Pop-up architecture makes the most of tiny spaces and intimate experiences. As temporary structures, pop-ups are nothing new, dating back at least to Roman times as temporary stages for festivals called ludi. Pushing the boundaries of architecture, they feature a light-touch for maximum impact, each built to make a statement. Today, they are often designed around the full life-cycle of a project to minimize environmental impact.
Stefano Boeri has released a short movie, directed by Stefano Santamato and produced by Paolo Soravia, highlighting the journey of 400 fir logs, from being downed by the storm Vaia to being part of the scenography of the Greek Theater in Syracuse. The film, dedicated to the second life of fir trees has won the Venice Architecture Short Film Festival 2020.
Büro Ole Scheeren unveiled images of the Shenzhen Wave, a transformational headquarters for ZTE, and new symbol of China’s next digital revolution. Envisioned as the future of workspace, the project “reimagines the urban cityscape as an interactive and integrated spatial ecosystem hovering above ground level”.
The American Institute of Architects (AIA) is recognizing seven new residential designs with 2020 Housing Awards. The projects are awarded across single family, production, multifamily and specialized housing. Presented by the AIA Housing and Community Development Knowledge Community, the awards emphasize the importance of good housing as a "necessity of life, a sanctuary for the human spirit, and a valuable national resource."
International architectural practice Kohn Pedersen Fox (KPF) is constantly striving to improve efficiencies and enable greater creative exploration through the application of the latest technologies. With nine offices worldwide and projects based anywhere from Europe to the US and China, the company takes a global approach to its design process by fostering collaboration; it’s not uncommon for a single project to involve team members based in London, New York, and Singapore, for example, who come together virtually in what Cobus Bothma, Director of Applied Research, calls their “tenth office”.
At the 2014 Venice Biennale, celebrated architect and curator Rem Koolhaas chose an unusual curatorial theme. Rather than exploring the major issues that plague modern society or their manifestations in the profession of architecture, the event's theme, "Fundamentals," and its main exhibition, "Elements of Architecture," examined in detail the bare fundamentals of buildings, simple elements used by everyday architects for everyday designs. According to Koolhaas, “Architecture is a profession trained to put things together, not to dismantle them. Only by looking at the elements of architecture under a microscope can we recognize cultural preferences, technological advances, changes triggered by the intensification of global exchange, climatic adaptations, local norms and, somewhere in the mix, the architect's ideas that constitute the practice of architecture today.”
If you wandered down Novinsky Boulevard in central Moscow five years ago looking for the Narkomfin building, you’d have been greeted by a sorry sight. The Narkomfin, the poster child for Constructivist architecture designed by Moisey Ginzburg and Ignaty Milinis in 1928, had been slowly falling into a state of dereliction after being left unloved for 45 years. Paint peeling, concrete crumbling, and windows broken—not to mention the numerous, muddling alterations made to the block of flats, including a completely new ground floor.
The Un-Habitat or the United Nations agency for human settlements and sustainable urban development, whose primary focus is to deal with the challenges of rapid urbanization, has been developing innovative approaches in the urban design field, centered on the active participation of the community. ArchDaily has teamed up with UN-Habitat to bring you weekly news, article, and interviews that highlight this work, with content straight from the source, developed by our editors.
In this second collaboration with UN-Habitat, discover different examples on how to design with and for kids in marginalized areas. In fact, child-responsive planning leads to a vibrant and animated inclusive city. Focusing on spaces for children, this feature highlights cases in Bangladesh, Niger, and Vietnam. These public spaces implementation projects seek to promote environment-friendly livable cities, taking on participatory approaches and involving the youngsters from the beginning of the process. In the end, no one knows the needs of kids, more than the kids themselves.
The Architecture Thesis of the Year | ATY 2020 an international architecture thesis competition organized by the Charette, unveiled the winners of this year’s edition. Aiming to “extend appreciation to the tireless effort and exceptional creativity of student thesis in the fields of Architecture, Urban Design, Landscape and Restoration”, the contest gathered over 1000 entries from all over the world.
Danish architecture firm TREDJE NATUR has designed a new 40-hectare regenerative masterplan for Bergen, Norway. The grand vision aim to bring new life to an old logistics port and ferry terminal. The plan outlines a zero-emission district focused on a community-based sharing economy, renewable building materials and climate adaptation strategies. The proposal emphasizes Bergen’s relation to the fjord, nature and history.
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Recent studies note the lack of growth in productivity and innovation in the construction fields. Quickly falling behind other sectors, this stagnation often leads to projects that are over-budget or over-schedule (or both). Part of this inefficiency could be combated by more effective coordination among the architects and various consultants during the design phase. Currently, an estimated 30% of project time is spent in coordination tasks within the team. A new Integrated Design tool aims to make collaboration more seamless, with the end result of more efficient communication and ultimately better buildings.
According to the United Nation’s “The World’s Cities in 2018”, it is estimated that, “by 2030, urban areas are projected to house 60 percent of people globally and one in every three people will live in cities with at least half a million inhabitants.” Also, between 2018 and 2030, it is estimated that the number of cities with 500,000 inhabitants or more is expected to grow by 23 percent in Asia. China, as the largest economy in Asia, with a GDP (PPP) of $25.27 trillion, is expanding rapidly, both economically and demographically.
With more and more migrant workers coming into the bigger cities in China, it has become increasingly difficult for workers to find an affordable place to live. Some people decide to move away from urban centers and bear with the lengthy commute time, while others are seeking creative design solutions to transform their home into a tiny, functional space to meet their daily needs.
Piscina Mirabilis is a Roman reservoir built by Emperor Augustus in the 1st century AD, in order to feed with drinking water the headquarter of his western Mediterranean war fleet. It was dug out a tuff hill, and it is based on a regular grid of pillars and arcs. The vaulted reservoir is 15 meters high, 72 meters long, 25 meters wide and features 48 brick pillars.
It’s no secret that tiny homes have become exceedingly popular in recent years – a signifier of minimalist bohemian living in response to the excesses of the current day. From reoutfitted RV’s to prefabricated Muji homes to futuristic Nestron pods, the world of architecture has seen a variety of tiny houses gain viral attention in the past decade alone. As this typology grows more widespread around the world, communities of these tiny homes have proliferated as well, popping up in North America, New Zealand, East Asia, and more. These communities combine the quaint lifestyle of minimalist living with collective spaces for social interaction, bringing together like-minded families and individuals into fashionable tiny neighborhoods. We will examine several such communities below.
UNStudio has unveiled images of the first finished stations on the new Doha Metro Network, one of the most advanced and fastest driverless systems in the world. Phase one of the Qatar Integrated Railway Project (QIRP), involved the construction of three metro lines (Red, Green, and Gold), with 37 stations currently having been completed.
Urban Forest, a 30-story mixed-use residential high-rise is the latest development designed by Koichi Takada Architects. Located in South Brisbane, Australia, the building features one of the world’s most densely-forested vertical gardens, going beyond regular green buildings norms and achieving “300% site cover with living greenery, featuring 1000 plus trees and more than 20,000 plants selected from 259 native species”. Increasing biodiversity and reducing the ecological footprint, the structure highlights another stage in the evolution of the architectural vertical garden.
The Times Higher Education World University Rankings 2021 have been released. Including over 1,500 universities across 93 countries and regions, the latest rankings is one of the largest to date. Featuring a range of subjects, including architecture, the rankings are based on 13 performance indicators that measure an institution’s performance across teaching, research, knowledge transfer and international outlook.
The technology used in smartphone facial recognition or digital car keys has the potential to revolutionize the way people access and move through buildings. Many common aspects of building access systems today seem outdated in comparison to technological advances in other parts of our lives: PIN pads, security badges, key cards, even physical locks and keys. However, the technology already exists with the potential to make building access simultaneously more seamless and more secure.
New Generations is a European platform that analyses the most innovative emerging practices at the European level, providing a new space for the exchange of knowledge and confrontation, theory, and production. Since 2013, New Generations has involved more than 300 practices in a diverse program of cultural activities, such as festivals, exhibitions, open calls, video-interviews, workshops, and experimental formats.
The COVID-19 pandemic has brought to the forefront an acute awareness of infection control in building design, both in public spaces as well as our personal spaces like homes and offices. Infection prevention and control experts consistently advise that improved hand hygiene is critical in maintaining a safe and sanitary environment. However, handwashing is not as simple as it would seem at first blush. The faucet itself is a major infection vector unless careful precautions are taken. The obvious answer to increasing the effectiveness of hand washing is by reducing the danger of being re-contaminated by the faucet through hands-free operation.
ArchDaily's theme of August 2020, How We Will Live Together, invites readers to contemplate the way we inhabit spaces with those around us. In this article, we address different aspects of coexistence in a world impacted by COVID-19 and the changes that need to be made in order to create a world where everyone has the space to live, work, and grow.
Nowadays, our day to day interactions with those around us hinge on social distancing, leading many to question--is this truly the best solution for curbing the spread of COVID-19? With people worldwide still reeling from the socio-economic upheaval caused by the pandemic, the concept of forcefully distancing yourself from friends and family, especially at at time when you most need them, seems just plain inhuman. While distancing is undoubtedly necessary, it seems more optimistic words would serve to better drive home the message. For example, a slogan like 6ft of Empathy maintains the necessary safety principles without stripping away the social element that humanity thrives on.
Running from 11 September till 15 November 2020, "Thom Mayne: Sculptural Drawings" is the latest architectural exhibition at Tchoban Foundation Museum for Architectural Drawing in Berlin. Curated by Kristin Feireiss, together with Esenija Bannan, the project questions the nature of architectural drawing and how it influenced the work of Thom Mayne, founder of Morphosis. The exhibition features Mayne’s works dating from 1979 through 2020 and leads visitors from “traditional” drawings and new experimentations with techniques, through to 3D paintings.
