The 20th Serpentine Pavilion, designed by Johannesburg-based practice Counterspace, directed by Sumayya Vally, opens today, on June 11, 2021, after 1-year postponement. On display until the 17th of October 2021, on the Serpentine Gallery’s lawn in Kensington Gardens, the project was captured by Mark Hazeldine. Check the exclusive photo series that highlights the story of the space.
This article was originally published on Common Edge.
Stefan Fuchs & Raphael Dillhof interview Adam Nathaniel Furman and discuss the role and importance of facades in today's urban fabric, "in the context of a broader range of social, economic, and political issues". Part of a more in-depth study examining the role of facades in the 21st century, this discussion also raises the question of why buildings always embody the values of their creators.
Gottfried Böhm, the first German architect to be awarded the Pritzker Prize, has passed away at 101, as reported by Deutsche Welle and WDR.
.jpg?1623359381 "Neviges Pilgrimage Church. Image © Laurian Ghinitoiu")
.jpg?1623359479 "Neviges Pilgrimage Church. Image © Laurian Ghinitoiu")
Marlon Blackwell Architects has designed a series of eight live-work Quonset huts as part of a larger development project in Fort Worth, Texas. Working with landscape architect Julie Bargmann of D.I.R.T studio and Studio Outside, the team created the proposal for Prince Concepts. The project has broken ground, and will include 5,500 square feet of office space and three retail locations, as well as a public park.
Auckland in New Zealand has topped the ranking in the 2021 EIU's annual world's most liveable city survey. Classifying 140 cities across five categories including stability, healthcare, culture and environment, education, and infrastructure, this year’s edition of the review has been highly affected by the global pandemic. Australia, Japan, and New Zealand took leading positions, while European and Canadian cities fell down the ranking.
Aquariums are built to reshape expectation. Giving visitors a new vantage point to observe freshwater and marine life, these structures range in scale from simple exhibits to elaborate public aquaria. With a diversity of programming, they often include facilities for rehabilitation and conservation, as well as educational spaces to support learning and discovery. Today, modern aquariums offer glimpses into aquatic life both above water and below the surface.
As part of the Dogpatch mixed-use waterfront development, Foster + Partner's Power Station extension has finally broken ground. The master plan will create multiple new residential, commercial, and recreational spaces, honoring its industrial past and reconnecting the community with the San Francisco Bay waterfront. The architecture firm's 2-building proposal provides the neighborhood with an ideal urban framework to help create a vibrant, healthy, and inclusive community.
With 38% of projects over budget and 35% behind schedule, according to the 42nd Annual Deltek Clarity Report, architecture firms are focusing on the fundamentals. This includes tracking metrics and adopting new technology to keep a closer pulse on performance and profitability. Many architecture firms have a ways to go as only 25% currently see their business as digitally mature, but 76% of firms envision firm digital sophistication in five years, according to the report.
Barcelona-based studio Barozzi Veiga has completed its first UK project, which will house Ravensbourne University’s Institute for Creativity and Technology. The building, whose interiors are designed by Brinkworth, is also the first to be completed within the Design District, London’s new purpose-built creative hub at the heart of the Greenwich Peninsula. Featuring a polished aluminium-clad façade that reflects the neighbouring buildings, the design engages with the surrounding context, while also referencing the area’s industrial past.
Natural or artificial, lighting is one of the most important elements in architecture, directly affecting our perception of spaces. It is capable of defining volumes, enhancing colors, textures, and therefore, contributing to the overall relationship between dimension, proportion, and contrasts. One of the many challenges of architecture is to shape spaces based on light and shade, and sometimes natural light is not enough, requiring additional light sources to be installed and controlled.
Although holograms have been a possibility for decades—the first hologram was developed in the early 1960’s following the development of laser technology—many might still associate them more with science fiction, the term conjuring up images of high-tech superhero gadgets and spaceships in the distant future. Yet as we inch closer to the reality of a hyper-technologized future, and a variety of industries—including architecture and construction— begin to embrace new forms of increasingly advanced technology, holography, too, has a chance of completely reshaping the way we conceptualize and experience architecture. While it is impossible to predict exactly how holographic technology will be used in the future, below, we list several examples of existing projects that use holograms and other types of holography to create atmospheric environments, fantastical scenes, and practical visualizations. These examples move beyond the use of holograms to visualize structures and sites during the design phase; they utilize holography to shape the completed architectural space itself, completely altering the sensory and spatial experience of their environment.
In this week's piece by Metropolis, author Kelly Beamon explores in her original article "the patriotism associated with pitched roofs and shares how architects are reimagining this staple of suburban house styles". According to its definition, a gable roof is a classic roof shape, usually in cold or temperate climates, consisting of two roof sections sloping in opposite directions and placed such that the highest, horizontal edges meet to form the roof ridge. Emblematic of the US, this article discusses its return to the urban fabric.
The 20th Serpentine Pavilion, designed by Johannesburg-based practice Counterspace, directed by Sumayya Vally, will finally open on 11 June 2021. After its 1-year postponement due to the global pandemic, the temporary pavilion will stay on display until 17 October 2021, on the Serpentine Gallery’s lawn in Kensington Gardens.
Located in the heart of Westminster, a short distance away from the Buckingham Palace, Henning Larsen are building a community hub that reimagines traditional office and commercial spaces. 105 Victoria Street will be the architecture firm's first ever project in London, providing visitors with an urban plaza that enables an active and social working environment both indoors and outdoors. The project is being developed by BentallGreenOak and is designed in collaboration with Adamson Associates Architects and KPF.
The 17th Venice Architecture Biennale invited architects to ponder the question “How will we live together”, eliciting a variety of answers, readings and interpretations. The International Exhibition unfolding in Giardini, the Arsenale and Forte Maghera presents 112 participants in the competition, coming from 46 countries, whose contributions are organized into five scales: Among Diverse Beings, As New Households, As Emerging Communities, Across Borders, and As One Planet. Answering “How will we live together as a community? “ is Chilean office ELEMENTAL and Archdaily met in Venice with Alejandro Aravena to discuss the idea behind the project KOYAÜWE, which creates a space that recovers the tradition of parleys, as a means to address the historical Chilean-Mapuche conflict.
For this month, The Dirt and author Jared Green share with us a study about urban heat islands, exploring new approaches that have been designed to both reduce urban temperatures and help communities adapt to a hotter world, In three cities: New York City, Copenhagen, and Abu Dhabi.
.jpg?1620086762)
A circular economy is an economic system aimed at eliminating waste and the continual use of resources. Looking beyond the current take-make-waste extractive industrial model, a circular economy aims to redefine growth, focusing on positive society-wide benefits. It entails gradually decoupling economic activity from the consumption of finite resources and designing waste out of the system. Underpinned by a transition to renewable energy sources, the circular model builds economic, natural, and social capital.
It is based on three principles:
Zaha Hadid Architects is collaborating with Hyperloop Italia to co-design the next phase of works of the transport vehicles, marking a turning point for the future of transportation. The collaboration aims to merge transformative architecture, engineering, and urban planning with the most efficient and sustainable transport network to improve accessibility, connectivity, and well-being in cities.
After completing One Vanderbilt, the tallest office building in New York, Kohn Pedersen Fox Associates has unveiled plans for a new skyscraper in Midtown Manhattan. The 320-metre high office tower at 343 Madison Avenue makes the most out of its relatively small plot and the silhouette mandated by the New York City zoning laws, featuring a series of receding volumes that leave a way to gardens and terraces at different levels. When completed, the project will also create an important new transit entrance to the Long Island Rail Road and the Grand Central Complex.
Historically, "cyclopean" referred to a building technique that superimposed large stone blocks together without any mortar. This allowed for a diverse array of structures across various civilizations, including defensive walls, talayots, navetas, nuraghes, temples, tombs, and forts. Nowadays, the term applies to any ancient structure consisting of large stones superimposed to form a polygonal shape.
Vladimir Belogolovsky speaks with Antoine Predock about the soon-to-be-built Bahías, a community of 13 houses in Costa Rica, inspired by a vision of manmade foliage.
Architecture and automation are two concepts that in the modern era of design and technological advancements go hand in hand- or do they? On one end, there’s a slight fear that “robots will replace designers”, making the profession more automated, and less creative. On the other, technology has made the practice of architecture more efficient in terms of process and cost. How far will technology take us, and will your job ever be lost to technology? The short answer is, probably not.
.jpg?1623242708)
