Developed by architect Gerardo Caballero, in collaboration with Paola Gallino, Sebastian Flosi, Franco Brachetta, Ana Babaya, Leonardo Rota, Emmanuel Leggeri, Sofia Rothman, Gerardo Bordi, Edgardo Torres, and Alessandro De Paoli, "The Infinite House", a project inspired by traditional Argentine houses, will represent Argentina in the upcoming 2021 VeniceArchitecture Biennale. The project reflects on the identity of Argentine public housing and the role collective housing, both public and private, has played in the country's history and society. The Infinite House aims to push the limits of the domestic and to highlight the importance of the collective rather than the individual by illustrating that a home extends beyond one's own living space: "it is the city, the country, and even the world."
If you live in an apartment, you may unintentionally know the details of your neighbor's life by overhearing conversations through your shared walls. Or you keep awake when the dog that lives in the apartment above decides to take a walk in the middle of the night. If so, you may live in an apartment with inadequate sound insulation in its walls and/or slabs. As cities grow increasingly dense and builders seek to increase their profit margins, it is not uncommon for acoustic comfort to be overlooked in many architectural projects. When the resulting noise is excessive or unwanted, it impacts the human body, the mind, and daily activities. While not all spaces need to seal all types of sound, creating spaces with an adequate degree of soundproofing improves the quality of life of all users.
Exploring the question of slavery in Architecture, the building materials and the construction industry, Michael J. Crosbie interviews Sharon Prince, the women behind Design for Freedom, discussing the initiative's report "on the pervasive use of slavery in the design and construction industry, and how design professionals can respond".
https://www.archdaily.com/962116/architecture-and-the-stain-of-modern-day-slaveryMichael J. Crosbie
Coming soon. Visions from the minimum territory ("Próximamente") is the title of the Uruguay Pavilion at the Venice Biennale 2021, which will take place between May 22 and November 21, 2021.
Foster + Partners have shared the design for a residential-led masterplan on the outskirts of Bangkok. Dubbed The Forestias, the project includes a large forest at its heart. The design was made to address the growing disconnect between contemporary city life and family traditions. The Forestias proposal focuses on promoting multi-generational family co-living and new models of urban life in Thailand.
Aviation architecture has radically transformed. While airports themselves have grown to accommodate countless programs and increasingly higher traffic volumes each year, modern building projects are going beyond this familiar typology to explore the nature of hangars, airfield taxonomy and reuse. While airports have really only emerged within the last century, aviation has captured the imagination of designers for centuries. Today, contemporary aviation designs are being conceptualized as explorative and creative works.
Titled "It's Not For You! It's For the Building", the Latvian Pavilion at the 17th International Architecture Exhibition – La Biennale di Venezia showcases how technology risks creating new problems while providing solutions to urgent global crises. Curated by architecture office NRJA, the pavilion will be on display at the Arsenale from May 21st until November 22nd, 2021.
The Loreto Open Community project is the winning proposal of the competition organized by the Municipality of Milan to redesign Piazzale Loreto, now a crowded traffic junction. Designed by Metrogramma, together with Mobility in Chain, Studio Andrea Caputo, LAND, Temporiuso, Squadrati and developed by Ceetrus Nhood, the project envisions a layered system of architectural objects and public spaces that would foster a wide array of activities while also shaping a new green area for the city.
Israel’s Pavilion for the 17th Venice Architecture Biennale highlights the impact of intensive mechanized agriculture on landscapes and ecosystems, as well as the disruption caused to local communities. Titled Land. Milk. Honey and curated by an interdisciplinary team comprising Dan Hasson, Iddo Ginat, Rachel Gottesman, Yonatan Cohen and Tamar Novick, the exhibition portrays the fundamental changes experienced by the region through the stories of local animals, constructing a history of the 20th-century development.
The Ministry of Culture of the Government of Mexico and the National Institute of Fine Arts and Literature (INBAL) have unveiled the Mexican pavilion at the Venice Biennale 2021 entitled Displacements("Desplazamientos"), a curatorial work led by Isadora Hastings, Natalia de La Rosa, Mauricio Rocha, and Elena Tudela.
https://www.archdaily.com/961998/mexican-pavilion-at-the-2021-venice-biennale-explores-the-value-of-mexican-contemporary-architectureArchDaily Team
Yes, we know. We have been talking a lot about carbon. Not only here, but everywhere people seem to be discussing the greenhouse effect, carbon dioxide, fossil fuels, carbon sequestration, and several other seemingly esoteric terms that have increasingly permeated our daily lives. But why is carbon so important and why do we, as architects, architecture students, or architecture enthusiasts, have to care about something that seems so intangible?
Open Village Cinema / Shimu Wang. Image Courtesy of A' Design Award & Competition
A' Design Award & Competition is the worlds' largest annual juried design competition that honors the best designers, architects, and design-oriented companies worldwide to provide them with publicity, and recognition. The A' Design Accolades are organized and awarded internationally in a variety of categories ranging from industrial design to architecture. Every year projects that focus on innovation, technology, design, and creativity are awarded the A' Award to push them further towards success.
The Case Study Houses (1945-1966), sponsored by the Arts & Architecture Magazine and immortalized by Julius Shulman’s iconic black-and-white photographs, may be some of the most famous examples of modern American architecture in history. Designed to address the postwar housing crisis with quick construction and inexpensive materials, while simultaneously embracing the tenets of modernist design and advanced contemporary technology, the Case Study Houses were molded by their central focus on materials and structural design. While each of the homes were designed by different architects for a range of clients, these shared aims unified the many case study homes around several core aesthetic and structural strategies: open plans, simple volumes, panoramic windows, steel frames, and more. Although some of the Case Study Houses’ materials and strategies would become outdated in the following decades, these unique products and features would come to define a historic era of architectural design in the United States.
https://www.archdaily.com/961900/how-did-materials-shape-the-case-study-housesLilly Cao
Floor designs with the free-form tile Tie present a visual highlight through the combination of structures and colours, and fulfil demands for both the highest quality and sustainability in equal measure. Image Courtesy of Vorwerk
Vorwerk flooring’s acoustic-tile system offers almost limitless combination possibilities, while its online configurator makes the creation of room concepts clear and uncomplicated.
Romania’s contribution to the 17th Venice Architecture Biennale showcases a new perspective on mass migration, a phenomenon with a wide array of causes, ranking high on the international public agenda. Titled Fading Borders and curated by architects Irina Meliță and Ștefan Simion, the exhibition explores the challenges and opportunities of migration and its consequences on the built environment. Using Romania as a study case, where three million people have left the country in the last decade in pursuit of a better life abroad, the curatorial project frames a conversation around the role of architecture in the successful management of the migration phenomenon, as territorial boundaries continue to fade around the globe.
In the second half of the 20th century, Soviet architecture has spread a common aesthetic across highly diverse environments, being an integral part in promoting the totalitarian ideology that disregarded local cultures, envisioning a unified, homogenous society. Nevertheless, in practice, the architecture proved itself susceptible to adaptations and local influences, perhaps nowhere more than in Central Asia. The article looks at the architectural heritage of a geographical area largely excluded from the Western-centric narratives on Soviet Modernism, encouraging a re-reading of a layered and nuanced urban landscape, with images by Roberto Conte and Stefano Perego.
Award-winning architecture firm Bjarke Ingels Group has collaborated with lower-impact battery metals developer The Metals Company to reimagine a traditional metal production facility in a new contemporary and sustainable context. The firm designed a circular zero-solid-waste metallurgical plant that includes manufacturing, processing, and storage facilities, along with offices, visitor centers, and innovation facilities.
The Architecture Film Festival London, now at its third edition, fosters conversations around architecture, society and the built environment through the medium of film. Along with the International Film Competition, the 2021 programme, debuting on June 2nd and held online, will feature a collection of diverse thematic screenings, essays and events titled "Capsules", which offer a platform to multiple curatorial voices.
Lighting design for exhibition spaces in museums can be quite challenging because light must simultaneously enhance the space, preserve the integrity of the artworks and highlight them in a way that ensures the best conditions for the visitor's enjoyment.
In addition to having the highest CRI (Color Rendering Index), daylight contributes to a feeling of comfort and well-being in the built environment. In exhibition spaces, natural lighting is important to accurately reveal the colors of the objects on display, which is very significant for works of art and provides more visual comfort for visitors to clearly perceive the exhibits.
For its latest collection, London-based manufacturer CTO Lighting found inspiration in Belgium, and in particular the city of Antwerp, from where the collection derived both its aesthetic and its name.
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Toronto's Dundas and Ossington intersection, re-imagined as 1962 Baltimore by special effects studio MR. X for the film The Shape of Water. Image Courtesy of The Canadian Pavilion
Canada’s contribution to the 17th Venice Architecture Biennale explores Canadian cities’ established “career” in cinema as stand-ins for the world’s metropoles, raising questions of authenticity, architectural identity and the collective understanding of the built environment. Curated by David Theodore of McGill University and realized by Montréal architecture and design practice T B A / Thomas Balaban Architect, the exhibition Impostor Citieshighlights the diversity and versatility of Canada’s cityscapes as portrayed on film.
Plastic is an incredible material. The big problem with it is how we are using it and discarding it in nature. It was with this idea in mind that The Plastic Museum was created: to show the vital role that plastic plays in our lives and the possibilities that its reuse and recycling offer. Opened in Madrid on May 8, it not only contains plastic but was built entirely from this material. Through the artifacts displayed inside, including objects for health care, communication, construction, food, and sustainable mobility, the visitor will learn about the essential functions that plastic provides us when used correctly.
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