There’s a bright world just beyond the COVID-19 pandemic, and Waterfront Toronto, the organization tasked with revitalizing the city’s waterfront, is working to deliver on that future with its vision for the Quayside Project—a 12-acre mixed-use development poised to transform the industrial lands at the foot of Parliament Street.
What elements and qualities does space need for a well-balanced physical and spiritual recovery? How to design spaces that are healthy for both our minds and our bodies? What makes an environment livable and sustainable in the long term?
These are the questions we need to address in the era of the rapidly developing real estate market. Why do we tend to inhabit more and more high-density residential towers? Are we necessarily more mentally secure? If not, what are the spatial solutions or cures for the current urbanites’ anxiety? In this article, we will explore ways of unwinding and finding cures in space.
EPISODE 9 will focus on Future Cities. Our guest will be Jonathan Ward, a Design Partner at NBBJ, who is developing Chinese technology company TenCent’s Net City, in Shenzen China. At roughly the size and shape of Midtown Manhattan, Net City features a new Tencent office, a residential neighborhood, schools, retail and other amenities. The project focuses on sustainability, including photovoltaic panels on rooftops, sensors that track environmental performance and flooding, and a comprehensive transportation network that prioritizes public transit, bicycles and pedestrian access. Ward’s other notable projects for NBBJ include headquarters for Samsung in San Jose and South Korea, Ant Financial in Hangzhou, the Wellcome Trust in Cambridge, Telenor in Oslo and Reebok in Massachusetts.
With a formal and material approach that differs from the scenarios we usually find in Architecture, Lacaton & Vassal —a French practice that marks its influence in contemporary times by being awarded the Pritzker Prize 2021— brings an open and generous vision to the field.
The 2021 Pritzker Architecture Prize, architecture’s highest honor, has been granted to Anne Lacaton and Jean-Philippe Vassal, founders of Lacaton & Vassal, the French duo renowned for their multiple sustainable housing projects and for the Palais de Tokyo, a contemporary art gallery in Paris. In their three decades of work, Lacaton & Vassal always prioritized the “enrichment of human life”, benefiting the individual and supporting the evolution of the city.
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Anne Lacaton and Jean-Philippe Vassal founded their architectural studio Lacaton & Vassal in 1987, years after studying and working together at the École Nationale Supérieure d’Architecture et de Paysage de Bordeaux. The practice established in Paris has been awarded this year’s prestigious 2021 Pritzker Prize. Their built work leaves strong evidence of what they believe is relevant: sustainability, wellbeing, social responsibility, and the readaptation and the respect of the existing built environment.
Exploring the use of innovative technologies in architecture and practicing at the crossroads between art and spatial design, Gili Ron and Irina Bogdan have imagined project Galath3a, a woman-machine collaboration. The research-based venture uses a UR5 robotic arm named Gala (short for Galatea), to speculate on what is culturally considered as "womanly behavior".
The 52-story residential tower 200 Amsterdam Avenue is set to become the tallest skyscraper on New York's Upper West Side. The project was designed by Elkus Manfredi Architects, and is being developed by SJP Properties and Mitsui Fudosan America. An appeals court recently decided to allow the tower to include it's top 20 stories on the building's site between West 69th and West 70th Streets.
In many cases, I haven't been able to decide whether a building full of trees fits into the "sustainable" category. In fact, I've often had to make the argument that such a building is far from it.
It seems that the vast majority of contemporary marketing for sustainable architecture operates under the guise of greenwashing. What's more, the line between what truly creates healthier and more sustainable living spaces and what doesn't is often a blurred one.
To see just how blurred this line is, we asked our readers to weigh in on just what makes a house "green". Is it being able to trace the source of your building materials and knowing the people who harvest, process, and sell them? Is it the ability to fulfill the day-to-day needs of the inhabitants using renewable resources?
Construction has begun on “Welcome, feeling at work”, a biophilic office of the future in Milan, Italy. Designed by Kengo Kuma & Associates and commissioned by Europa Risorse, this venture seeks to create a workspace centered on employee health and wellbeing, integrated within its local environment. Imagined to be one of the most sustainable office development to date, the project is scheduled for 2024.
The first ever commercial space hotel, Voyager Station, aims to open by 2027. Accommodating 280 guests and 112 crew members, the project is being planned by Orbital Assembly Corporation, a construction company run by John Blincow. The station will be OAC's first major project, and the first commercial space station with artificial gravity.
For houses throughout the world, the barriers between the inside and outside of houses are solid and well-defined, allowing the spaces within the home to be protected from the weather conditions outside and made comfortable for the inhabitants inside. In countries like Colombia, which sit close to the equator and enjoy a warm, subtropical climate, temperatures average just above ideal thermal comfort.
Carl Pruscha, an Austrian architect who mainly dedicated his professional career to investigating and working closely in the field of regional architecture in the Eastern world, a territory that was being overlooked at a time when the modern movement in architecture and in the rest of the world was booming. Through an overview of his life, we will highlight some of his most relevant works in Nepal and Sri Lanka and understand how Pruscha managed to stamp his unique visions of architecture and cities into his built projects.
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It’s a rather unfortunate platitude that good design and government programs don’t mix. More than unfortunate, it’s also untrue, as a new initiative from the City of Los Angeles demonstrates.
The newly launched Accessory Dwelling Unit (ADU) Standard Plan Program offers homeowners 20 eye-catching, pre-approved designs for the increasingly popular typology, which many see as a viable alternative to costlier mid-rise apartment buildings. Administered by the Los Angeles Department of Building and Safety (LADBS) in United States and featuring designs from firms including SO – IL and LA-Más, the program is a bid to fast-track permits for these humble, backyard homes—better known as ADUs—as well as making them “more accessible, more affordable, and more beautiful,” said L.A. Mayor Eric Garcetti in a press statement.
Simple in form but complex in substance, “What is Architecture?” remains an existential question for a lot of architecture students and young professionals. In an attempt to define this ever-changing interrogation and expose the different visions out there, the interview series: WIA – What is architecture? asks four, straightforward, questions to world-leading architectural designers and thinkers. Seeking to uncover their opinion on what architecture is and what it can do, these short videos reveal responses to “What is architecture? What can architecture do? What is your architectural position? and What is your design method?”.
ArchDaily has collaborated with WIA to release every week, 4 of these conversations, and to invite you to take on the challenge and answer these questions. This second article of the series highlights the ideas and visions of Odile Decq from Studio Decq, Kjetil Thorsen from Snøhetta, Florencia Pita & Jackilin Hah Bloom from Pita & Bloom, an architectural design collaborative based in Los Angeles, and Jeffrey Kipnis, an American architectural critic and theorist.
For the fourth episode of Design and the City, a podcast by reSITE on how to make cities more livable and lovable, by raising questions and proposing solutions for the city of the future, the team interviewed Stefan Sagmeister, an Austrian-born graphic designer and typographer. In this episode, the designer discusses the importance of beauty in design, its utility for any properly functioning space or city, and how it contributes to the happiness of citizens.
In this video, Architecture with Stewart breaks down the floor plan strategies of Louis Kahn (1901-1974) for how they treat and arrange rooms in servant/served configurations. After World War II showed us the dark underbelly of technology, the architecture that gave us “machines for living in'' seemed misguided and dehumanizing. In contrast to pre-war open and free plans, Louis Kahn considered new possibilities for rooms; believing their privacy and enclosures could work together in a ‘society of rooms.’ Beginning with a close look at the Trenton Bath House, the video includes computer animations, sketches, photographs, and historical narratives to trace the evolution of the room through buildings like the Adler House, Esherick House, and the Exeter library — a monumental room of cultural memory.
If you attended architecture or design school, there’s probably something you noticed about your fellow classmates- a majority of them were female. And if you have been working in the world of design for a few years, there’s probably something else you’ve noticed as well- that there are fewer women in leadership positions than men. There’s a crisis that architecture has been facing ever since the profession has existed, and it’s that women in leave architecture in high numbers. But what is causing this, and what steps are being taken to ensure that some of design’s best champions positioned to become future industry leaders?
Since the winner(s) of the Pritzker Prize 2021 will be announced on Tuesday, March 16th, we have asked our readers who should win the most important award in the field of architecture.
Dutch design practice Mecanoo has shared initials details of the new Macau Central Library as part of a UNESCO World Heritage Site. Designed for the Cultural Affairs Bureau of the Macau SAR Government, the project will be located by the Tap Seac square on the site of the former Hotel Estoril, the first casino resort in Macau. Activating the square and public realm, the library will encourage visitors to uncover and utilize this new public amenity.
There was a time when people appreciated self-contained architecture, in which the building envelope would not function as a moderator between the climate outside and the interior environment but rather as an inert and independent barrier. Countless mechanical devices and electrical ventilation, heating, and cooling equipment. A real machine.
Today, architects are increasingly concerned with the interaction between architecture and the environment in which it is inserted, thus assuming responsibility for the thermal comfort of interior spaces, using design strategies for natural climate control.
The Shing Mun River in Sha Tin, a residential town in Hong Kong, has struggled with plastic waste pollution for years. Household waste that is not properly recycled will either end up in landfills or floating in the river. In 2018 almost 17 million plastic items, or 40,000 items daily, were found to be drained into the ocean via the Shing Mun River, mostly being food packaging, cutleries, and household plastic bottles. This quantity of plastic pollution in the river and surrounding environment could eventually jeopardize the natural ecosystem irreversibly.
In the midst of International Women’s Day which was on March 8th, this year features a week-long curation of articles and editorials by ArchDaily, seeking to dissipate the gender disparity that exists in the world of architecture. In highlighting women's voices in architectural conversations - the following are 10 interviews from ArchDaily’s archived Youtube playlists that feature inspiring women figures in the world of architecture.
This article was originally published on Common Edge.
My mother is a psychologist, so our family talks a lot about emotion. More specifically, we discuss the experience of emotion, because, as she likes to remind me and my sisters, “We don’t think our feelings—we feel them, in our bodies.” According to my mother, it’s this experience of emotion that gives our lives a sense of meaning and vitality; as a result, her work isn’t about intellectual insight or abstract theories, but rather about giving her patients a new experience of themselves in the world.
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