Henning Larsen has created a proposal for Copenhagen’s first all timber neighborhood. Made for Fælledby, the plan includes 40 percent undeveloped nature, aiming to illustrates how new developments can embrace environmentalist principles. The project would transform a former dumping ground site into a model for sustainable living, accommodate 7,000 residents in an entirely timber construction.
Forty percent of the human population lives within 100 kilometers of a coastline, with one in ten living under ten meters above sea level. As climate change induces more volatile flooding events and long-term sea level rises, it is estimated that coastal flooding could cause as much as $1 trillion of damage per year by 2050. We cannot escape the reality that cities, and their populations, are more vulnerable to flooding than ever.
in 2019, the Bauhaus turned 100 and a crop of museum buildings sprang up for the celebration.
In 2019, two museums bearing the name Bauhaus appeared on the German culture circuit. Angling to capitalize on the design school’s centennial, the Bauhaus Museum Weimar was first out of the gate, opening in early April; a few clicks behind, the Bauhaus Museum Dessau followed suit in early September. A third project, the much-delayed extension to Walter Gropius’s 1979 Bauhaus- Archiv/Museum für Gestaltung in Berlin, did not manage to keep pace and isn’t expected to open for a couple more years yet.
While 2019 saw the completion of great works of architecture, it has also been a busy year for unbuilt designs. Whether this consists of imaginary visions intended to broaden horizons and innovations, or practical projects intended for construction, ArchDaily has published a wealth of unbuilt projects throughout the year that have been recognized and celebrated by juries, peers, and institutions.
As the year draws to a close, we look back at the top competition-winning architecture of 2019. From built competition-winning entries from the world’s leading firms, to student and young architect entries which imagine the architecture of the future, the list offers an insight into what the architecture world has in store for the next year, decade, or even century.
This article was originally published on Common Edge on Dec 23, 2019.
As 2019 winds down, the media has started its annual ritual of taking stock, compiling lists, looking back. In the architecture world, the year’s biggest news story was arguably the Notre-Dame fire. The image of the cathedral’s burning roof—a wrenching sight—filled TV and computer screens around the world and occasioned an outpouring of grief, especially in France, where the building holds a central place in the nation’s collective consciousness. It was an architectural tragedy as well as a cultural one. No doubt: the April inferno struck at the very heart of France.
Designers have fixated on the visual culture that wrought Casio wrist watches and Superstudio. Mario Carpo explores the reasons why.
It began with a watch—actually, two. Last year I was co-tutoring two brilliant master students in a school of architecture in a European country I shall not name. They had started their thesis project with some very idealistic, “accelerationist” views of technology—assuming, in the footsteps of some improbable political theories currently in fashion, that technological change would “accelerate” the final demise of capitalism. Then one day they showed up for their tutorial sporting two identical black Casio digital watches, and I immediately realized that something had gone awry. As if struck by some illumination on their road to Damascus, they explained to me they had concluded that technology should thenceforth be their foe. From that moment, their project turned into a “critical” reinterpretation of some Superstudio projects from the early ’70s. For their final presentation, some months later, they set up an installation where everything, right down to some fresh baguettes bought from a baker’s next door, was wrapped in carefully executed Superstudio wallpaper—black grid on white background. Most of their friends in attendance were also wearing the same Casio watch, I noticed.
What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Here you can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.
ODA has won an international competition to create MAZD, a 3 million square feet master plan in Moscow, Russia. The project puts in place a large mixed-use development intended to stimulate industrial zones just outside of the city.
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Archstorming has announced the winning designs for a preschool in Mozambique. Participants were challenged to design a school for disabled children in Xai-Xai. and the winning proposal will be built with the help of the NGO Somos del Mundo and the local initiative Estamos Juntos. Judges selected the five winners and ten honorable mentions.
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It is only a matter of time until algorithms take the wheel. While the first autopilot system for vehicles was developed 3000 years ago by sailors attaching weather vanes to tillers, the last 10 years have seen unprecedented growth in interest and effort towards AV (autonomous vehicles). Today, autonomous vehicle tests are underway in 36 US states, while it is estimated that the technology could replace 90% of vehicles in cities such as Lisbon, Portugal and Austin, Texas.
The Inspireli Awards have announced the winners of the student competition for the Czech Embassy in Addis Ababa. The fourth year of the competition offered students a unique opportunity to design in Ethiopia. This special competition category was announced by the Ministry of Foreign Affairs of the Czech Republic in cooperation with the Faculty of Civil Engineering CTU in Prague, Department of Architecture.
The New York City Planning Commission approved unanimously the design for 550 Madison Garden created by Snøhetta. The project that re-imagines the privately-owned public space will move forward, after also having received, earlier on, the approval from Manhattan Community Board.
British international studio Foster + Partners has won the competition to design the headquarters for Alibaba, in Shanghai. The newest building of the e-commerce giant will take a unique form generated by an algorithm that combines major aspects of the project.
Last April, Mayor Bill de Blasio of New York announced plans to introduce a bill that would ban the construction of new all-glass buildings. Part of a larger effort to reduce citywide greenhouse emissions by 30 percent, other initiatives included using clean energy to power city operations, mandatory organics recycling, and reducing single-use plastic and processed meat purchases. The announcement came on the heels of the city council passing the Climate Mobilization Act, a sweeping response to the Paris Climate Agreement that included required green roofs on new constructions and emissions reductions on existing buildings.
Odile Decq was born in 1955 in Laval, France and studied at École Régionale d'Architecture in Rennes, Brittany. She graduated from the École Nationale Supérieure D'architecture in Paris-La Villette in 1978 and received her diploma from the Paris Institute of Political Studies in 1979. Decq set up her practice in Paris the same year and soon met Benoît Cornette who was studying medicine at the time but switched to architecture. By 1985 he received his architecture degree and the couple renamed their firm into ODBC. In 1996, ODBC won the Golden Lion in Venice for their drawings, selected out of a pool of invited emerging voices that included Zaha Hadid, Enric Miralles, and Liz Diller and Ric Scofidio. That was the beginning of the computer drawings, expressing movement, ambiguities, layering, and overall new dynamics that characterize Decq’s liberated forms and spaces.
Jean Nouvel’s recently designed residential development, Aquarela, in Quito, Ecuador is under construction. In collaboration with local architectural developer Uribe & Schwarzkopf, the 136,580-square-metre organically designed project blends with the surrounding mountainous landscape.
BIG unveiled its latest intervention, the Toyota Woven City, the company's first venture in Japan. Nestled at the foothills of Mt. Fuji, the project, in collaboration with Toyota Motor Corporation, is the world’s first urban incubator pushing forward the development and progress of mobility.
Contreras Earl Architecture has designed a new tower along Broadbeach in Queensland, Australia. Dubbed "Sand", the project is designed to be an iconic landmark for the suburb drawing from the beachside and urban context. The mid-rise development includes a total of 15 boutique beachside apartments in the 18 story tower, with each floor designed as its own unit.
Known for his collaboration on the legendary Maison de Verre, French architect, and interior designer Pierre Chareau is a celebrated artist cited by Richard Rogers, Jean Nouvel, and more as a major influence on their work.
Completed in 1932, Maison de Verre—or “House of Glass”—has become a prime example of modern architecture, despite the fact that not many people have actually seen the hidden treasure, located on Paris’ Left Bank.
Although his work is currently viewed in high regard, Chareau had a tumultuous career, with large variances between his successes and his failures.
Drawing from a Cultured Magazine spotlight article on the designer, we have compiled a list of facts about Chareau’s life and career that showcase the rollercoaster of his success.
Continue reading for the 10 things you didn’t know about Pierre Chareau.
PLP Architecture and developer Provast have unveiled a new timber and concrete tower for Rotterdam. The project, dubbed “Tree House,” was designed to create an open and sustainable environment for residents and visitors in the city center. Rising 140-meters, the 37-story building will be sited next to the Central Station as the tallest hybrid structure in the country.
Jaeger Kahlen Partner is one of the joint winners of the international competition for the Bao’An Bay Industrial Investment Tower in Shenzhen, China. With a distinctive design approach, the landmark building will generate modern office spaces and enhance the surrounding urban fabric.
Open Platform (OP) and JAJA Architects, together with Rama Studio and Søren Jensen Engineers, have won the open competition for a new parking house in Aarhus. In line with Denmark’s vision of becoming climate neutral by 2050, the structure will be the country’s first wooden parking house.
World Heritage Site is the title given to specific places on the globe (landscapes, cultural routes, cities, or architectural structures) by the United Nations Educational, Scientific, and Cultural Organization, or UNESCO, as a way to recognize their natural or cultural relevance and to encourage their preservation. Up to 2019, 1121 places in over 167 countries have been declared World Heritage Sites, of which 869 are cultural, 213 natural and 39 are mixed category.
Used in Mexico City and in Reno, Nevada, Streetmix allows users to experiment and participate in the design of their streets. This bottom-up approach is a participatory tool that can include everyone in the decision making, without particular technical knowledge.
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