With its wide range of applications and cosmetic properties, concrete is having a moment in the world of architecture. Today, thanks to the ever-moving stream of innovation in concrete production and application, optimal results are now the norm rather than the exception. For architects and builders alike, concrete is an opportunity to explore and experiment with tones and textures, ensuring that there is something for every design and project.
“A Country without Walls, a Future without Limits” is a proposal for an expo pavilion imagined by 10 DESIGN. Based on the ideas of communication, openness, hospitality, and change, the project puts in place a memorable experience for visitors.
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The Rothko Chapel in Houston is set to reopen this September. As one of the world’s most celebrated sacred spaces, the chapel recently underwent restoration as part of the first phase of Opening Spaces, a $30-million master plan for its campus. The work is being completed to more closely align the building with the original vision of the Chapel’s founders Mark Rothko and John and Dominique de Menil.
When the groundbreaking ceremony for the world’s largest soccer stadium in Guangzhou was announced on April 16th, the most controversial aspect of the project was not its $1.7 billion price tag, but its bold lotus shape causing a backlash from the local architectural community but praise from the general public.
OSB (Oriented Strand Board) can be easily recognized for its distinctive appearance. This material consists of cross-oriented layers of wood strands compressed and bonded together with resin, applied under high pressure and temperature. As a result, the standardized panels have great stiffness, strength, and stability, and are often used as wall cladding attached to the steel frame of a building or as partitions. Also, they have good soundproofing capabilities, since the panels are uniform and have no internal gaps or voids. It is also worth mentioning that OSB can be fully recycled, thereby being considered eco-friendly.
The construction industry is responsible for 75% of the consumption of earth's natural resources. Stone, sand, iron, and many other finite resources are extracted in huge quantities to supply the markets. Additionally, construction sites themselves generate enormous quantities of waste, whether through construction, demolition, or remodeling. In Brazil, for example, construction waste can represent between 50% and 70% of the total mass of municipal solid waste [1]. This waste often ends up in landfills and dumps rather than being properly disposed of, overwhelming municipal sanitation systems and creating informal disposal sites.
The Kaira Looro Architecture Competition to support humanitarian projects has released its full list of winning projects for an Emergency Operations Centre (EOC) in Sub-Saharan Africa. The contest, already in its 4th edition, aims to raise awareness among the international community about emergencies in developing countries, and support humanitarian projects in Africa.
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Next year’s Tallinn Architecture Biennale (TAB) has been postponed until 2022. Announced by the Estonian Centre for Architecture, the 6th edition has been adjourned “due to the postponement of the Venice Architecture Biennale as well as the uncertain times that international cultural events are facing because of the coronavirus outbreak”.
Armenian graphic designer and illustrator Nvard Yerkanian has created a new series exploring modernist architecture in Armenia. The illustration series aims to reveal the beauty and value of modernism to the public through the power of colors that accentuate the simple yet fantastic forms of these monuments. The series is an ode to the architectural heritage that has been lost and undervalued.
While damage control and preparation is an ever increasing factor in how we plan our cities, certain extraordinary circumstances, like natural disasters, remain outside of our ability to plan and demand quick architectural responses that offer instant aid to the people affected, often being the difference between life and death.
Natural, unpredictable events like earthquakes, tsunamis, hurricanes, floods, armed conflicts, territory disputes, or global crises--such as climate change or pandemics--require immediate action in order to mitigate ensuing damage and chaos. Emergency architecture is the immediate answer to the humanitarian side of a conflict, covering everything from housing to medical facilities for the affected.
The concepts of autonomy, collaboration, and participation have gained relevance in architecture and urbanism through collaborative actions involving the community, architects, urban planners, and designers. As the number of climate disasters has significantly increased - doubling in the last 40 years according to a report released in 2016 by CRED (Centre for Research on the Epidemiology of Disasters) - in addition to conflicts and other tragedies, the demand for the rebuilding of houses and infrastructure in affected areas has grown simultaneously. This has called for a major collaborative effort in architectural and urban reconstruction.
Peter Zumthor, in one of his most emblematic works, gives concrete an almost sacred dimension. The work in question is the small Bruder Klaus Field Chapel, located in a small village in Germany, a construction that is both robust and sensitive. Built with white cement, which was mixed with stones and sand from the region, the chapel is composed of 24 layers of concrete that were poured day after day by local labor, and compressed in an unusual way. The building's flat and smooth exterior contrasts with its interior, which was initially made of inclined wooden logs forming a triangular void. To remove these internal forms, the logs were set on fire in a controlled process, reducing them to ash and creating a carbonized interior that varied between black and gray and retained the texture of the negatives of the logs. The result is a masterpiece of architecture, a space for reflection and transformation, in which the same material appears in diametrically opposing ways.
While all public spaces around the world are trying to innovate and implement safety measures to open during the coronavirus pandemic, Domino Park has introduced a series of painted social distancing circles. This strategical urban design intervention ensures that people are “following proper social distancing procedures recommended by the CDC and government”.
The Miller Hull Partnership has earned a Living Building Challenge Petal Certification for the renovation of its San Diego studio. The renovation is the first project certified under the fourth version of the Living Building Challenge (LBC 4.0), which continues the standard’s mission of visionary building goals. Now all of Miller Hull’s offices are Petal certified.
SCI-Arc’s Master of Science in Design Theory and Pedagogy is a one-year program that addresses the growing ambiguity between practice and academia and prepares students for the new hybrid career that has emerged in architecture: the architect-theorist-educator. As shifting political, social, cultural, technological, and ecological paradigms redefine architecture, the program speculates on how architects will practice in the future, interrogates current pedagogical models, and focuses on what needs to be rethought, advanced, or challenged. One of five master’s programs within SCI-Arc EDGE, Center for Advanced Studies in Architecture, Design Theory and Pedagogy prepares young architects for new forms of architectural practice.
New Orleans is a city unlike any other. Defined by a rich cultural history, the Big Easy has been shaped by it's geography along the Mississippi Delta and the local climate. After the devastation of Hurricane Katrina in 2005, designers and architects looked to the city with a renewed focus to build a better future. From the Lower 9th Ward to the French Quarter and beyond, modern designs were created within a diverse urban fabric.
Our lives as architects and designers revolve around inventing new ways to change both the profession in which we practice, and the world for which we build. From the individual buildings, all the way to the urban planning strategies that we propose, the way that we consider a project's longevity and impact on the world play an immense part in how we think about design.
To further explore how we can design cities, environments, and buildings, we are excited to announce the lineup for ArchDaily x LifeCycles: The Future of our Cities; a three day (May 26-28) series of panel discussions featuring architects from around the world who will be sharing their ideas and experiences for how we can build a better future.
The profession mourns the loss of a trailblazer. Robert Coles was the first African American chancellor of the AIA's College of Fellows, and a founding member the National Organization of Minority Architects https://t.co/eTCHv7S6AO
— AIA Virginia (@AIA_VA) May 19, 2020
American architect Robert Traynham Coles, a founding member of the National Organization for Minority Architects (NOMA) has passed away at the age of 90 on Saturday, May 16, 2020. Considered one of the lead advocates for diversity in architecture, he was the first African American chancellor of the AIA's College of Fellows.
Back in February this year, the American architectural community was scandalised by a draft executive order from the White House threatening to make neoclassical or traditional regional styles compulsory for all new federal buildings. The initiative fails to recognise the specificity of the architectural expression and the innovation that stems from understanding the local context. Metropolis Magazine has gathered together several examples of civic architecture that succeed in expressing the needs and aspirations of their communities, thus building a compelling argument against a mandated, unified architectural expression.
JOA is honoured to participate in the 2019 Bi-City Biennale of Urbanism\Architecture (Shenzhen). We have always taken the research led perspective as the starting point of the design, trying to discuss the story behind the architecture in greater depth, and present it to the public through the exhibition. Our understanding of the future world is more based on the perspective of architecture rather than sci-fi movies. The premise of envisioning the future is actually to discuss the current social pain points, and then come up with critical reflections in a future dimension, which we call "The Post Anthropocene” project.
As the world is slowly reopening, easing lockdown measures, everyone is adapting to new realities. Imposing drastic adjustments to our lives, the coronavirus has introduced a new “normal”, changing our perceptions and altering our priorities. Driven towards questioning and evaluating our environment, we are constantly reacting and anticipating a relatively unknown future.
A casual conversation between two editors at ArchDaily generated this collaborative piece that seeks to investigate the current trends, predict the future, and offer insights to everyone/everything related to the architectural field. Tackling the evolution of the profession, the firms, and the individuals, especially young adults and students, this article, produced by Christele Harrouk and Eric Baldwin, aims to reveal what is happening in the architecture scene.
Kiruna Forever, an exhibition at ArkDes, traces the town's relocation due to geological instability.
“Kiruna is on the move,” says Carlos Mínguez Carrasco, curator of the new exhibition Kiruna Forever. Kiruna, a 125-year-old Swedish town that sprouted around the iron mine of the same name, started an official relocation process in 2018 after decades of discussion with the state-owned mining company LKAB. Today, as the expansion of the mine destabilizes the ground surrounding it, nearby buildings are being demolished or loaded onto flatbed trucks and moved to the new city center nearly two miles east.
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Emergencies include a variety of contemporary scenarios ranging from natural disasters to extreme poverty or isolation due to social and political conflicts. In all cases, the disruption of normality and the requirement of basic needs for maintaining a decent quality of life become the basis for finding quick and efficient alternatives to respond to this type of urgency.
Architecture can be a tool for social change, and the belief in this statement is what motivates the work of many architectural NGOs who strive to address the lack of adequate shelter, generate social and economic change and build resilience in communities. These NGOs operate in two major areas, disaster relief and community development, with many organisations pursuing both types of actions. This article rounds-up several architecture-related foundations that act in emergencies, covering their expertise, past involvement in humanitarian crises, as well as the means to join them in their efforts.
.jpg?1590479740 "TAB 2019 \"Beauty Matters\", Head Curator Yael Reisner. Image © Tõnu Tunnel")
.jpg?1590479729 "TAB 2019 \"Beauty Matters\", Head Curator Yael Reisner. Image © Tõnu Tunnel")
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