Foster + Partners have released their design for the new Red Sea Airport, expected to welcome one million visitors by 2030. Inspired by the forms of the desert, the green oasis and the sea, the terminal building aims to provide a new type of experience, diverging from the common hassles of airports.
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Open More Doors is a section by ArchDaily and the MINI Clubman that takes you behind the scenes of the world’s most innovative offices through exciting video interviews and an exclusive photo gallery featuring each studio’s workspace.
This month, we talked with London-based design firm Heatherwick Studio to talk about their multidisciplinary firm, offices, and how their "collaborative" design approach is translated from their own space to their employees and projects.
Materials, products, and construction systems are constantly evolving and following new technologies, discoveries, and market trends. Today, within the framework of our Monthly Topic “Innovation” we wonder: what products or materials could we use so that our projects make relevant contributions to the way we are inhabiting our planet?
OMA revealed the KUBE, an installation located in front of the main entrance of K11 MUSEA, on Hong Kong’s waterfront. The multi-functional installation creates an urban landmark, amidst the dense skyline of the city, through very simple yet engaging geometry.
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Romanian architecture office CUMULUS, won the first prize in the solutions contest to design Romania’s National Pavilion at Expo Dubai 2020. Entitled “New Nature”, the sensory experience will focus on the importance of natural elements.
Artist Anish Kapoor will have his first permanent public work opening as part of 56 Leonard St. in New York. Located at the base of the residential tower by architects Herzog & de Meuron, the specially commissioned artwork is integrated into the architecture of the iconic New York tower. Marking the collaboration between artist and architect, the work aims to become a new cultural landmark in Tribeca.
In a discourse about the future of cities, one could be forgiven for limiting their geographical scope to innovations in Europe, the United States, and increasingly, China and Southeast Asia. After all, Shenzhen is about to once again host the world’s only Biennale dedicated exclusively to urbanization, while smart, responsive architecture manifests in visions for cities such as Toronto and London, and tech giants such as Microsoft and Siemens. However, despite our preoccupation with the problems and opportunities of urbanization in the ‘Global North’, and the architectural innovations they herald, there is merit in expanding our horizons – and not just towards Mars. By the end of the century, none of the world’s largest 20 cities will be in China, Europe, or the Americas. Africa, meanwhile, will host 13 out of 20, including the top 3.
Centered over Central Park in Midtown Manhattan, 111 West 57th Street, the second tallest residential building in the Western Hemisphere has topped out at 1,428 feet. Designed by SHoP Architects with interior architecture by Studio Sofield, the tower is considered the most slender skyscraper in the world.
The Modernist architect Richard Neutra designed dozens of homes in and around his adopted city of Los Angeles, each one invariably rational, limpid, and generous. These qualities were underscored by Neutra’s wife, Dione, when, later in life, she wrote how “[o]nly those, who have lived in a Neutra house, would ever understand how wonderful the daily satisfactions and delights are and how much this experience helps to augment the joy of living.”
The Danish architecture firm Dorte Mandrup A/S won the international competition to design “The Whale”, a new touristic attraction for northern Norway, that will tell the stories of the majestic sea creature through art, science, and architecture.
The Kingdom of Cambodia has a rich history of Khmer architecture. Built from the latter half of the 8th century to the first half of the 15th century, these structures are embodied by the iconic Angkor Wat temple complex. But new architecture is being built throughout Cambodia, projects that reinterpret culture and tradition to create modern spaces for contemporary life.
The new Quayside smart city development by Sidewalk Labs will be scaled back after a vote last week in Toronto. As the subsidiary of Google's parent company Alphabet, Sidewalk Labs aimed to "unlock the potential" of the city’s Eastern Waterfront. The government agency responsible for development of the area, Waterfront Toronto, voted unanimously to limit the team’s original 190-acre plan to 12 acres.
City of the Future is a bi-weekly podcast from Sidewalk Labs that explores ideas and innovations that will transform cities.
In the third episode from season 2, hosts Eric Jaffe and Vanessa Quirk discuss the future of mobility in cities and share ideas that would make it way easier to get around without owning a car. In the podcast, author Horace Dediu talks about micro-mobility; TriMet's Bibiana McHugh tells the story behind GTFS and the OpenTrip Planner; MaaS Global CEO Sampo Hietanen explains the concept of Mobility as a Service (MaaS); and Sidewalk Labs' Corinna Li explains what Mobility on Demand could be like in the city of the future.
Rocco Design Architects created a vertical church, on a challenging site in Wan Chai District, Hong Kong. The Wesleyan House Methodist Church, with its 11,000m² program, sits on a tight 800m² plot, making it inevitable to go up and generate a skyscraper structure.
Cornell's new Mui Ho Fine Arts Library has opened in Ithaca, New York for the fall 2019 semester. The opening follows an 18-month renovation of the historic Rand Hall. Housing a circulating collections of fine art and design materials, the library aims to create space for the physical artifact as a durable and irreplaceable academic and creative resource in the visual arts and design disciplines.
Architectural design of a space and the furniture chosen to fill it can work together to define a room's function, set a certain vibe, and make a statement. While an architect or designer may want specific furniture to create a certain look at the time of design completion, versatility is also important over the course of a building's life. Not only do the needs of building programs and inhabitants shift over time, but owners of commercial and public spaces often want the ability to react to both aesthetic and social trends to keep up-to-date.
As architects, curators and readers we are always interested in knowing and disseminating the latest trends in architecture, healing the best of architecture around the world and chatting and meeting those who build our cities in English, Spanish, Portuguese and Chinese. However, as much as we try, we will always be ignoring something. In that sense, our only certainty is that the more we know, the more we will ignore.
Carmody Groarke and TRANS architectuur | stedenbouw have won the Baumeister international competition to design an extension to the Design Museum Gent. Putting in place an innovative architecture, the project stands out from its historical context and encourages the city to explore new grounds.
In 1856б Owen Jones released the book The Grammar of Ornament in which he presented a compilation of visual languages adopted by the most diverse cultures - made from the author's explorations in places such as Greece, Egypt, Constantinople and India. The work reflects how Victorians examined international art and design by placing Britain at the center of the debate in order to establish "general principles" that promoted a certain system of different styles through their own perspectives. At the time, the publication was a major editorial success and influenced everything from William Morris (from the Arts and Crafts movement) to modernist architects Louis Sullivan and Frank Lloyd Wright. However, in 2019, Priya Khanchandani and Sam Jacob re-read Jones's work and demonstrated not only the colonizing aspects of his point of view, but also proposed a reinvention of these visual systems and patterns in accordance with contemporary times.
Planned to be built in one of the most exquisite spots of Alanya, Turkey, the Vertical Villa Project is a complex geometric composition of glass, concrete, and landscape, with a great scenery of the green mountain range and distant coastline.
The architecture team developed the project based on an analysis of the social interaction and atmosphere found in the city of Alanya. The team combined different individual units, and applied the sloped roof system found in the city's typical residential architecture.
The Second Hebei International Urban Planning and Design Competition – Xingdong New Area Urban Design International Master Competition organized by Urban Environment Design (UED) Magazine has announced its list of winners for this year's edition, with “City of the Future” as its theme.
Award-winning architecture firms took part of the competition, reflecting on Xingtai's transformative urbanism, and interpreting its ongoing development based on social, economic, demographic, ecological, and cultural factors.
Bauhaus, among many other design movements and disciplines, has had great influence on contemporary architecture. Many claim that the school is in fact a pillar in modern-day architecture and design with its rationality, simplicity, and efficiency. However, behind Bauhaus’ smooth surfaces, a life of violence, occultism, sexuality, and pharmacology was taking place.
In a recent article on Metropolis Magazine, Princeton University School of Architecture professor and architectural historian Beatriz Colomina explains how Bauhaus was a “cauldron of perversions”, suppressing transgressive ideas and pedagogies.
Over the last year, 6,900 million m2 have been built for office spaces (an increase of 12% compared to the previous year), according to a study by Avison Young that investigates the real estate market of offices in North America, Europe and Asia.
Geometry of light, is a multimedia intervention by Luftwerk in collaboration with Iker Gil, exhibited in October, during the third edition of the Chicago Architecture Biennial, at the Farnsworth House in Plano, Illinois.
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