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This article was originally published on Common Edge.

In 1956, when car ownership and the suburban development that this enabled were just being embraced as American cultural ideals, pioneering urbanist Jane Jacobs wrote that the U.S. was becoming “an unprecedented nation of centaurs. … Our automobile population is rising about as fast as our human population and promises to continue for another generation.” She continued, “the car is not only a monstrous land-eater itself: it abets that other insatiable land-eater—endless, strung-out suburbanization.”

Aleatek Studio’s concept of “Floating Forest” has been announced as the winner of the competition for the design of the Serbia Pavilion at Expo Osaka 2025. The pavilion, will be located at the West Entrance and Earth Plaza, aims to interpret Serbian culture and the country’s natural landscape through architectural expression. The design strategy also aligns with the theme “Play for humanity” of the upcoming Specialised Expo 2027 to be held in Belgrade.

The A' Design Award and Competition was established to promote and recognize the best in design worldwide, in all creative disciplines. The award is aimed at designers, innovators and companies that wish to stand out and attract the attention of the media, editors and buyers. These aspects are especially important in the world of design, where millions of products and projects are launched, and often end up being swallowed up and not receiving due recognition. To address this, hundreds of projects are submitted every year with a focus on innovation, technology, design and creativity. It offers a chance for recognition, with the valuable curatorship of a renowned jury and the possibility of a successful international launch. The A' Design Award contains a series of public relations, advertising and marketing services to celebrate the success of its winners. In addition, and unlike other design awards, it is completely free of charge.

The Wayfarers Chapel, known locally as "The Glass Church," was designed by Lloyd Wright, the eldest son of architect Frank Lloyd Wright, and completed in 1951. Located in the Palos Verdes peninsula in Los Angeles, its design aimed to blend the lines between architecture and nature, with large-span glass panels opening up to space toward the redwood canopies. Last year, the structure was designated a national historic landmark. Now, due to “accelerated land movement” in the area, the structure, which has been closed off to the public since February, was announced to be disassembled to protect it from further damage.

Powerhouse Company has revealed the design for the largest timber-built affordable housing complex in the Netherlands. “Valckensteyn” is a circular design featuring a 12-story timber structure and 82 homes. Situated within Pendrecht, a post-war neighborhood in Rotterdam, it sits on the site of a residential flat bearing the same name, demolished a decade ago. The timber structure seeks to be circular and sustainable in its design, creating a nature-inclusive environment that is accessible to all.

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Step into the realm where the minimalism of the 1960s Light and Space movement intertwines with contemporary high-tech algorithms and sensors. Back then, light artists like James Turrell, Dan Flavin, and Robert Irwin captivated audiences with the bare essentials, using precisely daylight or lamps to heighten visual perception. Fast forward to today, Chromasonic takes this synergy of light and color but augments it with sound and algorithms. Envisioned as a global network to experience the harmony of body and mind, Johannes Girardoni's team unveiled the first satellite of perception in the heart of Venice Beach, California. Through a collaboration with Google, Milan Design Week showcased how the interplay of light and color can go on tour as a walk-in installation on a larger scale.

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Throughout history, the undeniable interrelationship between sound and architecture has shaped users' experiences. From auditoriums to offices, cultural centers, and schools, acoustics in architecture can manifest itself in two ways: as a determining element of a structure's shape and as a material. When discussing aesthetics, the latter aspect is particularly relevant, as any material that forms part of a composition aims to have a cohesive design with the rest.

Integrating acoustics through materials presents a significant challenge, as certain attributes such as color, texture, or dimensions may hinder harmonization with the overall design of the space. This can unbalance the experience of the environment, since, although the acoustics are improved, the interior atmosphere is negatively affected. This situation highlights the importance of selecting the right material that can enhance acoustics while maintaining the coherence of the design.

A new exhibition presenting the works of artist Zeng Fanzhi has opened in the historic Scuola Grande della Misericordia in Venice, Italy. Running from April 17 to September 30, 2024, concurrent with this year’s edition of the Venice Arts Biennale, the “Zeng Fanzhi: Near and Far/Now and Then” exhibition showcases the latest breakthroughs in the artist’s practice in a space adapted by architect Tadao Ando.

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IE University has just announced the establishment of a new Creative Campus to be inaugurated in 2025 in Segovia, Spain. Situated within the historic Palacio de los Condes de Mansilla, this new campus will serve as an extension of the IE School of Architecture and Design. Developed to become an Innovation Hub, the project spans more than 5,000 square meters and boasts a Fab Lab, construction workshops, biomaterials, textile research laboratories, experimentation spaces, digital fabrication classrooms, and an exhibition venue. The amenities are designed for creative minds from different disciplines to collaborate, fostering a platform that provides real solutions for different challenges.

Foster + Partners has unveiled plans for the Changfeng mixed-use development in Shanghai, China. Designed as a component of the Shanghai Science and Technology Finance cluster in Putuo District, the project is part of the broader Shanghai 2035 Masterplan. The mixed-use scheme integrates with existing public green spaces to promote well-being and revitalizes an industrial area into a vibrant mixed-use neighborhood.

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As the anticipation builds for the XXXIII Olympic Games in Paris, the city is preparing to host a global sporting event and embark on a journey of urban renewal. In a departure from traditional stadium-centric hosting, Paris 2024 embraces a new approach to the Olympic experience. Sports architecture has the ability to transcend functionality and become a space of collective experience and shared joy. In that sense, it invites individuals from diverse backgrounds to forge connections while celebrating athleticism. This month’s curated collection focuses on diverse forms of sports architecture, stadiums, venues, and landscaping projects, dissecting what components come together to form different sports architecture experiences.

For the Qatar World Cup in 2022, Foster + Partners designed the iconic and more traditional Lusail FIFA stadium. In India, M:OFA Studios designed the National Institute of Water Sports, breaking away from the pragmatic norms of government institutions. In Hangzhou, China, the 2022 Asian Games featured a new Cricket Field by AZUT, emerging as an integration of sports infrastructure with the natural landscape. Meanwhile, in Order City, China, PLAT ASIA transformed an existing urban square into a Smart Sports Park, promoting community wellness and interaction. Finally, Opsis Architecture’s University of Idaho Arena serves as a main gateway to the University campus, celebrating the spirit of athleticism and community.

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During Milan Design Week 2024, Lasvit presented its mastery in glassmaking and creative approach to design and architecture, with their latest installation "Re/Creation." Held at the Palazzo Isimbardi, the expert in hand-made glassmaking had various unique creations on display, leading with "Porta" as the centerpiece, conceived by Lasvit’s Art Director Maxim Velcovsky. The monumental piece highlighted the company’s expertise in using the fused glass furnace and its journey in redefining the relationship between glass and architecture.

"Re/Creation" emerged as a central attraction for visitors, offering a space for relaxation. Drawing inspiration from the fluidity of molten glass, the very title signifies a technique inherent in fused glass craftsmanship, where the material is allowed to organically flow into a predetermined shape guided by gravity. Within this tranquil setting, creatives were encouraged to unwind, fostering an environment conducive to rejuvenation and creative exploration.