When facing emergencies such as natural disasters, warfare or pandemics, architecture must offer immediate and effective solutions. In these unfortunate circumstances, the priority is usually to solve problems around housing, however, once the emergency is under control, the focus starts to slowly move towards meeting places such as community centers, neighborhood councils and public spaces.
To create new meeting places in emergency situations, scaffolding is a good alternative regarding construction speed and tight budgets. Although they are usually used as temporary structures, they also allow creating a quickly composed space playing with horizontal, vertical and diagonal lines, and the combination with other materials such as textile, wood, polycarbonate and metal.
Conducted by The Citizens’ Brigade to Save LACMA, a recent poll revealed that only 5% approve of the current Peter Zumthor-designed scheme for a new LACMA, 50% Support the renovation of the existing buildings, and 85% favor encyclopedic collection in one location. The public survey also highlighted 3 designs selected out of the shortlisted six proposals of the “LACMA Not LackMA” competition.
Prefabricated design and manufacturing company Plant Prefab has announced their new lightHouse line, a set of accessory dwelling units (ADUs) available in multiple sizes. Working with designers Alchemy Architects, the LivingHomes concept joins a roster of work with partners that include KieranTimberlake, Koto Design and Brooks + Scarpa. With a size ranging from 310 square feet to 600, the newest line was inspired by Alchemy’s previous work on small-space living.
Many of us spend more time at our offices than ever before and sometimes see our colleagues more than our own families. Workplaces can be considered to be our second homes, which is why the way we deliberately design them in the present day has garnered so much attention. The overarching design of workplaces aims to create a perfect balance between heads-down focus work and layers of collaboration to improve the productivity and general well being of employees. As workplace trends come and go, there’s a new progression on everyone’s minds- and it predicts what a post-COVID-19 office might look like both in the immediate and long term future. Although there’s no crystal ball answer, many architecture firms, research groups, and real estate companies have been tapped to ideate and implement forward-thinking design solutions and health safety policies that will be critical in redefining how we utilize our workplaces for the years to come.
Earthquakes, pandemics, conflicts, and environmental disasters are some of the events that have challenged architects, planners, designers, and engineers. The goal is to find ways of creating structures and infrastructure more quickly, easily, efficiently, suiting both the circumstances and the location in which they will be implemented. When searching for materials that meet the requirements for each situation, those considered "alternative" or unusual - at least in the context of emergency shelters - can offer great opportunities for experimentation and applicability for emergency structures. Containers and tensioned fabrics always come to mind when discussing temporary constructions. However, there are other highly available materials with good mechanical properties that can achieve relief purposes.
3XN has recently won the competition to design the new office building Kvarter 15/ District 15 in Östra Hagastaden, Stockholm. Modern and flexible, the project will be linked to Stockholm's northern city gate, connecting the motorway, the city, and the public park, Hagaparken.
As the healthcare infrastructure is becoming overwhelmed and hospitals around the world are reaching their capacities, new alternative possibilities are emerging. In response to bed shortage and facility saturation, architects around the world are taking action, in the on-going fight against the coronavirus. Focusing their knowhow to find fast and efficient design solutions that can be implemented anywhere, they are proposing flexible, fast assembled, mobile, and simple structures. With a very tight timetable, some projects are already implemented and in service, while others remain on a conceptual level, waiting to be adopted.
MASS Design Group has been selected to lead the tribal engagement process of the future Willamette Falls Riverwalk. The partnership was announced by the Willamette Falls Trust, with the team working to ensure that the Riverwalk centers on indigenous experiences and educates the greater Portland community on the Native stories of the region. The project will focus on public space that celebrates the human and natural history of Willamette Falls.
The last decade has seen an enormous influx of new technologies in architecture. Ever since CAD revolutionized traditional pen and paper design methods, many forms of technology have found a comfortable place in the architect’s workflow. While the human experience has always been the cornerstone of architecture, innovations for the AEC industry aren’t always “people-centric”. High barriers to entry, whether that be price or ease-of-use, have kept many practitioners from realizing their full potential.
Concerns about the hygiene, durability, and healthiness of interior spaces have increased considerably in recent years, drawing extreme attention to hospital and health-related projects. Consequently, the choice of materials becomes essential from the conception of each project, guaranteeing that each space performs effectively on all fronts, from resistance and safety to environmental comfort and aesthetics.
In particular, the enclosures in hospitals and health centers must conform to a series of predetermined guidelines and dimensions, which respond to the standardized sizes of different types of equipment and to the needs of each medical procedure. Within the robust framework of the structural walls, the partitions – which are essential for subdividing the space – must be especially resistant to impact, fire, and humidity, in addition to effectively mediating the acoustics between rooms and inside each one of them.
Architects, not Architecture decided to open their archive to help us cope with the current situation of not being able to go out as usual and create a source of inspiration and entertainment through sharing one of the unique talks from their previous 35 events, which have never been published before – including those of architects like Daniel Libeskind, Peter Cook, Richard Rogers, Massimiliano Fuksas, Kim Herforth Nielsen, Tatiana Bilbao, Benedetta Tagliabue, Mario Botta, Anupama Kundoo, and Sadie Morgan.
Every week, Archdaily will be sharing one of the Architects, not Architecture. talks which they are currently publishing online in the form of daily full-length video uploads as part of their “new event”: Home Edition 2020
With its wide range of applications and cosmetic properties, concrete is having a moment in the world of architecture. Today, thanks to the ever-moving stream of innovation in concrete production and application, optimal results are now the norm rather than the exception. For architects and builders alike, concrete is an opportunity to explore and experiment with tones and textures, ensuring that there is something for every design and project.
“A Country without Walls, a Future without Limits” is a proposal for an expo pavilion imagined by 10 DESIGN. Based on the ideas of communication, openness, hospitality, and change, the project puts in place a memorable experience for visitors.
The Rothko Chapel in Houston is set to reopen this September. As one of the world’s most celebrated sacred spaces, the chapel recently underwent restoration as part of the first phase of Opening Spaces, a $30-million master plan for its campus. The work is being completed to more closely align the building with the original vision of the Chapel’s founders Mark Rothko and John and Dominique de Menil.
When the groundbreaking ceremony for the world’s largest soccer stadium in Guangzhou was announced on April 16th, the most controversial aspect of the project was not its $1.7 billion price tag, but its bold lotus shape causing a backlash from the local architectural community but praise from the general public.
https://www.archdaily.com/938391/what-is-the-future-of-sports-architectureMilly Mo
OSB (Oriented Strand Board) can be easily recognized for its distinctive appearance. This material consists of cross-oriented layers of wood strands compressed and bonded together with resin, applied under high pressure and temperature. As a result, the standardized panels have great stiffness, strength, and stability, and are often used as wall cladding attached to the steel frame of a building or as partitions. Also, they have good soundproofing capabilities, since the panels are uniform and have no internal gaps or voids. It is also worth mentioning that OSB can be fully recycled, thereby being considered eco-friendly.
The construction industry is responsible for 75% of the consumption of earth's natural resources. Stone, sand, iron, and many other finite resources are extracted in huge quantities to supply the markets. Additionally, construction sites themselves generate enormous quantities of waste, whether through construction, demolition, or remodeling. In Brazil, for example, construction waste can represent between 50% and 70% of the total mass of municipal solid waste [1]. This waste often ends up in landfills and dumps rather than being properly disposed of, overwhelming municipal sanitation systems and creating informal disposal sites.
The Kaira Looro Architecture Competition to support humanitarian projects has released its full list of winning projects for an Emergency Operations Centre (EOC) in Sub-Saharan Africa. The contest, already in its 4th edition, aims to raise awareness among the international community about emergencies in developing countries, and support humanitarian projects in Africa.
Next year’s Tallinn Architecture Biennale (TAB) has been postponed until 2022. Announced by the Estonian Centre for Architecture, the 6th edition has been adjourned “due to the postponement of the Venice Architecture Biennale as well as the uncertain times that international cultural events are facing because of the coronavirus outbreak”.
Armenian graphic designer and illustrator Nvard Yerkanian has created a new series exploring modernist architecture in Armenia. The illustration series aims to reveal the beauty and value of modernism to the public through the power of colors that accentuate the simple yet fantastic forms of these monuments. The series is an ode to the architectural heritage that has been lost and undervalued.
While damage control and preparation is an ever increasing factor in how we plan our cities, certain extraordinary circumstances, like natural disasters, remain outside of our ability to plan and demand quick architectural responses that offer instant aid to the people affected, often being the difference between life and death. Natural, unpredictable events like earthquakes, tsunamis, hurricanes, floods, armed conflicts, territory disputes, or global crises--such as climate change or pandemics--require immediate action in order to mitigate ensuing damage and chaos. Emergency architecture is the immediate answer to the humanitarian side of a conflict, covering everything from housing to medical facilities for the affected.
The concepts of autonomy, collaboration, and participation have gained relevance in architecture and urbanism through collaborative actions involving the community, architects, urban planners, and designers. As the number of climate disasters has significantly increased - doubling in the last 40 years according to a report released in 2016 by CRED (Centre for Research on the Epidemiology of Disasters) - in addition to conflicts and other tragedies, the demand for the rebuilding of houses and infrastructure in affected areas has grown simultaneously. This has called for a major collaborative effort in architectural and urban reconstruction.
Peter Zumthor, in one of his most emblematic works, gives concrete an almost sacred dimension. The work in question is the small Bruder Klaus Field Chapel, located in a small village in Germany, a construction that is both robust and sensitive. Built with white cement, which was mixed with stones and sand from the region, the chapel is composed of 24 layers of concrete that were poured day after day by local labor, and compressed in an unusual way. The building's flat and smooth exterior contrasts with its interior, which was initially made of inclined wooden logs forming a triangular void. To remove these internal forms, the logs were set on fire in a controlled process, reducing them to ash and creating a carbonized interior that varied between black and gray and retained the texture of the negatives of the logs. The result is a masterpiece of architecture, a space for reflection and transformation, in which the same material appears in diametrically opposing ways.
While all public spaces around the world are trying to innovate and implement safety measures to open during the coronavirus pandemic, Domino Park has introduced a series of painted social distancing circles. This strategical urban design intervention ensures that people are “following proper social distancing procedures recommended by the CDC and government”.