Citymakers and Karres en Brands have tied for first place in the competition to reimagine Saratov's City Center in Russia. From Park Pobedy, Ostrov Zeleny and Pokrovskie Peski Island to the development of the former Saratov Tsentralny airport and Glebuchev Ovrag, the teams will design a series of new spaces throughout the city.
The proposal designed by SANAA, “The Cloud on the Ocean” was just selected as the winning entry of the International Architecture Design Competition for the Shenzhen Maritime Museum. Led by Kazuyo Sejima and Ryue Nishizawa, SANAA imagined an intervention emerging between mountains and sea, combining the local cultures, site features, and maritime elements.
Anagram Architecture & Urbanism and Gruppa Design have won first prize in the competition to reimagine Přerov Town Hall in Czechia. Dubbed The Connector, the proposal includes the reconstruction of the existing 1969 building to emphasize the aim of the town hall to be a social generator for the Přerov's future.
We live in a tangled web of flows – of capital, information, technology, images, structures, in constant momentum dominating all aspects of our lives. The large-scale road infrastructures shown here are products of this powerful desire for movement, which for many years was also synonymous with development, as portrayed by the famous Goethean character Faust in his endless quest for a (false) sense of progress.
From these tangles of concrete and steel, at multiple levels and in different directions, emerges a geometrically organized chaos that tears the urban fabrics in a relentless effort to prioritize the flows with the fewest obstacles and the highest capacity possible.
Frank Lloyd Wright’s Price Tower is the famous American architect’s only realized high-rise building and one of his only extant vertically-oriented designs. Located in the plains of Bartlesville, Oklahoma and commissioned by the local oil and chemical firm H. C. Price Company, the mixed-use tower is significant not only for its singularity within Wright’s oeuvre, but because of its unique materials and structural design. Some of Wright’s innovations, which were novel in the mid-twentieth century, remain useful even today.
Focusing on the different typologies of houses, this week’s curated selection of Best Unbuilt Architecture highlights conceptual projects submitted by the ArchDaily Community. From urban developments to tiny homes, this article explores the topic of residential architecture and presents approaches from all over the world.
Featuring a cabin amidst the verdant forested region of northern Iran, a development in Georgia that offers an 80% recreational space to 20% housing ratio, and a project in Paris that re-questions our urban reality, and rethinks traditional forms of housing, this roundup tackles a multitude of scales. In addition, it underlines a collection of beach houses in Greece, Italy, Argentina, and Latvia each responding to a different landscape and topography. Other ideas underlined include the renovation of existing developments in Moscow, a residential-led transformation of a former factory in Manchester, and a family of blocks grouped around an elevated communal garden in the Netherlands.
Melike Altınışık Architects - MAA has just revealed more details and interior images of Istanbul's futuristic 369 meter-tall TV and Radio Tower. Photographed by London-based architectural photography studio NAARO, the new landmark structure has started its main telecommunication functions in November 2020. It is expected to open its doors to public use in late spring 2021.
Architecture and design practice Brooks + Scarpa have created a new 25,000 square foot research and development facility under construction in Pasadena, California. The project is designed for scientists and engineers seeking to develop future quantum technologies. In turn, the experimental and theoretical quantum science and technology lab will be an incubator in the emerging field of quantum engineering and quantum computing.
Now recall the last time you meet a client. Preparing a whole bunch of presentation materials including renderings, diagrams, floor plans, elevation plans and section plans is simply not enough. The hard part starts when the client got stuck with one or two renderings and simply wouldn’t let go.
American 19th-century sanitation engineer George E. Waring, Jr. was a miasmaist. He believed in the miasma theory, which holds that toxic vapors traveled through damp soil, rotted vegetation, and pools of standing water. These toxic vapors were understood to emanate from the Earth and interact with the atmosphere and cause disease in American cities.
According to Catherine Seavitt Nordenson, ASLA, a professor of landscape architecture at the Bernard & Anne Spitzer School of Architecture at the City College of New York, Waring was a “marginal figure,” but he had interesting ideas about how to “modify the climate to improve health.” In a virtual lecture hosted by the Harvard Graduate School of Design, Seavitt Nordenson said Waring was incorrect about the mechanisms for spreading disease —he didn’t understand the concept of vectors, like mosquitoes— but his drainage and sanitation solutions were “surprisingly successful.” A year into the coronavirus pandemic, it’s worth revisiting Waring’s ideas about the connections between the Earth, atmosphere, disease — and the maintenance of public spaces.
Along with concerns about our environment, new movements, words, concepts, and terms related to these issues constantly emerge, which require us to always remain up to date. The word sustainability itself faced some resistance until it was incorporated into common vocabulary and used widely in the most diverse contexts. Currently, much discussion surrounds the terms circular economy, resilience, the 4 Rs, urban mining, and others. In addition, there are some sustainability-related movements that have been incorporated from activism in other fields, showing the fluidity of such issues. One such initiative is the 0 kilometer materials movement, which has been featured in manifestos and some projects, albeit timidly, in recent times.
Mars House designed in May 2020 by Artist Krista Kim, has become the first sold digital NFT home in the world. The 3D digital file that can be experienced in virtual reality, was just acquired. Rendered using Unreal Engine, a software used to create video games, the house can be experienced in VR, but could also be experienced through augmented reality (AR) environment in apps. A structure comprised of light, Mars House generates a healing atmosphere, with a musical accompaniment by Jeff Schroeder of The Smashing Pumpkins.
Scott Brownrigg has created a new masterplan for the International Sports Village (ISV) at Cardiff Bay. Working on the larger development since 2012, the firm is approaching the ISV masterplan by combining programs. The project will include a 333-metre velodrome with a clubhouse, spectator stand and bike storage, together with a new zip wire tower, a large bike shop, food, drink and retail space, additional car parking and space for new sport and leisure attractions.
This week we present a selection of 17 excellent images of interior courtyards. These spaces bring many advantages to a design such as increased natural light and improved ventilation conditions, while providing occupants with direct access to the outside and to nature. Below is a selection of images from prominent photographers such as Quang Dam, Fran Parente, and Pablo Blanco.
The International Architectural Design Competition for Shenzhen Opera House has announced the selection of the proposal Light of the Sea submitted by Jean Nouvel as the first-prize winner of the contest. “A masterpiece where music meets the sea”, the design doesn’t adopt the conventional enclosed form of opera houses, but it integrates the building into the coastline, showcasing a visionary public cultural landmark.
Marc Thorpe Design has unveiled a new home concept along a tributary of the Savannah River in the United States. Sited in the deep south, the "House of Four Gardens" was designed between live oaks and perennial ferns. Access to nature was a central concept throughout the entire home, and each space is defined by the geometry of the structure in plan.
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When designing a space, architects across the board tout the importance, and even necessity, of incorporating natural light into interiors. This means taking measures to control the quantity of light being let in and its distribution throughout the space.
In the case of residential spaces, where privacy plays a larger role than in public spaces like offices, restaurants, and stores, opaque materials like screens, tinted glass, and other barriers are the go-tos for providing protection and privacy from the outside; however, the privacy that these methods provide often comes at the cost of the space's natural lighting, forcing designers to seek alternative materials that allow for both light and privacy.
The following text is excerpted from John S. Chase — The Chase Residence (Tower Books, 2020) by architect and University of Texas professor David Heymann and historian and Rice University lecturer Stephen Fox. Richly illustrated with archival materials and new drawings, the book is the first devoted to Chase, who was the first Black licensed architect in Texas. The study is divided into two parts, with Heymann examining the personal, social, and architectural significance of Chase’s own Houston house and Fox describing Chase’s architectural career.
This excerpt draws on Heymann’s analysis and highlights the first incarnation of the Chase Residence (Chase substantially altered its architecture in 1968). It places great emphasis on the house’s remarkable courtyard, a modernist innovation, and a singular statement about domestic living at the time. New section, elevation, and perspective drawings prepared for the book help illustrate the ingenuity of the house’s configuration. Finally, the excerpt was selected in part to honor Drucie (Rucker) Chase, who passed away in January of 2021.
Along the waters of Lago di Alserio, in Como, Italy is a contemporary private residence designed by architect Annalisa Mauri which contrasts the interlacing of sleek, sharp lines with the delicate beauty of the lake and the softly rolling hills of Brianza which surround it. The geography of the site has undoubtedly influenced the flow of the building, which is expressed through well-defined geometric spaces featuring large sliding glass windows and glass spandrels that offer seamless visual continuity between indoor and outdoor.
Simple in form but complex in substance, “What is Architecture?” remains an existential question for a lot of architecture students and young professionals. In an attempt to define this ever-changing interrogation and expose the different visions out there, the interview series: WIA – What is architecture? asks four, straightforward, questions to world-leading architectural designers and thinkers. Seeking to uncover their opinion on what architecture is and what it can do, these short videos reveal responses to “What is architecture? What can architecture do? What is your architectural position? and What is your design method?”.
ArchDaily has collaborated with WIA to release every week, 4 of these conversations, and to invite you to take on the challenge and answer these questions. The third article of the series presents the ideas and visions of Yona Friedman, Oana Bogdan, and Leo Van Broeck from Bogdan & Van Broeck, Ma Yansong from MAD Architects, and Alessandra Cianchetta from AWP Architecture.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Alex Proba, Multi-Disciplinary Designer and Creative Director of Studio Proba to discuss her design process, finding her own style, the limitation and possibilities of a design style, blurring 2D and 3D works, spatial design, and much more. Enjoy!
The city of Madrid can be viewed as a place that is representative of all the architectural styles found on the European continent. 16th-century Renaissance buildings and 18th-century Baroque buildings all co-exist in harmony with more modern architectural styles such as Art Deco or the expressive contemporary architecture of recent years. Iconic contemporary architecture firms such as Herzog & de Meuron and Rogers Stirk Harbour + Partners, with projects such as the BBVA Headquarters and Madrid-Barajas Airport Terminal, have all played a part in defining Madrid’s architectural character too, making for a city with highly varied and distinct streetscapes.
This video explores how the settings and spaces in the first season of HBO’s Westworld contribute to the overall interpretation of the show. From the lawless town of Sweetwater, to the tightly controlled offices of Delos, Westworld uses architecture precisely to establish its intricate worlds. While the show is set within a theme park of the near future, books like Michael Sorkin’s Variation on a Theme Park argue that we are already treating the cities we live in — in real life — as theme parks. So, while Westworld shares a number of architectural strategies with places like Disneyland, it is also not too far away from places like Chicago, New York, or London. After all, it was the architect Charles Moore that declared Disneyland the most influential urban environment built after World War 2. Getting to the bottom of this rabbit hole includes lots of train rides and an introduction to Michel Foucault’s concept of heterotopia, which helps explain what happens when worlds collide.
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