Six months after the release of the namesake book during the latest installment of the biennial, PERFORMA has launched Bodybuilding, which features thirty-five architecture studios who engage with performativity.

Is architecture a period or a comma? Are built forms hermetic bodies or catalysts for action? PERFORMA curator Charles Aubin and architect Carlos Mínguez Carrascor, published Bodybuilding: Architecture and Performance, during the most recent installment of the PERFORMA 19 biennial in New York City last November. Noticing a lack of a comprehensive, multigenerational survey on the subject, the duo’s interest in investigating the ways architects engage with performance goes as far back as a symposium they co-organized at the Performa 17 Hub in 2017. The book, which features essays by Mabel O. Wilson and Bryony Roberts, Lluís Alexandre Casanovas Blanco, and Victoria Bugge Øye, seeded the fundamental approaches now deeply rooted in the online exhibition: the impact of movement on systematic urbanization, the body’s relationship to buildings and monuments, and architecture’s role in action, be it physical or sociopolitical.

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In architecture and urbanism, both proximity and distance from a certain object of study, whether on a building scale or urban scale, are frequent strategies that help us better visualize details and also have a broader overall perception, both essential for understanding the object in question. Changing the point of view allows different perceptions of the same place. By moving from the ground level, or from the eye-level, which we are accustomed to in everyday life, to the aerial point of view, we can establish connections similar to those achieved through site plans, location plans, and urban plans.

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In order to ensure a proper transition into post COVID-19, architects, public health experts, and engineers are generating design guidelines to provide people with new secure, and efficient resources. Finding a balance between optimizing operations and keeping people safe, the strategies tackle the built environment that surrounds us, from restaurants and outdoor dining, to streets, offices, and retail.

Addressed to city officials, owners, and employers, the tools developed help to reopen the world, while reducing the risk of COVID-19 transmission, promoting social distancing standards, and enhancing wellbeing. Discover in this article a roundup of design guidelines securing a safe post coronavirus transition.

MAD Architects has unveiled its design for the Shenzhen Bay Culture Park along the waterfront in Shenzhen, China. The masterplan puts in place a 51,000 square meters cultural complex that includes the Creative Design Hall, the Shenzhen Science and Technology Museum, and a vast public green space.

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Photographer Kris Provoost has captured new images of Herzog & de Meuron's M+ Museum in Hong Kong. Focusing on 20th and 21st century art, design, architecture and moving image, M+ will be the centerpiece of the West Kowloon Cultural District, and a key venue in creating interdisciplinary exchange between the visual arts and the performing arts in Asia.

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Videos

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Smart homes, the Internet of Things, and contactless technology have become an indelible part of the architecture and interior design industries, with automated lighting, smart HVAC units, and speakers like Alexa or Google Home becoming a principal part of the modern upper middle class home. As new devices and competing systems are continually released, we list some of the most popular home technologies developed by Lutron, alongside tips for how to integrate and choose among them.

Humans have used mirrors since as early as 600 BCE, employing highly polished obsidian as a basic reflective surface. Over time, people began to use small pieces of gold, silver, and aluminum in a similar manner, both for their reflective properties and for decoration. By the 1^st century CE, people had started using glass to make mirrors, but it was only during the European Renaissance that Venetian manufacturers began making mirrors by applying metallic backings to glass sheets, remaining the most common general method of mirror manufacturing today. Since then, mirrors have continued to play both a decorative and functional role in architecture, serving a clean, modern aesthetic despite its ancient origins. Below, we investigate how mirrors are made, provide a brief history of mirrors in architecture, and offer several tips for architects looking to use mirrors in their designs.

Techniques in visualization have evolved significantly over the years, providing increasingly accurate depictions that give architects a realistic view of their work before the foundation is even laid. For architects and the people they work with, the goal of a visualization is to illustrate the qualities and characteristics of a three-dimensional space that has yet to be built or is in the process of being constructed, by using hand or computer drawn images, videos, and even virtual reality platforms. All of these tools serve as a way of bringing an idea to life, whether for clients or judges in an architectural competition.  

The American Institute of Architects (AIA) has just released strategies, illustrations, and 3D design models in order to help reduce the risk of COVID-19 in schools. In an effort to assist education officials with reopening schools during the pandemic, the design guidelines are part of the AIA’s initiative “Reopening America: Strategies for Safer Buildings”.

Hachem Architects have designed a new $65 million hotel within a lavender farm in Australia's Yarra Valley. Design as a boutique retreat, the project will also include a facility for infusing lavender into gin. Dubbed Voco, its horseshoe layout is focused towards the Valley’s views and wraps itself around a private courtyard. The design was made to capture the imagination of a new generation of travelers.

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Videos

The exchange of ideas and concepts is a major part of any large modern building project. Architects, investors, general contractors and sub-contractors all use different tools to form both mental and modeled images of what the end result will look like. When some parties rely on renders or fly-throughs and others use 2D drawings, it can lead to communication difficulties. Reynaers discovered that by bringing together collaborators from different disciplines in its Avalon, the fog of misunderstandings evaporates and difficult decisions can be made on the spot.

We at ArchDaily have a great passion for building and broadening the worldwide architecture community and supporting architects from every corner on our Planet. Unfortunately, sometimes there are obstacles on our way, such as lack of communication, language barriers, or simple uncertainty of some peers from our community about the value of their potential contribution to the architecture scene. And here is where we need help from you, our readers — active, crucial elements of the ecosystem we are all building together. Joining forces, we will be able to give the necessary reassurance to the ones that have been unfairly overlooked and let them know that we can't wait to hear their voices, opinions, and ideas.

We call for you to let us know about your favorite architecture publications with local focus -- whether they are created by you or you just think they are worth checking out -- for a potential Content Exchange Partnership with ArchDaily. This will help us create a strong network of local architecture communities, so we can all learn from each other and spread the word about the little steps on our way to a better world, internationally. 

This article is part of "Eastern Bloc Architecture: 50 Buildings that Defined an Era", a collaborative series by The Calvert Journal and ArchDaily highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Futuristic Hotels and Avant-Garde Resorts.

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A monochrome environment is a space in which most architectural elements are of a single color. Although it is common for architects to design black or white monochromatic spaces due to its neutrality, it is possible to use almost any color to design a space, taking advantage of their infinite tones, undertones, and shades.

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Through a visual survey, architect and photographer Ramón Paolini explores the evolution of Caracas (Venezuela). The photographs capture the capital's transformation throughout the past forty years, giving viewers an in depth look at one of Latin America's most tumultuous regions, its urban development, and the socio-political aspects behind it. Most importantly, Paolini illustrates his personal vision for this urban space that builds, destroys, and rebuilds with an astounding tenacity.

A new pop-up intervention installs 50 private, clear, frameless, geodesic domes in the open spaces of Toronto, Canada. Created by Lmnts Outdoor Studio, the project aims to bring Yoga and fitness workouts safely, to an outdoor setting, while respecting social distancing measures.

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The PHVision Masterplan for Heidelberg in Germany has been approved by the City Council. Located on the site of the Patrick-Henry-Village (PHV) in Heidelberg, the 100-hectare development, designed by KCAP can now move forward, transforming the former military area into a new quarter, establishing the knowledge city of the future.

The Royal Institute of British Architects (RIBA) has published guidance to help practices navigate recovery from the COVID-19 crisis. The Recovery Roadmap is divided into three phases: Response, Recovery and Resilience. Each phase considers a series of actions that practices can take to respond to challenges across different areas of their business throughout this crisis and beyond.

Videos

Panelized facade systems are a popular exterior design element across multiple project types in today’s architecture. Different material and color options create unique and completely customized exteriors versatile enough to fit almost any design style. Ensuring the vision comes to life exactly as imagined, however, can be tedious with Revit’s or ARCHICAD’s innate capabilities alone. The time-consuming manual process of specifying the design, pattern, colors, and fabrication methods of a panelized facade can be simplified and made more intuitive with Steni’s BIM elements.

New Generations is a European platform that analyses the most innovative emerging practices at the European level, providing a new space for the exchange of knowledge and confrontation, theory, and production. Since 2013, New Generations has involved more than 300 practices in a diverse program of cultural activities, such as festivals, exhibitions, open calls, video-interviews, workshops, and experimental formats.

New Generations has launched a fresh new media platform, offering a unique space where emerging architects can meet, exchange ideas, get inspired, and collaborate. Recent projects, job opportunities, insights, news, and profiles will be published every day. The section ‘profiles’ provides a space to those who would like to join the network of emerging practices, and present themselves to the wide community of studios involved in the cultural agenda developed by New Generations.

ArchDaily and New Generations join forces! Every two weeks ArchDaily publishes a selection of studio profiles chosen from the platform of New Generations.

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Wife and husband pair Alison (22 June 1928 – 16 August 1993) and Peter Smithson (18 September 1923 – 3 March 2003) formed a partnership that led British Brutalism through the latter half of the twentieth century. Beginning with a vocabulary of stripped-down modernism, the pair were among the first to question and challenge modernist approaches to design and urban planning. Instead, they helped evolve the style into what became Brutalism, becoming proponents of the "streets in the sky" approach to housing.

The largest fish market in the southern hemisphere, designed by 3XN, has received the final go-ahead from the NSW Government, paving the way for construction to begin within the next eight weeks. Part of the revitalization of Blackwattle Bay, in Sydney, Australia, the new 65,000 m2 Sydney Fish Market was envisioned as a major public and cultural destination.

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