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It's no secret that concrete has one of the highest CO2 emissions of all building materials, making it a focal point for architects looking to innovate and experiment with it as a way to optimize its production and application in construction while decreasing its environmental impact. This exploration of elements such as concrete's thermal inertia, which could serve to make buildings more energy efficient, as well as its durability, which guarantees a long-lasting, zero- maintenance structure even in the most extreme of climates. The ultimate goal is to create luminous living spaces with natural ventilation while simultaneously exploring the possibility of reusing frameworks as a way of cutting costs and streamlining the building process.
Architects, not Architecture decided to open their archive to help us cope with the current situation of not being able to go out as usual and create a source of inspiration and entertainment through sharing one of the unique talks from their previous 35 events, which have never been published before – including those of architects like Daniel Libeskind, Tatiana Bilbao, Peter Cook, Richard Rogers, Massimiliano Fuksas, Kim Herforth Nielsen, Ben van Berkel, Benedetta Tagliabue, Anupama Kundoo, Sadie Morgan, Dan Stubbergaard, Manuelle Gautrand and Kjetil Thorsen,
Every week, Archdaily will be sharing one of the Architects, not Architecture. talks which they are currently publishing online in the form of daily full-length video uploads as part of their event: Home Edition 2020 (www.architectsnotarchitecture.com).
Almost two months have passed since the quarantine regime started in several countries as a strategy to reduce the transmission rate of the coronavirus. Since then, a considerable part of the architecture professionals has started to adopt telework or home office, keeping up with the projects that have already started, supported by a number of new online meeting tools, document storage in the cloud and BIM models.
https://www.archdaily.com/938534/what-can-we-do-to-overcome-or-avoid-the-next-crisis-in-architecture-and-constructionEquipe ArchDaily Brasil
HUA HUA Architects has imagined a proposal that can reconcile people and public spaces, post Covid-19. The Gastro Safe Zone program aims to awaken stagnant gastronomic businesses by regulating outside eating and ensuring the required social distancing measures. The first prototype has been already installed in the streets of Brno in the Czech Republic.
The FinlandPavilion for Expo Dubai 2020 draws inspiration from Finnish nature, design, and innovation. Imagined by JKMM Architects, the project also takes on elements from the local context, with tent-like features.
The Louisiana Channel recently released a new interview with Peter Eisenman on the Memorial to the Murdered Jews of Europe in Berlin. Sharing his thoughts on what went into building the memorial, he touches on the desire to move away from Jewish symbolism. The video explores the larger idea and feeling of being lost in space and time, a concept that Eisenman describes as a "field of otherness."
Memory is unique to the individual. Physical places are often strong triggers for memories, or else can be the focus of the memory itself. In AXOR's personal new campaign, "AXOR Places", design partners of the brand share their "Place of Memory". Complemented by aerial landscape photography by Tom Hegen, the designers' stories showcase their individual experiences of place. The photography connects the personal "Places of Memory" with the individualization possibilities offered by the AXOR MyEdition faucet collection.
While opting for still images seems to be the most utilized means of presenting a project, some architects choose to invite viewers into the architecture itself, allowing them to experience the building and its surroundings immersively. Since 2006, architecture filmography studio Spirit of Space has engaged viewers with over 200 short films of projects built by world-renowned architects such as Peter Zumthor, Steven Holl, Daniel Libeskind, and Jeanne Gang. The studio’s multidisciplinary team has combined visuals with customized soundtracks, elevating the journey and turning it into a multi-sensory experience.
The disruption caused by the coronavirus may have opened doors that many have been waiting for. Preliminary studies support that we experienced a faster technological revolution during the last three months than ever before. Forced to adapt, and to ensure the liveability of urban fabrics, policymakers are reviewing data protocols and legislations, giving way to tech-powered urban health solutions. However, many of those amendments will stay post virus. The precedence gained as a legacy will offer cause for both wonder and worry for our urban future.
https://www.archdaily.com/938484/the-cause-of-wonder-and-worry-over-digital-cities-post-virusZaheer Allam, Gaetan Siew and Felix Fokoua
ArchDaily has become one of the 1,000 most visited websites on the Internet, according to the latest Alexa Internet ranking -- an Amazon-owned company that measures the popularity of all Internet sites.
More than 360,000 users visit our flagship English-speaking platform every day, which when combined with our network of Spanish, Portuguese, and Chinese sites, creates a daily global audience of 650,000 people: the most visited architecture network in the world.
But why is this relevant? Why do these numbers matter?
When we started this project 15 years ago, we knew that the expansion of cities would become the biggest challenge for humanity, and that architects, with better access to knowledge, had the ability to radically improve the quality of life of billions of people. That is why we envisioned ArchDaily as a global source of inspiration, knowledge, and tools to help architects face this challenge. A carefully curated, objective, categorized database of projects and knowledge, paired with a stream of globally diverse content.
But architecture is bigger than architects, and it has become - to our joy - a transversal subject. We have all, as a society, understood the importance of our built environment, how it can shape our mindset, improve our well being, form our education, and drive opportunities and set the grounds for a more egalitarian society. Moreover, a bounty of changes in urban and economic dynamics is also molding architecture into something more relevant, more recognizable, and more democratic. That is why our profession and craft are permeating into Netflix and Apple TV shows, becoming an object of admiration on Instagram, and representing something that you can dream of, aspire to, and work towards catalogues such as Pinterest.
The Victorian State Government has given official approval for the Southbank project, in Melbourne, with construction scheduled for next year. Set to become Australia’s tallest tower, the building is conceived by Dutch firm UNStudio and local firm Cox Architecture.
Parramatta City Council has approved the new Aquatic and Leisure Center project by Grimshaw, Andrew Burges Architects and McGregor Coxall. Located in New South Wales, Australia, the project was reviewed via a development application that outlined the project's vision since its inception in June 2018. The aquatic center will replace the Parramatta Memorial Pool and will integrate with the surrounding park setting.
Autodesk has quickly become an industry standard for architecture and engineering software. Bringing together a range of tools and programs with resources like Autodesk University and the Autodesk Foundation, the company is exploring the future of how we design and build. In an exclusive interview with ArchDaily, we explore the company's thoughts on generative design, machine learning and new emerging technologies.
ArchDaily and Strelka Mag have launched a jointly curated section that will host projects of emerging architects and offices that promote new design ideas and bring about positive transformations in their cities.
Another year, another successful ArchDaily China Building of the Year Awards! With more than 20,000 votes gathered over the past 20 days, the results of the 2020 edition are in! Once more, the award has proved to be the largest architecture prize centered around people’s opinion. Crowdsourced, the most relevant projects of the year were nominated and selected by our readers.
This year we celebrate three projects -- highlighting a wide range of interventions, typologies, scale, material and locations, the winners are a mere reflection of the vast outreach of the profession. With new names surfacing every year, this edition, as the previous ones did, honors well-established practices and the newcomers. High-profile figures include Atelier FCJZ with its bridge museum in the Chinese countryside, Neri&Hu Design and Research Office and its sculpture art center, and Atelier Lai's Bamboo Bridge.
True to its status, ArchDaily China, the most far-reaching Chinese architectural website, is and will always be a platform for all architecture enthusiasts. Curating the best in the world, thanks to the trust of architectural firms and the devotion of our readers, ArchDaily’s realm keeps expanding exponentially. For that, we are grateful!
https://www.archdaily.com/938267/winners-of-the-archdaily-china-building-of-the-year-2020-awards韩双羽 - HAN Shuangyu
In the past 30 days, Amazon searches for touchless products such as automatic shoe cover dispensers, touch free soap dispensers, contactless thermometers, and hand free faucets have increased by up to 2000%. As anxieties over the spread of COVID-19 through contact or shared surfaces continue to plague the general population, these technologies offer a potential solution for offices or organizations struggling to stay operational without increasing the risk of viral spread.
As social distancing becomes the new norm in the fight against COVID-19, people are finding it harder to keep up with the six-foot rule in dense cities. Urban Planner Meli Harvey developed a map of New York that shows the width of sidewalks in the city, aiming to highlight public areas where social distancing can be maintained.
UNStudio has just completed the remodeling works of the Hanwha headquarters building in Seoul, while the building remained fully occupied. The refurbishment operations have created a modern establishment that meets the current sustainability requirements.
The QuzhouSports Campus by MAD Architects is taking shape in China’s Zhejiang province. Led by the Ma Yansong, the team designed the campus as a futuristic landscape with mountains and a lake conceived as a sunken garden. The design connects to the historic city to become a surreal and tranquil landscape. The project's vision is to bring both the competition among sports stars and the physical activity of people’s daily lives together.
In today’s world of digital architecture, one term appears more than all others: BIM. Building Information Modeling (BIM) concerns the appending and otherwise referencing of data in a digital model. Architects use BIM for a variety of reasons, but the common denominator of BIM use is having a single model which serves as a touchpoint for coordination between internal and external teams.
Flansburgh Architects, a Boston-based firm that specializes in educational architecture, implemented a Big BIM workflow for the design of a new school for the town of Holbrook, Massachusetts. Kent Kovacs, AIA, Vice President and principal-in-charge and Brian Hores, AIA, BIM Manager shared how this process benefited the project.
Every so often, the field of architecture is presented with what is hailed as the next “miracle building material.” Concrete enabled the expansion of the Roman Empire, steel densified cities to previously unthinkable heights, and plastic reconstituted the architectural interior and the building economy along with it.
But it would be reasonable to question why and how, in the 21st century, timber was accorded a miracle status on the tail-end of a timeline several millennia-long. Though its rough-hewn surface and the puzzle-like assembly it engenders might seem antithetical to the current global demand for exponential building development, it is timber’s durability, renewability, and capacity for sequestering carbon—rather than release it—that inspires the building industry to heavily invest in its future.
I recently viewed a public art commission at Dubai's foremost cultural district - Alserkal Avenue: it was an installation by an artist collective - METASITU, who had transformed a warehouse on the Avenue previously known as Nadi Al Quoz, into a 21st-century ruin. The work titled: 'we were building sand castles_but the wind blew them away', was inspired by the perennial demolitions that have become an integral part of contemporary placemaking around the world. Through this piece of work, METASITU reflects on the extractive city-building processes, while contextualising them within different human and ecological timelines. The long-term vision of the artists was to deconstruct the building and return its constituent materials to their ‘original state’. Later this year, they plan to further deconstruct the installation into a public landscaped environment.