La Biennale di Venezia has just announced in a press conference, live-streamed on April 12, that the 17th International Architecture Exhibition under the theme of “How will we live together?” curated by Hashim Sarkis, will open to the public from Saturday 22 May through Sunday 21 November 2021 at the Giardini, the Arsenale, and Forte Marghera. In addition, the preview will be held on 20 and 21 May.
Incredible lighting, shining finishes, healthy trees, and properly positioned human figures seem to be the perfect kit for a good and traditional image of architecture, which, however, is not always representative of reality or context. We are accustomed to thinking of renderings as visions of future buildings, occupied and in use, which serve to sell or convince customers of the worth of a project. But what if rendered images also helped us understand the construction, systems, and functioning of some parts of the building? We talked to two professionals who have developed images that are both beautiful and explanatory.
After winning an international competition at the end of 2019, UNStudio has designed the new office of international software development company JetBrains in Saint Petersburg, promoting interaction and sustainability through its architecture, and focusing on the project's three keywords: Connective, Comfortable, and Versatile. UNStudio further developed the design in 2020 and construction is expected to start later this year.
For the 17th Venice Architecture Biennale, the Dominican Republic presents the exhibition CONEXIÓN by artist and architect LiLeón (Lidia León Cabral) and art critic Roberta Semeraro. Hosted at Venice's Anglican Church, the project lies at the intersection of art and interior architecture, and is inspired by "the bond between the Dominican Republic and Mother Earth".
Prefabrication is not a new concept for architects, but its usage is evidently on the rise. With today’s limited spatial capacity and need for cost efficiency, the industrial strategy of architectural production has shifted towards an all-around-efficient approach, in some cases assembling projects in a matter of days or weeks [1][2].
Prefabricated wood components, used in both wooden frames and mass timber constructions, have helped solve many design and engineering challenges. In addition to material and time efficiency, reduced waste, and cost control [1][2], prefabricated wood elements offer the advantages of high performing and energy efficient passive designs [3].
Few places have embraced sustainable design practices like California. Experiencing dramatic droughts, wildfires and environmental issues, the state has started to create new policies and initiatives to promote environmentally-conscious design solutions. From eco-districts and water management strategies to net-zero building projects, the Golden State is making strides to reshape its future. Forming long-term visions and procedures through the lens of physical resource consumption, California is working to better integrate its economic development plans with sustainable building methods.
Designed by award-winning architect Rudy Ricciotti, the designer of the MuCEM in Marseille, the Jean-Boutin Stadium in Paris, and the Islamic Arts Exhibition in the Louvre Museum, the Manufacture de la Mode reintroduces Chanel's intricate craftsmanship in an architectural and urban context. Architectural photographer Simon Garcia uncovers the newly-inaugurated fashion community in a series of photographs.
Australian research lab Finding Infinity has collaborated with architects, councils and investors to create a strategy that would turn Melbourne into a self-sufficient city by 2030. Building on exemplary case studies and scientific research, the initiative proposes a 10 step plan for the city’s transition from a consumer of resources to a zero-carbon urban environment.
When creating a contemporary atmosphere for living, many factors come into play. The surrounding environment, its climate, use of materials, spatial organization, and the attention to detail in both the interior and exterior design, all impact the quality of the design as a whole.
With increasingly better renderings becoming ubiquitous, students and architects alike feel the pressure of mastering an additional set of skills to get their ideas across. To what extent do renderings make or break a portfolio or a project? How important are they in the design process, and do renderings inform of a particular set of skills besides the software ones? This article explores different perspectives on the role of renderings within the profession.
Would you be willing to buy a home from a robot using only an app? As technology becomes more and more integrated into the design and real estate sector, that once an outlandish idea has become a reality. Only a decade ago, almost no one talked about technology and start-ups in the built environment. The real estate industry, which has historically lacked technological innovations compared to other sectors, is now taking a stance to reinvent itself as an industry that is more efficient, flexible, and automated- all resulting in one of the newest buzzwords that has taken the world by storm, proptech or Property technology.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Marion Weiss, architect and co-founder of Weiss/Manfredi. Marion discusses her childhood interests in the arts, architecture, and landscape design, how her office was formed and its design process, working with clients on large cultural projects, how architecture can have a social impact beyond its physical footprint, and more. Enjoy!
In Design and the City's fifth episode - a podcast by reSITE on how to make cities more liveable - filmmaker and visual artist Gary Hustwit was interviewed on his creative process and evolution, and what motivates him to make films that strive to make design more accessible to the general public. The interview delves into the process behind Hustwit's filmography, from documentaries such as Helvetica, which explores the use of type in urban spaces, to films such as Rams, a personal and intimate portrait of the influential German industrial designer Dieter Rams.
The American Institute of Architects (AIA) has announced five projects recognized with its 2021 Regional and Urban Design Awards. As the Institute notes, the best planning accounts for the entire built environment, local culture, and available resources. The Regional & Urban Design program recognizes the best in urban design, regional and city planning, and community development.
Graphic novels fold drawings of people, space, and time into their narrative structure to produce powerful visual stories. Graphic novels and architecture also share a set of common tools that are central to their depiction — drawing, sequencing, text, action, character, etc. This makes for a natural allegiance between graphic novels, architecture, and the city. In this episode, Stewart pulls the graphic novels off his bookshelf to show how and why they influenced his approach to architectural design and led to the creation of award-winning competition entries. In particular, David Mazzuchelli’s City of Glass and Asterios Polyp, and Chris Ware’s Building Stories offer lessons for developing a holistic approach to architecture that involves multiple points of view, politics, fiction, and visionary design.
Believing firmly that "architecture is [...] too important to leave solely to architects", Ole Bouman embarked on diverse activities throughout his three decades of work, reflecting on “architecture, not so much as the art or technique of making buildings, but architecture as the intelligent way to organize our lives on earth, and infuse it with purpose”.
After having shared Bouman's essay Finding Measure, ArchDaily had the chance to discuss with Design Society’s founding director his thoughts on the role of architecture, the current challenges of the world, the digital revolution, and many other thought-provoking topics.
Funded by Andrew W. Mellon and the National Endowment for the Humanities foundations as part of the Open Book Program, a collection of classic books, published between 1964 and 1998 are now available online as open access e-books through the MIT Press Open Architecture and Urban Studies book collection.
Centred around the theme of connection, Japan's Pavilion for Expo 2020 Dubai unfolds a geometrical 3D lattice inspired by the commonalities of traditional Japanese and Arabic patterns. Designed by Yuko Nagayama and Associates, the project uncovers through different architectural means the cultural similarities between Japan and the Middle East.
What is a render? Is it just an image to win over clients and competitions? Or is it an effective tool for the building design process?
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During the week of the final selection of ArchDaily China Building of the Year 2021 Awards, we received a total of 75,000 votes, thanks to our readers from all over the world. ArchDaily China strives to bring more Chinese firms to the wave of global exchanges and introduce Chinese architecture to the world.
This year, CCTN Design, with Shougang NO.3 Blast Furnace Museum, were selected for the first position, adopting the design strategy of “sealing the old, dismantling the surplus, and replenishing the new”, and transforming the industrial remains of Beijing into an inviting urban space. MAD Architects, with YueCheng Courtyard Kindergarten, won second place by dismantling and expanding the traditional courtyard house. gad, with Mountain & Sea Art Museum, won the third position by solving the problem of mountain construction and shaping the sculpture form of the art museum.
This article was originally published on Common Edge.
Dan Klyn, who teaches information architecture at the University of Michigan, is currently researching and writing a biography entitled Richard Saul Wurman’s 5 Lives. It’s an apt title, since the intellectually peripatetic Wurman has had several career incarnations: architect, author, publisher, designer, painter, sculptor, impresario (he created and thoroughly curated the early TED talks). “In a sense, I’m an amateur, a dilettante, I don’t do anything particularly well, but I see patterns between things,” he said to me in a recent interview, although his modesty here seems somewhat false: Wurman is a member of the Art Directors Club Hall of Fame; an AIA Fellow; has written, designed, and published more than 100 books; won a lifetime achievement award from the Cooper Hewitt; and is the recipient of the AIGA Gold Medal.
Crystal Bridges Museum of American Art has announced plans for a major expansion by Safdie Architects in Arkansas. The new addition will increase the size of the current facilities by 50 percent, adding nearly 100,000 square feet to the 200,000-square-foot facility. The expansion will showcase the museum's growing collection and provide space for educational and outreach initiatives, cultural programming, and community events.
Architects are charged with protecting the public’s health, safety, and well-being. When buildings fail, whether through increased loads, poor design, or natural disasters, that charge also falls to those capable and willing to aid people in need. Firefighters regularly experience architecture’s collapse, often risking life and limb to save occupants and individuals they do not know. Yet firefighters and emergency personnel also have their own buildings they call home, rare typologies where recreational, domestic, and professional activities collide.
Ever since the tramline’s closure, the 800-meter-long strip in the center of Corso Gabetti and Ponte Regina Margherita in Turin, has been abandoned. To make use of the dead area and give residents an extra space outdoors following Italy's severe pandemic repercussions, non-profit cultural association Torino Stratosferica has transformed the tree-lined strip into Precollinear Park, a temporary public space fit for socially-distanced leisure.
