Throughout history, religious reformers and visionary starchitects have attempted to envision the future of our cities: from the Venetian model city of Palmanova to the multi-story housing complex for 5,000 people drafted by Italian architect Paolo Soleri, from Frank Lloyd Wright’s Broadacre City to Le Corbusier’s Radiant City, numerous masterplans have been crafted to illustrate some of the most unprecedented ambitions.
We’ve all commented on a building’s character before. An apartment might have it because of some special oak trim, or a building might not fit with the ‘character’ of its neighborhood. In this video, architectural designer and professor Stewart Hicks takes a close look at the meaning and origins of this elusive concept. Why do we use this word for both people and for buildings? Characters also occur in fiction, does that help explain how buildings tell stories? From the Enlightenment architects Ledoux, Boullée, and Lequeu, to the Beetlejuice house, to contemporary practices exploring what it might mean for a building to have a face or a posture, we get to the bottom of why architects might consider architectural character to be a good idea.
Understanding what drives economic, social, and educational disparities between communities is one of urbanism’s most critical and highly-discussed topics. It’s an increasingly complex issue, with many factors at play- one of them being the design and location of desirable urban green spaces. While sometimes they are a tool that helps to bolster underserved communities in terms of health and economic benefits, safety, and climate resistance, other times they can actually drive out the residents that they are created to serve. Now, the challenge lies in how to design these recreational sites to create better futures for all.
Seeking to give insights into the architectural creative centers of the world, Rainer Taepper created an architectural book that doesn’t feature buildings and plans. Looking behind the scenes, the architecture photographer highlighted both the working spaces of international design firms and the creative people, who contribute to the conception of a building.
Zaha Hadid Architects has won the design competition to build Phase II of the International Exhibition Centre in Beijing. Drawing from the cultural, academic and civic center of China, the International Exhibition Centre is located next to the city’s Capital International Airport as a site for conferences, trade fairs and industry expos. Now, Phase II will significantly expand exhibition space for knowledge and exchange.
Certification of sustainable buildings has become a prominent trend in architecture over the last couple of years and while most people can agree on the importance of sustainability in building, how to achieve it leaves copious room for discussion.
This article was originally published on Common Edge
In a Common Edge article, I briefly discussed a concept that I call the “Triple Bottom Lie,” which posits that more people, plus more consumption by each person, plus an economic system completely dependent on the aforementioned items, can just keep working forever, without consequences. Historically, the United States has accepted the economic shibboleth of endless growth because it reduced class conflict; a rising tide (supposedly) lifted all boats, rafts and yachts included. We are, however, approaching the limits of growth, from both a resource standpoint (we’re running out of raw materials) and a technological standpoint (our inventions are progressively less revolutionary).
After 4 years of delay, the groundbreaking of the Obama Presidential Center could happen in August 2021, and preliminary work could start as of April, according to the Chicago Tribune. In fact, former President Barack Obama confirmed yesterday on his Facebook account that "the Obama Presidential Center will break ground in 2021" and construction will most likely take about four years.
Extreme weather and conditions call for contextual architectural approaches. From sandy deserts to cold, icy climates, how we build is intimately tied to location. Drawing from diverse project sites around the world, architects and designers create proposals that construct and organize new ways to live, work and play. These unbuilt projects rethink traditional forms while addressing a wide range of landscape conditions.
This week’s curated selection of the Best Unbuilt Architecture focuses on diverse typologies in hot and cold climates around the world. Drawn from an array of firms and local contexts, they represent proposals submitted by the ArchDaily Community. They explore everything from generative design through a desert shelter in Siwa and a cave dwelling in China to a coastal development in Spain and a series of igloo habitats for penguins in Antarctica.
Amazon has just revealed the proposed design for its second headquarters, in Arlington, Virginia, just outside of Washington, D.C. Designed by NBBJ, the project “creates an environment that prioritizes healthy work, celebrates nature and engages the community across multiple scales.” Encompassing 2.8 million square feet of offices, public gathering areas and street-front retail, the intervention aims to create a healthier workforce and community.
OMA and GMP have been selected as the winners of the Chengdu Future Science and Technology City Masterplan and Design competition in China. The team will develop the first phase of the overall masterplan, which will include an International Educational Park in the west, and a Transit Oriented Development (TOD) in the southeast led by GMP. The pilot project is one part of the innovation industry driving the development of the city around the new airport east of Chengdu.
The Weyerhaeuser Corporate Headquarters in Federal Way, Washington is one of the most iconic projects bringing architecture and landscape together. The current owners of the site, Los Angeles-based Industrial Realty Group (IRG), have shared plans to clear-cut 132 largely forested acres on the 425-acre campus to build 1.5 million square feet of warehouses. Now the group is facing pushback from architects, preservationists and landscape architects across the country.
The global COVID-19 pandemic has forced us all to adapt quickly to new ways of living: new ways of working, communicating, buying groceries, and so much more. That adaptability is the key to navigating our changing world. Modular and flexible building systems can help us adapt our physical spaces to the new realities of social distancing or even to the need for rapidly deploying field hospitals.
Urban infrastructures provide comfort to inhabitants and mitigate the risks of disasters such as flooding. Underground systems specifically conceal urban infrastructures from public view and are configured as real mazes under the streets. The distribution of drinking water, urban drainage, sewage, and even electrical wiring and fiber optics in some cases, pass under our feet without us noticing. To this end, the industry developed precast concrete parts for about 100 years that provided construction speed, adequate resistance to force, and durability against time. Concrete pipes with circular sections, in many diverse diameters, are perhaps the most used conduits and are ubiquitous around the world. But there are also those who use these apparently functional elements in creative architectural contexts as well.
The COVID-19 Pandemic is a disruptive moment for our world, and it’s poised to spur transformative shifts in design, from how we experience our homes and offices to the plans of our cities. The webcast series Design Disruption explores these shifts—and address issues like climate change, inequality, and the housing crisis— through chats with visionaries like architects, designers, planners and thinkers; putting forward creative solutions and reimagining the future of the built environment.
Desplans and KooZA/rch have revealed the three final winners of the #mycityscape competition. Inviting young creatives to this conversation, the open call questions the definition of the city, by asking “What establishes the identity of a city? What distinguishes one urban environment from the other? And What defines our relationship to the built landscape we inhabit?”
Trying to find the tools to map the city of the 21st century, the competition encouraged young creatives to record the essence of their cityscape into one image. After selecting 12 shortlisted entries, the contest solicited a wider audience to decide the final winning designs, by voting for their favorites on social media. Following the release of the results, Christele Harrouk from ArchDaily had the chance to talk about the #mycityscape competition with both Desplans and KooZA/rch, discussing the theme and the whole process. Discover in this article the exchange as well as the final winning designs.
Zaha Hadid Architects unveiled images of on-going construction works on the site of the Zhuhai Jinwan Civic Art Centre in China. Located in one of the world’s most dynamic regions, the project is set to become a hub of contemporary creativity. Recent photos highlight the installed steel structure for the roof’s canopy and evolving works on the four cultural venues.
Slovak designer Lenka Petráková has won the 2020 Grand Prix Award for an ocean-cleaning research facility in the Pacific. The "8th Continent" project is a floating station that restores the marine environment by collecting plastic debris from the surface and breaking it down to recyclable material. The plastic recycling center connects with a research and education facility to create an interdisciplinary and sustainable platform for the future.
A design team comprised by Diller Scofidio + Renfro, Gustafson Bowman + Porter y B720 Fermín Vázquez Arquitectos has been chosen to lead the transformation of Madrid’s AZCA district.
Alterity is essential to human development. If deprived of a variety of stimuli, the brain is unable to develop, losing plasticity and deteriorating like an atrophied muscle. This reasoning is widely accepted when it comes to social relations or cognitive and physical activities. But what about the stimuli promoted by the built environment?
Public art is an innate cultural privilege for New Yorkers. Top-notch art can be found across the city’s boroughs everywhere from parks, squares, alleys, and rooftops—sometimes to the jaded disdain of passerby. While permanent staples, such as Robert Indiana’s Love on 6th Avenue or George Segal’s Gay Liberation at the Stonewall National Monument are ingrained in the urban texture, others are more ephemeral. Public art has the power to swiftly take over Instagram feeds but also has a history of sparking polarizing interpretations at town hall hearings.
It has been a vibrant first week of voting for the Building of the Year Awards. With more than 100,000 votes, gathered up till now, this prize has shown to be, one of the most relevant and democratic in the architecture community… where YOU are the decision-makers, selecting the best architecture of the year.
By voting, you become part of an unbiased and distributed network of jurors that has elevated the most relevant projects over the past decade. Over the next week, it is your collective intelligence that will filter over 4,500 projects down to just 75 finalists.
The 2021 Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.
Diller Scofidio + Renfro and Woods Bagot have unveiled their design for the new Aboriginal Art and Cultures Centre (AACC) in Adelaide, Australia. Designed around a "deep Aboriginal connection to Country, place and kin" as the project's foundation, the cultural project aims to become a platform for honoring and developing Australian culture. The AACC concept originates from the Aboriginal conception of the elements linking people to place: earth, land and sky.
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