City of the Future is a bi-weekly podcast from Sidewalk Labs that explores ideas and innovations that will transform cities.
In the third episode from season 2, hosts Eric Jaffe and Vanessa Quirk discuss the future of mobility in cities and share ideas that would make it way easier to get around without owning a car. In the podcast, author Horace Dediu talks about micro-mobility; TriMet's Bibiana McHugh tells the story behind GTFS and the OpenTrip Planner; MaaS Global CEO Sampo Hietanen explains the concept of Mobility as a Service (MaaS); and Sidewalk Labs' Corinna Li explains what Mobility on Demand could be like in the city of the future.
Rocco Design Architects created a vertical church, on a challenging site in Wan Chai District, Hong Kong. The Wesleyan House Methodist Church, with its 11,000m² program, sits on a tight 800m² plot, making it inevitable to go up and generate a skyscraper structure.
Cornell's new Mui Ho Fine Arts Library has opened in Ithaca, New York for the fall 2019 semester. The opening follows an 18-month renovation of the historic Rand Hall. Housing a circulating collections of fine art and design materials, the library aims to create space for the physical artifact as a durable and irreplaceable academic and creative resource in the visual arts and design disciplines.
Architectural design of a space and the furniture chosen to fill it can work together to define a room's function, set a certain vibe, and make a statement. While an architect or designer may want specific furniture to create a certain look at the time of design completion, versatility is also important over the course of a building's life. Not only do the needs of building programs and inhabitants shift over time, but owners of commercial and public spaces often want the ability to react to both aesthetic and social trends to keep up-to-date.
As architects, curators and readers we are always interested in knowing and disseminating the latest trends in architecture, healing the best of architecture around the world and chatting and meeting those who build our cities in English, Spanish, Portuguese and Chinese. However, as much as we try, we will always be ignoring something. In that sense, our only certainty is that the more we know, the more we will ignore.
Courtesy of Carmody Groarke/ TRANS architectuur | stedenbouw
Carmody Groarke and TRANS architectuur | stedenbouw have won the Baumeister international competition to design an extension to the Design Museum Gent. Putting in place an innovative architecture, the project stands out from its historical context and encourages the city to explore new grounds.
Owen Jones - Persian Pattern. Image Courtesy of Priya Khanchandani and Sam Jacob
In 1856б Owen Jones released the book The Grammar of Ornament in which he presented a compilation of visual languages adopted by the most diverse cultures - made from the author's explorations in places such as Greece, Egypt, Constantinople and India. The work reflects how Victorians examined international art and design by placing Britain at the center of the debate in order to establish "general principles" that promoted a certain system of different styles through their own perspectives. At the time, the publication was a major editorial success and influenced everything from William Morris (from the Arts and Crafts movement) to modernist architects Louis Sullivan and Frank Lloyd Wright. However, in 2019, Priya Khanchandani and Sam Jacob re-read Jones's work and demonstrated not only the colonizing aspects of his point of view, but also proposed a reinvention of these visual systems and patterns in accordance with contemporary times.
Planned to be built in one of the most exquisite spots of Alanya, Turkey, the Vertical Villa Project is a complex geometric composition of glass, concrete, and landscape, with a great scenery of the green mountain range and distant coastline.
The architecture team developed the project based on an analysis of the social interaction and atmosphere found in the city of Alanya. The team combined different individual units, and applied the sloped roof system found in the city's typical residential architecture.
The Second Hebei International Urban Planning and Design Competition – Xingdong New Area Urban Design International Master Competition organized by Urban Environment Design (UED) Magazine has announced its list of winners for this year's edition, with “City of the Future” as its theme.
Award-winning architecture firms took part of the competition, reflecting on Xingtai's transformative urbanism, and interpreting its ongoing development based on social, economic, demographic, ecological, and cultural factors.
Bauhaus, among many other design movements and disciplines, has had great influence on contemporary architecture. Many claim that the school is in fact a pillar in modern-day architecture and design with its rationality, simplicity, and efficiency. However, behind Bauhaus’ smooth surfaces, a life of violence, occultism, sexuality, and pharmacology was taking place.
In a recent article on Metropolis Magazine, Princeton University School of Architecture professor and architectural historian Beatriz Colomina explains how Bauhaus was a “cauldron of perversions”, suppressing transgressive ideas and pedagogies.
Over the last year, 6,900 million m2 have been built for office spaces (an increase of 12% compared to the previous year), according to a study by Avison Young that investigates the real estate market of offices in North America, Europe and Asia.
Courtesy of Coldefy & Associés with RDAI_onePULSE Foundation
OnePULSE Foundation has selected Coldefy & Associés with RDAI, Orlando-based HHCP Architects, Xavier Veilhan, dUCKS scéno, Agence TER, and Prof. Laila Farah, to design the National Pulse Memorial & Museum.
Walking through narrow chaotic alleys dwarfed by soaring towers, few would estimate the age of Yemen's city of Shibam at nearly 1,700 years. Located in Yemen's central Hadhramaut district, Shibam has roots in the pre-Islamic period, and evidence of construction dating from the 9th century.
Shibam is known as the first city on earth with a vertical masterplan. A protected UNESCO World Heritage Site since 1982, the city is home to densely packed buildings ranging from four to eight storeys, beginning in 300 AD but now mostly built after 1532. Thanks to a fortified ring wall, the city has survived nearly two thousand years despite its precarious position adjacent to the wadi floodplain.
Enter the ancient walled world of Shibam after the break
Snøhetta has designed a new a visitor center for Arctic preservation storage called The Arc in Svalbard off the coast of Norway. At 78° north of the Earth’s equator, the project referencing its location in the Arctic and its function as an archive for world memory. Commissioned by Arctic Memory AS, the visitor center will showcase content from the Svalbard Global Seed Vault – the world's largest secure seed storage.
Architecture and design influence not merely the aesthetics of buildings and other physical surroundings, but also the way individuals perceive and go about performing everyday activities. Contemporary architecture considers and shapes the behavior of people, whether at home, at work or during leisure activities. In this regard, contemporary architecture increasingly incorporates diverse materials with different and unique qualities in order to create surroundings that facilitate the intended and naturally occurring behavior of visitors and everyday users. Architects thus create spaces that enable people to perform daily tasks and a range of everyday social activities. However, architects also play a vital role in securing the future maintenance of newly designed buildings in order to ensure the continued existence of these physical spaces.
Safdie Architects’ entry for the Abrahamic Family House competition located in the Saadiyat Island Cultural District, in Abu Dhabi, brings together a mosque, a synagogue, and a church within a shared public park.
The 2A Continental Architectural Award was founded to pay tribute to the living architect or architects whose architecture and artwork exhibits a blend of those qualities of ability, vision, flair, and dedication. Under the leadership of Ahmad Zohadi, who is head of organizing committee and also an Architecture Scholar himself 2ACAA strives to achieve the vision of cultural integration, honor the architecture and architects that may have produced regular and noteworthy contributions to the human race and the built environment by making use of art and architecture.
Halloween. A day plagued by ghost, ghouls, and goblins. Historically, on All Hallows' Evening, many believed that spirits could return to the earthly world. On this frightful occasion, we’re highlighting phantoms from the beyond that have entered the architectural realm. Below, 13 hellish projects and their supernatural counterparts. Scroll down if you dare.
Cats just don’t care. They don’t care if you bought them gourmet food. They don’t care if you got them customized furniture or luxury cardboard boxes, and they definitely don’t care if they are barging into an architectural photo shoot (although, we do think it’s their way of being the center of attention).
Don't believe us? Here's a collection of photographs collected from our projects database where cats are clearly not trying to steal the spotlight.
How to build light and modular facades with a rustic and monolithic appearance?
Composed of cement, cellulose, and mineral materials, fiber cement allows us to clad walls in a light, non-combustible, and rain-resistant way, generating facades with different textures, colors, and tones. Its panels are easily manageable and perforable, and can configure ventilated facades when installed with a certain separation between the rear wall. Check out 9 projects below that have cleverly used fiber cement as the primary material in facades.
Iran’s architecture has long been rooted in Persian culture. From tea houses and pavilions to domestic huts and elaborate mosques, the country’s built environment is tied to these influences, as well as the landscape and its broader context. At the heart of Iran’s more recent projects is a desire to reinterpret history through new spaces and forms.
In her lifetime, Pritzker prize-winning architect, fashion designer and artist Zaha Hadid (31 October 1950 – 31 March 2016) became one of the most recognizable faces of our field. Revered and denounced in equal measure for the sensuous curved forms for which she was known, Hadid rose to prominence not solely through parametricism but by designing spaces to occupy geometries in new ways. Despite her tragically early death in March of 2016, the projects now being completed by her office without their original lead designer continue to push boundaries both creative and technological, while the fearless media presence she cultivated in recent decades has cemented her place in society as a woman who needs just one name: Zaha.
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