Following the collapse of the Francis Scott Key Bridge in Baltimore, Maryland, construction group WeBuild, in collaboration with design office CRA-Carlo Ratti Associati and engineer Michel Virlogeux, has revealed an updated design for a replacement bridge. The new cable-stayed design aims to redefine the entrance to the Baltimore Harbor and offer an improved version of this symbol of the city.
MASSLAB has just won the competition for the new roof of Bragança's Water Treatment Plant in Portugal. Integrating public use of this infrastructure, which until now only serves a functional purpose, the project showcases adding value to existing infrastructure by rethinking them. Blending architecture, landscaping, and urban design to transform this structure into a vibrant public space, MASSLAB seeks to change the perception of water treatment facilities in urban settings. By reimagining the roof as a livable infrastructure, the project transforms the purely functional roof into an engaging and integral part of the urban fabric.
“Constitution Gardens will become a biodiversity hotspot on the National Mall,” said Adam Greenspan, FASLA, design partner at PWP Landscape Architecture. “We will create a garden, based in nature, while respecting the historic design.” Constitution Gardens in Washington, D.C. opened in 1976 to commemorate the bicentennial of the American revolution. Concepts outlined in the McMillan Plan and designs by Dan Kiley and SOM shaped the landscape.
But over the past forty years, the gardens fell into disrepair and became a pass-through site on the way to other more popular destinations on the mall. Now, the second phase of a three-phase plan to revitalize the garden has been approved by the Commission of Fine Arts and National Capital Planning Commission. The design by PWP Landscape Architecture and Rogers Partners Architects will create a “new ecological landscape” designed for people and hundreds of plant and animal species.
Architecture praxis has traditionally focused on customized, project-based services – a well-established model continually favored by industry professionals. While this approach yields remarkable built environments, it struggles to achieve scalability and longevity. The architectural industry has shown little interest in exploring alternative practices, processes and business models, considering that the traditional mode is equally vulnerable to market cycles as other industries are. Bespoke design solutions, the cornerstone of conventional practice, make standardizing processes and scaling services challenging. This focus also leads to fragmented workflows among firms and stakeholders. The stability and establishment of traditional practices can breed a risk-averse culture, hampering disruptive innovations within the industry.
Water is fundamental to human life on several levels, and encompasses a spectrum of meanings that transcend the biological sphere, reaching the cultural and spiritual spheres. Biologically, it is indispensable, making up approximately 70% of our bodies and playing a central role in our physiological functions, from temperature regulation to vital cellular processes. Culturally and spiritually, water has deep significance, symbolizing purification, renewal and spiritual rebirth in a multitude of rituals and ceremonies performed in different cultures over the centuries.
In architecture, the presence of water is equally important, going beyond its basic cleansing function to encompass a rich diversity of meanings and influences. From the majestic Roman baths, where water was used for hygiene and also represented social status, offering moments of entertainment and relaxation; to contemporary bathrooms, where water is skillfully integrated to create luxurious and invigorating spa experiences. Its presence goes beyond the functional aspect and is also deeply symbolic. Evoking feelings of purification, renewal and serenity, water enriches architecture with an emotional and aesthetic dimension that transcends the boundaries of time and culture.
On May 4, 2024, cultural center Grace Farms opened a new long-term exhibition that aims to shed light on the inner workings of the building industry, offering insights into the methods of producing and distributing building materials, as well as the pervasive practices of forced labor happening in the materials supply chain worldwide. The exhibition also presents the work of “Design for Freedom,” a collaborative global movement launched in 2020 at Grace Farms. The initiative aims to change architecture by raising awareness of these issues and helping disrupt forced labor in the construction industry. Titled “With Every Fiber,” the exhibit is free to visit both at its physical location in New Canaan, Connecticut, and online as a virtual exhibition.
Foster + Partners, led by Norman Foster, has just released the designs for a new office tower in New York, United States. Spanning 139,354 square meters, “350 Park Avenue” will be the office space for Citadel Securities, committing to at least 78,967 square meters of the overall space. Seeking to rejuvenate the iconic street, the all-electric tower will integrate into the urban fabric of New York, standing alongside architectural landmarks in Midtown Manhattan.
Modular construction is a process in which a building is constructed away from its actual site, within controlled factory settings, using identical materials, and adhering to a set of codes and regulations. The methodology was first introduced as a solution in the search for efficient, quality-controlled, and cost-effective building systems. The industrialized building method evolved to meet historical demands and has recently been met with renewed interest. These “modules” are then transported to the construction site and assembled into the final structure, adhering to the same building standards as conventionally built facilities. With potential benefits in terms of waste reduction, energy efficiency, emergency responses, and fast-tracked development, the methodology is gaining traction worldwide.
In recent years, modular construction has emerged as a game-changer in the construction industry, particularly in the Middle East and the Gulf Cooperation Council (GCC) region. With a growing embrace of innovative solutions to address the region’s evolving needs, modular construction has emerged as a compelling alternative. As awareness increases and technological advancements increase, modular construction may offer a viable alternative to traditional building practices in the GCC region.
Acquiring diverse expressive possibilities within interior design, the use of wood in regions with a wide range of climates and temperatures such as Mexico, Brazil, Argentina, Uruguay, Chile, Colombia, or Ecuador enables the creation of attractive and captivating spaces that capture the attention of their users by contrasting, blending, or integrating with their surrounding environment. Being a natural element and presenting a negative carbon footprint at the end of its life cycle, wood offers multiple finishes, textures, and tones that can be associated with being outdoors and providing, on some occasions, spaciousness, warmth, and relaxation at the same time.
The modern and futuristic architecture of Sub-Saharan Africa reflects the aspirations and progressive spirit that dominated the early years of independence for many countries in this region between the late 1950s and early 1960s. This architectural production, coinciding with economic growth, employed complex construction methods in designs that seamlessly blended interior and exterior spaces (thanks to the tropical climate), focusing on form and expression of materiality. From this fusion of specific conditions emerged architectural masterpieces of unique value that demand 'rediscovery,' among them the Kenyatta International Convention Center (KICC) in Nairobi, Kenya.
Humans are social beings.The interaction between individuals is an essential part of the human experience and helps improve society as a whole. While architecture plays an important role in promoting spaces for people to meet, exchange and socialize, furniture can be a strategic tool for achieving this goal.
Browsing through our project library, one can find a number of examples of cafes and public spaces where communal tables become a central element in providing a place to meet. In many of these projects, the sinuous design of the tables, with protrusions and recesses, provides not only the possibility of various configurations of chairs for different group sizes but also different uses for the tables themselves, at times as planters, at others as slides or extensions of a workbench.
Buildner has announced the results of its Museum of Emotions Competition, an annual international design competition that tasks participants with exploring the extent to which architecture can be used as a tool to evoke emotion.
The brief calls for the design of a conceptual museum with two exhibition halls: one designed to induce negative emotions; the other designed to induce positive emotions. Participants are free to choose any site of their liking, real or imaginary, as well as choose the scale of the project. The meaning of "positive" and "negative" is up for interpretation: What two emotions might a designer consider contrasting? How might an architect conceive spaces that elicits fear, anger, anxiety, love or happiness?
Continuing his work exploring the office spaces of architecture studios from around the world, Archmospheres photographer Marc Goodwin has reached Japan, where he captured the workspace of architecture studios such as Kengo Kuma & Associates, Tato Architects, Akihisa Hirata, and Nori Architects. Collaborating with Marc Goodwin, architect, and writer Samuel Michaëlsson traveled to Japan in the autumn of 2019 to interview the participants, resulting in a series of videos that further developed the exploration.
The photographs reveal snippets of everyday life in these studios. While not all of the buildings were designed by their occupying architecture studios, each office has added a personal touch to their space, aligning them with their internal culture and traditions. One such example is Tato Architects, for whom the kitchen has become an important gathering space, as they take turns preparing lunch for each other and eating together is a significant part of their office story.
On behalf of His Majesty the King, Ghanian-Scottish architect Lesley Lokko has been officially awarded the 2024 Royal Gold Medal for Architecture. Held at RIBA London headquarters, the medal was presented by RIBA President Muyiwa Oki, acknowledging Lokko’s dedication to promoting diverse perspectives in architectural practice and education. As the curator of the 2023 Venice Architecture Biennale, she has been working to explore the overlaps between architecture and race, while shifting focus to Africa and its diaspora in the industry.
This article was originally published on Common Edge.
Architecture mirrors the culture it is built from, while simultaneously aspiring to lead that culture. This is almost oxymoronic, since reflecting and projecting our values is an essential part of every human life, and architecture is exquisitely human. Our buildings embody us, with all of our mixed messages.
This year's Milan Design Week brought together designers, architects, producers, and key figures from the design world. The events were divided between the Salone del Mobile at Rho Fiera, a trade fair with over 1950 exhibitors, and Fourisalone, featuring various events across Milan. With numerous installations throughout the city and a wide range of events, conferences, and debates, Milan Design Week stands as one of the most significant design-focused events worldwide. For architects, this represents an opportunity to not only exchange ideas but also to actively contribute through collaborations and explorations across disciplines.
This year, many internationally recognized architects have entered collaborations with furniture and light design companies, exploring the intersection of design and architecture. Despite the change in scale, many of these products reflect the recognizable architectural language of their designers, offering an insight into the principles that guide their practice. In addition to aesthetic explorations, many of the products selected are tackling important themes of interest, from the need to develop more sustainable materials with a reduced carbon footprint, to the potential impact of new technologies such as artificial intelligence.
SO-IL, in partnership with Detroit’s Library Street Collective, has revealed the design for a new arts campus in the Stanton Yards marina on the Detroit River. The office is leading the adaptive reuse of four existing pre-war industrial buildings at Stanton Yards with the aim of creating a campus for arts organizations, creative retail, artist studios, and independent hospitality ventures along the waterfront. The master plan for the 13-acre site is led by design firm OSD (Office of Strategy + Design), a development that strives to transform the now-disused waterfront area into a 'dynamic cultural amenity' with over 80,000 square feet of commercial and creative space, 85 boat slips, and programmed waterfront parks. The project aims to expand upon the program of Detroit's Little Village, a diverse arts neighborhood recognized for its cultural and artistic scene.
We Design Beirut, Lebanon’s four-day design experience will take place from May 23-26, 2024. This multidisciplinary event aims to showcase and celebrate design and creativity through a varied program, including showcases, installations, talks, and workshops. Founded by Mariana Wehbe in collaboration with industrial designer Samer Alameen, the event seeks to foster a global conversation on design and sustainability through programs in the fields of interior design, architecture, furniture, product design, functional art, ceramics, and home accessories.
The U.S.-Mexico border is a region of vast historical, cultural, and economic significance, where cities of fundamental importance to North America have emerged. Tijuana—located in northeastern Mexico—, is one of these cities. Since its earliest beginnings in the 18th century, it has experienced exponential urban growth, closely linked to its northern neighbor, San Diego. Understanding Tijuana in its entirety is only possible by mentioning this connection. For this reason, along with San Diego, it was selected as the World Design Capital 2024, celebrating the interaction and cultural exchange between the two cities.
Historically, the city has been a melting pot of nuances reflected in its urban landscape. Examples such as the Tijuana Cultural Center, designed by Pedro Ramírez Vázquez and Manuel Rosen, show the city's search for a modern style. In parallel, the OTAY Cross Border Xpress Building illustrates the relationship between countries in a complex whose architectural program spans both sides of the border. Additionally, contemporary projects contribute to developing a new stage in the city's life by creating public spaces.
There’s a well-known catchphrase – “Cape to Cairo” – that has spawned numerous books and piqued the imagination of countless travellers of the African continent. The phrase’s origins are of imperial nature, birthed out of an 1874 proposal by English journalist Edwin Arnold that sought to discover the origins of the Congo River. This project was later taken up by imperialist Cecil Rhodes, who envisioned a continuous railway of British-ruled territories that stretched from the North to the South of the continent.
Following an international competition, Steven Holl Architects has been selected as the winner of the commission for the Expo Albania convention center and hotel in Tirana, Albania. The winning team, comprised of Steven Holl Architects, artist Agnieszka Kurant, Atelier 4, Atelier Markgraph, Stoss, and Arup, proposes an iterative process, collecting signatures from local Tirana communities and fusing them into a single wandering line, a continuation of artist Agnieszka Kurant’s project “End of Signature”.
Foster + Partners’ development in Bankside, London, has just been granted planning approval. Designed in collaboration with Lipton Rogers and real estate developer Hines, the Southwark Council has just agreed to proceed with the development. Titled “18 Blackfriars Road”, the project aims to revitalize a neglected two-acre brownfield site that has sat vacant for two decades.
Milan Design Week is a celebration of creativity, innovation and excellence in design, captivating audiences from all over the world. It is an event that encompasses various design-related exhibitions and activities in Milan, while Salone del Mobile is Milan Design Week's main trade fair focused specifically on furniture and interior design. Every year, the city is transformed into a vibrant hub where designers, architects, artists and enthusiasts converge to explore the latest trends, ideas and innovations in the world of design. The instance is a catalyst for inspiration, promoting dialogue, collaboration and discovery across a range of design disciplines, from furniture and interior design to architecture, fashion and more.
In 2024, the event witnessed a strong presence of Spanish brands among the many exhibitors. This impact was fostered by ICEX (Spain Trade and Investment), a Spanish government agency responsible for promoting the internationalization of companies and the expansion of the country's exports, providing support and services to companies looking to enter or expand in international markets. In addition, the institution organizes trade missions, participates in international fairs and exhibitions and provides training and consultancy services to Spanish companies looking to succeed in the global market. Here is a summary of the exhibitions and activities of seven outstanding Spanish brands at the various events that took place during the week of April 15-21, 2024 in Milan.
When it came to designing a nature-embracing modern home in Palo Alto, California, USA, architect Tai Ikegami took his responsibility to protect and venerate the magnificent trees on the lot seriously.
“The house is designed around a series of trees on the site—an oak in the front, another oak on the side, a redwood in the back. These are dramatic trees with a large scale,” says Ikegami, a partner at Feldman Architecture, San Francisco.
