Foster + Partners has debuted their first-ever exhibition in Korea at the Seoul Museum of Art. Marking a significant moment for the studio and its relationship to South Korea, the exhibition “Future Positive” showcases the work of Norman Foster and Foster + Partners to Korean audiences for the first time. On display from April 25th until July 21st, 2024, visitors will have the opportunity to explore the comprehensive showcase of Foster’s architectural journey from 1967 to the present day.
When Wallace S. Broecker first introduced the concept of global warming in the 1970s, society probably didn't anticipate the implications of this phenomenon. Today, more than 50 years later, we have stopped predicting an adverse climate scenario and have begun witnessing it directly. It is now evident that the earth is breaking temperature records year after year, as a result of a disparity in the global response to the issue and a slow-moving reduction in carbon emissions.
To reduce CO₂ emissions in architecture, it is crucial to implement effective strategies that address both the manufacturing of materials and the life cycle of buildings, as well as energy consumption during use. In countries like the US, approximately 45% of energy consumption in the residential sector is allocated to heating and cooling spaces, making it essential to address efficient building design, especially on the façade. To achieve this objective, policies are being implemented that promote a conversion towards a more sustainable model. In this new model, sustainability certifications for buildings provide a framework for measuring and evaluating resource consumption.
The world has its eyes on the Amazon. Geographical data about this vast territory, spanning 6.74 million square kilometers across eight countries in Latin America, is constantly featured in national and international media. Headlines often highlight its sheer magnitude as the largest tropical rainforest in the world, home to 10% of the planet's biodiversity, and responsible for 15% of the Earth's freshwater. However, little attention is paid to what transpires beneath its canopy, on the ground where people live.
Faced with the various ways of inhabiting that characterize contemporary societies and their adaptability to future uses in architecture, lofts represent an opportunity to design spaces ranging from storage areas to living, study, leisure, or even resting spaces, both for their residents and potential visitors. Depending on their scales, sizes, and proportions, these elevated spaces allow for the optimization of interior environments in apartments that, in some cases, lack sufficient square footage to perform these types of functions at ground level and have a certain height to accommodate them.
Many major cities in the United States are grappling with large industrial buildings that have fallen into disuse. These buildings hold historical and architectural significance and are often protected from demolition. Consequently, architects face the challenge and responsibility of adapting these buildings to contemporary functionalities. Opting against demolition reflects a sustainable construction approach and highlights the importance of honoring the built heritage.
Architects Lesley Lokko and Marina Tabassum have been selected in TIME Magazine’s ‘100 Most Influential People of 2024.’ Known as the TIME 100, the list is an annual compilation of individuals who have made significant impacts on the world in various fields such as politics, technology, entertainment, and more. Each person on the list is profiled by a guest writer, often someone who is also prominent in their field. Selected by Sarah M. Whiting, Dean of the Harvard Graduate School of Design, Marina Tabassum features in the Innovators chapter, while Lesley Lokko, selected by filmmaker Ava DuVernay, is recognized as a Pioneer.
Shigeru Ban Architects, in collaboration with The Glass House and The Irwin S. Chanin School of Architecture of the Cooper Union, have just revealed “Shigeru Ban: The Paper Log House at The Glass House.” This collaborative installation opened on April 15th and is on display until December 15th, 2024, welcoming more than 13,000 annual visitors. This year, students from The Cooper Union actively participated in the making of this structure as part of the university’s Building Technology Course.
Fundació Mies van der Rohe and the European Commission have selected the winners for its 2024 edition of the EU Prize for Contemporary Architecture / Mies van der Rohe Awards, from a pool of 362 nominated works. The 2024 Winner of the Architecture Prize is the Study Pavilion on the campus of the Technical University of Braunschweig, Germany, by architects Gustav Düsing and Max Hacke, both with studios in Berlin. The 2024 Winner of the Emerging Architecture Prize is the Gabriel García Márquez Library in Barcelona by SUMA Arquitectura founded by Elena Orte and Guillermo Sevillano in Madrid.
“The 2024 Prize jury emphasizes the significance of architecture that explores the potential to shift mindsets and policies, as well as the importance of fostering inclusivity”, explains the official announcement. The Awards Ceremony will take place at the Mies van der Rohe Pavilion in Barcelona, in the context of the EUmies Awards Day, on the 14th of May 2024, launching the Barcelona Architecture Weeks.
In 2020, in the midst of the first wave of lockdowns due to the pandemic, the municipality of Amsterdam announced its strategy for recovering from this crisis by embracing the concept of the “Doughnut Economy.” The model is developed by British economist Kate Raworth and popularized through her book, “Doughnut Economics: Seven Ways to Think Like a 21st-Century Economist”, released in 2017. Here, she argues that the true purpose of economics does not have to equal growth. Instead, the aim is to find a sweet spot, a way to balance the need to provide everyone with what they need to live a good life, a “social foundation” while limiting our impact on the environment, “the environmental ceiling.” With the help of Raworth, Amsterdam has downscaled this approach to the size of a city. The model is now used to inform city-wide strategies and developments in support of this overarching idea: providing a good quality of life for all without putting additional pressure on the planet. Other cities are following this example.
This article was originally published on Common Edge.
On April 10, 2024, the New York Landmarks Conservancy bestowed the Preservation Leadership Award to author and urbanist Roberta Brandes Gratz. A longtime preservation activist, Gratz served on the City’s Landmarks Preservation Commission. She also led the successful effort to restore the Eldridge Street Synagogue, now the Museum at Eldridge Street. The following is a slightly edited version of the speech Gratz delivered at the 34th annual Lucy C. Moses Preservation Awards.
The 62nd edition of the Salone del Mobile at Rho Fiera brought together designers, architects, producers, and prominent figures from the design realm. With more than 1950 exhibitors, the six-day event, running from April 16 to 21, 2024, emphasized conviviality, well-being, and sustainability. Designed with a human-centric approach, incorporating neuroscience principles to enrich visitor interaction, Salone del Mobile is revolutionizing the future of fairs.
On-site during the event, ArchDaily had the opportunity to speak with Cristian Catania, Senior Architect and Project Director for Reinventing Fairs at Lombardini22, responsible for revamping Salone, about the primary changes in the fair’s layout and the implementation of neuroscience approaches in conceptualizing the exhibition spaces.
Architectural awards serve as a fundamental platform within the profession and the wider community. They recognize and celebrate outstanding achievements in architectural projects, promoting excellence and innovation, while also providing visibility and exposure for architects and companies, highlighting projects that might otherwise go unnoticed. This impact is particularly evident in collective housing projects, which face a range of challenges, from issues of cost and compliance with urban planning legislation to the need to create welcoming and functional environments for residents. By highlighting diverse initiatives and approaches, awards inspire and educate, stimulate dialogue and the exchange of ideas, and contribute significantly to the advancement of architecture by recognizing projects that address specific themes such as sustainability or social impact.
The 3rd edition of Shaping the City, a forum on sustainable urban development, took place in Venice between November 24-25, following successful events in Chicago and New Orleans. Organized by the European Cultural Centre, this forum was running in parallel to the 2023 Venice Architecture Biennial exhibition, Time Space Existence. The event, hosted at Palazzo Michiel del Brusà in Cannaregio, brings together global urban planners, architects, academics, and politicians. Notably, Japanese architect Kengo Kuma was among the experts invited to explore the intersection of nature and the built environment in Japanese architecture.
Over two days, the conference set out to explore crucial themes such as education, urban commons, displacement, nature integration, and the future of architecture media, a subject discussed during a panel talk attended by ArchDaily’s managing editor, Christele Harrouk. While on-site in Venice, the ArchDaily team sat down with Kengo Kuma to discuss his unique approach to nature-inspired and site-specific designs.
Henning Larsen Architect has just revealed the designs for The Jeddah Opera House, a new local landmark in Saudi Arabia. Drawing inspiration from the historical Al-Balad neighborhood, the Opera House celebrates culture and regional geography. Situated along the Red Sea waterfront, the opera house aims to connect residents and visitors to the sea through a culture spine under a natural canopy. Extending from the city, through the opera house, to the water, this “spine” forms an integral part of the Jeddah Central masterplan for the new Opera Quarter.
It seems like everyone is going solar these days. In the United States, the net solar power generation has increased by more than 113,000 million kilowatt hours in the last decade. Solar integration with residential projects saves homeowners money on energy bills and increases property value over time. As solar integration technology advances, the advantages span beyond financial and environmental; solar panels are assuming an aesthetic role in modern architecture, too.
Solar integration is becoming an expectation among new construction homebuyers. Architects and designers must adapt accordingly to increase the availability of photovoltaic integration in residential developments. However, with careful planning and execution, solar panels can be better incorporated during the design and construction phases. This article outlines how homebuilders can meet consumer demands for solar integration, creating an easy-to-follow pathway for accommodating changing home design trends.
Housing is a diverse architectural typology whose configuration is determined not only by those who design it but also by the use of those who live in it. Therefore, homes are fundamentally adaptable structures that evolve in line with their time and users, undergoing constant changes manifested in the ways of living. The house conceived today will not be the same as the one built tomorrow, so it becomes necessary to maintain a critical and profound approach to the role it plays in the built environment.
In this sense, modular architecture has consistently presented itself as a dynamic design strategy that has revolutionized housing, developing versatile solutions for sustainable spaces and construction practices. Thus, modular housing has been fertile ground for exploring and deepening ways of inhabiting space and addressing human needs. From the prefabricated catalog houses of the 19th century to the post-World War II housing boom, its evolution reflects both past proposals and the exploration of new concepts for the future.
Whether rising to the highest room of the tallest tower in a Disney-esque castle, giving an admirer the chance to confess their love on an apartment building fire escape, or connecting a basement or attic room with a decorative period feature, there’s something unavoidably romantic about spiral staircases. But there’s more function behind these coiling forms than just their good looks.
One common-held theory is that spiral staircases were first installed in historic castles as vertical baffles, tiring out enemy infiltrators before they could make it to the top. This is why – it is said – many are set to turn clockwise on the ascent, so attackers have a smaller arc for swinging weapons (mostly held in right hands) than defenders making their descent.
Kéré Architecture has revealed the design for a vertical childcare center at Munich’s Technical University (TUM) in Germany. Named "Ingeborg Pohl Kinderoase an der TUM," the center will be built in wood to the extent allowed by local norms and regulations for energy efficiency, thermal comfort, fire protection, and acoustics. The new building, located between the TUM main campus and the university canteen, broke ground on April 18 and is expected to be completed by the end of 2025.
OMA has just revealed The Perigon, a new residential tower in Miami Beach, United States. Situated in the vibrant Mid Beach Neighborhood, the project is a collaboration between Mast Capital and Starwood Capital Group. The Perigon offers dual-waterfront living, characterized by a series of towers strategically rotated to maximize views toward the Atlantic Ocean.
Social infrastructure encompasses the resources and services that allow the creation of communal bonds and social connections. Within the built environment, it manifests through public spaces like parks, libraries, and community centers alongside threshold spaces such as public transportation stops.
These public social spaces play a crucial role in strengthening communities and, in turn, their ability to respond to catastrophic climate-related events. They can provide physical shelter to the populations most vulnerable to these events and foster resilient networks of people who can more quickly recover. Given the escalating frequency of extreme weather events in the United States due to climate change and its social infrastructure inadequacies, examining public spaces as a critical tool for climate resilience becomes vital.
At a time when sustainability and ESG (environmental, social, and governance) concerns are prevalent, there is a crucial need to focus on a sector that accounts for 38% of all global CO₂ emissions and consumes 30% of global resources: the construction industry. In 2022, at COP27, the United Nations announced the Clean Construction Accelerator, a program with actions designed to reduce greenhouse gas production by up to 50% by 2030. A report by ARUP and the World Business Council for Sustainable Development suggests that half of building emissions come from embodied carbon, which is generated in the manufacturing and transportation of materials, not just in construction sites and buildings themselves. It is precisely in this scenario that we see an opportunity for the sector. What is the only renewable material in construction that retains carbon instead of emitting it? Wood.
When thinking of wood, another question tends to arise: "How can wood be sustainable if we need to cut down trees for it?” Ana Belizário, the Commercial Director of Urbem, a large-scale Brazilian mass timber industry, explains throughout this article how planting trees specifically for consumption is not only a sustainable alternative but also an excellent practice in combating the climate crisis and can regenerate the construction sector.
Milan Design Week rarely fails to deliver on compelling showcases of design and innovation.
One of the exhibitions this year, created by Swatchbox, conveys the “true cost” of traditional approaches to construction. The sample platform founded by architects to provide sustainable sampling methods to the design community launched its thought-provoking showcase at the heart of the Brera Design District in Milan.
The exhibit boldly confronts the issue of wastefulness inherent in traditional construction practices. Installed inside an office in Brera that is ordinarily occupied by a Milan architecture firm, the exhibit displays a large pile of construction materials typically destined for landfill. The materials are meticulously arranged to showcase the sheer volume of waste generated by the design community.
Since their introduction to the wider public, artificial intelligence technologies seem prone to change the working landscape for professionals across all fields, and architecture and urban planning are no different. While many fear their negative impact, AI technologies can also be viewed as a different set of tools in the arsenal of architects and designers. As revolutionary as they are, there is a plethora of applications and platforms being developed not to replace, but to aid, offload repetitive tasks, and help visualize ideas or large data sets, all to provide a basis for the architect’s decision-making process.
BIG, in collaboration with BNIM and the University of Kansas School of Architecture & Design, has revealed a mass timber structure named the “Makers’ KUbe.” Designed for collaborative learning, the structure features a timber diagrid frame. The scheme was developed with students, faculty, and the university's board of directors to serve as a studio space and an educational showcase for sustainable practices.
