on the east end was completed in 2017, and the second phase of expansion on the west end is now complete and ready to open to the public.
Once restricted to space stations and satellites, photovoltaics are now gaining popularity and becoming an increasingly viable option. Every day, the sun releases an enormous amount of energy, far more than the entire population consumes. Being that the sun is a sustainable, renewable, and inexhaustible source for generating electricity, not using it seems almost counter-intuitive, especially considering the social and environmental impacts of other forms of energy generation. But the technology to create electricity from the sun is by no means simple and still has some limitations, the most significant being price. The following article attempts to explain some basic concepts about this process, and to highlight important considerations for designing a solar energy system.
Will architects be one of the professionals who will be replaced by AI in the near future? New York-based artist Sebastián Errázuriz recently opened the debate in one of his latest Instagram videos.
Errázuriz, also known for his critique/proposal of the reconstruction of the Notre-Dame church, says that it is very likely that the future of the profession as we know it might disappear. Thanks to technological advancements, only a small elite of architects who maintain architecture as an artistic practice might be the ones who will continue to practice the discipline as we know it.
Dundee, Scotland, 2003 by Frank Gehry / Courtesy of Maggie's Centres. ImageThe third center was designed by Frank Gehry, a close friend of Maggie's. “Frank gave us so much publicity, and allowed us to raise the money,” Jencks says. Each center is self-financed through donations.
Renowned architecture theorist and historian, landscape designer and co-founder of Maggie's Cancer Care Centres, Charles Jencks died yesterday, as reported by RIBA Journal on Twitter. Born in Baltimore, Maryland, on June 21, 1939, Jencks was 80 years old at the time he passed away.
City of the Future is a bi-weekly podcast from Sidewalk Labs that explores ideas and innovations that will transform cities.
In this episode, the first from season 2, hosts Eric Jaffe and Vanessa Quirk discuss the future of housing with Ori CEO Hasier Larrea, architect Eric Bunge, Starcity CEO Jon Dishotsky, Sidewalk Labs housing expert Annie Koo, and others.
Hope on Alvarado, designed by KTGY Architecture + Planning, is the first modular housing project in the series of Hope On developments, aiming to find sheltering solutions for the chronically homeless, in Los Angeles.
The A’ Design Award’s annual Accolades reward the top designers worldwide in all design disciplines. It is a peer-reviewed, anonymously judged international award whose aim is to provide a platform for these designers to showcase their work and products to a global audience. This year's edition is still open for entries until the Late Deadline on February 28th, with winners announced on April 15th; designers can register their submissions here today!
For decades, the gas station has been a staple of both urban and rural landscapes. As the 20th century saw the democratization of automobiles, the gas station became arguably one of the most generic, universal architectural typologies. Today in the USA alone, there are 130,000 gas stations serving 268 million cars. However, as populations move to condensed, urban areas with ever-improving public transit systems, and as the internal combustion engine evolves into electric alternatives, it is time to either redesign or retire the gas station.
Exhibited in Oslo Architecture Museum from 26th of October to 24th of November 2019 for the 2019 Oslo Architecture Triennale (ab)Normal will focus on the existing relationship with the city of Oslo and the automation processes that our rapidly intersecting our path. As part of an on-going research by (ab)Normal with Ludwig Engel, Oslo will be here depicted through a different lens, highlighting several aspects that are yet to come and raising awareness of others that are already within us.
"Mario Botta: The Space Beyond" is a 78’ architectural documentary on the life journey and works of internationally-acclaimed Swiss architect Mario Botta. The film, which provides a glimpse of the person behind the architect, is co-directed by Loretta Dalpozzo and Michèle Volontè, and produced by Swissbridge Productions.
On the 16th, 17th and 19th of October, the documentary will be screened in New York during the Architecture and Design Film Festival, in the presence of the architect himself and the directors. The film will also be screened during the upcoming Rotterdam Film Festival, Beirut Art Festival, Artecinema film festival (Naples Italy), Milan Deign Film festival, and ADFF in Toronto and Vancouver.
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