The Obel Award is an international prize for architectural achievement presented annually by the Henrik Frode Obel Foundation. Each year, the jury selects a specific theme and grants an award to a promising solution. For the 2024 edition, the prize that honors architectural contributions that positively impact both people and the planet will be focused on “Architecture With”.
Previous emphasis included Adaptations, Emissions, Cities, Mending, and Well-being. In 2023, the fifth cycle recognized ‘Living Breakwaters’ in New York, a green infrastructure project off the shore of Staten Island, by SCAPE Landscape Architecture and its founder Kate Orff. In 2022, the Obel was awarded to Seratech, a carbon-neutral concrete solution, in 2021, the concept of the 15-minute city received the prize for its value in creating sustainable and people-centric urban environments, and in 2020, Studio Anna Heringer was acknowledged for Anandaloy, in Bangladesh, an unconventional, multifunctional building that hosts a therapy center for people with disabilities on the ground floor and a textile studio on the top floor producing fair fashion and art. Finally, in its first edition, fixated on well-being, the Obel Award was granted to the Art Biotop Water Garden project in Tochigi, Japan, by Junya Ishigami & Associates.
The official opening date for the 23rdSerpentine Pavilion has been announced for June 7th, 2024. The structure designed by Seoul-based Korean architect Minsuk Cho and his firm Mass Studies, will welcome visitors until October 27, 2024, in London’s Kensington Gardens. Titled “Archipelagic Void,” the pavilion is composed of five islands displayed around a central void in reference to the mandang, a type of open courtyard found in traditional Korean houses. The intervention will be activated throughout the summer with a diverse program of events, starting with a conversation between Minsuk Cho and Serpentine Artistic Director Hans Ulrich Obrist on June 7, 2024.
Today, interconnected and fast-paced lifestyles, future mobility trends and constant material innovation puts pressure on a slow-moving building industry. How can architecture keep up with this trend? Following dynamic and nomadic lifestyles, architects must explore new structural systems that should be able to reach multiple locations, as well as be adaptable and reusable in the future. By applying revolutionary technology for circular, scalable components and carbon-negative buildings, UrbanBeta –a spatial innovation studio designing strategies, building concepts, predictive tools and platforms for creating transformative spaces– has developed BetaPort, a robotic construction system powered by artificial intelligence and automation.
Based on the principles of a circular economy, Urban Beta and BetaPort create a sustainable construction plan, ready to grow and change over time. The studio conceives sustainable on-demand architecture systems for flexible buildings based on a kit of parts.
Sitting for extended periods is an everyday reality in many workspaces, which can lead to a dangerously sedentary working day. This makes office chair design a crucial element for both productivity and overall well-being. Ergonomic design takes into account the human body's needs, including posture, comfort, support, and health. A good ergonomic chair is adjustable, allowing for better control and customized settings that support the spine and promote a natural position for the body's joints. An even better ergonomic chair employs technology to accommodate all seating nuances—including occasional slouching, neck rest, and continuous hip movements, among others—, helping to maintain good body posture at all times.
Lebanese French architect Lina Ghotmeh with her Paris-based studio Lina Ghotmeh – Architecture has revealed the design for the National Pavilion of the Kingdom of Bahrain for the Expo Osaka 2025. The design draws inspiration from the traditional Bahraini dhow boats, employing the country’s historical boat-building technologies to showcase Bahrain’s craftsmanship and manufacturing heritage. The pavilion is also a not to the hosts of the world expo, drawing parallels with Japanese wood artistry.
WilkinsonEyre has just been selected to design the new Equinox Bridge in Toronto, Canada. Designed in collaboration with Zeidler Architecture, Two Row Architect, and Arup, this bridge will connect the central waterfront to Villiers Island and the expanded park system along the new mouth of the Don River. Selected through a competition commissioned by Waterfront Toronto and the City of Toronto, the bridge seeks to foster a connection between people and water.
Anne Lacaton, renowned for her groundbreaking work with partner Jean-Philippe Vassal, has been working to push the boundaries of sustainable and socially responsible housing architecture for decades. The Pritzker Prize laureates are celebrated for their innovative approach to social housing and are committed to enhancing the quality of life for residents. Their philosophy centers around creating generous, adaptable spaces that rethink how we live together. Onsite in San Sebastián, ArchDaily had the chance to interview the Pritzker-Prize winner to delve into her architectural practice and philosophy. In the conversation, the architect explored core values, the significance of reuse in social housing, and the promising trends in collective housing design that emerged from the first edition of the awards.
Nowadays bicycles are not only used for sports or as a recreational activity, as more and more people are choosing bicycles as their main means of transportation. Architecture plays a fundamental role in promoting the use of bicycles, as a properly equipped city with safe bicycle lanes, plentiful bicycle parking spots, and open areas to ride freely will encourage people to use their cars much less.
Cities are now positioning themselves as a key promoter of sustainable mobility, and Denmark and the Netherlands are currently the leading countries in the field of architecture for bikes. They are considered a cyclist's paradise because of their excellent infrastructure and architecture, making them a worldwide reference.
The European Collective Housing Award has selected the winners for the 2024 cycle. Created by The Basque Architecture Institute and Arc en Rêve Centre d’Architecture, in collaboration with the Department of Territorial Planning, the award highlights innovation and excellence in collective housing design, emphasizing aesthetics, social responsibility, and environmental sustainability. Selected from a category of 171 entries from 19 European countries, the winners are La Borda Housing Collectie in Spain and Construction of a Wine Storage into Housing in Switzerland for the new construction and renovation category, respectively. The inaugural edition of the European Collective Housing Award recognizes the importance of collective housing in creating sustainable and inclusive communities while also emphasizing the need to promote architectural excellence in this domain.
Camping, as defined in dictionaries, involves temporarily staying outdoors, setting up makeshift accommodations, and settling in natural surroundings. In architecture, tents symbolize these aspects, representing a typology that has endured across centuries and cultures, often linked with notions of impermanence and vulnerability.
In light of this common understanding, the term 'glamping' emerged in the early 2000s, blending 'camping' with 'glamour,' suggesting a fusion of camping with luxurious amenities. However, despite its recent popularization, the concept is far from original. Camping has not always been seen as the antithesis of luxury.
Beyond being a prefabricated material currently produced in large quantities, the use of concrete blocks in architecture continues to evolve to meet the demands and needs of contemporary societies that are constantly changing. Whether in interior or exterior spaces, their use can align with concepts of circular economy, resource efficiency, sustainability, and more, with the goal of creating habitable spaces while also understanding their constructive advantages and disadvantages, their expressive and aesthetic qualities, and so on.
As dwellers of big cities, we tend to be dragged into a very fast-paced lifestyle. Surrounded by monumental buildings and infrastructure, we can easily lose sight of key spaces that connect us with our neighborhood and provide us with rare moments of peace and enjoyment. Appropriation of the environment we inhabit becomes an uncommon circumstance.
The act of play creates a welcome escape from the demands of daily life, encouraging joy, creativity and collaboration, with tangible benefits from stress relief to improved cognitive function. So when it comes to the interiors of spaces for play—for leisure and socializing for example—how can design enhance these effects? Specifying adaptable modular furniture that can blend the boundaries between indoor and out is one method to improving the freedom and spontaneity of space, bringing agency to moments of joy, possibilities for fresh configurations and equipping interiors for shifting future dynamics.
For Italian designer Matteo Nunziati’s latest collection of outdoor furniture for Unopiù, the Davos collection, he was inspired by the geometric simplicity of children’s games as functional devices for enlightenment and to reconnect spaces to movement and expression. The generous yet lightweight modular seating system, which includes sofas, chaise longues, armchairs and coffee tables, is easy to assemble and offers infinitely adaptable scenarios to encourage play in daily life. To unlock these qualities, Nunziati was drawn in particular to the logical beauty of the abacus, with its magnetic balls connected on linear elements.
American architecture and engineering firm Skidmore, Owings & Merrill (SOM), in collaboration with Mexico City-based Estudio AMA and interior designer Esrawe Studio, has revealed a new 190-meter-tall mixed-use tower in Guadalajara, Mexico. The new addition, which broke ground on May 24, is slanted to become the tallest building in the Andares Zapopan district of the city, offering residential units, hotel rooms, and various amenities.
Heatherwick Studio has just won the global competition to transform Seoul’s uninhabited Nodeul Island on the Han River into a lively public park. Titled “Soundscape,” the winning project “creates a trail of dramatic spaces on different levels that can host musical performances and artistic interventions.” Situated within a green and biodiverse landscape, the design echoes Seoul's mountainous terrain and the patterns of sound waves.
For architects and designers, unbuilt/unrealized projects are confounding, bittersweet, frustrating, elusive, even ghostly—the ultimate what-ifs. Often launched with the grandest ambitions, only to become derailed by the multiplicity of complications that can beset every proposed work of architecture. Author, editor, and critic Sam Lubell has spent a healthy chunk of his career cataloging these thwarted fever dreams. Now he has released, with co-author Greg Goldin, a new compilation, Atlas of Never Built Architecture (Phaidon), a global survey of more than 300 unbuilt projects ranging from the 20th century to the present day.
Recently I reached out to the writers to talk about the book, what unbuilt projects say about the culture at large, and some of their favorite unrealized projects. This interview was conducted via email, with Lubell and Goldin choosing to respond jointly.
As an architect I find it truly interesting to read cities and architecture through films, and this is why I went to see the latest film by one of my favourite directors Wim Wenders: Perfect Days. In Wenders’ cinema, his gaze over the city is always the protagonist. He possesses the remarkable ability to make the space of the photographic image the central focus of his filmmaking. It is not only the story that is important to him, but the time and space in which the story takes shape almost by chance.
Concert halls, music, and performance venues stand as iconic symbols of cultural vitality within urban landscapes. Through these structures, which often become landmarks of the city, the residents are invited to take part and experience artistic expression, fostering a sense of community and connection. For architects, this program poses the intricate challenge of balancing form and function, creating spaces that enhance the acoustic experience, allow for the flow of audience and performers, and create visual spectacles in their own right.
Featuring both emerging and internationally recognized offices, this week’s curated selection showcases music and performance venues, from mixed arts and cultural centers to opera and ballet halls. Including proposals for international competitions such as David Chipperfield Architects or SHL and PAX architects’ designs for the Polish Royal Opera in Warsaw or Hariri Pontarini Architects’ design for an integrated center for the arts in Canada, the selection explores the program of music venues across scales and programs.
Following various studies and polls, a number of players in the US real estate market that focus on offices (CBRE, JLL, and Gallup) agree that managers and operators must offer flexible, amenity-rich offices to support the modern employee commute. Broadly speaking, we are all being called to do more with less space, and for many in the office space world, pods will prove part of the solution. Let’s consider the trends supporting this notion.
The Grand Palais, an iconic Parisian landmark, is set to play a significant role in the 2024 Paris Olympics following a major restoration by French studio Chatillon Architectes. The first images of the refurbished building, captured by Laurent Kronental, reveal the progress of the extensive project that began in 2021. While the full restoration is expected to be completed by 2025, the initial phase will be unveiled this summer, allowing the historic venue to host Olympic events, including the fencing and taekwondo competitions.
The City of Chicago has just unveiled the design for the first phase of the transformation of O’Hare International Airport. Designed by Skidmore, Ownings & Merrill (SOM), the terminal represents the largest concourse area expansion and revitalization in the airport’s 68-year history. Designed in collaboration with Ross Barney Architects, Juan Gabriel Moreno Architects, and Arup, “Satellite One” seeks to become a landmark in the state.
The Graham Foundation has announced 56 new grants to individuals, selected from nearly 600 submissions. Centered on publications, research, exhibitions, films, site-specific installations, and digital initiatives, the funded projects "expand contemporary architecture ideas through innovative rigorous interdisciplinary work on the design and the built environment." The projects are led by 84 individuals, including established and emerging architects, artists, curators, designers, filmmakers, historians, and writers.
.jpg?1488209274)
.jpg?1488209274 "© Jesús Granada")
.jpg?1488209274)
