For houses throughout the world, the barriers between the inside and outside of houses are solid and well-defined, allowing the spaces within the home to be protected from the weather conditions outside and made comfortable for the inhabitants inside. In countries like Colombia, which sit close to the equator and enjoy a warm, subtropical climate, temperatures average just above ideal thermal comfort.

It’s a rather unfortunate platitude that good design and government programs don’t mix. More than unfortunate, it’s also untrue, as a new initiative from the City of Los Angeles demonstrates.

The newly launched Accessory Dwelling Unit (ADU) Standard Plan Program offers homeowners 20 eye-catching, pre-approved designs for the increasingly popular typology, which many see as a viable alternative to costlier mid-rise apartment buildings. Administered by the Los Angeles Department of Building and Safety (LADBS) in United States and featuring designs from firms including SO – IL and LA-Más, the program is a bid to fast-track permits for these humble, backyard homes—better known as ADUs—as well as making them “more accessible, more affordable, and more beautiful,” said L.A. Mayor Eric Garcetti in a press statement.

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In this video, Architecture with Stewart breaks down the floor plan strategies of Louis Kahn (1901-1974) for how they treat and arrange rooms in servant/served configurations. After World War II showed us the dark underbelly of technology, the architecture that gave us “machines for living in'' seemed misguided and dehumanizing. In contrast to pre-war open and free plans, Louis Kahn considered new possibilities for rooms; believing their privacy and enclosures could work together in a ‘society of rooms.’ Beginning with a close look at the Trenton Bath House, the video includes computer animations, sketches, photographs, and historical narratives to trace the evolution of the room through buildings like the Adler House, Esherick House, and the Exeter library ⁠— a monumental room of cultural memory.

Since the winner(s) of the Pritzker Prize 2021 will be announced on Tuesday, March 16th, we have asked our readers who should win the most important award in the field of architecture.

Dutch design practice Mecanoo has shared initials details of the new Macau Central Library as part of a UNESCO World Heritage Site. Designed for the Cultural Affairs Bureau of the Macau SAR Government, the project will be located by the Tap Seac square on the site of the former Hotel Estoril, the first casino resort in Macau. Activating the square and public realm, the library will encourage visitors to uncover and utilize this new public amenity.

There was a time when people appreciated self-contained architecture, in which the building envelope would not function as a moderator between the climate outside and the interior environment but rather as an inert and independent barrier. Countless mechanical devices and electrical ventilation, heating, and cooling equipment. A real machine.

Today, architects are increasingly concerned with the interaction between architecture and the environment in which it is inserted, thus assuming responsibility for the thermal comfort of interior spaces, using design strategies for natural climate control.

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The Shing Mun River in Sha Tin, a residential town in Hong Kong, has struggled with plastic waste pollution for years. Household waste that is not properly recycled will either end up in landfills or floating in the river. In 2018 almost 17 million plastic items, or 40,000 items daily, were found to be drained into the ocean via the Shing Mun River, mostly being food packaging, cutleries, and household plastic bottles. This quantity of plastic pollution in the river and surrounding environment could eventually jeopardize the natural ecosystem irreversibly.

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In the midst of International Women’s Day which was on March 8th, this year features a week-long curation of articles and editorials by ArchDaily, seeking to dissipate the gender disparity that exists in the world of architecture. In highlighting women's voices in architectural conversations - the following are 10 interviews from ArchDaily’s archived Youtube playlists that feature inspiring women figures in the world of architecture.

This article was originally published on Common Edge.

My mother is a psychologist, so our family talks a lot about emotion. More specifically, we discuss the experience of emotion, because, as she  likes to remind me and my sisters, “We don’t think our feelings—we feel them, in our bodies.” According to my mother, it’s this experience of emotion that gives our lives a sense of meaning and vitality; as a result, her work isn’t about intellectual insight or abstract theories, but rather about giving her patients a new experience of themselves in the world.

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While in a lot of countries around the world, the construction, architecture, engineering, and urban planning sectors, are still reserved for men, initiatives that empower women in these fields are surfacing everywhere around the globe. Playing a huge role in the integration of female power into these disciplines, these movements take on many forms such as organizations, websites, platforms, etc. working with professionals, artisans, and workers.

From providing skills, connecting outstanding females, ensuring exposure, and promoting the works of pioneers, these initiatives have the common purpose of encouraging women to have an impact on their built environment.

Kansas City developer 3Strands has announced U.S.A’s first 3D printed homes for sale, the company’s first multi-home project in Austin, Texas. Built with construction technology company ICON, the housing development includes two to four-bedroom homes in one of the fastest-growing cities in America. Designed by Logan Architecture, the project utilizes the Vulcan construction system to build each home.

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The height of the ceiling of a space heavily influences our perception of it. Generally, local building codes regulate the minimum dimensions for ceiling height, which are calculated to ensure adequate quality of life in the environment. But the exact height of the ceilings is often defined by the dimensions of other materials that make up the building, the height of the constitutive slabs, or even by rounding the dimensions of the stair steps. It is common, with the densification of cities aimed at increasing profitability, for entrepreneurs to design with minimum ceiling heights in houses and offices, reducing construction costs. On the other hand, in older structures, more generous ceilings can be observed, which generally enable a greater degree of design freedom. But how can architects make the most of these spaces?

Today marks the start of the registration phase for the international ICONIC AWARDS 2021: Innovative Architecture. The awards recognise the best achievements in architecture, innovative interior and product design, as well as outstanding communication concepts and singularly innovative materials. The winners will be honoured at the awards ceremony on 11 October 2021 at the Pinakothek der Moderne, Munich, where they will have ample opportunity to network with other players on both the national and international scene.

Scheduled to open in the summer of 2021, the H.C. Andersen’s House is a new museum, designed by Kengo Kuma & Associates in Odense, Denmark. Reinterpreting the story of the Danish author’s life and work, the project “will provide a unique artistic experience, which combines landscape, architecture and modern exhibition design”.

AllesWirdGut has won the competition to redesign the historic Gösserhallen in Vienna's 10th district. The new approach aims to handle the existing structure with care, a concept that revives the industrial property with contemporary elements. Preserving the outer walls while introducing interiors for different uses, the team designed an "in-between" space that creates a new environment within the project.

The climate crisis has revealed the poor planning of our cities and the spaces we inhabit. Both construction and projects contribute to high carbon gas emissions. Fortunately, there are several ways to intervene to bring change into this scenario, either through materials and techniques adopted in each initiative or through geographical and social impact. In this scenario, the only certainty is that: to think about the future we cannot ignore the "green" in all its recent meanings from nature to sustainability, and ecology.

Because of their aesthetic forms, robust materials, and the nostalgic memories to which they refer, old objects often please many people and, from time to time, end up returning to fashion. In the construction industry this is no different. One object that has remained popular forever is the shed light, more specifically the Gooseneck Lamp. Its combination of a traditional look with newer technologies creates an extremely attractive product.

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Many architects and designers have highlighted the importance of taking into account all five senses during the design process, in order to create a successful user experience. Fortunately, many strategies have been implemented to facilitate the experience of those who are physically impaired, however, little is being done to aid those who feel helpless and restricted due to mental illnesses and traumatic experiences.

Healing from these experiences is a journey that requires a lot of effort from both the individual and everything and everyone around him/her. Oftentimes, victims of trauma are advised to spend more time in the outdoors, embracing the restorative qualities of nature. But what about interiors? Since people are now spending almost 90% of their time indoors, it is only natural that these spaces contribute to the healing process as well. And while these spaces can look beautiful with an abundance of natural light and neutral color palettes, are they truly beneficial to their mental health?