By now, it is clear that technology has taken over almost every aspect of our lives. It has changed the way we communicate, how we connect, how we work and study, and has even modified our buying and eating habits. Architecture and construction were not the exceptions, and technology is also now present in the way it is being thought, designed, and built.
We’re in an age of unprecedented technological innovation. The architecture and construction industries are increasingly becoming more and more automated, as firms seek to take full advantage of new machinery and new ways of working to make the design process more efficient. With this increase in automation, however, comes lots of questions too. Will robots ever replace architects? Will the near future see a fully automated construction industry? A pertinent question, too, is the complicated case of automation and the individuality of design – does automation take away from the individuality of design?
As a design feature, cantilevers can exist for any number of reasons, as rational results of form-making, impressive feats of engineering, or just unnecessary spectacles. Either way, they often result in buildings that appear both heavy and light at the same time and they present safely precarious situations for their inhabitants. The video describes what cantilevers are as well as some of the structural principles which govern their design like tension, compression, moment, and shear. It also goes over some great examples by architects like MVRDV, Rem Koolhaas, Ensemble Studio, and Richard Rogers. Finally, it concludes with appreciation for structural engineers and lists a few of the ones responsible for some of the most daring of delicate dangles.
The discussion around how we plan the cities we want to live in is a never-ending conversation. As our world experiences shifts that impact urban designs in both predictable and unpredictable ways, some principals have held true- that cities that rely less on private transportation, create walkable neighborhoods, boast a multitude of public parks and spaces, and are designed at a more human scale tend to be favored and well-recieved by the people who inhabit them. Enter the concept of New Urbanism. Backed by these ideologies with a modern spin on is how they might apply to our 21st-century lifestyles, New Urbanism a planning strategy that has been both praised and critiqued since its implementation.
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Sou Fujimoto Architects have revealed the winning design of the New City Center Landmark, a monumental floating tower on the bay of the Qianhaiwan district in Shenzhen. The proposed tower is 268m high, and consists of 99 individual tower-like elements connected a strong horizontal plane in the upper part, gradually vanishing as they descend. It is both one tower and a collection of towers all at once, symbolizing the future of societies in an age of diversity.
A growing number of theorists and practitioners have been discussing the impact of gender and race on the profession and theory of architecture. Issues linked to the relationship between the built environment, sexual orientation, and gender identity, however, remain particularly understudied, perhaps because of their relative invisibility and less clearly identifiable discriminatory consequences. Moreover, they are also completely neglected by design theory in the Francophone world. This article partially remedies the situation.
3D printing (as known as three-dimensional printing) is a type of rapid prototyping technology. It is a technology that uses powdered metal or plastic and other bondable materials to construct objects by printing layer by layer based on digital model files.
This article was originally published on Common Edge.
Martin C. Pedersen talks with Ron Rochon, managing partner at Miller Hull, about Carbon and the role of architectural firms in eliminating emissions. Discussing the EMissions Zero initiative, the current shortcomings of carbon offsets, and the way forward, the piece also questions the possibility of setting goals with the absence of an internationally, agreed-upon carbon cap.
ODA has just launched its latest project, an urban vision for the future of the streets of New York. The project titled Beyond the street- Reimagining the flower district proposes to transform a city block from the outside in, altering the pedestrian experience and introducing new zoning changes that would give landowners air rights or tax credits in exchange for handing over their inner courtyards to be transformed into public/private spaces.
ArchDaily had the chance to talk with Eran Chen, founding principal and executive director of ODA, about the firm’s very special proposal that seeks to improve our urban environment. Check the interview and watch ODA’s explanatory movie.
Paul Clemence has released a new series of images, showcasing the on-going construction works on Manhattan's Central Park Tower. The project is designed by Adrian Smith + Gordon Gill architecture and is set to be the tallest residential building in the world once completed. The building, as seen in the photographs, has neared completion and is set to open later this year.
Perforated wall panels offer a variety of benefits: they can provide passive ventilation, shade, and unique aesthetics to any façade. In the case of companies like Dri-Design, which specializes in customizable and sustainable metal wall panels, perforated panels can be produced according to a wide variety of specifications, including different colors, materials, sizes, textures, shapes, and styles of perforation. Dri-Design’s perforated imaging series even allows architects to apply images onto their facades by varying the size, location, and density of the perforations.
Below, we examine three case studies of buildings using different perforated panels, considering each of their panel specifications and overall aesthetic effect on the buildings.
OMA's research and publication branch AMO has taken over the fences of the United Nations Headquarters in New York for a public exhibition showcasing a follow-up of the 2020 Countryside, The Future project. Curated by Rem Koolhaas and Samir Bantal, director of AMO, Countryside at the United Nations, invites reflection and public discussion on the topics of agricultural innovation, ecological change and food production in anticipation of the UN Food Systems Summit taking place in September 2021.
“If you gave me your shoe, I could tell you with about 90% accuracy the city in the world from which you came,” says Christopher Mason, Ph.D., a professor at Weill Cornell Medicine in New York, NY, co-author of the first global atlas of urban microorganisms. The study, carried out by the international Metagenomics and Metadesign of Subways and Urban Biomes (MetaSUB) consortium, creates a map of the microbiome of some of the largest cities in the world.
MVRDV has revealed the design of an exhibition and visitor centre for the Port of Rotterdam, which would tell the story of Europe’s largest port. Scheduled to open in 2024, The Harbour Experience Centre features a stack of five rotated exhibition spaces framing views of the surroundings, and outdoor staircases wrapped around the structure provide visitors with a route up the various terraces and to the rooftop. The project is the successor of FutureLand, a temporary information centre from 2009, whose success prompted the creation of a permanent exhibition.
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Charles (June 17, 1907 – August 21, 1978) and Ray Eames (December 15, 1912 – August 21, 1988) are best known for their personal and artistic collaboration and their innovative designs that shaped the course of modernism. Their firm worked on a diverse array of projects, with designs for exhibitions, furniture, houses, monuments, and toys. Together they developed manufacturing processes to take advantage of new materials and technology, aiming to produce high-quality everyday objects at a reasonable cost. Many of their furniture designs are considered contemporary classics, particularly the Eames Lounge & Shell Chairs, while the Eames House is a seminal work of architectural modernism.
Adaptive reuse or the process of transforming an older building by reusing the structure and changing its original purpose, has gained relevance over the years especially because it allows a complete optimization of the performance of the existing built environment. In a piece, originally published on Metropolis, author Elissaveta Brandon explores how "architects and developers are transforming the staples of the South—located throughout a 120-mile region from Winston-Salem to Fayetteville—into infrastructure fit for today". Transforming historic mills into design hubs, and mixed-use complexes, the article highlights 3 examples from North Carolina.
The Media Architecture Awards are handed out to the best projects in the integration of displays, interactive installations and other media into architectural structures, such as facades and urban screens. The winners will be announced at the Awards Ceremony on July 2 (15:30-16:30 CEST). The award ceremony will be live-streamed. The coming weeks the three nominations in each of the five categories will be revealed here, on ArchDaily.
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Studio Gang and The Community Builders have won the City of Chicago’s C40 Reinventing Cities, a competition that seeks to “transform underutilized sites or buildings into beacons of sustainability and resilience and act as a showcase for future zero-carbon urban developments”. The winning proposal will create 207 residences for the downtown workforce earning as little as minimum wage, revitalize Pritzker Park, and add community spaces and amenities to the Chicago Loop.
The human scale spans both physical dimensions and sensory perception. Designers create spaces and objects like steps, doorways and chairs that are closely aligned to human measurement and how we see the world. But as we look beyond the human scale, new ideas and typologies emerge that help us rethink how we conceptualize architecture and build for the future.
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MVRDV has revealed the design of "De Oosterlingen", a series of seven sustainable residential buildings on Amsterdam’s Oostenburg Island. The proposed buildings are distributed in a 'barcode' composition, forming an apparent unified design but with an animated skyline and unique characteristics such as varying roof shapes and façades of wood, glass, recycled brick, and bio-based composite.
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The 2021-2022 A' Design Awards are now open and accepting early entires. The A’ Design Award & Competition provides valuable feedback and experience to its contestants. The A’ Design Award winners will proudly display their award trophies and design excellence certificates which grant them a high level of exposure and recognition.
The 17th Venice Architecture Biennale is currently unfolding, and its 60 national pavilions reveal a wide range of answers to the question "How will we live together". This year's edition restates the Biennale's role as a platform for inquiry, prompting a collective re-evaluation of pressing issues such as migration, inequality, climate change or the role of technology. While in Venice, Archdaily met virtually within the Korean pavilion with curator Hae-Won Shin, as the pandemic prevented the exhibition's creators to be present at the Biennale. The conversation explored the thinking behind "Future School" and how it creates a framework for collective learning and exploration.
Humans possess an innate tendency to seek connections with nature, regardless of the physical or geographical conditions in which we find ourselves. As we become increasingly detached from the wilderness, we develop means and strategies to bring nature back into our daily lives, even if only for a few moments.
There are many ways of domesticating nature, as seen throughout the history of mankind, through fascinating structures that challenge technical limitations, such as vertical indoor gardens.
In Conflict, the Portuguese Official Representation at the 17th Architecture International Exhibition La Biennale di Venezia, 2021, is co-curated by Carlos Azevedo, João Crisóstomo, and Luís Sobral of depA architects, and Miguel Santos. The exhibition addresses public spaces as arenas of conflict, understood as the action of opposing forces translated as dissension. In Conflict responds directly to the question 'How will we live together?' posed by Hashim Sarkis, curator of the Biennale Architettura, and is based on seven architectural processes involving collective dwellings that were the subjects of broad media coverage and public involvement.
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