When we hear the term visualization, it’s likely that we picture a flashy render full of lights, people, dazzling finishes, and a sense of energy about the place that we are viewing. Aside from rendering a three-dimensional space, architects also need to develop their skills in the representation of intangible ideas that help drive the narrative behind their arguments. Instead of creating one-off concepts that are presented in a traditionally linear sequence, designers need to craft a story, structure their designs like a thesis, and consider how our presentations have the power to reveal the priorities of a project.
Representation of the real world is, without any doubt, in the genesis of cinema, an art originated from photography, by creating a sequence to convey the impression of movement to the viewer. In fact, the earliest known film recording is from 1895, picturing the arrival of a train at Ciolat station in France, a trivial event in the daily life of 19th-century European cities.
However, even though tangible reality plays a big role in cinema, one cannot ignore that the fascination caused by this art comes, to a great extent, from its capacity to create imaginary worlds, to activate mental spaces, and to unleash emotions. In this sense, the real world may often provide insufficient fuel, inspiration, or background for the directors' and screenwriters' storytelling, so the art direction and scenic design teams are required to create other intangible realities that serve as a basis for the narrative.
When Rashed Singaby, Principal at HOK, was contacted by a former client about how an existing stadium could be retrofitted to host esports events, he immediately knew this was an opportunity to create a blueprint for a type of space that has never existed before. Singaby and his team formulated a small research group to test and understand both the standards for each type of esports game and classify them into operational substructures. Since each game requires its own type of setup, it was important to ultimately conceptualize the design ideas and make recommendations for how existing spaces could be modified in order to best consume and be involved in the experience of esports activities.
The KPF-Designed 601 West Pender Street was granted approval by the Vancouver City Council. Located next to the city’s historic Rogers Building, the project generates an urban oasis within the city, replacing a six-story parking structure in the Central Business District.
Now in its fourteenth year, the 2020 RIBA Norman Foster Travelling Scholarship has been awarded to Iulia Cistelecan, from the London School of Architecture, for her project “Life Between Shelters: Refugee camps of today becoming cities of tomorrow”.
The National Council of Architectural Registration Boards (NCARB) has released its annual Survey of Architectural Registration Boards, which provides exclusive insight into data collected from the architectural licensing boards throughout the United States. Based on the new data, the number of architects licensed in the United States has increased over the last two years.
Cloud of Luster Wedding Chapel / Tetsuya Matsumoto. Image Courtesy of A' Design Awards
It's never too early to enter for a chance to showcase your work to a global audience; enter your design now for an A’ Design Award. The international competition was "born out of the desire to underline the best designs and well-designed products" of designers, architects, and innovators from all design fields. Among other design competitions and awards, the A' Design Award stands out for its exceptional scale with over 100 design categories.
The choice of materials and products made by an architect during their design and specification process is key to defining how a project will look after its completion and over time, as it ages. Choosing materials that are not appropriate could result in projects with both aesthetic and functional issues.
This is what makes the specification stage so essential in achieving expected results. During this phase, the professional in charge of specification becomes an essential part of the team and needs to have sufficient knowledge of the materials and products available in their region. But do all architecture offices have the same specification processes? Is the same importance given to this stage of the project as to the initial design phase? How close is the architect’s relationship with the materials really?
https://www.archdaily.com/941827/how-do-architects-and-industry-professionals-specify-different-materials-and-productsPola Mora
Bodybuilding, SO – IL and Ana Prvački, L’air pour l’air, Chicago, 2017. Photograph by Laurian Ghinitoiu
Six months after the release of the namesake book during the latest installment of the biennial, PERFORMA has launched Bodybuilding, which features thirty-five architecture studios who engage with performativity.
Is architecture a period or a comma? Are built forms hermetic bodies or catalysts for action? PERFORMA curator Charles Aubin and architect Carlos Mínguez Carrascor, published Bodybuilding: Architecture and Performance, during the most recent installment of the PERFORMA 19 biennial in New York City last November. Noticing a lack of a comprehensive, multigenerational survey on the subject, the duo’s interest in investigating the ways architects engage with performance goes as far back as a symposium they co-organized at the Performa 17 Hub in 2017. The book, which features essays by Mabel O. Wilson and Bryony Roberts, Lluís Alexandre Casanovas Blanco, and Victoria Bugge Øye, seeded the fundamental approaches now deeply rooted in the online exhibition: the impact of movement on systematic urbanization, the body’s relationship to buildings and monuments, and architecture’s role in action, be it physical or sociopolitical.
Beijing Daxing International Airport / Zaha Hadid Architects. Image by @seven7panda
In architecture and urbanism, both proximity and distance from a certain object of study, whether on a building scale or urban scale, are frequent strategies that help us better visualize details and also have a broader overall perception, both essential for understanding the object in question. Changing the point of view allows different perceptions of the same place. By moving from the ground level, or from the eye-level, which we are accustomed to in everyday life, to the aerial point of view, we can establish connections similar to those achieved through site plans, location plans, and urban plans.
In order to ensure a proper transition into post COVID-19, architects, public health experts, and engineers are generating design guidelines to provide people with new secure, and efficient resources. Finding a balance between optimizing operations and keeping people safe, the strategies tackle the built environment that surrounds us, from restaurants and outdoor dining, to streets, offices, and retail.
Addressed to city officials, owners, and employers, the tools developed help to reopen the world, while reducing the risk of COVID-19 transmission, promoting social distancing standards, and enhancing wellbeing. Discover in this article a roundup of design guidelines securing a safe post coronavirus transition.
MAD Architects has unveiled its design for the Shenzhen Bay Culture Park along the waterfront in Shenzhen, China. The masterplan puts in place a 51,000 square meters cultural complex that includes the Creative Design Hall, the Shenzhen Science and Technology Museum, and a vast public green space.
Photographer Kris Provoost has captured new images of Herzog & de Meuron's M+ Museum in Hong Kong. Focusing on 20th and 21st century art, design, architecture and moving image, M+ will be the centerpiece of the West Kowloon Cultural District, and a key venue in creating interdisciplinary exchange between the visual arts and the performing arts in Asia.
Smart homes, the Internet of Things, and contactless technology have become an indelible part of the architecture and interior design industries, with automated lighting, smart HVAC units, and speakers like Alexa or Google Home becoming a principal part of the modern upper middle class home. As new devices and competing systems are continually released, we list some of the most popular home technologies developed by Lutron, alongside tips for how to integrate and choose among them.
https://www.archdaily.com/941241/how-to-design-a-smart-and-contactless-homeLilly Cao
Humans have used mirrors since as early as 600 BCE, employing highly polished obsidian as a basic reflective surface. Over time, people began to use small pieces of gold, silver, and aluminum in a similar manner, both for their reflective properties and for decoration. By the 1st century CE, people had started using glass to make mirrors, but it was only during the European Renaissance that Venetian manufacturers began making mirrors by applying metallic backings to glass sheets, remaining the most common general method of mirror manufacturing today. Since then, mirrors have continued to play both a decorative and functional role in architecture, serving a clean, modern aesthetic despite its ancient origins. Below, we investigate how mirrors are made, provide a brief history of mirrors in architecture, and offer several tips for architects looking to use mirrors in their designs.
https://www.archdaily.com/942109/mirrors-in-architecture-possibilities-of-reflected-spaceLilly Cao
Techniques in visualization have evolved significantly over the years, providing increasingly accurate depictions that give architects a realistic view of their work before the foundation is even laid. For architects and the people they work with, the goal of a visualization is to illustrate the qualities and characteristics of a three-dimensional space that has yet to be built or is in the process of being constructed, by using hand or computer drawn images, videos, and even virtual reality platforms. All of these tools serve as a way of bringing an idea to life, whether for clients or judges in an architectural competition.
During the peak of Postmodernism, and the uprising of notions such as urban renewal and public participation, Aedes Architecture Forum, the first private architecture gallery in the world, opened in 1980 in Berlin. Founded by Journalist Kristin Feireiss and Helga Retzer, both neither architects nor regularly engaged with architecture at that time, Aedes aspired to encourage an international dialogue around the subjects of urban environment, space, and society.
Shortly after its inception, the center became an integral part of the contemporary international architectural scene, carrying out debates, seeking fresh ideas, showcasing the avant-garde, and highlighting young talents. Providing architects with a compelling space to present their architectural and urban ideas, Aedes hosted exhibitions for Zaha Hadid, Venturi Scott Brown, Cedric Price, John Hejduk, OMA (Office for Metropolitan Architecture), Peter and Alison Smithson, and Bernard Tschumi to name a few.
The American Institute of Architects (AIA) has just released strategies, illustrations, and 3D design models in order to help reduce the risk of COVID-19 in schools. In an effort to assist education officials with reopening schools during the pandemic, the design guidelines are part of the AIA’s initiative “Reopening America: Strategies for Safer Buildings”.
Hachem Architects have designed a new $65 million hotel within a lavender farm in Australia's Yarra Valley. Design as a boutique retreat, the project will also include a facility for infusing lavender into gin. Dubbed Voco, its horseshoe layout is focused towards the Valley’s views and wraps itself around a private courtyard. The design was made to capture the imagination of a new generation of travelers.
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Project: Quatuor, Brussels, Belgium designed by Jaspers-Eyers Architects and developed by Befimmo. Image Courtesy of DeMicoli & Associates
The exchange of ideas and concepts is a major part of any large modern building project. Architects, investors, general contractors and sub-contractors all use different tools to form both mental and modeled images of what the end result will look like. When some parties rely on renders or fly-throughs and others use 2D drawings, it can lead to communication difficulties. Reynaers discovered that by bringing together collaborators from different disciplines in its Avalon, the fog of misunderstandings evaporates and difficult decisions can be made on the spot.
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https://www.archdaily.com/942252/submit-your-local-website-for-a-potential-partnership-with-archdailyAD Editorial Team
This article is part of "Eastern Bloc Architecture: 50 Buildings that Defined an Era", a collaborative series by The Calvert Journal and ArchDaily highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Futuristic Hotels and Avant-Garde Resorts.
https://www.archdaily.com/942248/eastern-bloc-architecture-futuristic-hotels-and-avant-garde-resortsLucía de la Torre
A monochrome environment is a space in which most architectural elements are of a single color. Although it is common for architects to design black or white monochromatic spaces due to its neutrality, it is possible to use almost any color to design a space, taking advantage of their infinite tones, undertones, and shades.
"Volumen virtual suspendido" de Jesús Rafael Soto, Centro Benaven, Chuao, Caracas, 1984. Image Cortesía de ArchivoFotografíaUrbana | Fotografía de Ramón Paolini del fotolibro "Caracas. A doble página"
Through a visual survey, architect and photographer Ramón Paolini explores the evolution of Caracas (Venezuela). The photographs capture the capital's transformation throughout the past forty years, giving viewers an in depth look at one of Latin America's most tumultuous regions, its urban development, and the socio-political aspects behind it. Most importantly, Paolini illustrates his personal vision for this urban space that builds, destroys, and rebuilds with an astounding tenacity.
.jpg?1591644193 "Tetrys 607 Apartament / CR2 Arquitetura. Image © Cris Farhat")
