In a predominately urban world that constantly has to deal with complex problems such as waste generation, water scarcity, natural disasters, air pollution, and even the spread of disease, it is impossible to ignore the impact of human activity on the environment. Climate change is one of the greatest challenges of our time and it is urgent that we find ways to slow down the process, at the very least. Toward this end, our production, consumption, and construction habits will have to change, or climate change and environmental degradation will continue to diminish the quality and duration of our lives and that of future generations.

Although they seem intangible and distant, these various energy inefficiencies and waste issues are much closer than we can imagine, present in the buildings we use on a daily basis. As architects, this problem is further amplified as we deal daily with design decisions and material specifications. In other words, our decisions really do have a global impact. How can we use design to create a healthier future for our world?

P&T Architects and Engineers have designed a free zone development, “dedicated to the growing e-commerce market in the Middle East”. Entitled Dubai CommerCity, the award-winning project puts in place three main clusters spread over 530,000 square meters: business, logistics, and social.

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Carmelina&Aurelio Architecture Studio based in Tuxtla Gutiérrez, Chiapas in Mexico, released a book with architectural illustrations to color. The book in PDF format is available on their website for free and consists of eight letter-size pages. Read on for the featured projects as well as examples of color palettes for further inspiration.

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Slovak Architect Vladimír Dedeček passed away on April 29, 2020 at the age of 91. Over the course of his career, he created a portfolio of over 100 projects, ranging from private homes to large modernist complexes. Known for his monumental and controversial buildings, Dedeček influenced both regional and international architecture alike.

Can a collective agency, or mind, be traced across the urban condition? And how should we map its effects on the physical matter of our cities? A specific representation of a specific type of ‘home’ is employed as an exercise in defining the impact of a “logic of thinking that is both embodied and distributed, singular and collective.” Hélène Frichot’s proposal for “Noourbanographies” was written as a response to the call for papers of the “Eyes of the City,” well before our domestic interiors became the new public. Looking at the distance between hegemonic collectives and ecologies of subjectivities as space for action, the essay opens up to an articulate range of issues that involve matters of care, diagrammatic thinking and spaces of control.

For the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," (21 December 2019-8 March 2020) ArchDaily is working with the curators of the "Eyes of the City" section to stimulate a discussion on how new technologies might impact architecture and urban life. The contribution below is part of a series of scientific essays selected through the “Eyes of the City” call for papers, launched in preparation of the exhibitions: international scholars were asked to send their reflection in reaction to the statement by the curators Carlo Ratti Associati, Politecnico di Torino and SCUT, which you can read here.

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This spring semester 2020, architect Wonne Ickx from PRODUCTORA was invited to teach a studio at RICE University in Houston, Texas as the Cullinan Visiting professor. The studio was called 'Pyramid Schemes' and combined an interest in the early XXth Century housing projects by Henri Sauvage, with a project site in Mexico City and an analysis of the related local conditions. The studio started out with quite some travelling forth and back between Houston and Mexico City, including a week-long study trip of the RICE students to Mexico's capital.

Ada Louise Huxtable once described him as “a poet who happens to be an architect.” Italian architect Aldo Rossi (3 May 1931 – 4 September 1997) was known for his drawings, urban theory, and for winning the Pritzker Prize in 1990. Rossi also directed the Venice Biennale in 1985 and 1986—one of only two people to have served as director twice.

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This article was originally published on Common Edge.

A global pandemic can change the way you look at things. In Greenwich, Connecticut, as with most places, restaurants and bars are shuttered now, schools are closed, and traffic is sparse as people stay home and maintain social distancing. 

But each weekday, as the sun comes up over the eerily tranquil streets of the historic downtown business district, First Selectman Fred Camillo is still heading to the office. Camillo works in the Town Hall, a public building that’s been off-limits to the public—and to most employees—since mid-March, when all of Connecticut entered a constantly evolving state of lockdown following an executive order by Governor Ned Lamont in response to the COVID-19 outbreak.

Head shops, born during the counterculture movement of the 1960s, were legally mandated to only sell products for use with legal substances. This influenced a tradition of delightfully surreptitious shop names and bright, far-out signage welcoming potential customers to a safe space, while staying within the law. From the cartoon apple with marijuana leaves as stems gracing the sign at Adam’s Apple in Chicago, to the simple block-lettered neon sign at The Fitter in Boulder, the tradition of odd, cool, freeform, blocky, colorful lettering spelling out fun and hardly clandestine shop names has offered sanctuary for those searching for the sub- and counterculture for half a century.

The use of artificial intelligence (AI) is based on the idea of ​​optimizing, streamlining and expanding the reach of the most diverse operations. Their systems are programmed to identify patterns and carry out predictions, decisions, and ultimately perform and actions with speed and accuracy. The efficiency of the models depends on the quantity and quality of the data, which can be obtained by applications, cameras, and sensors. In the urban context, technology based on the use of artificial intelligence has been seen as a way to improve the management of cities, especially those that are denser and have larger footprints.

Foster + Partners has created a series of architectural challenges for kids, to learn and have fun during the lockdown. Available templates and activities include making paper skyscrapers, creating your own city, drawing trees, and imagining the future.

Firm Studio One Eleven has unveiled a series of new community centers across the Orange County Great Park masterplan. Located in four of the 10 neighborhoods in the 1,300-acre park, they join one of the largest urban masterplans in the United States. The centers were made to combine a range of amenities and programs through seamless indoor-outdoor rooms and plazas.

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Foster + Partners first built project in Russia is set to be completed later this year, as construction work for the RMK headquarters in Yekaterinburg nears finalization. The 15-storey building designed for the leading copper producer rethinks the conventional office space, bringing about a domestic scale to the interior layout.

Until the recent outbreak of the COVID-19 pandemic, the climate crisis was perhaps the fundamental design problem of our Anthropocene era. The threat of climate change has forced us as designers to reevaluate how we realize designs at all scales. Eco-friendly interior finishes, net-zero energy skyscrapers, and strategies to prevent the rising sea levels from pushing residents in coastal cities more inland are just some of the innovative solutions that have come from the increased urgency to mitigate the effects of the climate on our world.

Realistic images and walk-throughs have become an integral part of project presentations. Designers are using cutting-edge softwares and constructing precise 3D models to showcase their work as authentically as possible. As for the world of video games, it is not just about the quality of the graphics or how accurate these graphics are, but rather the immersive experience of visual designs and how the players are communicating with the virtually-built environment.

In an exclusive interview with ArchDaily, Philip Klevestav, principle artist at Blizzard Entertainment, the gaming development company known for Warcraft, Overwatch, and Diablo, shares his insights on video game designs and the influence of architecture on the designing process.

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Zaha Hadid Architects has won a competition to design and build the new Shanghai headquarters of the China Energy Conservation and Environmental Protection Group (CECEP). The 218,000 sqm project will be the ‘greenest’ building in the city with sustainability embedded into every aspect of its design and construction to achieve more than 90 credits in China’s exacting Three Star Green Building Rating system - the highest score for any building in Shanghai.

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Architects around the world have put their knowledge to use in the fight against the coronavirus. While some designed alternative facilities to increase the capacity of hospitals, others imagined different types of face protection gears to help with the world-wide shortage of masks. Using 3d printing technology, easy to assemble techniques, and low-cost material, firms, universities, and individuals have mobilized their expertise to create face shields for citizens and medical staff.

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The Lithuanian capital Vilnius has decided to allocate its public spaces to bars and cafes, to encourage the reopening of restaurants under required physical distancing measures. Turning the outdoor space into one vast open-air café, the city is taking new safety measures to step into the next phase of the lockdown.

The final piece of the new Morandi Bridge decking in Genoa, Italy has been put in place. Designed by Renzo Piano, the structure is being built to address the tragic collapse of the original bridge that claimed 43 lives. In the aftermath of the disaster, Piano offered to donate the design of a bridge to replace the old one, having been deeply affected by the tragedy. The latest announcement comes from PERGENOVA, the company established to design and build the new bridge.

Fifty percent of landfill waste in New Zealand is construction and demolition waste. The demand for homes in the coming years and decades is rapidly outstripping any possible supply we could provide with our current construction methods. PhD student Ged Finch discusses the problems with the home building industry and practices in New Zealand and proposes an alternative to what he terms the "disposable model" of building. Today's homes are not built to last, and can make us sick in the time they are here. Finch's research focuses instead on a completely reimagined, zero waste model for construction. Utilizing today's digital fabrication technologies, we can create a set of building parts that are optimized and reusable from naturally durable materials. But the technical solution is only one part, states Finch. The real key is human ambition.

Although any architectural project must ensure the safety and well-being of its occupants, this goal is especially pertinent for healthcare spaces, whose primary occupants are those prone to getting sick or worsening their initial condition. For this reason, its design must not only support medical procedures in their optimal conditions, but also ensure that the environment is kept sterile and clean at all times.

How do materials that fight the growth of pathogenic bacteria work? Is it possible to improve the hygiene and healthiness of an environment without neglecting the aesthetics of the space? We address this question by reviewing the case of Krion® solid surfaces, widely used in the healthcare sector but also in residential, commercial and office projects.

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