The Italian Pavilion for the 17th Venice Architecture Biennale explores the capabilities for transformation and adaptation of Italian communities in an attempt to define tangible solutions to current global challenges. Titled "Resilient Communities", the exhibition curated by Alessandro Melis presents Italian research and innovation across many fields, exploring ideas for improving the conditions of the built environment and addressing climate change, with the hope of defining the building blocks for a sustainable future.
Courtesy of Harvard University Graduate School of Design, Studio Barnes
Germane Barnes has won the 2021 Wheelwright Prize from Harvard University Graduate School of Design. The $100,000 prize will fund two years of travel and research for Barnes’s proposal Anatomical Transformations in Classical Architecture, an examination of classical Roman and Italian architecture through the lens of non-white constructors. Barnes will study how spaces have been transformed through the material contributions of the African Diaspora while creating new possibilities within investigations of Blackness.
Wael Al Awar and Kenichi Teramoto, both principals of Dubai-based Waiwai design, have been appointed as the curators for the National Pavilion of the UAE at the 2021 Venice Biennale. Entitled Wetland, the exhibition presents an experimental solution to the critical environmental impact of the construction industry. The intervention will present a large-scale prototype structure created from an innovative, environmentally friendly cement made of recycled industrial waste brine. The exhibitionwill open to the public at the 17th International Architecture Exhibition of the Venice Biennale from Saturday, May 22nd to Sunday, November 21st, 2021.
Scheduled originally from August to November 2020, the 17th Venice Architecture Biennale was postponed, like every other event this year, and will be held from May 22nd to November 21st, 2021, due to the pandemic. Questioning “How will we live together?” the original statement of curator Hashim Sarkis, called upon architects “to imagine spaces in which we can generously live together”. Relevant today more than ever, with the current worldwide circumstances, the theme of the Biennale is in fact the focus of interest of the global scene.
After having discussed “How will we live together?” in 2019 with Hashim Sarkis in Venice, ArchDaily had the chance to open the debate once more and re-examine the question of the Architecture Biennale. In a two-part interview, the architect tackles the theme, the Biennale, the present situation, and the future.
Text by Reutov Design. Reconstruction of a small creative office in a 19th-century building. This is the former Tsarist factory for the production of weapons. After the revolution and the Second World War under the USSR, a scientific and technical complex was placed here, and in the future, this place was completely abandoned, turning it into an old office center.
The Hungarian Pavilion at the 17th Venice Biennale explores the often challenging socialist architecture and looks at how this heritage could be reconsidered and given a new future. Titled Othernity – Reconditioning our Modern Heritage, the exhibition curated by Dániel Kovács presents twelve iconic modern buildings of Budapest and the visions of twelve architecture practices from Central and Eastern Europe for their reconditioning. The Hungarian Pavilion's project looks into how architecture can build on its past to foster resilience, sustainability and strong cultural identities.
Chicago’s most prolific architect, Helmut Jahn has passed away on Saturday afternoon in a cycling accident. He was struck by two vehicles while riding his bicycle in Campton Hills, in the Chicago suburbs. The German-American designer is best known for his postmodern Thompson Center, currently under threat of demolition and United Airlines Terminal 1 at Chicago’s O’Hare International Airport.
The CYO Oasis Bathroom . Image Courtesy of Dornbracht
What we are currently experiencing in the world is a shift in values. A crisis like COVID-19 leads us to question how we want to live, who is important to us, how we should spend our time. As our needs change, we focus on enduring values such as family, community, and an emphasis on our physical and mental well-being. When it comes to the objects that we surround ourselves with, themes such as lasting value, longevity, and quality are coming to the forefront. It is no longer only about what is good for the individual today, but also what will be useful and relevant tomorrow.
In the last decades, architecture has embraced the medium of film to explore new readings of spaces and atmospheres. Crafting a visual narrative of the underlying design concepts while also establishing a connection with the viewer, architecture films use cinematic camera movements and carefully curated sound designs to convey emotion and create a compelling impression of the built object. The article looks into architecture films as a means of capturing the experience of a space, with films by 9sekunden, a team of young designers who combine their passions for film and architecture into an alternative means of exploring architectural atmospheres.
America’s central business districts suffered greatly during the COVID-19 pandemic through job losses and business closings, but they also have a good chance to recover if stakeholders can capitalize on trends that will shape the way people live and work in a post-pandemic economy. That’s the view of the author and urbanist Richard Florida, a professor at the University of Toronto and author of The Rise of the Creative Classand The New Urban Crisis.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This episode is also available on iTunes, YouTube, and Spotify. This week David and Marina discuss the best strategies for getting the most from a design review. The two cover when not to listen to critics, the two essential parts to any critique, why design reviews are often a complete mess, crying at reviews, controlling a review, bad feedback, how to structure a productive review, and much more. Enjoy!
https://www.archdaily.com/961338/the-second-studio-podcast-tips-for-having-a-great-design-review-and-critiqueThe Second Studio Podcast
One of the most iconic examples of Metabolist architecture, Kisho Kurokawa'sNakagin Capsule Tower, might be headed for demolition, as the building was sold by the management association to the landowner earlier this year, as reported by Japan Forward. The tower's demise has been intensely speculated in recent years due to the structure's precarious state and incompatibility with current seismic standards.
The U House is widely regarded as one of the masterpieces of Pritzker Prize winning architect Toyo Ito. It was designed specifically to nurture his sister and two daughters after they lost their father to cancer. Decades later, the house sat empty once the family had eventually moved on from the grips of their grief. In 1997, the house was demolished to clear the site for sale and today the building only lives on in memory, drawing, and images. In this episode of Architecture with Stewart, he reconstructs the U House to simulate what it would have been like to visit in real-life. After a forensic investigation and a close analysis of its program and geometry, he builds a 3D model and navigates it in the real-time render engine Enscape and offers a link for you to explore as well. What hidden treasures are lurking inside this important building lost to the wrecking ball?
The role of an architect has not always been what it is today. Historically, and almost since its inception, it was viewed as a “one-man show”, where the architect was the artist, the sculptor, and the visionary of a structure. As the practice has continued to evolve, it has become a much more collaborative, and much less individualistic profession in nature, continuously understanding the importance of considering outside perspectives- even those not traditionally trained in design.
Titled "Architecture as Measure", the Turkish pavilion at the 17th International Architecture Exhibition – La Biennale di Venezia, seeks to explore what and how architecture can contribute to the environment in the light of the current climate crisis, beyond technological dependence. Curated by Neyran Turan, the pavilion will be on display at the country's long-term venue, the Sale d’Armi, Arsenale from May 22nd to November 21st, 2021.
Alexandria Park Tiny Home Village. Image Courtesy of Lehrer Architects
Lehrer Architects converts several leftover plots in Los Angeles into micro-homes developments, unfolding an experimental template for tackling homelessness. Together with the Bureau of Engineering for the City of Los Angeles, the architecture firm creates an efficient yet functional design using prefabricated pallet shelters and brings character to the project through vibrant colours to shape a new sense of community and restore dignity through design.
"Acoustics" in architecture means improving sound in environments. Although it is a complex science, understanding the basics - and making efficient and effective decisions - is much easier than you might think. The first step is to understand that there are two technical categories used in acoustics: soundproofing and acoustical treatment. Soundproofing means "less noise" and treatment, "better sound".
Dozens of neighborhoods in New York City have been upzoned based on contrived, and even false claims made by the city, which promised more diversity, affordable housing, minimum displacement, and other worthy goals. None of those projections materialized, but this is never acknowledged. Worse, the upzoning created the opposite conditions: less diversity, fewer affordable units, and whiter, wealthier neighborhoods. This, too, is never acknowledged. But the damage is done—and developers are having their way—following the new zoning. Then it’s onto the next neighborhood, with the same approach. Roberta Brandes Gratz explores in her article city planning and city promises in New Tork City, disclosing zoning regulations that lead to the opposite of what they preach.
The VinFast Global Showroom Design Competition organized by Vietnam Design Association (VDAS) and VinFast from January 25th to February 25th, received approximately 1000 entries from 90 countries across 5 continents. Accordingly, VFDC 2021 greatly attracted designer contestants from the US, Canada, Europe, Australia, and Vietnam, which are key markets in VinFast's global strategy.
https://www.archdaily.com/961247/winner-announcement-of-vinfast-global-showroom-design-competition-2021ArchDaily Team
MSG Architects and Turf Design Studio have designed a 20-year masterplan for the University of Canberra in Australia. With an investment of over $5 billion of the university's Bruce campus, the project would include new light rail connections for the Belconnen community, as well as an indoor arena and sports center. In total, the project would include over 60,000 square meters of university facilities and over 200,000 square meters of commercial buildings.
The SO – IL-designed 21,000 square foot multi-building “art campus” in East Williamsburg, Brooklyn, is set to open on June 5th, 2021, with construction projected to conclude by May 2021. Serving as the Amant Foundation’s new headquarters, the complex will host exhibitions, public events, archival projects, performances, and residency programs.
Architecture is shaped by its environment and natural forces. Inherently, the discipline focuses on the design of objects over systems, on formal morphology over networks or ecologies. However, no building exists outside its context; every structure is sited among ever-changing climates and cultural conditions. How designers respond and connect to these larger systems can radically change the nature and quality of their work. Often, it is the greatest constraints that produce novel solutions.
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