When he was invited to design the 21st Serpentine Pavilion in London’s Kensington Gardens public park, Chicago-based artist Theaster Gates envisioned a calm space to offer respite and a subtle exploration into the power of sound and music in architecture. Created out of lightweight stained wood, the “Black Chapel” demonstrates more than just artistic and architectural sensibilities. In addition to the use of sustainable materials, the project also pays close attention to how the building materials are sourced, bringing visibility to the problem of modern slavery in the construction materials supply chain.
To ensure fair labor conditions not just on-site, but throughout the entire production process, the Serpentine Pavilion collaborated with Grace Farms, a US-based non-profit foundation helping designers and industry leaders to eliminate forced labor in the building materials supply chain, thus establishing more ethical practices and a more humane future.
According to Norman Foster, "as an architect you design for the present, with an awareness of the past." In this sense, present-day architecture, interiors, and furniture have undergone a radical evolution in recent years, driven by a paradigm shift in the conception of space and our interaction with it. This contemporary approach has steered us towards less constrained, more collaborative, and multi-purpose spaces, which can also provide privacy and functionality. In addition, they must serve as temporary workspaces in specific contexts, adapting to the dynamism of contemporary needs and activities.
From this new approach, architects and designers are reshaping interior environments to accommodate new behaviors, facilitating the discovery of renewed ergonomics in human activities. Today, architectural thinking is merging to create spaces that enable conducting our lives in motion, a trend particularly evident in dynamic environments such as airports, encompassing intimate and social moments with people on the move. Consequently, a new kind of furniture has re-emerged, becoming commonplace in airport settings and other shared spaces: the booth.
Noemí Blager and Tapio Snellman are presenting a new video installation at the Architectural Association (AA) in London. The exhibition titled “A Lot with Little” set out to explore and showcase how architects can employ a more economical use of resources to create architectural works that are both sensible and sustainable. Previously shown in Germany, Switzerland, China, Czechia, the US, and the Venice Architecture Biennale, this London debut aims to highlight the global relevance of resource-efficient architectural practices. The exhibition is now on view at the AA School in London from April 26, until May 30, 2024.
J. Mayer H. Architects has just won the competition for their “Cheongdoam Tower” design in Seoul. As part of the Seoul City Urban/Architecture Creation/Innovation Design Project contest, the competition was initiated by the city of Seoul, aiming to enhance urban qualities and improve the quality of life for residents. Chosen from numerous submissions and six shortlisted projects, Cheongdam Tower emerged victorious.
Brick is one of the oldest and most versatile materials in construction, going beyond the simple masonry wall. Its origins date back to 7500 B.C., with kiln-fired specimens appearing around 3000 B.C., representing a technological breakthrough for the construction of sturdier buildings. Spreading across Europe and Asia around 1200 BC, they replaced materials such as wood and stone in scarce regions. Roman bricks, notable for their long shape, were widely used in the construction of their cities and are still used today. The history of bricks is intertwined with that of civilization, being an easy-to-produce, resistant and versatile material, allowing for a multitude of applications and achieving impressive and unusual results.
Designed by Coletivo de Arquitetos, the Thai Residence exemplifies the multiple possibilities that brick offers in contemporary architecture. Located in a coastal area in the state of Sergipe, Brazil, this residence not only exemplifies the aesthetics of the material, but also its functionality and adaptability to local conditions. One of the most striking features of the project is its layout in two distinct blocks. The main pavilion houses most of the house's program, while a second connected block houses the gourmet area, services and garage. This configuration provides an intelligent distribution of spaces and harmonious integration with the surroundings.
As the demand for affordable housing grows and the availability of low-cost properties diminishes, stakeholders in housing must become more innovative in their approach to social housing development. One opportunity lies in restoring and repurposing abandoned buildings. While building new houses remains the primary strategy for Housing Authorities and Associations, rehabilitating derelict buildings can be a more economical option. This approach not only maximizes the use of dilapidating infrastructure but also provides an economic opportunity to increase affordable housing within the city. Although rehabilitating derelict residential buildings may seem like an obvious solution, it becomes even more crucial when considering abandoned commercial, institutional, or historical buildings for social housing.
A flat or low slope roof assembly consists of several components that need to work together efficiently and consistently to offer a long-term, sustainable solution. While the roofing membrane is often the top and therefore most visible layer, what lies under it has a significant impact on the overall roof performance. Choosing the adequate and most sustainable materials (and ensuring their proper installation) is what makes a roof stand the test of time and be ready for the challenges of the future.
Renowned French architect Jean Nouvel has unveiled his design for Samsung’s pop-up store on the iconic Avenue des Champs-Élysées in Paris, France. The store aims to represent the company’s role as a Worldwide Olympic Partner, offering visitors a space where they can engage with the newest mobile technologies and Olympic-related activities. The first images by architectural photographer Jad Sylla highlight Jean Nouvel’s design of the immersive retail space.
Simone Farresin is the co-founder of Formafantasma, a research-driven design studio exploring the ecological, historical, political, and social influences that shape the design industry. Most recently, the studio participated in Milan Design Week 2024 and Salone del Mobile.Milano with various products and exhibitions. Onsite in Milan, ArchDaily had the chance to speak to Simon Farresin about the studio’s installation for Cosentino at the historic Teatro Gerolamo, and the broader Formafantasma design practice.
The Harvard Graduate School of Design (Harvard GSD) has announced the Class of 2025 Loeb Fellows. Ten practitioners and activists from around the world have been selected to join the Loeb Fellowship program to expand their careers and advance their programs and initiatives focused on equity, resilience, and collective action.
The ten selected practitioners are mid-career professionals coming from diverse backgrounds. Each one has been recognized for initiating practices that are transforming public spaces and urban infrastructures, addressing public health concerns and environmental injustices, as well as housing needs and efforts to preserve the cultural, natural, and architectural heritage of diverse regions from all continents.
This article is the ninth in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints. In this feature, architect John Marx interviews Peter Hirshberg, chairman, and Anna Fedorova, principal at the Maker City Project.
Limited resources are becoming an increasingly common challenge in architecture. Today, regardless of the region, projects are affected by the availability of resources, which are now compounded by environmental considerations. This situation, far from being restrictive, prompts us to explore new possibilities in how we conceive the built environment. In this context, it is crucial to understand that resources are not only limited to the economy but also include technological, material, and spatial aspects. Thus, we can enhance our creativity and efficiency by broadening our considerations when approaching architectural design and its challenges, doing more with less.
At the community level, the challenge becomes even more significant when we consider that our projects must not only be designed to overcome these "constraints," but also to positively impact their communities. Therefore, contemporary projects must present different strategies to overcome limited resources and materials depending on the context, always aiming to achieve a positive impact and become powerful and ingenious proposals while democratizing access to architecture.
Whether it’s excitement or caution, there’s no escaping the buzz of AI in architecture. It offers architects and designers the power to innovate, streamline, and create a built environment that’s equally functional as it is visually appealing.
However, when a technology is this revolutionary, it should come as no surprise when concerns are raised. The loss of creativity, job displacement, and ethical dilemmas are just a few examples of concerns about the adoption of AI in architecture.
To understand what the industry really thinks about AI, over 1,200 architectural professionals were asked about how they are using it in their daily practice. We delved into how it influences design processes and workflows and what they think the technology’s impact means for the future of the profession.
The controversial London Wall West redevelopment project, which involves the demolition of the former Museum of London and Bastion House, is set to proceed. The redevelopment, designed by architecture firms Diller Scofidio + Renfro and Sheppard Robson, will replace the landmark 1970s buildings with a modern office complex. The City of London has confirmed that the Secretary of State for Leveling Up, Housing, and Communities, Michael Gove, has decided not to call in the plans to reevaluate the former museum, allowing the project to move forward.
A cornerstone of architectural innovation for centuries, concrete has transformed the structural capabilities of buildings worldwide. As one of the more versatile and durable building materials, concrete has aided architects and engineers in pushing the traditional boundaries of design. Today, it is the most widely used construction material on the planet. According to the Guardian, concrete is also a “lifestyle concept,” using its “gritty, urban” aesthetic to shape the imagination of all our architectures at every scale.
In an open competition, ICON’s Initiative 99 requested participants to design a home using ICON’s 3D printing technologies while keeping the construction budget under $99,000. Among the three selected winners for the Open Category, New Zealand-based office MTspace Studio proposes a robust flood-resistant design, in response to the housing crisis in New Zealand’s flood zones. Titled “Wai Home” after the Māori word for water, the concept revolves around the idea of working with this essential natural element. The design features innovative rainwater collection and storage systems, along with elements to increase the resilience of the construction in the face of increasing threats.
Neutelings Riedijk Architects and ARS Architects Urbanistes have just won a competition to design the Cité des Imaginaires and Grand Musée Jules Verne in Nantes, France. Selected from 160 entries, their design seeks to revitalize the historic “Moulins de Nantes” mil, also known as CAP44. This industrial heritage site, notable for its unique Hennebique concrete structure, is set to be transformed into a sustainable structure within the Garden Extraordinaire. Additionally, the museum will celebrate the legacy of the renowned author Jules Verne, born in Nantes.
South Asia has undergone notable transformations across economic, political, social, and various other spheres. Mirroring these patterns of societal change are the architectural practices across this region. The modern nation-states of South Asia – Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka – share similar histories and a future characterized by rapid economic development and urbanization. However, each region exhibits distinct nuances concerning the present and potential state of architectural praxis, informed by their socio-cultural contexts and emerging political climates.
"Every time I describe a city I am saying something about Venice”, said Marco Polo to Kublai Khan in Italo Calvino’s seminal book, Invisible Cities. Once the heart of a powerful maritime republic, Venice indeed houses many cities inside its intricate network of canals, alleys, bridges, and squares. Renowned for its unique architectural beauty, Renaissance history, and cultural significance — and, of course, for being built in the middle of the water — over the past decades, Venice has become one of the most notable victims of overtourism, receiving an estimated 30 million visitors per year.
The figures are astonishing, far outnumbering the 50,000 residents that call Venice home — 120,000 less than its population in the early 1950s, when city dwellers started to drive away, bothered by the permanent noise and overcrowded walkways.
We are thrilled to announce our upcoming June workshops in collaboration with our ArchDaily Supporters partner, Parametric Architecture. These workshops have been thoughtfully curated to empower architects, designers, and enthusiasts by providing them with the latest insights and skills in the dynamic realm of parametric design. Guided by industry experts and visionaries, these immersive sessions will explore cutting-edge techniques, innovative tools, and practical applications, creating an inspiring and dynamic learning environment where participants can take their design expertise to unprecedented levels.
Understanding a discipline from multiple perspectives and intersections is essential for acquiring a deep understanding of it. In architecture, the diversity of approaches to its study enriches our perception by allowing us to appreciate its complexity from different angles. For students and professionals alike, exploring aspects such as history, sources of materials and products, construction processes, implementation of new technologies, and contemporary social challenges is crucial. These aspects intertwine and expand the conventional notion of "architecture," transcending the mere creation of buildings or the definition of spaces.
Ronald Rael, an architect and the Eva Li Memorial Chair in Architecture at the University of California, Berkeley, exemplifies this vision through his practice, which spans from research to connecting indigenous and traditional material practices with contemporary technologies and issues. As an activist and designer, Rael's research interests explore additive fabrication, border-wall studies, and earth construction. Co-founder of Rael San Fratello, Emerging Objects, and Forust, his practice shows an approach to architecture that is highly relevant in contemporary times.
This article was originally published on Common Edge in 2021 to celebrate Venice's 1,600th birthday.
"We native Venetians and long-term residents number just over 50,000. We are dying out. Soon, we will disappear. The city prefers to be inhabited by someone else: not so much by other categories of human beings but by another way of being in the world.” – Tiziano Scarpa
March 25, 2021, dawned quietly in Venice. The city was still in full lockdown, a Zona Rossa. The Piazza was empty, the calli were eerily still. It was a subdued day to celebrate the birth of Venice. According to 16th century Venetian historian Marin Sanudo, the city was founded in 421 AD. In a city brought to a halt by the pandemic, the joyful clamor of bells ringing out across the city commemorating 1,600 years of existence was a welcome respite from the dreaded silence.
The world has changed, and accepting this fact is no longer a matter of choice but survival. Our rainfall patterns, periods of drought, average temperatures, sea levels—everything is in constant flux. The denialist stance of many countries, including Brazil, has led to catastrophic situations like the one we are facing now.
The floods that devastated the southern region of the country in recent days cannot be considered isolated incidents. Due to global warming, climate events like this will become increasingly frequent. In other words, unfortunately, we cannot prevent them from happening, but we can—and must—make our cities more resilient to these situations.
